The Eternal City’s glitterati celebrated Sofia Coppola on Wednesday at an American Academy in Rome gala in the 17th century Villa Aurelia on Janiculum Hill.
The Oscar-winning director of “Lost in Translation,” “Marie Antoinette,” “Bling Ring” and, most recently, “Priscilla” was honored with a McKim Medal that “marks the profound relationship between Italy and the United States and recognizes the works of individuals who have contributed to the intense artistic and humanistic dialogue between the two nations,” as a statement put it.
Coppola’s ties to Rome comprise directing a 2016 production of Giuseppe Verdi’s La Traviata at the Italian capital’s Teatro dell’Opera featuring costumes by Valentino and the fact that “Priscilla” — which got a seven-minute standing ovation at its 2023 Venice Film Festival premiere — is produced by Rome-based producer Lorenzo Mieli.
Mieli was in attendance along with a mix of prominent film, fashion, arts, academia and business...
The Oscar-winning director of “Lost in Translation,” “Marie Antoinette,” “Bling Ring” and, most recently, “Priscilla” was honored with a McKim Medal that “marks the profound relationship between Italy and the United States and recognizes the works of individuals who have contributed to the intense artistic and humanistic dialogue between the two nations,” as a statement put it.
Coppola’s ties to Rome comprise directing a 2016 production of Giuseppe Verdi’s La Traviata at the Italian capital’s Teatro dell’Opera featuring costumes by Valentino and the fact that “Priscilla” — which got a seven-minute standing ovation at its 2023 Venice Film Festival premiere — is produced by Rome-based producer Lorenzo Mieli.
Mieli was in attendance along with a mix of prominent film, fashion, arts, academia and business...
- 6/6/2024
- by Nick Vivarelli
- Variety Film + TV
Science fiction and fantasy have inspired dozens of great television scores through the years, from “Battlestar Galactica” to “Game of Thrones.” Three more streaming series continued that tradition this season: “Silo,” “Fallout” and “3 Body Problem.”
Atli Örvarsson’s music for “Silo,” the Apple TV+ dystopian drama set in a bleak future where everyone lives in underground silos, was initially inspired by the setting. “It’s a mechanized world,” he says. “The technology you see is very, very old; the computers look like they’re from the ’80s, so there was always this idea that even the electronic sounds should be primitive, not slick.”
So he relied on Korg and Moog synthesizers from earlier eras, along with an unusual keyboard: the magnetic resonator piano, which uses electromagnets to create unusual sounds from the strings inside the instrument. “There’s a steampunk feel to the design of the show, and this is the ultimate steampunk instrument,...
Atli Örvarsson’s music for “Silo,” the Apple TV+ dystopian drama set in a bleak future where everyone lives in underground silos, was initially inspired by the setting. “It’s a mechanized world,” he says. “The technology you see is very, very old; the computers look like they’re from the ’80s, so there was always this idea that even the electronic sounds should be primitive, not slick.”
So he relied on Korg and Moog synthesizers from earlier eras, along with an unusual keyboard: the magnetic resonator piano, which uses electromagnets to create unusual sounds from the strings inside the instrument. “There’s a steampunk feel to the design of the show, and this is the ultimate steampunk instrument,...
- 5/31/2024
- by Jon Burlingame
- Variety Film + TV
The Exorcist is my choice for the best horror movie of all time. Some may say Rosemary’s Baby or The Shining or Night of the Living Dead, but as a good Catholic boy, nothing has ever gotten under my skin the way William Friedkin’s original did. But, with great success comes the desire for Hollywood to make a hit into a franchise, but Friedkin was not a franchise director. He famously turned down French Connection II, but the studio, perhaps noticing how the second French Connection turned out decently, decided to go ahead and turn it into a franchise. Still, the results, with one notable exception were a disaster. So without any further adieu, here’s our list of Exorcist movies ranked – from worst to best.
Exorcist II: The Heretic (1977)
So, worst is a degree here rather than a black-and-white fact. All of the Exorcist sequels – with that one...
Exorcist II: The Heretic (1977)
So, worst is a degree here rather than a black-and-white fact. All of the Exorcist sequels – with that one...
- 5/29/2024
- by Chris Bumbray
- JoBlo.com
This past spring, a song by Disclosure titled “She’s Gone, Dance On” became a hit across club and festival circuits, with a handful of notable DJs incorporating it into their sets. Now, the British duo have officially released the song as a single.
A feel-good, summery bop, “She’s Gone, Dance On” demonstrates Disclosure’s knack for irresistible grooves. Already, it’s become popular online as the go-to soundtrack for videos of students anticipating summer, and has earned a number of fans, including Taylor Swift, Travis Kelce, and Ice Spice, who were seen dancing to the song during Dom Dolla’s set at Coachella 2024.
Get Disclosure Tickets Here
Other DJs who have played the song recently include DJ Seinfeld, Sg Lewis, Peggy Gou, Barry Can’t Swim, Hamdi, Westend, Discolines, Ahadadream, and more. In an Instagram clip announcing the single, Disclosure explained that they’ve held off on officially...
A feel-good, summery bop, “She’s Gone, Dance On” demonstrates Disclosure’s knack for irresistible grooves. Already, it’s become popular online as the go-to soundtrack for videos of students anticipating summer, and has earned a number of fans, including Taylor Swift, Travis Kelce, and Ice Spice, who were seen dancing to the song during Dom Dolla’s set at Coachella 2024.
Get Disclosure Tickets Here
Other DJs who have played the song recently include DJ Seinfeld, Sg Lewis, Peggy Gou, Barry Can’t Swim, Hamdi, Westend, Discolines, Ahadadream, and more. In an Instagram clip announcing the single, Disclosure explained that they’ve held off on officially...
- 5/29/2024
- by Jo Vito
- Consequence - Music
Clint Eastwood was already 30 years old when he landed his breakout role in the CBS Western "Rawhide." The actor had spent much of the 1950s getting by on bit parts in B movies (most notably the Jack Arnold monster duo of "Revenge of the Creature" and "Tarantula"), and guest roles on TV series like "Maverick" and "Death Valley Days," so you'd think he would've been thrilled. But Eastwood was displeased with his character Rowdy Yates, who, early on in the series' run, was a wet-behind-the-ears ramrod. At his age, he was eager to play a grown, capable man with enough years behind him to allow for a bit of mystery.
Eastwood's restlessness coincided with a shift in filmmakers' approach to the Western genre. Though maestros like John Ford, Howard Hawks, Anthony Mann, and Budd Boetticher had allowed for moral ambiguity in their movies, the vast majority of Westerns were white...
Eastwood's restlessness coincided with a shift in filmmakers' approach to the Western genre. Though maestros like John Ford, Howard Hawks, Anthony Mann, and Budd Boetticher had allowed for moral ambiguity in their movies, the vast majority of Westerns were white...
- 4/28/2024
- by Jeremy Smith
- Slash Film
Quentin Tarantino is one of the most decorated filmmakers of all time. He has helmed numerous films, such as Kill Bill and Pulp Fiction, which have gone on to achieve a sort of cult-like status among film buffs. The director has teamed up with the crème de la crème of Hollywood, and the efforts have always paid off, delivering memorable projects every single time.
Tarantino and Walton Goggins collaborated on The Hateful Eight in 2015, to a similar effect. The film was hailed by critics, and it even went on to win an Academy Award. It enjoyed a good run on Netflix, but it is set to leave the streaming platform this month, much to the dismay of fans.
Tarantino’s film is about to leave the streaming platform (Source: The Hateful Eight) How Quentin Tarantino revived The Hateful Eight, starring Walton Goggins
Quentin Tarantino‘s filmography is enviable, and he...
Tarantino and Walton Goggins collaborated on The Hateful Eight in 2015, to a similar effect. The film was hailed by critics, and it even went on to win an Academy Award. It enjoyed a good run on Netflix, but it is set to leave the streaming platform this month, much to the dismay of fans.
Tarantino’s film is about to leave the streaming platform (Source: The Hateful Eight) How Quentin Tarantino revived The Hateful Eight, starring Walton Goggins
Quentin Tarantino‘s filmography is enviable, and he...
- 4/20/2024
- by Sreshtha Roychowdhury
- FandomWire
The best things come in threes, especially stories. In Western nations, we like a three-act structure in which we set a status quo, watch our heroes fall, and then see them return to greatness. Some of these stories cannot be held within a single movie. For those epics, those monumental narratives, the movie trilogy was born. Trilogies represent some of the best that cinema has to offer, movies that changed the culture and the art form. The trilogy might vary in quality from film to film, but together these three films tell a story that cannot be ignored.
