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1-32 of 32
- The parallel stories of a modern preacher and a medieval monk, Gabriel the Ascetic, who is killed by an ignorant mob for making a nude statue representing Truth, which is also represented by a ghostly naked girl who flits throughout the film.
- A widowed farmer, failing in his efforts to find a woman capable of running his household, decides to marry a young woman he believes can fill the bill. Wat he doesn't know is that she is running away from a brutish and violent husband, whom she has discovered is also a bigamist, and that her angry and vengeful husband is looking for her.
- Katherine Bradley, known as "Kit," is an orphan and heiress. At an early age she is placed in a fashionable and select seminary for young women. Kit, by means of her fascinating daring, her unlimited cash, and her lovable personality, enlists the cooperation of all the girls in any affair which she undertakes. She so impresses the principal of the school with her open-heartedness that she is given permission to drive her car from four to five o'clock each day. The story opens on the day of the annual play given by the young women of Miss Smythe's Select Seminary. The question passes from mouth to mouth, "Where's Kit Bradley? She's our leading man." A search is instituted which results in finding a note in Kit's room saying that she has taken her car out for a drive. The principal is horrified that her charge should be out without a chaperon, and determines that such an action shall not be repeated. In the meantime, Kit, speeding along the country roads far from home, has an accident. A tire is blown. Kit is perplexed. Then a handsome young man comes along and offers assistance. She accepts it, and promises to meet him on the next afternoon. This arrangement is not carried out quite as Kit planned. Arriving at school very late in the evening, she finds it necessary to enter through an open window. Quickly slipping into a kimono to cover her street clothes and getting into bed. Kit faces an indignant principal who enters her room, with a story of a nerve-wracking toothache which keeps her awake. The next afternoon when Kit would take her usual spin, Miss Smythe reminds her that she must take a chaperon. Kit takes her, but makes the ride so hazardous that the chaperon, when told that the car is not the kind that can go slowly, is glad to be left by the wayside, while Kit takes a spin and returns for her. Kit keeps her tryst. Among the trees she and Cameron enjoy a picnic luncheon, but while this meal is in progress a passing tramp sees Kit's classy new roadster, likes it, and takes it. Cameron takes her in his car and on the wayside they pick up the outraged chaperon, who believes not a word of the little story and hurries the culprit to Kit's guardian. To save herself, Kit announces that she is engaged to the artist, and this is confirmed by Cameron. Brought before the guardian, he recognizes in Cameron an old-time friend, gives his consent, and after reciting a passage from the will of Kit's father that her fiancé must not see her for six months after the engagement, disappears in time for Kit and Cameron to become really and truly engaged. The idea of not seeing her newly found fiancée for six months, is not to Kit's liking, besides, she is just a bit jealous, for he is an artist. So Kit persuades her guardian to take her to a performance of Elsie Janis in "The Fair Co-Ed." From the production she obtains an inspiration that determines her future course of action. Kit changes clothes with a servant and enters Cameron's studio as a slavey. Toddling back and forth in the performance of her menial duties of serving and dusting, she keeps an eye on Cameron and notes those who are constantly coming and going. They are stylish; they are beautiful; they are cultured. Then, too, there is in the studio a fascinating blonde model. Kit must change her tactics and be some or all of these things. She will be beautiful. For surely he, with his artistic temperament and taste, will most appreciate that quality. She, too, will be a model. As Carlotta, the Queen of Italian beauties, she agrees to pose for Cameron. And then, just for the sheer joy of it, and because in Miles Smythe's select school she had learned the art as "leading man," Kit arrayed herself in all the paraphernalia of an up-to-the-minute "chap." She visits the studio and by flashing unlimited coin and even boasting about the large sums she has "on" her. Kit proceeds to win the affections of the beautiful blonde who has been flirting with Cameron. Cameron has seen through the little disguises all the while, but now that he is confronted by a "man," he feels licensed to treat him as a man. He smokes a vicious cigar, blows smoke in Kit's face, and presses her to drink with him. This is too much; she will reveal her identity at once, will or no will. "Guardy," passing Cameron's studio, recognizes Kit's car standing outside, and without ceremony enters and stands behind the young couple as Kit commences to reveal to Cameron her real identity. He sees the lay of the land and makes to them an unexpected and startling disclosure. There probably never was such a wedding. What an assembling of rarely beautiful girls and brave courtly men; a canopy of unflecked blue mountains standing black against the sky and extending off into misty nothingness and great stretches of green and flowers. Kitty was at last married to Cameron.
