Warning: this post contains mention of sexual assault.
Besides Hannibal Lecter's sneering line, "I ate his liver with some fava beans and a nice chianti," the sight of the serial killer Buffalo Bill (aka Jame Gumb) leaning over a giant well and commanding his terrified captive, "It rubs the lotion on its skin or else it gets the hose again," is one of the most memorable moments from Jonathan Demme's "The Silence of the Lambs." Jame Gumb's beautiful Victorian style home, complete with a secret well in the basement, is the perfectly sinister place to torture his victims. Conveniently, he was able to weasel his way into occupying the home from his first victims' employer, Mrs. Lippman.
Many of Buffalo Bill's disturbing behaviors are taken from other real-life serial killers. Ted Bundy would fake injuries or disability to lure unsuspecting women into his car, similar to how Jame Gumb...
Besides Hannibal Lecter's sneering line, "I ate his liver with some fava beans and a nice chianti," the sight of the serial killer Buffalo Bill (aka Jame Gumb) leaning over a giant well and commanding his terrified captive, "It rubs the lotion on its skin or else it gets the hose again," is one of the most memorable moments from Jonathan Demme's "The Silence of the Lambs." Jame Gumb's beautiful Victorian style home, complete with a secret well in the basement, is the perfectly sinister place to torture his victims. Conveniently, he was able to weasel his way into occupying the home from his first victims' employer, Mrs. Lippman.
Many of Buffalo Bill's disturbing behaviors are taken from other real-life serial killers. Ted Bundy would fake injuries or disability to lure unsuspecting women into his car, similar to how Jame Gumb...
- 6/6/2024
- by Caroline Madden
- Slash Film
Italian state broadcaster Rai’s new world sales arm is gaining traction in Cannes — following its soft launch in Berlin — with four new titles on its slate, including veteran auteur Roberto Andò’s historical drama “The Blunder” starring Toni Servillo (“The Great Beauty”).
In “The Blunder,” which is currently shooting in Sicily, Servillo plays a Sicilian colonel at the head of a ragtag unit trying to outsmart the enemy during the 1860 battle led by Giuseppe Garibaldi that resulted in the unification of Italy.
“The Blunder,” which also stars popular Sicilian comic duo Salvatore Ficarra and Valentino Picone, is produced by Tramp Limited and Bibi Film with Rai Cinema and Medusa, in collaboration with Netflix.
Other titles added during Cannes on the Rai Cinema International Distribution slate include – as previously announced – “Of Dogs and Men,” the upcoming drama by Israeli director Dani Rosenberg (“The Death of Cinema and My Father Too...
In “The Blunder,” which is currently shooting in Sicily, Servillo plays a Sicilian colonel at the head of a ragtag unit trying to outsmart the enemy during the 1860 battle led by Giuseppe Garibaldi that resulted in the unification of Italy.
“The Blunder,” which also stars popular Sicilian comic duo Salvatore Ficarra and Valentino Picone, is produced by Tramp Limited and Bibi Film with Rai Cinema and Medusa, in collaboration with Netflix.
Other titles added during Cannes on the Rai Cinema International Distribution slate include – as previously announced – “Of Dogs and Men,” the upcoming drama by Israeli director Dani Rosenberg (“The Death of Cinema and My Father Too...
- 5/24/2024
- by Nick Vivarelli
- Variety Film + TV
When Jane Schoenbrun was in high school, they spent hours devouring Buffy the Vampire Slayer. Schoenbrun watched Sarah Michelle Gellar play Buffy, who over the course of seven seasons, figures out who she really is — a powerful woman chosen to fight evil forces. And Schoenbrun imagined how they might fit into the show. They saw themselves in everyone, from the wacky pal Xander to the broody vampire Angel to Willow and Tara, a pair of witches in love — gender be damned.
“If you’d told me I could press a button and become a cool,...
“If you’d told me I could press a button and become a cool,...
- 5/12/2024
- by Brenna Ehrlich
- Rollingstone.com
The episode of Wtf Happened to This Horror Movie? covering Manhunter was Written and Narrated by Mike Holtz, Edited by Joseph Wilson, Produced by Andrew Hatfield and John Fallon, and Executive Produced by Berge Garabedian.
How cool would it be to wake up in an alternate universe where bizarre versions of your favorite movies existed and you could experience them all over again for the first time? That’s exactly what I can offer to The Silence of the Lambs and Red Dragon fans who have never experienced Manhunter (watch it Here). The forgotten and abandoned stepchild of the Hannibal Lecter film series. How in the fava bean f*$& does a movie that has the twisted murder weirdness and fascinating serial killer storytelling of a Silence of the Lambs or Mindhunter paired with the coolness of a movie like Heat and flair of a Nicolas Winding Refn film go this unnoticed?...
How cool would it be to wake up in an alternate universe where bizarre versions of your favorite movies existed and you could experience them all over again for the first time? That’s exactly what I can offer to The Silence of the Lambs and Red Dragon fans who have never experienced Manhunter (watch it Here). The forgotten and abandoned stepchild of the Hannibal Lecter film series. How in the fava bean f*$& does a movie that has the twisted murder weirdness and fascinating serial killer storytelling of a Silence of the Lambs or Mindhunter paired with the coolness of a movie like Heat and flair of a Nicolas Winding Refn film go this unnoticed?...
- 4/1/2024
- by Cody Hamman
- JoBlo.com
The life of Rosa Bonheur, a trailblazing feminist and artist who rose to fame in 19th century France, will be played by Melanie Laurent in a sprawling period movie directed by Fabienne Berthaud.
“Rosa Bonheur” is being produced by Carole Scotta, Barbara Letellier and Caroline Benjo at Haut et Court, the company behind “Coco Before Chanel” and “The Night of the 12th,” which won a raft of Cesar Awards last year.
The biopic reteams Haut et Court with Berthaud following her previous films, notably Diane Kruger starrer ”Lily Sometimes,” which played at Cannes’ Director’s fortnight in 2010, and 2019’s ”A Bigger World,” starring Cecile de France, which bowed at Venice. Haut et Court will also distribute “Rosa Bonheur” in France.
The movie will shoot on location in Bonheur’s well-preserved atelier at her Château de By in Thomery, where she worked and lived for over 40 years, alongside her partner Nathalie...
“Rosa Bonheur” is being produced by Carole Scotta, Barbara Letellier and Caroline Benjo at Haut et Court, the company behind “Coco Before Chanel” and “The Night of the 12th,” which won a raft of Cesar Awards last year.
The biopic reteams Haut et Court with Berthaud following her previous films, notably Diane Kruger starrer ”Lily Sometimes,” which played at Cannes’ Director’s fortnight in 2010, and 2019’s ”A Bigger World,” starring Cecile de France, which bowed at Venice. Haut et Court will also distribute “Rosa Bonheur” in France.
The movie will shoot on location in Bonheur’s well-preserved atelier at her Château de By in Thomery, where she worked and lived for over 40 years, alongside her partner Nathalie...
- 2/15/2024
- by Elsa Keslassy
- Variety Film + TV
The episode of Wtf Happened to This Horror Movie? covering Hannibal was Written by Mike Holtz, Narrated by Travis Hopson, Edited by Joseph Wilson, Produced by Andrew Hatfield and John Fallon, and Executive Produced by Berge Garabedian.
When The Silence of the Lambs was released upon the world in 1991 and not only became a financial and critical success but also the third film in history to win all five of the big awards at the Oscars, you knew it meant one thing… Tostito’s Pizza Rolls! Because that’s the best way to celebrate any achievement. No, it meant a sequel. Thank God it released in the 90s and not today! Forget a sequel, Disney would have purchased the rights and farmed out an entire cinematic universe. I can see it now… (trailer voice) “You’ve seen Hannibal Lecter behind bars. But have you ever seen him… in the classroom?...
When The Silence of the Lambs was released upon the world in 1991 and not only became a financial and critical success but also the third film in history to win all five of the big awards at the Oscars, you knew it meant one thing… Tostito’s Pizza Rolls! Because that’s the best way to celebrate any achievement. No, it meant a sequel. Thank God it released in the 90s and not today! Forget a sequel, Disney would have purchased the rights and farmed out an entire cinematic universe. I can see it now… (trailer voice) “You’ve seen Hannibal Lecter behind bars. But have you ever seen him… in the classroom?...