Before we get too far, let’s lay out our criteria. The trilogies chosen here are those intended to be a trilogy, either from the outset or by the end of the third film. Thus we’re including things such as the Toy Story and Indiana Jones trilogies, even though those continued on with further entries.
Before we get too far, let’s lay out our criteria. The trilogies chosen here are those intended to be a trilogy, either from the outset or by the end of the third film. Thus we’re including things such as the Toy Story and Indiana Jones trilogies, even though those continued on with further entries.
- 4/20/2024
- by Joe George
- Den of Geek
This is a stacked weekend for movies that could get awards attention but probably won’t, both in theaters and on digital platforms. First up is a lively ode to one of cinema’s musical masters.
The contender to watch this week: “Ennio”
Giuseppe Tornatore‘s documentary about influential composer Ennio Morricone has been a long time coming, and not only because Morricone’s career dates back to 1946. “Ennio” premiered at the Venice International Film Festival in 2021 and was released in Italy in 2022. But don’t take its delayed domestic debut as a bad omen: The movie is a spellbinding tribute to the two-time Oscar winner, who wrote the scores for “The Good, the Bad and the Ugly,” “Days of Heaven,” “The Untouchables,” “The Hateful Eight,” and Tornatore’s own “Cinema Paradiso.” The talking heads include Quentin Tarantino, Clint Eastwood, Quincy Jones, and Bruce Springsteen. Following a theatrical run in February,...
The contender to watch this week: “Ennio”
Giuseppe Tornatore‘s documentary about influential composer Ennio Morricone has been a long time coming, and not only because Morricone’s career dates back to 1946. “Ennio” premiered at the Venice International Film Festival in 2021 and was released in Italy in 2022. But don’t take its delayed domestic debut as a bad omen: The movie is a spellbinding tribute to the two-time Oscar winner, who wrote the scores for “The Good, the Bad and the Ugly,” “Days of Heaven,” “The Untouchables,” “The Hateful Eight,” and Tornatore’s own “Cinema Paradiso.” The talking heads include Quentin Tarantino, Clint Eastwood, Quincy Jones, and Bruce Springsteen. Following a theatrical run in February,...
- 4/13/2024
- by Matthew Jacobs
- Gold Derby
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Billy (Zachary Epcar)
An emerging experimental filmmaker uses a series of 16mm close-ups to capture the textures and objects that characterize suburban life in this short horror film inspired by the ‘90s soap opera Melrose Place. Zachary Epcar’s approach to presenting household items––plastic Fiji water bottles, Nespresso pods, Amazon packages––using a combination of sharp visuals and eerie sounds produces a nightmarish thrill-ride through the suburbs that renders commodity culture itself as a movie monster.
Where to Stream: Le Cinéma Club
Blackout (Larry Fessenden)
As with Depraved, writer-director Larry Fessenden returns to the world of classic, Universal-inspired monsters in Blackout. Whereas that title brought the mythos of Frankenstein’s monster (and its ample room for social commentary) into the present-day,...
Billy (Zachary Epcar)
An emerging experimental filmmaker uses a series of 16mm close-ups to capture the textures and objects that characterize suburban life in this short horror film inspired by the ‘90s soap opera Melrose Place. Zachary Epcar’s approach to presenting household items––plastic Fiji water bottles, Nespresso pods, Amazon packages––using a combination of sharp visuals and eerie sounds produces a nightmarish thrill-ride through the suburbs that renders commodity culture itself as a movie monster.
Where to Stream: Le Cinéma Club
Blackout (Larry Fessenden)
As with Depraved, writer-director Larry Fessenden returns to the world of classic, Universal-inspired monsters in Blackout. Whereas that title brought the mythos of Frankenstein’s monster (and its ample room for social commentary) into the present-day,...
- 4/12/2024
- by Jordan Raup
- The Film Stage
Superhero movies were nearing their maximalist peak in 2017 — "Avengers: Infinity War" was a year away, while the DC Extended Universe was self-destructively racing toward "Justice League" without a roadmap or significant audience buy-in — when James Mangold quietly, confidently subverted the genre with "Logan." There had been attempts at revisionist superhero films before, but they were mostly based on/influenced by explicitly revisionist graphic novels (e.g. Zack Snyder's "Watchmen" and Christopher Nolan's Batman trilogy). Josh Trank's "Chronicle" was probably the boldest of the bunch, but that was a top-to-bottom original.
Mangold's "Logan" was different. It used Hugh Jackman, the man who'd been playing Wolverine for 17 years, to tell an X-Men tale that branched out from the film franchise's narrative to depict a Logan in physical decline. Nothing lasts forever — not even, apparently, Wolverine's mutant healing process. He is in unremitting pain, and each altercation plunges him deeper into agony.
Mangold's "Logan" was different. It used Hugh Jackman, the man who'd been playing Wolverine for 17 years, to tell an X-Men tale that branched out from the film franchise's narrative to depict a Logan in physical decline. Nothing lasts forever — not even, apparently, Wolverine's mutant healing process. He is in unremitting pain, and each altercation plunges him deeper into agony.
- 4/7/2024
- by Jeremy Smith
- Slash Film
On their latest album, American Primitive, the Old 97’s have sandwiched songs about assessing their life choices and serial monogamy with reminders that the world is a doomed and hopeless place and that if you’ve found even a modicum of joy, then that day is a triumph. On the first track, “Falling Down,” they try to frighten you into gratitude via a caustic surf-rock apocalypse built with tremolo electric and strummed acoustic guitars, as frontman Rhett Miller sings, “You’ve got to dance like the world is falling down around you — because it is.
- 4/3/2024
- by Kory Grow
- Rollingstone.com
Netflix has released the first track, “Leaving New York,” from the “Ripley” score by composer Jeff Russo. Steven Zaillian’s eight-episode limited series, a noirish, black-and-white adaptation of Patricia Highsmith’s crime novel, “The Talented Mr. Ripley,” streams April 4, which coincides with the score’s online release. (Listen to the jaunty track below.)
Andrew Scott (“All of Us Strangers”) stars as sociopath Tom Ripley, who grifts his way from ’60s New York to Italy, obsessed by a life of leisure when he meets Americans Dickie Greenleaf (Johnny Flynn), a vagabond painter, and writer Marge (Dakota Fanning).
“Leaving New York,” which features the ascending interplay of piano with cello and violin, evokes Tom’s escape from a bleak existence as a petty con artist. The style is timeless rather than retro and classical instead of jazz. “I wanted to create something memorable [that] appears throughout the show to connect Tom’s journey,...
Andrew Scott (“All of Us Strangers”) stars as sociopath Tom Ripley, who grifts his way from ’60s New York to Italy, obsessed by a life of leisure when he meets Americans Dickie Greenleaf (Johnny Flynn), a vagabond painter, and writer Marge (Dakota Fanning).
“Leaving New York,” which features the ascending interplay of piano with cello and violin, evokes Tom’s escape from a bleak existence as a petty con artist. The style is timeless rather than retro and classical instead of jazz. “I wanted to create something memorable [that] appears throughout the show to connect Tom’s journey,...
- 4/3/2024
- by Bill Desowitz
- Indiewire
Fear of the unknown is always a reliable go-to when it comes to horror. And throwing something even more mysterious like aliens into the mix only adds to it. Admittedly, MicroProse’s classic 1994 PC turn-based strategy game X-com: UFO Defence (or UFO: Enemy Unknown for you fans in the UK) isn’t pure horror, but it definitely did have that psychological terror and that “just one more turn” addictiveness that kept you coming back for more during your playthrough. At the same time, it also held a sense of dread from the very real potential that you could lose it all from an unseen alien threat that was hiding in the shadows (or right behind you). After all, that dread kept the series going for multiple entries, and even led to the series’ rebirth by 2K in 2012.
Originally planned by Julian Gollop as a sequel to to his original 1988 game Laser Squad,...
Originally planned by Julian Gollop as a sequel to to his original 1988 game Laser Squad,...
- 3/24/2024
- by Mike Wilson
- bloody-disgusting.com
March 17, 1951 was a great day in history, because that the day Kurt Russell entered the world. And while he would go on to become one of the biggest icons of the eighties and nineties, many folks don’t know that Russell started as a child star for Disney, even acting opposite his future life partner Goldie Hawn in The One and Only, Genuine, Original Family Band (1968). From the sixties into the seventies, he starred in Disney flicks like The Computer Wore Tennis Shoes (1969), but as the studio’s movies started to flop and Russell got older, a change of pace was needed. Arguably, Russell’s career took off when he began working with director John Carpenter, with the first movie being 1979’s TV movie Elvis, but what are Kurt Russell’s best movies? To celebrate his 73rd birthday, let’s dig into them here.
Honorable Mention: Captain Ron (1992)
A few weeks ago,...