- The cruel captain of a schooner dominates the shipwreck victims he picks up.
- When his long-suffering wife leaves him, the hard-driving captain of a whaling ship turns bitter and takes out his anger, resentment and frustrations on all those around him, leading to tensions with his crew that come up to the point of mutiny.
- From a hard-won leadership of a hoodlum gang in Oakland, Cal., from a beach-comber's life in the South Seas, and from the inferno of the stokehole, Martin Eden, an unlearned sailor, wins his way to fame and fortune. But it is not until great odds have been conquered and much has been sacrificed that the goal is reached. And then it is too late. The odds are ridicule, poverty and lack of education. The great sacrifice, love. A chance meeting, in his hoodlum days, with Arthur Morse, a college man, proves the turning point of his life, for through him he meets Arthur's sister Ruth. This means the opening of a new world, and in the remaining reels of the play we see Martin's indomitable spirit and the development of his career. He makes two picturesque friends. One is Russ Brissenden, a poet, who encourages Martin when he sorely needs it, though his taking the latter to the Socialists' meeting had unfortunate results for the cub reporter as well as for Martin. The other is Maria, his warm-hearted Portuguese landlady, whose wildest flight of imagination, ""hoe all da roun' for da kids," Martin later is happily able to gratify. A third figure comes now and then into Martin's life: beautiful, wistful Lizzie Connelly, who loves him and whom he pities but cannot love. As in so many lives, matters are at their lowest ebb before the tide turns. Martin is penniless and without food or warmth. He has had only one sale of a manuscript in the many months of unceasing endeavor. Brissenden is dead. Ruth, losing her faith, has broken their engagement and refuses to see him. Then comes the sudden sweep of success, with publishers clamoring for his work and fame and wealth in his hand. But the tension that sustained him during his days of poverty and struggle breaks. Even Love, in the person of the repentant Ruth, knocks at his door in vain, and he sails for the South Seas, to find again, if he may, his old-time zest for life.
- When Betty arrives from the Convent to visit her uncle's family they are careful to hide all the extreme low-necked gowns and other worldly things lest they shock the devout convent girl. Instead of shocking, Betty finds them fascinating and they install in her a desire to learn more about the fascinations of the world. When Jim Denning proposes to her, she says she loves him but she must see the world first. Angrily he leaves her as she sits beside the fireplace, whose dreamy flames inspire her to tempt a knowledge of things unknown to her. Out into the world she goes, where she sees and learns many things but with pangs and heartache. At a vital moment when she is about to faint dead away, the faithful Jim arrives and catches her in his arms. Betty awakens to find it has all been just a dream, and faithful Jim has no problem convincing her of the full meaning of a home and that the world and its false promises are not for her.
- Hi Judd, poet, postmaster and philosopher, is the sunshine of the village, a veritable doctor of happiness. His right arm the little world of the village leans on, the kind words he scatters broadcast reap their harvest of love for the old postmaster and the verses he writes (sometimes when he should be working) proclaims him the wit of the village. And because of the verse writing Mrs. Judd is often discouraged. Hi confides in his daughter, Bess, that he often stands in awe of Mrs. Judd when she catches him pencil in hand, with the woodpile untouched and the chores not done. But Bess is consoling and when Hi is not around she makes a collection of the verses and sends them on to a great newspaper. Theirs is a peaceful life that must have its dramatic climax and it all descends upon them at once. Jim Skinner, an unscrupulous, grasping old miser, holds the mortgage on the house and also has designs upon Hi's position as postmaster. Then the bank fails and shadows hang low. In the meantime drama is stirring within their home. Bess who had thought she cared for Hal, the station master is under the spell of Sam who has come from the city to be the new ticket agent. Hi, dubious of his character and regretting his daughter's change of heart, before it is too late, finds a picture of Sam, his wife and their baby. Hi recognizes in the wife, Belle, the long-missing daughter of Mother Wilkins, a widow of the village whose home has burned and who would have suffered privation had it not been for the generosity of Hi. He sends for Belle, making her believe the money and message come from Sam and when Sam is confronted with the wife and baby he sees there is nothing to be done but face the unexpected situation. The mortgage is due. Heartbroken, they are preparing to leave the little home when word comes from the newspaper: "Verses accepted, send them as fast as you can write them." Thus ends the story. Hi, with his $500 check from the newspaper pays off the mortgage, the future holds its promise; Mother Wilkins is happy with her daughter and the little baby, and Hal and Bess are engaged to be married.