- 2/12/2024
- by Cody Hamman
- JoBlo.com
Mads Mikkelsen is still looking to reprise his beloved character of Dr. Hannibal Lecter with a “Hannibal” reboot.
The Danish actor had an update for Business Insider over how, almost 10 years since the cancelation of the NBC thriller series, he and creator Bryan Fuller are still in talks to reboot the series. “Hannibal” served as an episodic prequel to “Silence of the Lambs,” with Mikkelsen portraying the cannibal serial killer originally played by Anthony Hopkins in the Oscar-winning film. “Hannibal” co-starred Hugh Dancy and was canceled in 2015 after three seasons.
“I really don’t want to go back to any of my characters, except maybe for Hannibal because he’s not over yet,” Mikkelsen said. “It’s no secret that all of us who were part of the cast and Bryan, we all want to go back. It’s got to happen eventually sooner than later because we’re not getting any younger,...
The Danish actor had an update for Business Insider over how, almost 10 years since the cancelation of the NBC thriller series, he and creator Bryan Fuller are still in talks to reboot the series. “Hannibal” served as an episodic prequel to “Silence of the Lambs,” with Mikkelsen portraying the cannibal serial killer originally played by Anthony Hopkins in the Oscar-winning film. “Hannibal” co-starred Hugh Dancy and was canceled in 2015 after three seasons.
“I really don’t want to go back to any of my characters, except maybe for Hannibal because he’s not over yet,” Mikkelsen said. “It’s no secret that all of us who were part of the cast and Bryan, we all want to go back. It’s got to happen eventually sooner than later because we’re not getting any younger,...
- 2/5/2024
- by Samantha Bergeson
- Indiewire
John Lennon said a song from The Beatles’ The White Album has some social commentary. It’s also supposed to be a joke. Is it a funny joke? Well, that’s a dicey question to look at all these years later.
John Lennon said a song from The Beatles’ ‘White Album’ was inspired by tigers’ deaths
The book All We Are Saying: The Last Major Interview with John Lennon and Yoko Ono features an interview from 1980. In it, John was asked about “The Continuing Story of Bungalow Bill.”
“Oh, that was written about a guy in Maharishi’s meditation camp who took a short break to go shoot a few poor tigers, and then came back to commune with God,” John recalled.
“There used to be a character called Jungle Jim and I combined him with Buffalo Bill. It’s a sort of teenage social-comment song and a bit of a joke.
John Lennon said a song from The Beatles’ ‘White Album’ was inspired by tigers’ deaths
The book All We Are Saying: The Last Major Interview with John Lennon and Yoko Ono features an interview from 1980. In it, John was asked about “The Continuing Story of Bungalow Bill.”
“Oh, that was written about a guy in Maharishi’s meditation camp who took a short break to go shoot a few poor tigers, and then came back to commune with God,” John recalled.
“There used to be a character called Jungle Jim and I combined him with Buffalo Bill. It’s a sort of teenage social-comment song and a bit of a joke.
- 2/5/2024
- by Matthew Trzcinski
- Showbiz Cheat Sheet
This post contains spoilers for episode 3 of "True Detective: Night Country."
"Quid Pro Quo, Clarice. I tell you things, you tell me things. Not about this case. About yourself," says Dr. Hannibal Lecter (Anthony Hopkins), speaking with FBI trainee Clarice Starling (Jodie Foster) in "The Silence of the Lambs." The quid pro quo scene is a turning point in Clarice and Lecter's complex relationship, as this allows them to exchange information that they deem valuable — while Clarice gains greater insight into the Buffalo Bill murders, Lecter hones in on her emotional vulnerabilities and the trauma that shaped her as a child. There's an unsavory tint to this exchange that occurs at different points in the film: Lecter's unpredictability and obsessive interest in Clarice pose a threat that could unravel with serious consequences at any given time.
Foster also plays a detective in "True Detective: Night Country," although her Elizabeth Danvers is nothing like the courteous,...
"Quid Pro Quo, Clarice. I tell you things, you tell me things. Not about this case. About yourself," says Dr. Hannibal Lecter (Anthony Hopkins), speaking with FBI trainee Clarice Starling (Jodie Foster) in "The Silence of the Lambs." The quid pro quo scene is a turning point in Clarice and Lecter's complex relationship, as this allows them to exchange information that they deem valuable — while Clarice gains greater insight into the Buffalo Bill murders, Lecter hones in on her emotional vulnerabilities and the trauma that shaped her as a child. There's an unsavory tint to this exchange that occurs at different points in the film: Lecter's unpredictability and obsessive interest in Clarice pose a threat that could unravel with serious consequences at any given time.
Foster also plays a detective in "True Detective: Night Country," although her Elizabeth Danvers is nothing like the courteous,...
- 1/29/2024
- by Debopriyaa Dutta
- Slash Film
Horror villains may terrify us and give us countless nightmares but that doesn't stop us from shelling out our hard-earned cash to see them hack their way through innocent victims on the big screen. There are innumerable reasons why these murderous figures have become pop culture icons: their signature modus operandi, their unique looks, the one-liners they spout before causing some serious bloodshed, whatever. From Leatherface to Ghostface, from Pinhead to Pumpkinhead, we simply can't take our eyes off the screen when these legendary monsters make their appearance.
However, there's no better way to undermine the terror and mystery of horror villains than by watching the actors who play them goof around behind the scenes. Not only does it destroy the illusion by revealing that these maniacs and monsters are just people in costumes and makeup but it shows that, in reality, they are about as harmless as Casper the Friendly Ghost.
However, there's no better way to undermine the terror and mystery of horror villains than by watching the actors who play them goof around behind the scenes. Not only does it destroy the illusion by revealing that these maniacs and monsters are just people in costumes and makeup but it shows that, in reality, they are about as harmless as Casper the Friendly Ghost.
- 12/9/2023
- by Joe Garza
- Slash Film
The deluxe album Welcome to Horrorwood: Under Fire is coming this Friday from Ice Nine Kills, and to whet your appetite this afternoon they’ve released an official music video.
The track “Meat & Greet” comes to life in this latest music video from Ice Nine Kills, which operates as a full-on homage to the horror classic The Silence of the Lambs.
“Meat & Greet” recreates several key sequences from the 1991 Oscar-winner, including Hannibal’s meeting with Clarice, Buffalo Bill’s nude dance, and the brutal prison murders.
Speaking of brutal, the “Meat & Greet” music video cuts off right before it’s about to get extremely violent. As the band notes, “the ending of this story is too fucked up for YouTube.”
There’s apparently an additional 19 Minutes of the video that are “too gory to be shown without serious YouTube restrictions,” but there are ways to unlock the footage.
The band explains,...
The track “Meat & Greet” comes to life in this latest music video from Ice Nine Kills, which operates as a full-on homage to the horror classic The Silence of the Lambs.
“Meat & Greet” recreates several key sequences from the 1991 Oscar-winner, including Hannibal’s meeting with Clarice, Buffalo Bill’s nude dance, and the brutal prison murders.
Speaking of brutal, the “Meat & Greet” music video cuts off right before it’s about to get extremely violent. As the band notes, “the ending of this story is too fucked up for YouTube.”
There’s apparently an additional 19 Minutes of the video that are “too gory to be shown without serious YouTube restrictions,” but there are ways to unlock the footage.
The band explains,...
- 10/17/2023
- by John Squires
- bloody-disgusting.com
Meet & Greet “The Silence Of The Lambs” Star Brooke Smith In An Ultra-exclusive Special Event At Buffalo Bill’S House Tour Dates: September 22-24, 2023 All guests receive a full guided tour of Buffalo Bill’s House and the opportunity to meet actress Brooke Smith, who played Buffalo Bill’s captured victim “Catherine Martin”! Brooke will be …
The post Meet & Greet “The Silence Of The Lambs” Star Brooke Smith In An Ultra-exclusive Special Event At Buffalo Bill’S House appeared first on Horror News | Hnn.
The post Meet & Greet “The Silence Of The Lambs” Star Brooke Smith In An Ultra-exclusive Special Event At Buffalo Bill’S House appeared first on Horror News | Hnn.
- 9/3/2023
- by Janel Spiegel
- Horror News
A couple months ago, MGM+ announced that they had acquired the four-episode true crime docuseries Psycho: The Lost Tapes of Ed Gein. Now they have revealed that they’ve scheduled a September 17th premiere date for the series, and along with the premiere date confirmation comes the unveiling of a trailer and some promotional art! The trailer can be viewed in the embed above, and the artwork can be found at the bottom of this article.