Honorable Mention: Captain Ron (1992)
A few weeks ago,...
- 3/17/2024
- by Chris Bumbray
- JoBlo.com
Oscar winners Cameron Crowe and Robert Richardson have boarded Yi Zhou’s documentary “In Between Stars and Scars,” joining an extensive lineup of lauded creatives who will also be included in the artisans-focused film. Additionally, Zhou’s documentary will unveil music by composer Ennio Morricone and Bryan Ferry.
The film’s official description reads, “’In Between Stars and Scars’ unveils the intricate world of filmmaking, with a special focus on the artisans who bring cinematic visions to life. The documentary film takes audiences on a captivating journey behind the scenes, shining a much-deserved spotlight on the talented individuals who often go unrecognized for their crucial contributions.”
Camron Crowe will reflect on the artisans who have contributed to his iconic filmography. The documentary will also feature Oscar-winning artisans including cinematographers Robert Richardson and Vittorio Storaro, production designer Dante Ferretti, editor Thom Noble, and hair designer Giorgio Gregorini. Memories of the late...
The film’s official description reads, “’In Between Stars and Scars’ unveils the intricate world of filmmaking, with a special focus on the artisans who bring cinematic visions to life. The documentary film takes audiences on a captivating journey behind the scenes, shining a much-deserved spotlight on the talented individuals who often go unrecognized for their crucial contributions.”
Camron Crowe will reflect on the artisans who have contributed to his iconic filmography. The documentary will also feature Oscar-winning artisans including cinematographers Robert Richardson and Vittorio Storaro, production designer Dante Ferretti, editor Thom Noble, and hair designer Giorgio Gregorini. Memories of the late...
- 3/1/2024
- by Jaden Thompson
- Variety Film + TV
The Taste Of Things, a meditation on turn-of-the-century French cooking — no chicken wings or nachos in sight — is stirring up a nice weekend for IFC Films with $126k and the best per-theater opening of the year so far on Super Bowl weekend.
Wim Wenders’ Perfect Days from Neon is looking at $100k on five screens. In wider release, Bleecker Street’s Out Of Darkness is at a solid $1 million on circa 900 screens. American Fiction and Poor Things are holding in the top ten.
The Taste Of Things, which premiered at Cannes, winning Best Director for Vietnamese-born French filmmaker Tràn Anh Hùng, is seeing a $42k PTA from three screens. Originally The Pot-au-Feu, it stars Juliette Binoche and Benoît Magimel as cook Eugenie and her boss Dodin, longtime partners in love and in the kitchen of Dodin’s country villa.
Wim Wenders’ Perfect Days from Neon is looking at $100k on five screens. In wider release, Bleecker Street’s Out Of Darkness is at a solid $1 million on circa 900 screens. American Fiction and Poor Things are holding in the top ten.
The Taste Of Things, which premiered at Cannes, winning Best Director for Vietnamese-born French filmmaker Tràn Anh Hùng, is seeing a $42k PTA from three screens. Originally The Pot-au-Feu, it stars Juliette Binoche and Benoît Magimel as cook Eugenie and her boss Dodin, longtime partners in love and in the kitchen of Dodin’s country villa.
- 2/11/2024
- by Jill Goldsmith
- Deadline Film + TV
If would be hard to name an artist in any medium who illustrated Flaubert’s famous maxim of creativity better than Ennio Morricone. Morricone, who died in 2020 (at 91), was certainly one of the greatest composers of movie soundtracks who ever lived. But even if you consider him next to his fellow giants, Morricone scaled his own wild peak, inventing his own kind of beauty, his own transcendent cacophony. Yet you would never have guessed it to look at him.
“Ennio,” directed by Guiseppe Tornatore (“Cinema Paradiso”), is a 156-minute portrait of Morricone built around an extensive interview with the composer. (It also includes comments from a murderers’ row of filmmakers and artists.) The movie opens on a beating metronome, which seems to set the orderly, clockwork rhythm of Morricone’s life. Strolling into his ornately furnished living room, he walks quickly, not like a man of 90, and his voice is light and direct.
“Ennio,” directed by Guiseppe Tornatore (“Cinema Paradiso”), is a 156-minute portrait of Morricone built around an extensive interview with the composer. (It also includes comments from a murderers’ row of filmmakers and artists.) The movie opens on a beating metronome, which seems to set the orderly, clockwork rhythm of Morricone’s life. Strolling into his ornately furnished living room, he walks quickly, not like a man of 90, and his voice is light and direct.
- 2/9/2024
- by Owen Gleiberman
- Variety Film + TV
I suppose there’s a more interesting film to be made about the great composer Ennio Morricone, but watching Giuseppe Tornatore’s loving and comprehensive “Ennio” makes it almost impossible to care. An uncomplicated and reverent tribute that was shot before the late maestro’s death in 2020 (and would feel like a two-and-a-half-hour tribute reel if not for the fact that Morricone himself is the film’s most frequent talking head), this straightforward biodoc is almost perversely generic for a movie that’s meant to honor one of cinema’s greatest radicals.
And yet, do you really not want to see Clint Eastwood deadpanning that Morricone’s music “helped dramatize me, which is really hard to do”? Would a less conventional documentary have been able to squeeze Bruce Springsteen, Wong Kar-wai, and James Hetfield into the same film, or include so much of what Bernardo Bertolucci had to say about...
And yet, do you really not want to see Clint Eastwood deadpanning that Morricone’s music “helped dramatize me, which is really hard to do”? Would a less conventional documentary have been able to squeeze Bruce Springsteen, Wong Kar-wai, and James Hetfield into the same film, or include so much of what Bernardo Bertolucci had to say about...
- 2/7/2024
- by David Ehrlich
- Indiewire
“A director can’t understand the final result from a description. You cannot describe music; it needs to be listened to.” So says Ennio Morricone in one of many talking-head sections that comprise Giuseppe Tornatore’s documentary. But Ennio, as it’s aptly titled, can feel part-documentary, part-video essay, and, yes, part-talking head compilation. It’s 156 minutes, but even the first four hint at its simplicity. A barrage of musicians, producers, and filmmakers spout what the film quickly compresses into glorified soundbites. Morricone was a towering artist. Audiences already knew this. But Tornatore doesn’t fully unpack the composer’s impact; he does more to describe it.
So what else is there to listen to? Per Morricone himself, he wanted to be a doctor, but his father insisted he learn the trumpet. He took classes at the Saint Cecilia Conservatory at age 12 and studied under Goffredo Petrassi, later marrying Maria Travia.
So what else is there to listen to? Per Morricone himself, he wanted to be a doctor, but his father insisted he learn the trumpet. He took classes at the Saint Cecilia Conservatory at age 12 and studied under Goffredo Petrassi, later marrying Maria Travia.
- 2/7/2024
- by Matt Cipolla
- The Film Stage
After the cinematic doldrums of January, February brings surprisingly packed, varied offerings, from Oscar-contending international features to biographical documentaries of legendary film artists to some electrifying genre outings. Check out my picks to see below, and catch up with our Sundance coverage ahead of our Berlinale reviews here.
16. The Monk and the Gun (Pawo Choyning Dorji; Feb. 9)
Returning after his Oscar-nominated directorial debut Lunana: A Yak in the Classroom, Pawo Choyning Dorji’s Ifsn Advocate Award-shortlisted The Monk and the Gun premiered at Telluride and TIFF to much acclaim and will now be released this month. Selected by Bhutan as their Oscar entry, the heartwarming film is about an American in search of a long-lost, vintage gun in Bhutan as the country’s launching a democracy.
15. Ennio (Giuseppe Tornatore; Feb. 9)
The film world lost perhaps its most legendary musician when Ennio Morricone died at the age of 91 in July 2020. Cinema Paradiso director Giuseppe Tornatore,...
16. The Monk and the Gun (Pawo Choyning Dorji; Feb. 9)
Returning after his Oscar-nominated directorial debut Lunana: A Yak in the Classroom, Pawo Choyning Dorji’s Ifsn Advocate Award-shortlisted The Monk and the Gun premiered at Telluride and TIFF to much acclaim and will now be released this month. Selected by Bhutan as their Oscar entry, the heartwarming film is about an American in search of a long-lost, vintage gun in Bhutan as the country’s launching a democracy.
15. Ennio (Giuseppe Tornatore; Feb. 9)
The film world lost perhaps its most legendary musician when Ennio Morricone died at the age of 91 in July 2020. Cinema Paradiso director Giuseppe Tornatore,...