- Elam Harnish, known as "Burning Daylight," is a leader among the men of Circle City, Alaska in the days before the gold rush.
- An adventurer, who goes by the nickname "Burning Daylight", strikes it rich during the Alaskan Gold Rush. After he achieves wealth and success in the Klondike, he sets out towards 'the lower 48' (the continental U.S.) to find new challenges, but his money making abilities do not prepare him for the vicious cons and manipulation of Wall Street. He is soon cheated out of his entire fortune, but the 'hero' now has learned the lessons 'of the street', and fights to become a success again, with the knowledge that it takes a scoundrel to beat a scoundrel.
- To escape the dreary formality of her born life, Drucilla marries a missionary, Ferdinand Smith, and goes with him to Africa. Here her life proves anything but happy. Denied the pleasures enjoyed by most girls of her age, she endures her husband's cold severity as long as possible and then leaves him, returning to America, where she visits her old school friend, Letitia Proudfoot. It is while attending a reception with Letitia that she meets the poet, Forrest Smith, whose attentions are welcome after the austerity of the frigid Ferdinand. A friendship springs up between them which soon ripens into love. On the news that Ferdinand has been lost at sea, she and the poet marry. Love in a cottage is hardly more satisfactory to pretty Drucilla than life among the heathen. Forrest is not a good provider, and when she threatens a suit for non-support, he disappears, leaving a note of farewell pinned to his coat, which is found at the edge of the sea. Free again, Drucilla for the first time really falls in love, this time with Frank Smith, a wealthy club man, athletically inclined. Frank turns out to possess a very jealous nature. Drucilla puts up with his doubts and suspicions patiently, but before long a climax arrives which precipitates a suit for divorce. Drucilla welcomes this conclusion to her unhappy domestic affairs with relief and sets off with Letitia in search of repose. Now it happens that Ferdinand was not lost at sea, and Forrest did not commit suicide, and each develops a desire to be reunited with his wife. Forthwith they set out in search of her, and eventually meet at the same hotel. Here also comes Frank, who, too, has undergone a change of heart. Thus instead of finding repose, as she hoped, Drucilla is plunged deeper than ever into marital tribulations. Her tender heart prompts her to make up with Frank. But no sooner is this done than Forrest puts in an appearance and makes his claim. Drucilla cries, "I am a bigamist," but belated Ferdinand, entering the scene, answers, "No, you are a trigamist." Which one of the husbands will Drucilla take, and how will she evade the law? This is the question. The clever authors have so arranged that this will be a guess until the very last, and then it ends just right for everybody.
- A tale following a boys relationship with alcohol.
- Caveman Long Biceps courts cavewoman Lithesome using the direct method, force, while Lithesome's father, Hard Muscle, opposes the brutish union. Centuries later, during the American Civil War, Prudence Alden leaves her Boston home to tend to her wounded brother in the South and falls in love with Frank Warren, a Rebel whose father, Colonel Warren, places considerable obstacles in the lovers' path. Just as Long Biceps overcomes Hard Muscle and wins Lithesome, so Frank defeats the colonel and gains Prudence. In 1915, Marian Gordon aspires to a career as a novelist, but when she is told by a hard-nosed publisher, John Rogers, to get out and learn about life, she takes a job as a maid in his household. While studying life, she has a romance with John's reckless son Jack and wins not only his heart, but the father's as well. A bestselling novel follows.