The name Ed Gein will probably be familiar to genre fans, as not only have there been multiple movies about his crimes that had his name in the title, but Gein also served as inspiration for the characters of Norman Bates in Psycho, Leatherface in The Texas Chainsaw Massacre, Ezra Cobb in Deranged, and Buffalo Bill in The Silence of the Lambs.
Psycho: The Lost Tapes of Ed Gein is coming our way from...
The name Ed Gein will probably be familiar to genre fans, as not only have there been multiple movies about his crimes that had his name in the title, but Gein also served as inspiration for the characters of Norman Bates in Psycho, Leatherface in The Texas Chainsaw Massacre, Ezra Cobb in Deranged, and Buffalo Bill in The Silence of the Lambs.
Psycho: The Lost Tapes of Ed Gein is coming our way from...
- 8/22/2023
- by Cody Hamman
- JoBlo.com
Real-life killer and grave-robber Ed Gein was the inspiration for several horror movie villains, including Buffalo Bill from The Silence of the Lambs, Norman Bates from Psycho and Leatherface from The Texas Chain Saw Massacre, and Gein’s horrific crimes will be profiled in the four-episode true crime docuseries Psycho: The Lost Tapes of Ed Gein from MGM+.
Directed and executive produced by James Buddy Day (Blumhouse’s Compendium of Horror, Fall River), the docuseries will premiere September 17 on MGM+.
Preview the 4-episode series with the official trailer below.
This MGM+ original docuseries follows the horrifying grave robber and serial killer Ed Gein, otherwise known as “The Plainfield Ghoul” and “The Mad Butcher.”
For years, filmmakers, journalists, and scholars have tried to unravel the mind of this notorious killer, and with new reveals and never-before-heard recordings, viewers will be transported to late-1950s Middle America and submerged in Gein’s perverse mind.
Directed and executive produced by James Buddy Day (Blumhouse’s Compendium of Horror, Fall River), the docuseries will premiere September 17 on MGM+.
Preview the 4-episode series with the official trailer below.
This MGM+ original docuseries follows the horrifying grave robber and serial killer Ed Gein, otherwise known as “The Plainfield Ghoul” and “The Mad Butcher.”
For years, filmmakers, journalists, and scholars have tried to unravel the mind of this notorious killer, and with new reveals and never-before-heard recordings, viewers will be transported to late-1950s Middle America and submerged in Gein’s perverse mind.
- 8/22/2023
- by John Squires
- bloody-disgusting.com
Back in 2021, Chris Rowan, an art director and prop stylist for film and television, purchased the house that was shown to be the home of serial killer Buffalo Bill in Jonathan Demme‘s 1991 classic The Silence of the Lambs (watch it Here), then turned it into a bed and breakfast. This September, Brooke Smith – who played Buffalo Bill captive Catherine Martin – will be returning to that house for the first time since production wrapped. Fans who visit the house during the three days Smith will be there will have the chance to get her autograph and take a picture with her in the well pit in the basement! Fans can also get guided tours of the house , which is located at 8 Circle St. in Perryopolis, Pennsylvania.
Of course, the most interesting part of the house is the basement, and it sounds like Rowan has really made it up right. He...
Of course, the most interesting part of the house is the basement, and it sounds like Rowan has really made it up right. He...
- 8/11/2023
- by Cody Hamman
- JoBlo.com
For the first time since the filming of the horror classic, The Silence of the Lambs actor Brooke Smith, who infamously played the unforgettable role of Catherine Martin, will return to visit Buffalo Bill’s House, the real location where the climax to the film was shot!
Brooke last stepped foot inside “Buffalo Bill’s House” over thirty years ago during the scene where she is rescued from the infamous ‘well’ in which she is held captive by the serial killer Buffalo Bill in The Silence of the Lambs. In that scene, Brooke is led out of the house and through its doors into the arms of her mother, Senator Ruth Martin (played by Diane Baker).
Fans are now able to purchase a ticket for a meet and greet with Brooke Smith during the weekend of September 22-24 (multiple time slots are available).
All guests will receive a full guided...
Brooke last stepped foot inside “Buffalo Bill’s House” over thirty years ago during the scene where she is rescued from the infamous ‘well’ in which she is held captive by the serial killer Buffalo Bill in The Silence of the Lambs. In that scene, Brooke is led out of the house and through its doors into the arms of her mother, Senator Ruth Martin (played by Diane Baker).
Fans are now able to purchase a ticket for a meet and greet with Brooke Smith during the weekend of September 22-24 (multiple time slots are available).
All guests will receive a full guided...
- 8/9/2023
- by John Squires
- bloody-disgusting.com
“When the legend becomes fact, print the legend.” The adage comes from The Man Who Shot Liberty Valance, made by John Ford, the undisputed master of a genre that plays with the disparity between American myth and reality like no other. The new four-part Curiosity Stream docuseries The Real Wild West tries its own hand at this task, dutifully highlighting stories and figures that have traditionally received short shrift from Hollywood and other purveyors of pop culture. Black cowboys, fearless madams, conquistadors, the Trail of Tears, the depletion of the buffalo,...
- 7/4/2023
- by Chris Vognar
- Rollingstone.com
MGM+ has announced that they have acquired the four-episode true crime docuseries Psycho: The Lost Tapes of Ed Gein, with the plan being to start airing the show sometime in September. Just in time for the spooky season. The name Ed Gein will probably be familiar to genre fans, as not only have there been multiple movies about his crimes that had his name in the title, but Gein also served as inspiration for the characters of Norman Bates in Psycho, Leatherface in The Texas Chainsaw Massacre, Ezra Cobb in Deranged, and Buffalo Bill in The Silence of the Lambs.
Psycho: The Lost Tapes of Ed Gein is coming our way from director and executive producer James Buddy Day, who has previously worked on Fall River and Blumhouse’s Compendium of Horror. Here’s the synopsis: For years, filmmakers, journalists, and scholars have tried to unravel the mind of this notorious killer,...
Psycho: The Lost Tapes of Ed Gein is coming our way from director and executive producer James Buddy Day, who has previously worked on Fall River and Blumhouse’s Compendium of Horror. Here’s the synopsis: For years, filmmakers, journalists, and scholars have tried to unravel the mind of this notorious killer,...
- 6/6/2023
- by Cody Hamman
- JoBlo.com
Real-life killer and grave-robber Ed Gein was the inspiration for several horror movie villains, including Buffalo Bill from The Silence of the Lambs, Norman Bates from Psycho and Leatherface from The Texas Chain Saw Massacre, and Gein’s horrific crimes will be profiled in the four-episode true crime docuseries Psycho: The Lost Tapes of Ed Gein from MGM+.
Directed and executive produced by James Buddy Day, the docuseries will premiere on MGM+ in September.
This MGM+ original docuseries follows the horrifying grave robber and serial killer Ed Gein, otherwise known as “The Plainfield Ghoul” and “The Mad Butcher.”
For years, filmmakers, journalists, and scholars have tried to unravel the mind of this notorious killer, and with new reveals and never-before-heard recordings, viewers will be transported to late-1950s Middle America and submerged in Gein’s perverse mind. The series explores Gein’s upbringing and twisted relationship with his mother (which...
Directed and executive produced by James Buddy Day, the docuseries will premiere on MGM+ in September.
This MGM+ original docuseries follows the horrifying grave robber and serial killer Ed Gein, otherwise known as “The Plainfield Ghoul” and “The Mad Butcher.”
For years, filmmakers, journalists, and scholars have tried to unravel the mind of this notorious killer, and with new reveals and never-before-heard recordings, viewers will be transported to late-1950s Middle America and submerged in Gein’s perverse mind. The series explores Gein’s upbringing and twisted relationship with his mother (which...
- 6/6/2023
- by John Squires
- bloody-disgusting.com
For crime movie fans, IMDb users have made finding the best of the genre easy. Classics like The Godfather and The Dark Knight are among their highest-rated films. Every film on this list made IMDb’s Top 100 movies, and none ranked lower than forty.
Our best crime movies list offers some unforgettable cinematic experiences – give them a shot if you haven’t already done so.