- 2/1/2024
- by Jordan Raup
- The Film Stage
It all started well in Malaikottai Vaaliban. The arid landscape, the aesthetic color palette, characters popping out of carefully crafted set pieces, and the striking background score, reminiscent of Ennio Morricone – it was evident Lijo Jose Pellissery had been watching too many spaghetti westerns. Pellissery, known for his breakout indie Angamaly Diaries, kept his inspirations intact as he introduced Mohanlal, who embodies Malaikottai Vaaliban, a mighty wrestler and wandering warrior. The film opens with a satisfying sequence. An ox cart slowly rumbles through the deserted landscape of a village. A young man walking along the ox cart announces with the same vigor as a wrestling announcer that the cart belongs to Malaikottai Vaaliban. Then, a chain of micro-events unfolds – a teenage boy running, a wrestler getting angry, his seductive wife laughing in his face, and people gluing up in an open field like in a Fevicol advertisement. As the commotion reaches its crescendo,...
- 1/26/2024
- by Neil Madhav
- Talking Films
Quentin Tarantino has expressed interest in dabbling in the horror genre for a long time. But to him, one of his own movies comes pretty close to being a part of that category.
Quentin Tarantino | Loic Venance/Getty Images Quentin Tarantino revealed why this movie is the closest he’d come to directing a horror film
Tarantino has always been open about his fascination with horror movies. There were even a couple of scary movies that the director would’ve liked to experiment with if he could. He famously talked about taking the reins of Wes Craven’s Scream and making it in his own image. But he also fantasized about doing a movie as good as 1973’s classic The Exorcist. However, he felt tackling a horror film of that quality meant he’d have to tone down his own trademark movie. It was a compromise he wasn’t sure he could do.
Quentin Tarantino | Loic Venance/Getty Images Quentin Tarantino revealed why this movie is the closest he’d come to directing a horror film
Tarantino has always been open about his fascination with horror movies. There were even a couple of scary movies that the director would’ve liked to experiment with if he could. He famously talked about taking the reins of Wes Craven’s Scream and making it in his own image. But he also fantasized about doing a movie as good as 1973’s classic The Exorcist. However, he felt tackling a horror film of that quality meant he’d have to tone down his own trademark movie. It was a compromise he wasn’t sure he could do.
- 1/11/2024
- by Antonio Stallings
- Showbiz Cheat Sheet
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln Center
The massive Edward Yang retrospective, New York’s first in a dozen years, has its final weekend with A Brighter Summer Day, Yi Yi, and new restorations of A Confucian Confusion and Mahjong.
Roxy Cinema
Claire Donato presents Twin Peaks: Fire Walk with Me on 35mm and Preminger’s Bonjour Tristesse, while The Canyons screens on Saturday and Saturday.
IFC Center
Céline and Julie Go Boating and Casablanca and Alphaville have runs; Donnie Darko, Black Christmas, Once and Future Queen, and Goldfinger have late showings.
Museum of Modern Art
The comprehensive Ennio Morricone retrospective comes to a close with The Untouchables and 1900.
Film Forum
A Leon Ischai retrospective begins while The Third Man continues a 75th-anniversary 35mm run; Days of Heaven (read our interview with Brooke Adams) plays on Sunday with 101 Dalmations.
The post NYC Weekend Watch: Mahjong,...
Film at Lincoln Center
The massive Edward Yang retrospective, New York’s first in a dozen years, has its final weekend with A Brighter Summer Day, Yi Yi, and new restorations of A Confucian Confusion and Mahjong.
Roxy Cinema
Claire Donato presents Twin Peaks: Fire Walk with Me on 35mm and Preminger’s Bonjour Tristesse, while The Canyons screens on Saturday and Saturday.
IFC Center
Céline and Julie Go Boating and Casablanca and Alphaville have runs; Donnie Darko, Black Christmas, Once and Future Queen, and Goldfinger have late showings.
Museum of Modern Art
The comprehensive Ennio Morricone retrospective comes to a close with The Untouchables and 1900.
Film Forum
A Leon Ischai retrospective begins while The Third Man continues a 75th-anniversary 35mm run; Days of Heaven (read our interview with Brooke Adams) plays on Sunday with 101 Dalmations.
The post NYC Weekend Watch: Mahjong,...
- 1/5/2024
- by Nick Newman
- The Film Stage
Film at Lincoln Center
A massive Edward Yang retrospective, New York’s first in a dozen years, continues with A Brighter Summer Day, Yi Yi, and new restorations of A Confucian Confusion and Mahjong.
Roxy Cinema
A 35mm print of Fincher’s The Girl with the Dragon Tattoo and “City Dudes” screen this Saturday.
Museum of the Moving Image
A Roy Andersson retrospective continues with his flagship films and a lesser-seen work; the Todd Haynes series winds down; The Wicker Man plays on Saturday and Sunday.
Film Forum
The Third Man begins a 75th-anniversary 35mm run while Days of Heaven (read our interview with Brooke Adams) continues in 4K.
Museum of Modern Art
The comprehensive Ennio Morricone retrospective continues.
IFC Center
Casablanca and Alphaville have runs; The Muppets Take Manhattan plays early, while Black Christmas, Revenge of the Sith, and Last Crusade have late showings.
The post NYC Weekend Watch: Yi Yi,...
A massive Edward Yang retrospective, New York’s first in a dozen years, continues with A Brighter Summer Day, Yi Yi, and new restorations of A Confucian Confusion and Mahjong.
Roxy Cinema
A 35mm print of Fincher’s The Girl with the Dragon Tattoo and “City Dudes” screen this Saturday.
Museum of the Moving Image
A Roy Andersson retrospective continues with his flagship films and a lesser-seen work; the Todd Haynes series winds down; The Wicker Man plays on Saturday and Sunday.
Film Forum
The Third Man begins a 75th-anniversary 35mm run while Days of Heaven (read our interview with Brooke Adams) continues in 4K.
Museum of Modern Art
The comprehensive Ennio Morricone retrospective continues.
IFC Center
Casablanca and Alphaville have runs; The Muppets Take Manhattan plays early, while Black Christmas, Revenge of the Sith, and Last Crusade have late showings.
The post NYC Weekend Watch: Yi Yi,...
- 12/29/2023
- by Nick Newman
- The Film Stage
Kicking off the new year, NYC’s Quad Cinema will present a retrospective of French filmmaker Christian Carion in anticipation of his latest feature Driving Madeleine, with the director in person. At the Wheel: The Films of Christian Carion, taking place January 8-11, includes his Oscar-nominated 2005 WWI drama Joyeux Noël, starring Diane Kruger and Guillaume Canet, on 35mm; his Ennio Morricone-scored 2015 WWII drama Come What May; his 2017 thriller My Son, a reunion with Canet also starring Mélanie Laurent; his own remake of My Son, starring James McAvoy and Claire Foy, from 2021; plus his personal pick of Steven Spielberg’s first feature Duel; along with a sneak preview of his latest film.
His latest film, which follows a nonagenarian (French national treasure Line Renaud) on a cab ride through Paris and down memory lane, driven by a tightlipped cabbie (Dany Boon), will have the sneak peak on January 11 ahead of...
His latest film, which follows a nonagenarian (French national treasure Line Renaud) on a cab ride through Paris and down memory lane, driven by a tightlipped cabbie (Dany Boon), will have the sneak peak on January 11 ahead of...
- 12/27/2023
- by Leonard Pearce
- The Film Stage
The film world lost perhaps its most legendary musician at the start of this decade when Ennio Morricone passed away at the age of 91 in July 2020. Cinema Paradiso director Giuseppe Tornatore, who worked with the composer over a dozen times across his career, crafted a tribute with the documentary Ennio, which fittingly premiered at the Venice Film Festival and will now be arriving in the U.S. Featuring interviews with Quentin Tarantino, Clint Eastwood, Dario Argento, John Williams, Hans Zimmer, Wong Kar-wai, Oliver Stone, and more, the new trailer has now arrived ahead of a February 9 theatrical release from Music Box Films.
Here’s the official synopsis: “Giuseppe Tornatore, director of the beloved Cinema Paradiso, turns his camera on his longtime collaborator Ennio Morricone (1928 – 2020) in a moving and comprehensive profile of the indefatigable composer. Tornatore’s documentary portrait examines the breadth of the maestro’s career, from his early Italian...
Here’s the official synopsis: “Giuseppe Tornatore, director of the beloved Cinema Paradiso, turns his camera on his longtime collaborator Ennio Morricone (1928 – 2020) in a moving and comprehensive profile of the indefatigable composer. Tornatore’s documentary portrait examines the breadth of the maestro’s career, from his early Italian...
- 12/26/2023
- by Jordan Raup
- The Film Stage
Film at Lincoln Center
A massive Edward Yang retrospective, New York’s first in a dozen years, has begun, featuring new restorations of A Confucian Confusion and Mahjong.