- In 1840, while California is ruled by Mexico, American settlers are in constant danger from Mexican marauders. After a band of Mexican soldiers led by American renegade George Granville kill the parents of Leonardo Davis, he vows vengeance and begins a career as a masked highwayman who terrorizes the Mexican offenders. Because Leonardo gives his plunder to those Americans who have been robbed, and he protects the women, children, poor, and helpless from attacks, he becomes known as "Captain Courtesy." At the San Fernando Mission, Leonardo falls in love with Eleanor, the orphaned ward of Father Reinaldo. For Eleanor's sake, Leonard renounces his mission of vengeance and joins the California Riflemen. When Granville learns about a cache of gold hidden at the Mission, he organizes an attack. Leonardo crashes through the stained glass window on his horse and rides to General Stephen Kearny's troops encamped in Los Angeles, who then rout the Mexicans. When Granville boldly admits that he slew the Davises, Leonardo fights him, but Eleanor persuades him to spare Granville's life.
- A sheriff and his posse shoot it out with a gang of robbers headed by Bad Jake Kennedy. The surviving robber, Buckshot John, won't tell where the gang's loot is hidden and gets 30 years in prison. Halfway through his sentence he "gets religion" and in order to save his soul, decides to tell where the gang has hidden its stash of gold. However, a phony clairvoyant, The Great Gilmore, finds out about John's intentions and tricks him into revealing where the gold is. When John finds out what happened, he decides to break out of prison and take care of matters himself.
- In 1898 friends John Thomas and Lars Larson travel to the Yukon with their wives to make their fortunes. While in Alaska Thomas' wife gives birth to a boy, and Larson's wife has a girl, Julia. However, Larson spots a birthmark on his daughter's shoulder that resembles one on Thomas' shoulder, and he begins to suspect that he may not actually be the girl's father. Over the next 20 years the two become millionaires, but Larson's wife dies. Julia and Thomas fall in love and wish to marry, but Larson is determined to oppose it. Complications ensue.
- Bob Van Buren's rescue of an upper-class Turkish girl and her duenna in Constantinople when they are waylaid by robbers paves the way for a romance between them. The romance progresses rapidly despite the hullabaloo raised by Demetra's father and by the Turk fiancé he is trying to force upon her; but the very thought of a girl, so highly educated, so gifted with needle and loom, so famously graceful as a dancer ending up in a harem instead of a respectable home, drives Bob Van Buren to desperation. At length he persuades Demetra to elope with him to America, where Demetra could be married at his mother's in New York. Getting wind of it, the malicious Osman hires a band of ruffians who make away with Bob Van Buren on the very eve of departure. With her young American mysteriously vanished, and the day of her now-all-the-more-odious wedding to Osman drawing near, Demetra can stand it no longer, and taking her duenna, flees to a cousin's in New York on the P. and O. boat on which Bob had reserved sailings. Osman pursues the little refugee, corners her in New York, and with oriental cunning sets a trap into which Demetra walks blindly. Having her in his toils again Osman summons a second Turkish priest and is just forcing Demetra to her knees before him when the door bursts open and in rushes Bob Van Buren, who had finally escaped the dungeon in Constantinople to which he had been consigned. He routes Osman and takes Demetra to his mother's. Mrs. Van Buren suggested that the lovers wait until September, but their hearts were set on June. And so, as you may very well imagine, June it was.