10 Best Crime Films of All Time, Ranked on IMDb The Departed (2006) – 8.5 The Green Mile (1999) – 8.6 The Silence of the Lambs (1991) – 8.6 Se7en (1995) – 8.6 Goodfellas (1990) – 8.7 Pulp Fiction (1994) – 8.9 The Godfather Part II (1974) – 9 12 Angry Men (1957) – 9.0 The Dark Knight (2008) – 9.0 The Godfather (1972) – 9.2 10 ‘The Departed’ (2006)
IMDb: 8.5/10 1.4M | Popularity: 182 | Top 250: #39 | Metascore: 85
Related: 10 Best Matt Damon Movies, Ranked by Viewers
Billy and Colin’s lives are intertwined in The Departed. Set on the streets of Boston, Leonardo DiCaprio plays Billy — an undercover cop infiltrating a crime syndicate. Matt Damon is Colin Sullivan — trying to infiltrate law enforcement from within.
Our best crime movies list offers some unforgettable cinematic experiences – give them a shot if you haven’t already done so.
10 Best Crime Films of All Time, Ranked on IMDb The Departed (2006) – 8.5 The Green Mile (1999) – 8.6 The Silence of the Lambs (1991) – 8.6 Se7en (1995) – 8.6 Goodfellas (1990) – 8.7 Pulp Fiction (1994) – 8.9 The Godfather Part II (1974) – 9 12 Angry Men (1957) – 9.0 The Dark Knight (2008) – 9.0 The Godfather (1972) – 9.2 10 ‘The Departed’ (2006)
IMDb: 8.5/10 1.4M | Popularity: 182 | Top 250: #39 | Metascore: 85
Related: 10 Best Matt Damon Movies, Ranked by Viewers
Billy and Colin’s lives are intertwined in The Departed. Set on the streets of Boston, Leonardo DiCaprio plays Billy — an undercover cop infiltrating a crime syndicate. Matt Damon is Colin Sullivan — trying to infiltrate law enforcement from within.
- 4/30/2023
- by Buddy TV
- buddytv.com
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
All the Beauty and the Bloodshed (Laura Poitras)
It is a fascinating thing to watch someone’s history of protest and addiction collide and conspire to hold a pharmaceutical company accountable and expose its parent family as reprehensible. Academy Award-winning filmmaker Laura Poitras profiles the renowned photographer and activist Nan Goldin and her fight through the AIDS and opioid crisis, but this is bigger than a biographical documentary. Through slideshows, interviews, and family videos, Poitras weaves a riveting, heartbreaking interconnected story of generational pain, its influence over the blurry boundaries between life and art. – Jake K-s.
Where to Stream: HBO Max
Hannah Ha Ha (Jordan Tetewsky and Joshua Pikovsky)
Jordan Tetewsky and Joshua Pikovsky’s dryly humorous character study picked up the...
All the Beauty and the Bloodshed (Laura Poitras)
It is a fascinating thing to watch someone’s history of protest and addiction collide and conspire to hold a pharmaceutical company accountable and expose its parent family as reprehensible. Academy Award-winning filmmaker Laura Poitras profiles the renowned photographer and activist Nan Goldin and her fight through the AIDS and opioid crisis, but this is bigger than a biographical documentary. Through slideshows, interviews, and family videos, Poitras weaves a riveting, heartbreaking interconnected story of generational pain, its influence over the blurry boundaries between life and art. – Jake K-s.
Where to Stream: HBO Max
Hannah Ha Ha (Jordan Tetewsky and Joshua Pikovsky)
Jordan Tetewsky and Joshua Pikovsky’s dryly humorous character study picked up the...
- 3/24/2023
- by Jordan Raup
- The Film Stage
The Smithsonian last week debuted its long-in-the-works Entertainment Nation, an entire wing at the National Museum of American History devoted, for the first time, to pop culture.
With Dolby sound, digital projection and advanced lighting, it is everything you would expect to engage 21st century audiences.
But none of the bells and whistles distract from the actual artifacts. Dorothy’s ruby slippers from The Wizard of Oz, which long had been on display as one of the most requested items at the museum, are now in one place along with less-viewed items like George Reeves’ Superman costume, Mister Rogers’ sweater, the egg from Alien and Captain America’s shield.
The point is to show how these costumes, props, uniforms and other items represent a powerful and influential aspect of culture, showcased under the same roof as other American treasures like Abraham Lincoln’s hat and the Star-Spangled Banner.
“One of...
With Dolby sound, digital projection and advanced lighting, it is everything you would expect to engage 21st century audiences.
But none of the bells and whistles distract from the actual artifacts. Dorothy’s ruby slippers from The Wizard of Oz, which long had been on display as one of the most requested items at the museum, are now in one place along with less-viewed items like George Reeves’ Superman costume, Mister Rogers’ sweater, the egg from Alien and Captain America’s shield.
The point is to show how these costumes, props, uniforms and other items represent a powerful and influential aspect of culture, showcased under the same roof as other American treasures like Abraham Lincoln’s hat and the Star-Spangled Banner.
“One of...
- 12/11/2022
- by Ted Johnson
- Deadline Film + TV
Brooke Smith will forever be known to moviegoers for her role as Buffalo Bill’s kidnap victim, Catherine Martin, in The Silence of the Lambs. But before she “put the lotion in the basket,” Smith was a part of a New York hardcore punk scene that congregated at dingy clubs on the Bowery like CBGBs and Great Gildersleeves for shows by Agnostic Front, Cro-Mags, Bad Brains, and other underground icons. “I was attracted by the anger of the music,” says Smith. “And the outsider-ness of it all. You recognize your tribe when you meet them.
- 11/27/2022
- by Andy Greene
- Rollingstone.com
You can always count on horror to test boundaries, so it’s no surprise that the genre has long explored the taboo of cannibalism. Cannibals are most often associated with exploitation horror, leading to a cannibal horror boon in the ’70s and early ’80s, thanks to Italian horror filmmakers like Umberto Lenzi, Ruggero Deodato, and Joe D’Amato. But as the Video Nasty craze came and went and time evolved the genre, so did the depiction of cannibalism.
The ’90s brought horror’s most common depiction of cannibals out of the jungle and into society, largely thanks to The Silence of the Lambs’ Hannibal Lecter (Anthony Hopkins). The Academy Award-winning feature adapted Thomas Harris’ 1988 novel and introduced a supporting character so fascinating that he overshadowed the film’s actual antagonist, Buffalo Bill (Ted Levine). Protagonist Clarice Starling gets assigned to interview the incarcerated cannibalistic serial killer in the hopes that Dr.
The ’90s brought horror’s most common depiction of cannibals out of the jungle and into society, largely thanks to The Silence of the Lambs’ Hannibal Lecter (Anthony Hopkins). The Academy Award-winning feature adapted Thomas Harris’ 1988 novel and introduced a supporting character so fascinating that he overshadowed the film’s actual antagonist, Buffalo Bill (Ted Levine). Protagonist Clarice Starling gets assigned to interview the incarcerated cannibalistic serial killer in the hopes that Dr.
- 11/23/2022
- by Meagan Navarro
- bloody-disgusting.com
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
The Kingdom I (Lars von Trier)
Before his latest opus, The Kingdom Exodus, arrives on Mubi, Lars von Trier has restored never-before-seen director’s cuts of the first two parts of his 1990s series The Kingdom. Set in the neurosurgical ward of the Danish hospital of Rigshospitalet, we’ve been itching to catch up on the series and now thankfully Mubi has afforded the opportunity with the first part, comprised of four episodes, now available the rest coming soon.
Where to Stream: Mubi (free 30 days)
Moonage Daydream (Brett Morgen)
Brett Morgen—venerated documentarian behind Cobain: Montage of Heck and Jane—is the first filmmaker to land a project sanctioned by the Bowie estate. He did not take this for granted. Moonage Daydream is a radiant,...
The Kingdom I (Lars von Trier)
Before his latest opus, The Kingdom Exodus, arrives on Mubi, Lars von Trier has restored never-before-seen director’s cuts of the first two parts of his 1990s series The Kingdom. Set in the neurosurgical ward of the Danish hospital of Rigshospitalet, we’ve been itching to catch up on the series and now thankfully Mubi has afforded the opportunity with the first part, comprised of four episodes, now available the rest coming soon.
Where to Stream: Mubi (free 30 days)
Moonage Daydream (Brett Morgen)
Brett Morgen—venerated documentarian behind Cobain: Montage of Heck and Jane—is the first filmmaker to land a project sanctioned by the Bowie estate. He did not take this for granted. Moonage Daydream is a radiant,...