Museum of the Moving Image
A Roy Andersson retrospective begins with two lesser-seen works; the Todd Haynes series continues with Carol and Far from Heaven; Ghost in the Shell plays on Friday, while The Shop Around the Corner screens through the weekend.
Film Forum
A Charlie Chaplin series is underway to coincide with the new Woman of Paris restoration; Days of Heaven (read our interview with Brooke Adams) and Michael Powell’s career-killing masterwork Peeping Tom continue.
Museum of Modern Art
The comprehensive Ennio Morricone retrospective continues, including Once Upon a Time in America.
Roxy Cinema
Amadeus plays on 35mm; Home Alone also screens.
IFC Center
It’s a Wonderful Life and Alphaville have runs; Black Christmas, Revenge of the Sith, Last Crusade,...
A massive Edward Yang retrospective, New York’s first in a dozen years, has begun, featuring new restorations of A Confucian Confusion and Mahjong.
Museum of the Moving Image
A Roy Andersson retrospective begins with two lesser-seen works; the Todd Haynes series continues with Carol and Far from Heaven; Ghost in the Shell plays on Friday, while The Shop Around the Corner screens through the weekend.
Film Forum
A Charlie Chaplin series is underway to coincide with the new Woman of Paris restoration; Days of Heaven (read our interview with Brooke Adams) and Michael Powell’s career-killing masterwork Peeping Tom continue.
Museum of Modern Art
The comprehensive Ennio Morricone retrospective continues, including Once Upon a Time in America.
Roxy Cinema
Amadeus plays on 35mm; Home Alone also screens.
IFC Center
It’s a Wonderful Life and Alphaville have runs; Black Christmas, Revenge of the Sith, Last Crusade,...
- 12/22/2023
- by Nick Newman
- The Film Stage
"I never thought music would be my destiny." Music Box Films has revealed a brand new US trailer for the documentary film titled Ennio, a biopic doc about the legendary Italian film composer Ennio Morricone. This was in the works for years already, but it was only finished after Ennio passed away in late 2020. The film premiered a few years ago at the 2021 Venice Film Festival, opening in Europe in 2022. It's now finally set for a release in the US in February 2024, nearly 3 years after its premiere. A portrait of one of the most popular and prolific film composers of the twentieth century, Ennio celebrates the life and legacy of Ennio Morricone, featuring never-before-seen archival footage and interviews with many filmmakers & musicians including Hans Zimmer, John Williams, Quentin Tarantino, Clint Eastwood, and others. I actually saw this in Venice in 2021 in its original 3-hour form, and it's packed with interviews,...
- 12/19/2023
- by Alex Billington
- firstshowing.net
The trailer for Giuseppe Tornatore’s documentary on the famed Italian film composer Ennio Morricone has been released ahead of its opening in select US theaters on February 9th, 2024. Watch it below.
Titled Ennio, the film traces Morricone’s career from his early work with Sergio Leone to his first Academy Award for Quentin Tarantino’s 2016 movie The Hateful Eight, including The Good, the Bad and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; and The Untouchables. It also offered the late composer, who died in 2020, an opportunity to tell his own story and break down his artistic process.
Adding to the portrait of Morricone are interviews with several of his collaborators and contemporaries, including Clint Eastwood, Quentin Tarantino, and Bruce Springsteen. Ennio also features appearances from Oliver Stone, Hans Zimmer, John Williams, Bernardo Bertolucci, Marco Bellocchio, Giuliano Montaldo, Dario Argento, Joan Baez, and more.
Titled Ennio, the film traces Morricone’s career from his early work with Sergio Leone to his first Academy Award for Quentin Tarantino’s 2016 movie The Hateful Eight, including The Good, the Bad and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; and The Untouchables. It also offered the late composer, who died in 2020, an opportunity to tell his own story and break down his artistic process.
Adding to the portrait of Morricone are interviews with several of his collaborators and contemporaries, including Clint Eastwood, Quentin Tarantino, and Bruce Springsteen. Ennio also features appearances from Oliver Stone, Hans Zimmer, John Williams, Bernardo Bertolucci, Marco Bellocchio, Giuliano Montaldo, Dario Argento, Joan Baez, and more.
- 12/19/2023
- by Eddie Fu
- Consequence - Film News
“At first, I thought making music for the cinema was humiliating,” the late film composer Ennio Morricone once said. “By writing, I got my revenge.” That comeuppance came in the form of an Oscar for his score to Quentin Tarantino’s The Hateful Eight, several previous Oscar nominations, and a great public appreciation for his scores to The Good, the Bad, and the Ugly, The Thing, and The Mission, among others.
Morricone’s full career, including his early Italian pop songs and his beloved scores, is the focus of Ennio,...
Morricone’s full career, including his early Italian pop songs and his beloved scores, is the focus of Ennio,...
- 12/19/2023
- by Kory Grow
- Rollingstone.com
NYC Weekend Watch is our weekly round-up of repertory offerings.
Museum of Modern Art
A massive Ennio Morricone retrospective continues with Leone, Pasolini, and more.
Anthology Film Archives
Buñuel’s The Milky Way and Philippe Garrel’s The Virgin’s Bed play in the Jesus Christ retrospective.
Roxy Cinema
They Live plays on 35mm; Home Alone and The Faculty also screen.
Film Forum
The new 4K Days of Heaven restoration is now playing (read our interview with Brooke Adams) while Michael Powell’s career-killing masterwork Peeping Tom continues; The Muppet Christmas Carol plays this Sunday.
Japan Society
Some of Japan’s most radical filmmakers are exhibited in “Taisho Roman: Fever Dreams of the Great Rectitude,” running through Saturday.
Museum of the Moving Image
A career-spanning Todd Haynes retrospective continues with Velvet Goldmine and Poison Keaton’s Our Hospitality plays on Saturday.
IFC Center
It’s a Wonderful Life and Alphaville...
Museum of Modern Art
A massive Ennio Morricone retrospective continues with Leone, Pasolini, and more.
Anthology Film Archives
Buñuel’s The Milky Way and Philippe Garrel’s The Virgin’s Bed play in the Jesus Christ retrospective.
Roxy Cinema
They Live plays on 35mm; Home Alone and The Faculty also screen.
Film Forum
The new 4K Days of Heaven restoration is now playing (read our interview with Brooke Adams) while Michael Powell’s career-killing masterwork Peeping Tom continues; The Muppet Christmas Carol plays this Sunday.
Japan Society
Some of Japan’s most radical filmmakers are exhibited in “Taisho Roman: Fever Dreams of the Great Rectitude,” running through Saturday.
Museum of the Moving Image
A career-spanning Todd Haynes retrospective continues with Velvet Goldmine and Poison Keaton’s Our Hospitality plays on Saturday.
IFC Center
It’s a Wonderful Life and Alphaville...
- 12/15/2023
- by Nick Newman
- The Film Stage
To hell with equivocation: Days of Heaven is the greatest film ever made. And let the word “film” be emphasized, since Terrence Malick’s sophomore feature earns this exalted designation from its position as a work of pure cinema, a concoction of sound and image so formally sumptuous and yet effortlessly poignant that, when I first saw it as a high schooler, it shattered my previous preconceptions about the possibilities afforded by the art form.
To an extent far greater than in his exceptional 1973 debut feature, Badlands, what Malick does in Days of Heaven is convey virtually everything of import through visual and sonic means, his tale, often denigrated as sketchy, left purposely simple and slender so that it might be elevated to the realm of timeless archetype via plaintive aestheticism. Malick’s directorial gestures wholly meld with the story, as every dramatically tangential stare at the vast 1920 Texas panhandle landscape,...
To an extent far greater than in his exceptional 1973 debut feature, Badlands, what Malick does in Days of Heaven is convey virtually everything of import through visual and sonic means, his tale, often denigrated as sketchy, left purposely simple and slender so that it might be elevated to the realm of timeless archetype via plaintive aestheticism. Malick’s directorial gestures wholly meld with the story, as every dramatically tangential stare at the vast 1920 Texas panhandle landscape,...
- 12/14/2023
- by Nick Schager
- Slant Magazine
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film Forum
The new 4K Days of Heaven restoration is now playing (read our interview with Brooke Adams) while Michael Powell’s career-killing masterwork Peeping Tom continues and Bertrand Tavernier’s Coup de Torchon screens; Home Alone plays this Sunday.
Roxy Cinema
Heaven Knows What plays on 35mm; Mondo New York and The Soldier’s Tale play in new restorations; Children of Men screens this Sunday.
Anthology Film Archives
The films of Martin Scorsese’s World Cinema Project are screening, while a retrospective of Jesus onscreen includes Night of the Hunter, Buñuel’s The Milky Way, and (of course) The Passion of the Christ.
