- Born
- Birth nameCarol Christine Hilaria Pounder
- Height5′ 7″ (1.70 m)
- The CCH stands for Carol Christine Hilaria, her birth name. Most of her characters are enriched with positive attributes -- strength, confidence, integrity, strong-mindedness -- and it is a testament to the abilities of this four-time Emmy nominated actress that she continues on such a high plane in a five-decade career.
Born on Christmas Day 1952 in Guyana, she was raised on a sugar cane plantation. Her parents, Betsy Enid Arnella (James) and Ronald Urlington Pounder, moved the family to the States while she was still a young girl, but she and her sister were subsequently sent to a convent boarding school in Britain where they were introduced to art and the classics. Following high school graduation, she arrived in New York and studied at Ithaca College, where her acting talents were strongly tapped into. Regional and classical repertory theater followed, earning roles in such productions as "The Mighty Gents" (1979) with Morgan Freeman at the New York Shakespeare Festival and "Open Admissions" (1984), her Broadway debut. Other stage work includes "Coriolanus," "Antony and Cleopatra," "The Frog," "The Lodger" and "Mumbo Jumbo."
After bit/featured roles in All That Jazz (1979), I'm Dancing as Fast as I Can (1982) and Prizzi's Honor (1985), CCH earned cult status in the art-house film Bagdad Cafe (1987) (aka "Bagdad Café" in the US) as the offbeat owner of a roadside café. She continued to impress with support roles in Postcards from the Edge (1990), The Importance of Being Earnest (1992), an all-black version: as Miss Prism), Benny & Joon (1993), RoboCop 3 (1993), Sliver (1993), Tales from the Crypt: Demon Knight (1995),Face/Off (1997), Funny Valentines (1999), The Devil in Miss Jones 6 (1999), Baby of the Family (2002), Rain (2008), Orphan (2009), Avatar (2009) (as the voice of Mo'at, and its sequels), My Girlfriend's Back (2010). Home Again (2012) (as a Jamaican) and The Mortal Instruments: City of Bones (2013).
Pounder's prominence came, however, with television. Often cast as succinct, professional types (doctors, policewoman, judges) or characters with a variety of accents, she is known for her understated intensity and earned an Emmy nomination for her stint on the hospital drama ER (1994). She has also performed in a number of highly acclaimed topical mini-movie dramas, including Go Tell It on the Mountain (1985), Common Ground (1990), Murder in Mississippi (1990), Little Girl Fly Away (1998), A Touch of Hope (1999), Boycott (2001), Redemption: The Stan Tookie Williams Story (2004) (as Winnie Mandela) for which a number of kudos have come her way.
Millennium TV output includes regular/recurring roles on the series The Shield (2002) in which she earned an NAACP Award and Emmy nomination as Detective Claudette Wym; the social drama Ciencias del espacio (2008) as matriarch Mrs. Trainor, and NCIS: New Orleans (2014) as medical examiner Loretta Wade. She later found voice work in animated projects and video games.- IMDb Mini Biography By: Gary Brumburgh / gr-home@pacbell.net
- SpouseBoubacar Kone(1991 - August 3, 2016) (his death)
- ChildrenLibya KoneMatthew KoneNicole Kone
- Often plays strong but calm authority figures
- Carol, Christine, and Hilaria (CCH) are all names of female relatives.
- Was almost cast in the role of "C.J. Cregg" on The West Wing, until the part was finally given to Allison Janney.
- David Leslie Johnson-McGoldrick wrote the part of Sister Abigail in Orphan (2009) with her in mind.
- She appeared in the TV series ER (1994), which is set in Chicago's Cook County Hospital - a name that's always shortened to CCH.
- Frequently cast as law enforcement officers or special government agents.
- Applause is the most powerful thing... people talk about the sound of it, but what I hear is glee.
- With acting, I started very young, and I'd performed for a lot of children in boarding schools, late at night after the dormitory lights were out. I'd have a flashlight, and I'd be Count Dracula, or Shakespeare, or Yogi Bear, and leap from bunk to bunk. I loved the laughter; I liked the way it made people feel.
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