- 11/18/2022
- by Jordan Raup
- The Film Stage
Any fan of horror movies knows the name “Hannibal Lecter.” This iconic character has been played by some of the biggest names in Hollywood, and his gruesome crimes have been the subject of numerous films and books.
Diabolical cannibal Hannibal Lecter has been the basis for five movies, all adapted from Thomas Harris novels about Lecter: 1981’s Red Dragon, 1988’s The Silence of the Lambs, 1999’s Hannibal, and 2006’s Hannibal Rising.
The first film starred Brian Cox as Hannibal Lecter. Anthony Hopkins took over the role for “The Silence of the Lambs,” “Hannibal,” and “Red Dragon.”
If you want to experience the full Hannibal Lecter story, then you’ll want to watch all the movies in order. Then, starting with” Manhunter” and ending with” Hannibal,” this list will take you through all the most significant moments in Lecter’s history.
So whether you’re a longtime fan or just getting started,...
Diabolical cannibal Hannibal Lecter has been the basis for five movies, all adapted from Thomas Harris novels about Lecter: 1981’s Red Dragon, 1988’s The Silence of the Lambs, 1999’s Hannibal, and 2006’s Hannibal Rising.
The first film starred Brian Cox as Hannibal Lecter. Anthony Hopkins took over the role for “The Silence of the Lambs,” “Hannibal,” and “Red Dragon.”
If you want to experience the full Hannibal Lecter story, then you’ll want to watch all the movies in order. Then, starting with” Manhunter” and ending with” Hannibal,” this list will take you through all the most significant moments in Lecter’s history.
So whether you’re a longtime fan or just getting started,...
- 11/5/2022
- by Israr
- buddytv.com
It’s the most wonderful time of the year. Fall has come and so has the official spooky season, at least until October 31st. But for some of us Spooky Season never stops, even with the ever sooner it seems encroaching of Christmas decorations into our beloved Jack O’Lanterns and bats.
This gift guide is a bridge for both those that love all things grisly and ghoulish when it comes to their entertainment and décor and also a handy map for those trying to find something to place under the tree from themselves or to help out Sandy Claws.
This guide will be broken down into sections from least expensive to the spendy range, touching on collectibles, movies, books and more. So let’s cut deep into what I think your favorite horror fan might love finding in their bloody stockings this holiday season.
Handmade By Robots – Buffalo Bill...
This gift guide is a bridge for both those that love all things grisly and ghoulish when it comes to their entertainment and décor and also a handy map for those trying to find something to place under the tree from themselves or to help out Sandy Claws.
This guide will be broken down into sections from least expensive to the spendy range, touching on collectibles, movies, books and more. So let’s cut deep into what I think your favorite horror fan might love finding in their bloody stockings this holiday season.
Handmade By Robots – Buffalo Bill...
- 10/30/2022
- by Jessica Dwyer
- JoBlo.com
Have you ever wanted to visit the "Silver Tuna" house from "Home Alone" when the holidays roll around? What about stalking the house of babysitter Laurie Strode from the "Halloween" franchise? Maybe you've felt bold enough to check out the house of Buffalo Bill from "The Silence of the Lambs." Soon, you'll be able to check out some of the most memorable houses from film and television, thanks to a new documentary from "I Love You, You Hate Me" director Tommy Avallone.
"The House From..." is an upcoming documentary that's looking to complete post-production by way of a Kickstarter. If you've ever wanted your name in the credits of a movie as a producer, here's your chance. Tommy Avallone recently sat down to chat with us about traveling across the country to see houses from movies like "The Goonies," "The Twilight Saga," "Pee-wee's Big Adventure," "Home Alone," "Full House," and many more.
"The House From..." is an upcoming documentary that's looking to complete post-production by way of a Kickstarter. If you've ever wanted your name in the credits of a movie as a producer, here's your chance. Tommy Avallone recently sat down to chat with us about traveling across the country to see houses from movies like "The Goonies," "The Twilight Saga," "Pee-wee's Big Adventure," "Home Alone," "Full House," and many more.
- 10/28/2022
- by Ethan Anderton
- Slash Film
"Black Adam" star and wrestling legend Dwayne Johnson has spent years eyeballing a continuation of John Carpenter's "Big Trouble in Little China," a genre-blending action film that provided Kurt Russell with one of his all-time great performances. The film was originally supposed to be a traditional Western focusing on a sharpshooter in Buffalo Bill's Wild West show who becomes a buffalo hunter to help feed the Chinese workers on the railroad, but was updated into a larger-than-life genre spectacle boasting high-octane action, romance, mystery, gunplay, mystical sorcery, martial arts, scary set pieces, and one of the coolest action heroes in history. The film featured a career great performance by James Hong as David Lo-Pan, the villainous ancient Chinese sorcerer who has to marry and sacrifice a green-eyed girl to regain a healthy form, bringing him one step closer to his dream of taking over the universe.
Johnson has...
Johnson has...
- 10/25/2022
- by BJ Colangelo
- Slash Film
At the 64th Academy Awards, it was all about "The Silence of the Lambs." The host, Billy Crystal, was wheeled onto the stage wearing Hannibal Lecter's famous muzzle, and by the end of the evening the film had swept the "Big Five" Oscars: Best Picture, Director, Actor, Actress, and Adapted Screenplay, becoming only the third film in the Academy's history to do so (after "It Happened One Night" and "One Flew Over the Cuckoo's Nest.")
It was a cannibal love-in, alright; in the building at least, because outside in the street several hundred protestors gathered to angrily decry the portrayal of gay characters in a number of the year's films, most notably "The Silence of the Lambs" for its transgender serial killer Buffalo Bill (via Advocate). Whether the film is transphobic or not remains a subject of debate today but that doesn't detract from the quality of Ted Levine's performance as Bill,...
It was a cannibal love-in, alright; in the building at least, because outside in the street several hundred protestors gathered to angrily decry the portrayal of gay characters in a number of the year's films, most notably "The Silence of the Lambs" for its transgender serial killer Buffalo Bill (via Advocate). Whether the film is transphobic or not remains a subject of debate today but that doesn't detract from the quality of Ted Levine's performance as Bill,...
- 10/24/2022
- by Lee Adams
- Slash Film
Fall is here, and there is a bevy of excellent newly added movies streaming on Amazon Prime Video to get you in the mood for the season change. Whether it’s a horror classic, Oscar-winning thriller or genuinely great animated film, there’s a little something for everyone in our curated list of some of the best new movies streaming on Amazon Prime Video this month. So if you’re having trouble picking a movie to watch, you can’t go wrong with something on our list.
These are some of the best new movies streaming on Amazon Prime Video in September 2022.
Also Read:
The 35 Best Movies on Amazon Prime (September 2022) An American Werewolf in London Griffin Dunne and David Naughton in “An American Werewolf in London” (Universal Pictures)
Kick off spooky season in style with one of the best horror movies ever made, “An American Werewolf in London.” Filmmaker...
These are some of the best new movies streaming on Amazon Prime Video in September 2022.
Also Read:
The 35 Best Movies on Amazon Prime (September 2022) An American Werewolf in London Griffin Dunne and David Naughton in “An American Werewolf in London” (Universal Pictures)
Kick off spooky season in style with one of the best horror movies ever made, “An American Werewolf in London.” Filmmaker...
- 9/25/2022
- by Adam Chitwood
- The Wrap
With the arrival of fall, in addition to preparing ourselves for the Halloween season, it's that time of the month to discover a whole host of streaming options soon to be available at our fingertips. Although some of your favorites will inevitably disappear from your favorite streaming service, worry not, there's plenty of choices, both new and old, coming to Prime Video this October.
Whether you need to play catchup with one of 2022's greatest films ("The Northman") or indulge in a wild Darren Aronofsky biblical spectacle ("Noah") before "The Whale" comes out, the streaming giant behind "The Boys" and "A League of Their Own" seem to have all of your bases covered. Here are a few Prime Video selections I feel you ought to check out next month!
Downton Abbey: A New Era
While the winners of the summer movie season are usually VFX-heavy blockbusters, it's always heartening to...
Whether you need to play catchup with one of 2022's greatest films ("The Northman") or indulge in a wild Darren Aronofsky biblical spectacle ("Noah") before "The Whale" comes out, the streaming giant behind "The Boys" and "A League of Their Own" seem to have all of your bases covered. Here are a few Prime Video selections I feel you ought to check out next month!