- "Sunshine Molly'' enters the oil town in search of work. Her first good deed is to help old Pete, whom she had met on the road, to carry his heavy bundle. She is seen to do this by "Bull" Forrest. Old Pete shows her the boarding house and she applies for work. Mrs. O'Brien and her daughter, Patsy, a slovenly girl, who have to do all the work, are tired out and seeing in Molly a willing worker, hire her and she starts in at once. "Bull" Forrest enters the dining room at this point and announces: "There's a new female in town." He is reproved by old Pete as Molly enters with food, and Bull in a spirit of bravado pinches her. Molly is furious, breaks a plate on his head and tells him to keep his hands to himself. Bull leaves the dining room in a rage. Pat O'Brien, whose wife runs the boarding house, owns an oil well in which he has sunk all his money and is greatly worried because it shows no sign of producing. Old Pete, now very weak and near the end, makes Bull a witness to his will in which he leaves his land and all on it to Molly. In the meantime Pat's well turns out to be a gusher and the O'Brien family move to town and enter society. The Widow Budd takes charge of the eating house during their absence and falls hopelessly in love with all her boarders, who show a preference for her daughter. At this juncture Mrs. O'Brien engages a professional matchmaker to find a man of family to marry her daughter. She is successful and on making known her intention of giving a reception to announce the engagement. Pat thinks it will be a good chance to give his old cronies in the oil fields a treat, so he secretly invites them to the reception. The night arrives and Mrs. O'Brien and her daughter, whom she now calls Patricia, are flattered by the large attendance of polite society, when who should file in but the workmen from the oil fields. Consternation follows, and Pat's wife is furious that he should have dared to invite such common people. Pat, angry at the insult to his cronies, departs with them to the oil fields, leaving his wife and daughter in sore straits, as the fiancée demands a marriage settlement. Bull Forrest has been shunned by his fellow workmen on account of his insult to Molly, and worried so over it that his nerves became affected, his sight troubled him and caused him to act so queerly that he was thought to be insane, and all avoided him. Molly discovered him stricken senseless one night, took him to his room and doctored him and his hate turned to love. Mrs. O'Brien with Patricia and her fiancée were compelled to follow Pat to Oilfield and on arriving were given a cool reception by the workmen, and the fiancée in retaliation tells them that he knows "Sunshine Molly" and that she has been a jailbird. The men are enraged at this insult to one whom they all think so highly of, and hurry him into the dining room where Molly is and demand to hear what he knows about her. Molly says that he is quite right as she was arrested once for attacking a man who would not keep his hands to himself, and pointing to him, tells the men that they will find a scar on his left shoulder. Bull tears the clothes away and reveals the scar, the men at once kick him out and he swears to be revenged. That night he sets fire to the oil field, which is destroyed, and Bull seeing him do the dastardly deed, pursues him to an old derrick where he climbs to the top, pursued by Bull. A part of the ladder breaks and the traducer is dashed to the ground and killed. Bull is carried to the boarding house and placed in Molly's room where he is tenderly cared for by Molly. Overcome by her kindness he sends a note to her by Pat asking her to have someone else wait on him, as "he can't keep his hands off her." Molly answers the note in person and tells him that loving each other as they do, it would not be long before, "a man can lay his hands on his wife."
- When Billy Balderson and his two cronies, Charlie and Ed, get together on Bill's porch to discuss the high-handed ways in which the railroad is putting it over on the farmers, cross-roads politics develop a latent spring of eloquence, and poor, dowdy little Addie, Billy's wife, thinks that her husband is the most wonderful orator she ever heard. A few days later they dress-up in their second best and go to a meeting on the Common, where George Marshall, suave, well-dressed and condescending, explains to the voters that the railroad is their only hope of salvation and that in the approaching election they should vote for representatives who will support that institution. Billy questions Marshall. The crowd is with Billy, and almost before he knows it he is on the platform, annihilating Marshall's argument in a rousing speech. Between excitement and pride Addie is reduced almost to hysterics, and when Charlie, seizing the psychological moment, nominates Billy for the Legislature, she is nearly overcome. The most exciting days of her hard-working, colorless life follow, culminating in the fete day when Billy entertains all the townsmen at their farm to celebrate his election. With their arrival at the State Capitol a new era begins, and Addie soon learns that the years of drudgery and plain living on the farm are poor preparation for coping with the political circle of the State Capitol. Shy and bewildered, and