Museum of the Moving Image
A career-spanning Todd Haynes retrospective continues with Velvet Goldmine, Mildred Pierce, and early works; The Matrix plays on 35mm Friday night; Keaton’s Our Hospitality and The Philadelphia Story play Saturday and Sunday,...
Film Forum
The new 4K Days of Heaven restoration is now playing (read our interview with Brooke Adams) while Michael Powell’s career-killing masterwork Peeping Tom continues and Bertrand Tavernier’s Coup de Torchon screens; Home Alone plays this Sunday.
Roxy Cinema
Heaven Knows What plays on 35mm; Mondo New York and The Soldier’s Tale play in new restorations; Children of Men screens this Sunday.
Anthology Film Archives
The films of Martin Scorsese’s World Cinema Project are screening, while a retrospective of Jesus onscreen includes Night of the Hunter, Buñuel’s The Milky Way, and (of course) The Passion of the Christ.
Museum of the Moving Image
A career-spanning Todd Haynes retrospective continues with Velvet Goldmine, Mildred Pierce, and early works; The Matrix plays on 35mm Friday night; Keaton’s Our Hospitality and The Philadelphia Story play Saturday and Sunday,...
- 12/8/2023
- by Nick Newman
- The Film Stage
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln Center
The films of Kijū Yoshida are now playing in a massive retrospective. Read our piece on him here.
Roxy Cinema
A five-film retrospective of Matthew Modine (read my interview here) takes place this weekend, including work by Abel Ferrara, Alan Rudolph, and the man himself.
Museum of the Moving Image
A career-spanning Todd Haynes retrospective begins, with the director present on Friday and Saturday; Robert Altman’s Popeye plays on 35mm this Saturday and Sunday.
Museum of Modern Art
A massive Ennio Morricone retrospective begins, this weekend bringing Sergio Leone’s Dollars trilogy.
Anthology Film Archives
The films of Martin Scorsese’s World Cinema Project are screening, while Joseph Cornell, Tony Conrad, and Bruce Conner programs run in Essential Cinema; a Hollis Frampton retrospective is also underway.
Film Forum
Michael Powell’s career-killing masterwork Peeping Tom plays in a long-overdue restoration,...
Film at Lincoln Center
The films of Kijū Yoshida are now playing in a massive retrospective. Read our piece on him here.
Roxy Cinema
A five-film retrospective of Matthew Modine (read my interview here) takes place this weekend, including work by Abel Ferrara, Alan Rudolph, and the man himself.
Museum of the Moving Image
A career-spanning Todd Haynes retrospective begins, with the director present on Friday and Saturday; Robert Altman’s Popeye plays on 35mm this Saturday and Sunday.
Museum of Modern Art
A massive Ennio Morricone retrospective begins, this weekend bringing Sergio Leone’s Dollars trilogy.
Anthology Film Archives
The films of Martin Scorsese’s World Cinema Project are screening, while Joseph Cornell, Tony Conrad, and Bruce Conner programs run in Essential Cinema; a Hollis Frampton retrospective is also underway.
Film Forum
Michael Powell’s career-killing masterwork Peeping Tom plays in a long-overdue restoration,...
- 12/1/2023
- by Nick Newman
- The Film Stage
The episode of The Test of Time covering Exorcist II: The Heretic was Written by Andrew Hatfield, Narrated by Niki Minter, Edited by Mike Conway, Produced by John Fallon and Tyler Nichols, and Executive Produced by Berge Garabedian.
Here at Test of Time, the whole idea of the show is to look at a classic, either objectively through critical praise, box office revenue, or even things like reputation or cult classic status. The three of us, writer Andrew, narrator Niki, and editor Mike like to discuss what we think about whatever the movie is and have fun with it. Shouldn’t this be able to work in reverse though? What about a movie that is seen as bad? Shouldn’t it be looked at through a different lens via time and what we know now? Maybe a bad movie stays a bad movie but what if a reappraisal alters the opinion?...
Here at Test of Time, the whole idea of the show is to look at a classic, either objectively through critical praise, box office revenue, or even things like reputation or cult classic status. The three of us, writer Andrew, narrator Niki, and editor Mike like to discuss what we think about whatever the movie is and have fun with it. Shouldn’t this be able to work in reverse though? What about a movie that is seen as bad? Shouldn’t it be looked at through a different lens via time and what we know now? Maybe a bad movie stays a bad movie but what if a reappraisal alters the opinion?...
- 11/28/2023
- by Cody Hamman
- JoBlo.com
Exclusive: Music Box Films has acquired U.S. distribution rights to Giuseppe Tornatore’s documentary Ennio, paying tribute to the late, revered film composer Ennio Morricone.
Morricone scored a number of Tornatore’s films, beginning with his 1988 Oscar-winning Classic Cinema Paradiso.
For Ennio, the director turned the camera on his beloved collaborator to make a moving portrait of the composer featuring testimonies from artists and directors such as Bernardo Bertolucci, Marco Bellocchio, Giuliano Montaldo, Dario Argento, Clint Eastwood, Joan Baez, Quentin Tarantino and more.
Music Box Films will release the film in New York at the Film Forum on February 9, 2024, with a national expansion and home entertainment release to follow.
Prior to that, there will also be a special screening in New York on December 2 as part of the Museum of Modern Art’s Morricone retrospective which opens on December 1.
The show, which has been put together in collaboration with Cinecittà,...
Morricone scored a number of Tornatore’s films, beginning with his 1988 Oscar-winning Classic Cinema Paradiso.
For Ennio, the director turned the camera on his beloved collaborator to make a moving portrait of the composer featuring testimonies from artists and directors such as Bernardo Bertolucci, Marco Bellocchio, Giuliano Montaldo, Dario Argento, Clint Eastwood, Joan Baez, Quentin Tarantino and more.
Music Box Films will release the film in New York at the Film Forum on February 9, 2024, with a national expansion and home entertainment release to follow.
Prior to that, there will also be a special screening in New York on December 2 as part of the Museum of Modern Art’s Morricone retrospective which opens on December 1.
The show, which has been put together in collaboration with Cinecittà,...
- 11/9/2023
- by Melanie Goodfellow and Andreas Wiseman
- Deadline Film + TV
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSStranger by the Lake.Production has begun on Alain Guiraudie’s next noir-esque feature, Miséricorde, with Dp Claire Mathon—their third collaboration after Stranger by the Lake (2013) and Staying Vertical (2016). The plot centers on a 30-year-old man named Jérémie who returns to a village in southern France, his prior home, for an old friend’s funeral, only to find himself at the center of a police investigation.Recommended VIEWINGJanus Films have shared a trailer for a new 4K restoration of Glauber Rocha’s Black God, White Devil (1964). A virtuosic, formally experimental work of militant cinema, it tells the story of Manoel, a cowherd who, after murdering a ranch owner, flees to join a religious cult headed by a self-proclaimed saint, only to find himself back among violence. A landmark of Brazil’s Cinema Novo...
- 11/9/2023
- MUBI
Two years in, the Academy Film Museum is rolling full steam ahead with a new programming director and a packed slate of upcoming films for the winter season. On Dec. 10, Christopher Nolan will present the classic Western “Shane” on its 70th anniversary and speak about the film for the George Stevens Lecture.
Other spotlight programs include:
A retrospective film series on “Parasite” actor Song Kang-ho in-person for four conversations starting Dec. 7 A 10th anniversary screening of “12 Years a Slave” on Feb. 25 with Steve McQueen. “3D-cember” with screenings like “Jaws” and “Frozen” in 3D “Works of Enduring Importance: 35 Years of the National Film Registry” starting Dec. 14 “Beware the Elements! Natural Disasters on Film” starting Jan. 4 A screening of 1972’s “Buck and the Preacher” will pay tribute to Harry Belafonte “Echoes of Africia” presents African stories on film from Feb. 1 to Feb. 9
K.J. Relth-Miller just took over as Director of Film...
Other spotlight programs include:
A retrospective film series on “Parasite” actor Song Kang-ho in-person for four conversations starting Dec. 7 A 10th anniversary screening of “12 Years a Slave” on Feb. 25 with Steve McQueen. “3D-cember” with screenings like “Jaws” and “Frozen” in 3D “Works of Enduring Importance: 35 Years of the National Film Registry” starting Dec. 14 “Beware the Elements! Natural Disasters on Film” starting Jan. 4 A screening of 1972’s “Buck and the Preacher” will pay tribute to Harry Belafonte “Echoes of Africia” presents African stories on film from Feb. 1 to Feb. 9
K.J. Relth-Miller just took over as Director of Film...