Downton Abbey: A New Era
While the winners of the summer movie season are usually VFX-heavy blockbusters, it's always heartening to...
- 9/23/2022
- by Matthew Bilodeau
- Slash Film
Buffalo Bill’S House Celebrates Its One Year Anniversary With The Opening Of The Much Anticipated ‘Well’ The Famous Film Location for the Iconic ‘The Silence of the Lambs’ Adds the Infamous Well to ‘Buffalo Bill’s Workshop of Horrors’ Be Among the First to Stay and Enter the Well If You Dare! Buffalo Bill’s House, the iconic …
The post Buffalo Bill’s House Opens the Much Anticipated ‘Well’ appeared first on Horror News | Hnn.
The post Buffalo Bill’s House Opens the Much Anticipated ‘Well’ appeared first on Horror News | Hnn.
- 9/1/2022
- by Adrian Halen
- Horror News
Q Lazzarus. whose cult song “Goodbye Horses” was used in a memorable scene from the 1991 film The Silence of the Lambs, reportedly died on July 19. She was 61 and her death just came to public attention via a little-noticed newspaper obituary for the woman born Diane Luckey.
Q Lazzarus led the New York band Q Lazzarus And The Resurrection. She allegedly worked as a New York cab driver in the ’80s. That led her to a fateful fare from director Jonathan Demme. She reportedly played Demme her demo, he loved it, and he used the Q Lazzarus song “Candle Goes Away” in his 1986 film Something Wild.
Demme remained loyal to his cab-driving friend. He used the only commercially released single from the band, “Goodbye Horses,” in two movies, 1988’s Married To The Mob and then The Silence Of The Lambs
In The Silence Of The Lambs, “Goodbye Horses” is the music...
Q Lazzarus led the New York band Q Lazzarus And The Resurrection. She allegedly worked as a New York cab driver in the ’80s. That led her to a fateful fare from director Jonathan Demme. She reportedly played Demme her demo, he loved it, and he used the Q Lazzarus song “Candle Goes Away” in his 1986 film Something Wild.
Demme remained loyal to his cab-driving friend. He used the only commercially released single from the band, “Goodbye Horses,” in two movies, 1988’s Married To The Mob and then The Silence Of The Lambs
In The Silence Of The Lambs, “Goodbye Horses” is the music...
- 8/19/2022
- by Bruce Haring
- Deadline Film + TV
Q Lazzarus, the singer behind the cult synth pop hit “Goodbye Horses” featured in the 1992 film “The Silence of the Lambs,” died July 29 following a short illness. She was 61.
Her death was formally announced by Jackson Funeral Home in Neptune, New Jersey. Her friend, Eva Aridjis, a filmmaker, confirmed her death to Rolling Stone.
“Over the past three years, Q became one of my closest friends and we were in touch almost daily. Q had one of those life forces that you simply can’t imagine being extinguished or ceasing to exist, because it was so vital and radiant and exuberant,” Aridjis told Rolling Stone.
Lazzarus, whose real name was Diane Luckey, was born Dec. 12, 1960, in Neptune, New Jersey. She began her music career in the 1980s, a period during which she was unable to get a record deal due to racist reactions by record industry scouts who objected to her dreadlocks.
Her death was formally announced by Jackson Funeral Home in Neptune, New Jersey. Her friend, Eva Aridjis, a filmmaker, confirmed her death to Rolling Stone.
“Over the past three years, Q became one of my closest friends and we were in touch almost daily. Q had one of those life forces that you simply can’t imagine being extinguished or ceasing to exist, because it was so vital and radiant and exuberant,” Aridjis told Rolling Stone.
Lazzarus, whose real name was Diane Luckey, was born Dec. 12, 1960, in Neptune, New Jersey. She began her music career in the 1980s, a period during which she was unable to get a record deal due to racist reactions by record industry scouts who objected to her dreadlocks.
- 8/19/2022
- by Ross A. Lincoln
- The Wrap
Only two films have cemented Jordan Peele as a formative voice in contemporary horror, Oscar winner, and rein-puller for one of the biggest properties in science fiction, The Twilight Zone. Although Nope likely aims for the heights of his first two horror ventures, its blend of Buffalo Bill and Buck Rogers aligns more with his Rod Serling proclivities. This is grand sci-fi showmanship with a social conscience, but its biggest shock is that Peele may be more invested in the former than the latter. In a refusal to rest on laurels he takes a big swing on a larger canvas.
With their father’s Hollywood horse-training business on the rocks in the wake of a family tragedy, siblings Oj (Daniel Kaluuya) and Emerald Haywood (Keke Palmer) find themselves at odds with both the industry they inhabit and the ranch they inherited. Oj wrestles to keep things afloat through dealings with local showman,...
With their father’s Hollywood horse-training business on the rocks in the wake of a family tragedy, siblings Oj (Daniel Kaluuya) and Emerald Haywood (Keke Palmer) find themselves at odds with both the industry they inhabit and the ranch they inherited. Oj wrestles to keep things afloat through dealings with local showman,...
- 7/20/2022
- by Conor O'Donnell
- The Film Stage
Reminder: just because you purchased a digital copy of your favorite film, that doesn’t always mean you get to keep it for forever. Thousands of Sony Playstation users woke up to the news that their libraries of films would be gone in a month. Making the case for physical media, yet again. And if you’re looking to hoard DVDs for years to come, try and make it the best version of that medium and go for a Criterion Collection classic. These DVD, Blu-ray and 4K collections are the cream of the crop, often boasting unearthed interviews and adorned with stunning artwork.
And right now, thanks to Amazon Prime Day, many of our favorite films are 50 off. Here’s a list of our favorites currently on sale.
The ‘Before’ Trilogy Three iconic romance meditations from director Richard Linklater. Ethan Hawke and Julie Delpy star in “Before Sunrise” (1995), “Before Sunset...
And right now, thanks to Amazon Prime Day, many of our favorite films are 50 off. Here’s a list of our favorites currently on sale.
The ‘Before’ Trilogy Three iconic romance meditations from director Richard Linklater. Ethan Hawke and Julie Delpy star in “Before Sunrise” (1995), “Before Sunset...
- 7/12/2022
- by Meredith Woerner
- Variety Film + TV
Ethan Hawke, in 30 years, has never played a flat-out villain before, so it would be nice to say that in “The Black Phone” he not only plays a serial killer — one of those anonymous madmen who live in a one-story house of dingy brick with a dungeon in the basement — but that he makes something memorable out of it. His mask is certainly disturbing. Hawke’s character, who is known as the Grabber, is a kidnapper of teenage boys, to whom he presumably does unspeakable things. He drives a black ’70s van with the word Abracadabra written on the side of it, and when he pops out of the vehicle to yank his victims off the street, he’ll be wearing a magician’s hat or carrying some black balloons. But it’s not until we see him in his home element that we take in the full hideous grandeur of that mask,...
- 6/19/2022
- by Owen Gleiberman
- Variety Film + TV
Arthur Kopit, whose 1969 Broadway play Indians was a Pulitzer Prize finalist and later adapted as the film Buffalo Bill and the Indians starring Paul Newman, died Friday in New York. He was 83.
His death was announced by spokesman Rick Miramontez. No cause of death was disclosed.
Kopit’s seven-decade stage career began when he was still a Harvard undergraduate, with his 1963 play Oh Dad, Poor Dad, Mamma’s Hung You in the Closet and I’m Feelin’ So Sad getting an Off Broadway production that later moved to Broadway with Jerome Robbins directing.
Indians, about the life of Buffalo Bill Cody and an early example of the era’s anti-Western genre, opened on Broadway in 1969 and starred Stacy Keach, Manu Tupou, Raul Julia and Sam Waterston, among others. A finalist for the Pulitzer Prize for Drama, Indians was adapted by director Robert Altman in 1976 as (full title) Buffalo Bill and the Indians,...
His death was announced by spokesman Rick Miramontez. No cause of death was disclosed.
Kopit’s seven-decade stage career began when he was still a Harvard undergraduate, with his 1963 play Oh Dad, Poor Dad, Mamma’s Hung You in the Closet and I’m Feelin’ So Sad getting an Off Broadway production that later moved to Broadway with Jerome Robbins directing.
Indians, about the life of Buffalo Bill Cody and an early example of the era’s anti-Western genre, opened on Broadway in 1969 and starred Stacy Keach, Manu Tupou, Raul Julia and Sam Waterston, among others. A finalist for the Pulitzer Prize for Drama, Indians was adapted by director Robert Altman in 1976 as (full title) Buffalo Bill and the Indians,...