lacking the poise that a sense of his position gives Billy, she quickly finds herself outstripped by him in adapting themselves to the changed conditions of their lives. Addie can only look nervously about and wish she was at home; as she and Billy attend their first reception and she notices the covert laughter of the people about them. Two persons notice them particularly, George Marshall, the speaker Billy answered during the campaign, and his wife, Myrtle. As Billy is recognized as a coming man, and his vote will be needed on an impending railroad bill, Marshall quietly gives his instructions to Myrtle, then recalls himself to Billy, and tries to put him and the embarrassed Addie at their ease. Taken up by the Marshalls, Billy makes rapid progress in the social life of the capitol, but only until Addie learns that Mrs. Marshall is monopolizing her Billy's time, and that she herself is looked upon by the women of the political circle as a poor little frump with no spirit. With a blank signed check from Billy, she calls in the services of Mme. Pauline, proprietor of a beauty parlor, and the result is so astoundingly transforming that she can hardly believe her eyes. She passes Billy on the street and he does not know her, though the thought flashes through his mind that his little country mouse of a wife might have looked like that. When he reaches home, there is Addle, still the little, dowdy country mouse, who seems to shrink from the very thought of the reception and ball to which they are invited, and who later sees him off to it with an air of relief. The relief at least is not feigned, for it has been hard work to keep Mme. Pauline and her maid quiet in the kitchen, while she gets Billy out of the way. The transformation takes place quickly, and the country mouse appears at the ball as a wonderfully charming and brilliant woman. Marshall is distinctly impressed, and so ardently seized the opportunity of persuading Addie to influence Billy's vote on the railroad bill, that Billy is furiously jealous. The denouement is cleverly turned to a comedy finish and the play closes happily as Addie begins to teach her husband the tango.
- At the opening of the play Billy Roberts is successively a pugilist and a teamster, and Saxon, a young girl, works in a laundry. They meet at a Weazel Park picnic, the afternoon of the lively "roughhouse" between San Francisco and Oakland. They find each is of the race of the sturdy pioneers, which crossed the plains on foot and founded the new empire of the West. "We're just like old friends, with the same kind of folks behind us," says Billy. We see their simple wedding, and the happiness of the new life. Then comes the teamsters' strike, with its consequent poverty and unhappiness and the embittering of Billy's spirit. A succession of scenes shows the rioting that ensues when strike-breakers are imported. A thousand men were used in this part of the play. The action does not pause from the moment the strike-breakers leave the train until the riot culminates in front of Saxon's eyes, in the killing of Bert, Billy's chum. Things go from bad to worse, but it is when their fortunes are at the lowest ebb, when Billy is in jail and Saxon destitute, and while she sails on San Francisco Bay, that the great inspiration comes to her; the city is just a place to start from and that beyond the circling hills, out through the Golden Gate, somewhere they will find what they most desire. After his release and fired by her enthusiasm. Billy agrees and, with the thought that they are only following in the footsteps of their ancestors, they start out on foot to find a new home. Charming glimpses of the country through which they tramp are given, in the course of which we make the acquaintance of that delightful group of artists who call themselves the "Abalone Eaters," at Carmel, and attend a boxing match at which Billy earns a much-desired camping outfit in twenty-seven seconds. Finally they come to a cairn and view from it a valley that is all they have looked for. It is Sonoma, an Indian name, which means the Valley of the Moon. Our last view of them is in the midst of busy ranch life, and in a dell in Wildwater Canyon, where Saxon whispers to Billy the secret that crowns the summit of their happiness.
- Judge Randolph Kent repudiates his son when the latter makes no satisfactory explanation of how the jewels which were stolen at Mrs. Monroe's ball came to be found in his coat pocket. That young Kent, heretofore the idol of the little city and the apple of his father's eye, was, after all, hopeless from the beginning seemed proven when he was later indicted for embezzlement. By an irony of fate Judge Kent himself is forced to hear the case, and on considering the incontrovertible evidence instantly gives his son the maximum sentence, ten years in state's prison. But before the sheriff starts with the condemned youth it is discovered that young Kent has all along been sacrificing himself to shield others. Innocent himself, he protected the thief of the jewels at the Monroes' because it was the brother of the girl he was about to marry, and shouldered the crime of the real embezzler because the latter had befriended Kent and got him his position at the bank when the Monroe scandal had made him an outcast.