- 11/8/2023
- by Pat Saperstein
- Variety Film + TV
On Thursday, John Carpenter was the guest On The Late Show with Stephen Colbert to discuss his latest project “John Carpenter’s Suburban Screams”, a six-episode horror anthology series available to stream on Peacock.
https://www.peacocktv.com/watch-online/tv/john-carpenters-suburban-screams/8006432878975950112/seasons/1
The host, a huge film nerd, revealed to the audience that his go to comfort movie food is 1982’s The Thing. Reviled by critics and cinema goers at the time for being too gory and violent, while expecting a remake of Christian Nyby’s and Howard Hawks’s black & white version of 1951’s The Thing From Another World, the movie was almost forgotten… until sci-fi and horror fans decided differently. In the decades since, the film saw new life with VHS, Laserdisc and Blu-ray/DVD. The film has a killer score composed by Ennio Morricone, organic, non-cgi effects from Rob Bottin and one of the best posters ever from Drew Struzan.
https://www.peacocktv.com/watch-online/tv/john-carpenters-suburban-screams/8006432878975950112/seasons/1
The host, a huge film nerd, revealed to the audience that his go to comfort movie food is 1982’s The Thing. Reviled by critics and cinema goers at the time for being too gory and violent, while expecting a remake of Christian Nyby’s and Howard Hawks’s black & white version of 1951’s The Thing From Another World, the movie was almost forgotten… until sci-fi and horror fans decided differently. In the decades since, the film saw new life with VHS, Laserdisc and Blu-ray/DVD. The film has a killer score composed by Ennio Morricone, organic, non-cgi effects from Rob Bottin and one of the best posters ever from Drew Struzan.
- 10/27/2023
- by Michelle McCue
- WeAreMovieGeeks.com
“The Exorcist” is, rightfully, heralded as one of the greatest, scariest films of all time. And in the 50 years since its 1973 release, filmmakers have tried, repeatedly, to recapture the magic that made the original film so special, to mixed results.
The latest attempt is “The Exorcist: Believer,” from director David Gordon Green, which returns Ellen Burstyn to the franchise for the first time since 1973 and focuses on a new phenomenon – synchronized possession. It’s meant to be the first of a new trilogy of films. And its release (it’ll be on PVOD on October 24) is enough to have us look back at the entire franchise thus far. Which films are scary good and which are ones that you’d rather spider-walk down the stairs to get away from? Read on to find out.
Warner Bros.
7. “Dominion: Prequel to The Exorcist” (2005)
How troubled was the “Exorcist” prequel movie? So troubled...
The latest attempt is “The Exorcist: Believer,” from director David Gordon Green, which returns Ellen Burstyn to the franchise for the first time since 1973 and focuses on a new phenomenon – synchronized possession. It’s meant to be the first of a new trilogy of films. And its release (it’ll be on PVOD on October 24) is enough to have us look back at the entire franchise thus far. Which films are scary good and which are ones that you’d rather spider-walk down the stairs to get away from? Read on to find out.
Warner Bros.
7. “Dominion: Prequel to The Exorcist” (2005)
How troubled was the “Exorcist” prequel movie? So troubled...
- 10/21/2023
- by Drew Taylor
- The Wrap
It’s been great having a spree of new John Carpenter albums over the last decade; we might also acknowledge that roughly half of them were tied to projects few wanted, appreciable garnishes on undercooked (or outright-frozen) meals. Alongside David Gordon Green’s Halloween trilogy and (I also forgot about this until looking it up) a Firestarter remake there’s been three rock-solid Lost Themes albums and the particularly wonderful Anthology, which reimagined his most iconic scores and those we’d kindly slot in the “otherwise” column (much as I love Vampires).
Before returning to the director’s chair / couch this month with an episode of his Peacock series Suburban Screams, Carpenter has released Anthology II (Movie Themes 1976-1988), which spans everything from his, rough estimate, 976th interpretation of “Laurie’s Theme” to a faithful, booming take on Halloween III‘s vastly underrated theme, and for obsessives there’s special...
Before returning to the director’s chair / couch this month with an episode of his Peacock series Suburban Screams, Carpenter has released Anthology II (Movie Themes 1976-1988), which spans everything from his, rough estimate, 976th interpretation of “Laurie’s Theme” to a faithful, booming take on Halloween III‘s vastly underrated theme, and for obsessives there’s special...
- 10/7/2023
- by Nick Newman
- The Film Stage
Fans of Western movies are in for a treat as Prime Video India has added the legendary Dollars Trilogy, starring Clint Eastwood, to its streaming library. The trilogy, directed by Sergio Leone, consists of three films: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966). The films are widely regarded as the best examples of the Spaghetti Western genre, which refers to Westerns made by Italian filmmakers in Spain.
The trilogy follows the exploits of a mysterious gunslinger, played by Eastwood, who is known as the Man with No Name. He is a master of the quick draw and a man of few words, who often finds himself in the middle of conflicts between rival factions, bounty hunters, and outlaws. He also has a knack for finding hidden treasures and getting into trouble.
For a Few Dollars More Trailer
The first film,...
The trilogy follows the exploits of a mysterious gunslinger, played by Eastwood, who is known as the Man with No Name. He is a master of the quick draw and a man of few words, who often finds himself in the middle of conflicts between rival factions, bounty hunters, and outlaws. He also has a knack for finding hidden treasures and getting into trouble.
For a Few Dollars More Trailer
The first film,...
- 9/22/2023
- by CineArticles Editorial Team
- https://thecinemanews.online/wp-content/uploads/2023/07/IMG_4649
“John Carpenter’s Suburban Screams,” a docuseries about horrific real-life tales of terror that happened in the seemingly perfect American suburbs, will premiere with all six episodes Oct. 13 on Peacock, the streamer announced Thursday.
Per the press release, “Each episode will delve into the monstrous evil that lurks beneath the surface of friendly suburbia through the lens of one frightful tale. In addition to firsthand accounts, the episodes will include cinematic reenactments, personal archives, and historic town press coverage.”
In the first trailer for the series, we get insight from police, survivors and witnesses about bizarre cases, including the hair-raising line: “In one night, police fielded more than 50 calls about a man in a rabbit suit with a hatchet.”
That episode was inspired by the 1970 reports of “The Bunny Man” in Clifton, Virginia. Often regarded as an urban legend, he was reported to brandish different types of weapons in various sightings.
Per the press release, “Each episode will delve into the monstrous evil that lurks beneath the surface of friendly suburbia through the lens of one frightful tale. In addition to firsthand accounts, the episodes will include cinematic reenactments, personal archives, and historic town press coverage.”
In the first trailer for the series, we get insight from police, survivors and witnesses about bizarre cases, including the hair-raising line: “In one night, police fielded more than 50 calls about a man in a rabbit suit with a hatchet.”
That episode was inspired by the 1970 reports of “The Bunny Man” in Clifton, Virginia. Often regarded as an urban legend, he was reported to brandish different types of weapons in various sightings.
- 9/14/2023
- by Sharon Knolle
- The Wrap
Studiocanal presents two brand-new restorations of two superb thrillers from legendary director Alberto De Martino – the 1974 Italian exorcist film The Antichrist, a superbly sleazy and unsettling shocker, featuring an amazing score by Ennio Morricone, starring Carla Gravina (Madame Bovary), Mel Ferrer (Nightmare City) and Oscar nominee Arthur Kennedy (Champion); and the 1976 cop thriller Blazing Magnum (aka Shadows in an Empty Room), an outrageous action-packed B-movie riff on Dirty Harry, starring Oscar nominee Stuart Whitman (The Mark), John Saxon (A Nightmare on Elm Street), Tisa Farrow (The Last Hunter) and Oscar winner Martin Landau (North by Northwest), with, according to film historian Kim Newman, epic car chases that rival Steve McQueen’s Bullitt.
Both titles include brand-new audio interviews with Alberto De Martino on the films, as well as commentaries, interviews, trailers and art cards. These immaculate restorations, making their UK Blu-ray debuts, are a must-own for fans of Italian action and horror cinema,...
Both titles include brand-new audio interviews with Alberto De Martino on the films, as well as commentaries, interviews, trailers and art cards. These immaculate restorations, making their UK Blu-ray debuts, are a must-own for fans of Italian action and horror cinema,...
- 9/14/2023
- by Phil Wheat
- Nerdly
To celebrate the release of The Antichrist available now on Blu-Ray, DVD & Digital, we have 2 Blu-Rays to give away!
Studiocanal presents A brand-new restoration of The superb thriller from legendary director Alberto De Martino – the 1974 Italian exorcist film The Antichrist, a superbly sleazy and unsettling shocker, featuring an amazing score by Ennio Morricone, starring Carla Gravina (Madame Bovary), Mel Ferrer (Nightmare City) and Oscar® nominee Arthur Kennedy (Champion).