- 4/3/2021
- by Greg Evans
- Deadline Film + TV
The classical western exists as an ideal sandbox for stories of heroism, in which white hats can immediately separate our protagonists from the black-hatted antagonists. Occasionally, though, we have a revisionist western that questions and defies the well-trodden patriarchal confines of the genre, as if looking at an old image from a tilted perspective and finding something new.
Sometimes, the characters don’t fit into the dusty old boxes occupied by so many western heroes and heroines. The hero robs and kills to stay alive, frightened and overwhelmed by this strange, new frontier. Other times, the stereotypical Western landscape disappears, blanketed in snow. Horses drive their hooves through ice-covered puddles. Wind screams past bone-thin trees — manifest destiny frozen over, encasing the American dream in ice.
In the case of Sofia Coppola’s newest, The Beguiled, gender and power roles reverse: an injured Union soldier (Colin Farrell) turns up at a girl’s school, an arrival which breeds intense sexual tension and rivalry among the women (Nicole Kidman, Kirsten Dunst and Elle Fanning). According to our review, the movie is “primarily based on the 1966 book by Thomas Cullinan,” and “appears, at first glance, to be a remake of Don Siegel’s 1971 film adaptation rather than any sort of new reading of the original text. Coppola, of course, is far too clever for that.”
In celebration of The Beguiled, we’ve decided to take a look at the finest examples of the revisionist western. Enjoy, and please include your own favorites in the comments.
The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik)
Robert Ford (Casey Affleck) idolized the legendary outlaw Jesse James (Brad Pitt), growing up hearing campfire stories about the man. Ford loved James so much that he eventually willed himself into the man’s life story. You cannot tell James’s story without also telling Ford’s. These two tragic lives are irrevocably linked by Ford’s betrayal. The film’s dryly antiseptic voiceover narration confides that Ford grew to regret his violent ways. The same goes for James, who at one point beats a child and then weeps into his horse’s neck, unable to live with his own deeds. While James’ propensity for violence is a deeply cut character flaw, Pitt plays the outlaw like an emotionally wounded teenager. His jovial sense of humor cloaks a vindictive and self-loathing interior. Whether Jesse James hurts himself or someone else, there is always a witness looking on with wide eyes. After James’ murder, Ford became a celebrity, touring the country reenacting the shooting. But Ford gained his prominence by killing a beloved folk hero. And so, one day, a man named Edward Kelly walked into Ford’s saloon with a shotgun and took revenge for James’s murder. Unlike the aftermath of Ford’s deed, people leapt to Kelly’s defense, collecting over 7000 signatures for a petition, leading to his pardon. America hated Robert Ford because he killed Jesse James. They loved Edward Kelly because he killed Robert Ford.
Buffalo Bill and the Indians, or Sitting Bull’s History Lesson (Robert Altman)
Robert Altman’s largely forgotten and often funny western about egotistical showman Buffalo Bill Cody (Paul Newman) treats its lead without respect, eagerly mocking him at every opportunity. Known across America as they best tracker of man and animals alive, Cody runs Buffalo Bill’s Wild West Show, a rodeo-like performance of cowboy-feats, ranging from simple rope tricks to the trick-shots of the legendary Annie Oakley. However, Cody is a fraud, a walking accumulation of lies and tall-tales. When Cody gets the chance to hire Chief Sitting Bull, the man who defeated General Custer at Little Big Horn, he’s thrilled, until Sitting Bull refuses to participate in his offensive show. Contrasted with phony Buffalo Bill Cody, Sitting Bull drips with dignified authenticity, totally uninterested in living up to the ignorant public’s racist image of his people. While the manufactured “reality” of Cody’s shows gets applause from white audiences, the stoic realness of Sitting Bull initially receives jeers, until something occurs to the crowd: this isn’t showmanship; this is the real thing. Later, when Cody and his gang form a posse, he hastily removes his show attire and searches through his wardrobe, cursing: “Where’s my real jacket?” So utterly consumed by his own public image, Cody can no longer locate his true self. Altman’s film is a rare western with a lead character who never succeeds, changes, or learns from his mistakes, always remaining a hopelessly pompous horse’s ass.
Butch Cassidy and the Sundance Kid (George Roy Hill)
As we meet the legendary Butch Cassidy (Paul Newman) he’s scoping out a bank, recently renovated to include heavy iron bars over every window and bolted-locks on every door. He asks the guard what happened to the old bank, which displayed such architectural beauty. “People kept robbing it,” the guard says. “Small price to pay for beauty,” Butch replies. It’s a running theme in revisionist westerns to reveal the truth behind the legend. The changing times had rendered bandits on horseback obsolete. But Butch Cassidy and his partner, the Sundance Kid (Robert Redford) didn’t see the end coming until the future was already upon them. After barely evading a super-posse (to use a term coined by screenwriter William Goldman) led by a ruthless bounty hunter, they escape to Bolivia with Etta (Katherine Ross) Sundance’s girl, where their criminal ways are similarly received. What began as a vacation away from their troubles slowly becomes a permanent getaway run, sowing seeds of inevitable tragedy. Etta sees what Butch and Sundance cannot: the end. “We’re not going home anymore, are we?” Etta tearfully asks Sundance, informing him that she has no plans to stick around to watch them die. George Roy Hill’s Butch Cassidy and the Sundance Kid is a tearful celebration of a pair of old dogs too foolish to learn new tricks.
Dead Man (Jim Jarmusch)
The gorgeous and haunting Dead Man opens with a soot-faced Crispin Glover trilling as he points out the window of a train: “They’re shooting buffalo,” he cries. “Government said, it killed a million of them last year alone.” The American machine greedily consumes the landscape, leaving smoldering devastation in its path, while a stone-faced accountant named William Blake (Johnny Depp) travels to the hellish town of Machine, where he’s promised a job. Unfortunately, there’s no job at the end of the line for this seemingly educated man, blissfully unaware of his namesake, the poet William Blake. After taking a bullet to the chest, Blake wanders this dying western landscape as if in a dream, guided by Nobody (Gary Farmer) a Native American raised in England after getting kidnapped and paraded around as a sideshow attraction for whites. At one point, Blake stumbles upon three hunters by a camp fire, one of which, played by Iggy Pop, wears a muddy dress and bonnet like a twisted schoolmarm. Writer-director Jim Jarmusch’s twist on the western (accompanied by Robby Müller’s flawless cinematography) hums with textured period detail and vivid costume design, the accumulation of which achieves an eerily stylized tone.
Django Unchained (Quentin Tarantino)
The spirit of Quentin Tarantino’s Django Unchained is in the sequence scored by Jim Croce’s “I’ve Got a Name.” Django (Jamie Foxx), now a free man, removes the old saddle from his horse’s back, a saddle originally procured by a white slaver, the animal’s previous owner. He then mounts in its place, his own saddle personalized with an embroidered D. His freedom is still new and unfamiliar but, Django is more than willing to grasp those reigns. What works best about the film is how Tarantino’s screenplay embraces the politics of the Antebellum South in a fashion carefully ignored by every other western of its time. The dialogue, Tarantino’s most applauded talent, wheels a careful turn between a sly comedy-of-manners and a bluntly provocative historical indictment, always landing on a shameless exploitation cinema influenced need for violent catharsis. Tarantino’s channeling of Spaghetti Western violence, with the gore cranked up to a level far beyond that of even Sergio Corbucci’s bloodiest work, delivers tenfold on that catharsis, splattering the pristine white walls of Candyland plantation bright red.
El Topo (Alejandro Jodorowsky)
Dripping with transgressive and bizarre imagery, El Topo embraces every taboo imaginable with a breathless zeal. Existing somewhere between Midnight Movie oddity and art-house epic, Alejandro Jodorowsky’s second feature envisions the west as an unknowable landscape, dotted with peculiar and grotesque characters, such as a legless gunfighter who rides around on the back of an armless man. Describing the film in narrative terms, beat by beat, would be pointless, although we follow a rider in black, the titular El Topo (which means The Mole) who crosses the desert with a naked boy on the saddle. Though we spend more time with El Topo, his son is the heart of the film, this warped and subversive pseudo-fable exploring the cyclical nature of life. Jodorowsky’s painterly eye for composition lends individual shots with arresting and breathtaking resonance. With less than subtle biblical imagery scattered throughout, including a marvelous sequence involving a religion based around the game of Russian Roulette, Jodorowsky’s film feels at times like a twisted celebration of mysticism, sampling notes from Catholicism, Christianity, Hinduism and Buddhism. It’s ending, a chaotic, dream-like burst of violence, adds a scathing gut-punch to an already overwhelming experience. There is no other western quite like El Topo, to say the least.