A car accident caused by her father leaves the young Ippolita paralyzed and her mother dead. Following her uncle’s advice she undergoes a hypnotic session with the intent to heal her, but it actually awakens the spirit of her ancestress who was condemned for witchcraft.
including brand new audio interviews with Alberto De Martino on the film, as well as commentaries, interviews and trailers and art cards.
Please note: This competition is open to UK residents only.
a Rafflecopter giveaway
The...
Studiocanal presents A brand-new restoration of The superb thriller from legendary director Alberto De Martino – the 1974 Italian exorcist film The Antichrist, a superbly sleazy and unsettling shocker, featuring an amazing score by Ennio Morricone, starring Carla Gravina (Madame Bovary), Mel Ferrer (Nightmare City) and Oscar® nominee Arthur Kennedy (Champion).
A car accident caused by her father leaves the young Ippolita paralyzed and her mother dead. Following her uncle’s advice she undergoes a hypnotic session with the intent to heal her, but it actually awakens the spirit of her ancestress who was condemned for witchcraft.
including brand new audio interviews with Alberto De Martino on the film, as well as commentaries, interviews and trailers and art cards.
Please note: This competition is open to UK residents only.
a Rafflecopter giveaway
The...
- 9/11/2023
- by Competitions
- HeyUGuys.co.uk
Giuliano Montaldo, the admired Italian filmmaker who wrote and directed Sacco & Vanzetti, the John Cassavetes-starring Machine Gun McCain and every episode of the big-budget 1982 miniseries Marco Polo, has died. He was 93.
Montaldo died Wednesday at his home in Rome, his family announced.
His big-screen résumé also included The Reckless (1965), starring Renato Salvatori; Grand Slam (1967), starring Janet Leigh; Giordano Bruno (1973), starring Gian Maria Volonté and Charlotte Rampling; And Agnes Chose to Die (1976), starring Ingrid Thulin; and The Gold Rimmed Glasses (1987), starring Philippe Noiret, Rupert Everett, Stefania Sandrelli and Valeria Golino.
Of the 20 films Montaldo helmed, 16 were set to music by Ennio Morricone; no other director collaborated with the famed composer more.
Montaldo also served as president of Italy’s Rai Cinema from 1999-2004.
Montaldo’s gangster tale Machine Gun McCain (1969), which also starred Britt Ekland, Gena Rowlands and Peter Falk, and Sacco & Vanzetti (1971), about the Massachusetts trial and 1927 execution of...
Montaldo died Wednesday at his home in Rome, his family announced.
His big-screen résumé also included The Reckless (1965), starring Renato Salvatori; Grand Slam (1967), starring Janet Leigh; Giordano Bruno (1973), starring Gian Maria Volonté and Charlotte Rampling; And Agnes Chose to Die (1976), starring Ingrid Thulin; and The Gold Rimmed Glasses (1987), starring Philippe Noiret, Rupert Everett, Stefania Sandrelli and Valeria Golino.
Of the 20 films Montaldo helmed, 16 were set to music by Ennio Morricone; no other director collaborated with the famed composer more.
Montaldo also served as president of Italy’s Rai Cinema from 1999-2004.
Montaldo’s gangster tale Machine Gun McCain (1969), which also starred Britt Ekland, Gena Rowlands and Peter Falk, and Sacco & Vanzetti (1971), about the Massachusetts trial and 1927 execution of...
- 9/6/2023
- by Alberto Crespi
- The Hollywood Reporter - Movie News
Giuliano Montaldo, the prolific Italian director, actor and film industry executive, whose works comprise powerful political drama “Sacco and Vanzetti” about the Massachusetts trial and execution in 1927 of accused Italian anarchists Nicola Sacco and Bartolomeo Vanzetti, has died at his home in Rome. He was 93.
His death was announced Wednesday by his family and reported by multiple Italian media outlets. No cause of death was revealed.
Born in 1930 in Genoa, Montaldo was still a Turin university student when, in 1950, director Carlo Lizzani gave him a role in the film “Achtung Banditi!.” Montaldo then moved to Rome in 1954, where he worked as a journalist for Italian newspaper Il Tempo and after a few years decided to pursue a filmmaking career.
Montaldo cut his teeth as a director working as an assistant to Lizzani and then to Gillo Pontecorvo, Sergio Leone, and Francesco Rosi, learning the ropes from some of the masters of Italian cinema.
His death was announced Wednesday by his family and reported by multiple Italian media outlets. No cause of death was revealed.
Born in 1930 in Genoa, Montaldo was still a Turin university student when, in 1950, director Carlo Lizzani gave him a role in the film “Achtung Banditi!.” Montaldo then moved to Rome in 1954, where he worked as a journalist for Italian newspaper Il Tempo and after a few years decided to pursue a filmmaking career.
Montaldo cut his teeth as a director working as an assistant to Lizzani and then to Gillo Pontecorvo, Sergio Leone, and Francesco Rosi, learning the ropes from some of the masters of Italian cinema.
- 9/6/2023
- by Nick Vivarelli
- Variety Film + TV
It’s been a whole 10 years since we last got a new album from Marnie Stern, but that changes this fall: The guitar wiz has announced her next LP, aptly titled The Comeback Kid, which is out November 3rd via Joyful Noise Recordings. Along with the news, she’s shared its lead single “Plain Speak.”
In the years since her last LP The Chronicles of Marnia, Stern’s kept herself busy around the clock by raising two kids and playing in The 8G Band on The Late Show with Seth Meyers. Thankfully, the time away from the studio didn’t dim the spark that put her on the map in the late 2000s, as she naturally re-adopted her trademark finger-tapped guitar shredding and whimsical math rock melodies.
“When I would think, ‘Oh, is that too, too weird?’ I’d remember I’m allowed to do whatever I want! This is mine.
In the years since her last LP The Chronicles of Marnia, Stern’s kept herself busy around the clock by raising two kids and playing in The 8G Band on The Late Show with Seth Meyers. Thankfully, the time away from the studio didn’t dim the spark that put her on the map in the late 2000s, as she naturally re-adopted her trademark finger-tapped guitar shredding and whimsical math rock melodies.
“When I would think, ‘Oh, is that too, too weird?’ I’d remember I’m allowed to do whatever I want! This is mine.
- 8/30/2023
- by Abby Jones
- Consequence - Music
It’s a case of one score to rule them all, as Howard Shore’s stirring epic soundtrack for The Lord of the Rings trilogy was voted the U.K.’s favorite movie music.
Shore’s score for the Rings film, which has won three Academy Awards, three Golden Globes and four Grammys, came out ahead of some of the greatest and most recognizable soundtracks of all time, including John Williams’ music for Schindler’s List and Star Wars, which came second and third respectively.
The list of the top 100 film scores was compiled by popular U.K. radio station Classic FM, as part of their annual Movie Music Hall of Fame. More than 10,000 people voted for this year’s edition and the winner was revealed on Sunday by Jonathan Ross, the former presenter of the BBC’s Film program.
“Many thanks to all the Classic FM listeners,” Shore told...
Shore’s score for the Rings film, which has won three Academy Awards, three Golden Globes and four Grammys, came out ahead of some of the greatest and most recognizable soundtracks of all time, including John Williams’ music for Schindler’s List and Star Wars, which came second and third respectively.
The list of the top 100 film scores was compiled by popular U.K. radio station Classic FM, as part of their annual Movie Music Hall of Fame. More than 10,000 people voted for this year’s edition and the winner was revealed on Sunday by Jonathan Ross, the former presenter of the BBC’s Film program.
“Many thanks to all the Classic FM listeners,” Shore told...
- 8/29/2023
- by Abid Rahman
- The Hollywood Reporter - Movie News
John Carpenter is responsible for directing some of the greatest films of all time, including horror hits like "Halloween" and "The Thing," as well as action favorites like "Escape form New York" and "Big Trouble in Little China." But Carpenter often doesn't only sit behind the camera as a filmmaker. The legendary director is also one hell of a composer, and he's been responsible for creating the music for most of his own films. That iconic "Halloween" theme? You can thank Carpenter for creating that on a tight deadline. And the haunting piano-heavy composition from the genre-defining slasher is just one of many tracks that will be found on John Carpenter's latest "Anthology" vinyl compilation album.
John Carpenter's "Anthology II: Movie Themes 1976-1988" is arriving on vinyl on October 6, following the first volume of music released several years ago, and it features a collection of Carpenter's most famous movie themes...
John Carpenter's "Anthology II: Movie Themes 1976-1988" is arriving on vinyl on October 6, following the first volume of music released several years ago, and it features a collection of Carpenter's most famous movie themes...
- 8/23/2023
- by Ethan Anderton
- Slash Film
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