Continue >>...
Sometimes, the characters don’t fit into the dusty old boxes occupied by so many western heroes and heroines. The hero robs and kills to stay alive, frightened and overwhelmed by this strange, new frontier. Other times, the stereotypical Western landscape disappears, blanketed in snow. Horses drive their hooves through ice-covered puddles. Wind screams past bone-thin trees — manifest destiny frozen over, encasing the American dream in ice.
In the case of Sofia Coppola’s newest, The Beguiled, gender and power roles reverse: an injured Union soldier (Colin Farrell) turns up at a girl’s school, an arrival which breeds intense sexual tension and rivalry among the women (Nicole Kidman, Kirsten Dunst and Elle Fanning). According to our review, the movie is “primarily based on the 1966 book by Thomas Cullinan,” and “appears, at first glance, to be a remake of Don Siegel’s 1971 film adaptation rather than any sort of new reading of the original text. Coppola, of course, is far too clever for that.”
In celebration of The Beguiled, we’ve decided to take a look at the finest examples of the revisionist western. Enjoy, and please include your own favorites in the comments.
The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik)
Robert Ford (Casey Affleck) idolized the legendary outlaw Jesse James (Brad Pitt), growing up hearing campfire stories about the man. Ford loved James so much that he eventually willed himself into the man’s life story. You cannot tell James’s story without also telling Ford’s. These two tragic lives are irrevocably linked by Ford’s betrayal. The film’s dryly antiseptic voiceover narration confides that Ford grew to regret his violent ways. The same goes for James, who at one point beats a child and then weeps into his horse’s neck, unable to live with his own deeds. While James’ propensity for violence is a deeply cut character flaw, Pitt plays the outlaw like an emotionally wounded teenager. His jovial sense of humor cloaks a vindictive and self-loathing interior. Whether Jesse James hurts himself or someone else, there is always a witness looking on with wide eyes. After James’ murder, Ford became a celebrity, touring the country reenacting the shooting. But Ford gained his prominence by killing a beloved folk hero. And so, one day, a man named Edward Kelly walked into Ford’s saloon with a shotgun and took revenge for James’s murder. Unlike the aftermath of Ford’s deed, people leapt to Kelly’s defense, collecting over 7000 signatures for a petition, leading to his pardon. America hated Robert Ford because he killed Jesse James. They loved Edward Kelly because he killed Robert Ford.
Buffalo Bill and the Indians, or Sitting Bull’s History Lesson (Robert Altman)
Robert Altman’s largely forgotten and often funny western about egotistical showman Buffalo Bill Cody (Paul Newman) treats its lead without respect, eagerly mocking him at every opportunity. Known across America as they best tracker of man and animals alive, Cody runs Buffalo Bill’s Wild West Show, a rodeo-like performance of cowboy-feats, ranging from simple rope tricks to the trick-shots of the legendary Annie Oakley. However, Cody is a fraud, a walking accumulation of lies and tall-tales. When Cody gets the chance to hire Chief Sitting Bull, the man who defeated General Custer at Little Big Horn, he’s thrilled, until Sitting Bull refuses to participate in his offensive show. Contrasted with phony Buffalo Bill Cody, Sitting Bull drips with dignified authenticity, totally uninterested in living up to the ignorant public’s racist image of his people. While the manufactured “reality” of Cody’s shows gets applause from white audiences, the stoic realness of Sitting Bull initially receives jeers, until something occurs to the crowd: this isn’t showmanship; this is the real thing. Later, when Cody and his gang form a posse, he hastily removes his show attire and searches through his wardrobe, cursing: “Where’s my real jacket?” So utterly consumed by his own public image, Cody can no longer locate his true self. Altman’s film is a rare western with a lead character who never succeeds, changes, or learns from his mistakes, always remaining a hopelessly pompous horse’s ass.
Butch Cassidy and the Sundance Kid (George Roy Hill)
As we meet the legendary Butch Cassidy (Paul Newman) he’s scoping out a bank, recently renovated to include heavy iron bars over every window and bolted-locks on every door. He asks the guard what happened to the old bank, which displayed such architectural beauty. “People kept robbing it,” the guard says. “Small price to pay for beauty,” Butch replies. It’s a running theme in revisionist westerns to reveal the truth behind the legend. The changing times had rendered bandits on horseback obsolete. But Butch Cassidy and his partner, the Sundance Kid (Robert Redford) didn’t see the end coming until the future was already upon them. After barely evading a super-posse (to use a term coined by screenwriter William Goldman) led by a ruthless bounty hunter, they escape to Bolivia with Etta (Katherine Ross) Sundance’s girl, where their criminal ways are similarly received. What began as a vacation away from their troubles slowly becomes a permanent getaway run, sowing seeds of inevitable tragedy. Etta sees what Butch and Sundance cannot: the end. “We’re not going home anymore, are we?” Etta tearfully asks Sundance, informing him that she has no plans to stick around to watch them die. George Roy Hill’s Butch Cassidy and the Sundance Kid is a tearful celebration of a pair of old dogs too foolish to learn new tricks.
Dead Man (Jim Jarmusch)
The gorgeous and haunting Dead Man opens with a soot-faced Crispin Glover trilling as he points out the window of a train: “They’re shooting buffalo,” he cries. “Government said, it killed a million of them last year alone.” The American machine greedily consumes the landscape, leaving smoldering devastation in its path, while a stone-faced accountant named William Blake (Johnny Depp) travels to the hellish town of Machine, where he’s promised a job. Unfortunately, there’s no job at the end of the line for this seemingly educated man, blissfully unaware of his namesake, the poet William Blake. After taking a bullet to the chest, Blake wanders this dying western landscape as if in a dream, guided by Nobody (Gary Farmer) a Native American raised in England after getting kidnapped and paraded around as a sideshow attraction for whites. At one point, Blake stumbles upon three hunters by a camp fire, one of which, played by Iggy Pop, wears a muddy dress and bonnet like a twisted schoolmarm. Writer-director Jim Jarmusch’s twist on the western (accompanied by Robby Müller’s flawless cinematography) hums with textured period detail and vivid costume design, the accumulation of which achieves an eerily stylized tone.
Django Unchained (Quentin Tarantino)
The spirit of Quentin Tarantino’s Django Unchained is in the sequence scored by Jim Croce’s “I’ve Got a Name.” Django (Jamie Foxx), now a free man, removes the old saddle from his horse’s back, a saddle originally procured by a white slaver, the animal’s previous owner. He then mounts in its place, his own saddle personalized with an embroidered D. His freedom is still new and unfamiliar but, Django is more than willing to grasp those reigns. What works best about the film is how Tarantino’s screenplay embraces the politics of the Antebellum South in a fashion carefully ignored by every other western of its time. The dialogue, Tarantino’s most applauded talent, wheels a careful turn between a sly comedy-of-manners and a bluntly provocative historical indictment, always landing on a shameless exploitation cinema influenced need for violent catharsis. Tarantino’s channeling of Spaghetti Western violence, with the gore cranked up to a level far beyond that of even Sergio Corbucci’s bloodiest work, delivers tenfold on that catharsis, splattering the pristine white walls of Candyland plantation bright red.
El Topo (Alejandro Jodorowsky)
Dripping with transgressive and bizarre imagery, El Topo embraces every taboo imaginable with a breathless zeal. Existing somewhere between Midnight Movie oddity and art-house epic, Alejandro Jodorowsky’s second feature envisions the west as an unknowable landscape, dotted with peculiar and grotesque characters, such as a legless gunfighter who rides around on the back of an armless man. Describing the film in narrative terms, beat by beat, would be pointless, although we follow a rider in black, the titular El Topo (which means The Mole) who crosses the desert with a naked boy on the saddle. Though we spend more time with El Topo, his son is the heart of the film, this warped and subversive pseudo-fable exploring the cyclical nature of life. Jodorowsky’s painterly eye for composition lends individual shots with arresting and breathtaking resonance. With less than subtle biblical imagery scattered throughout, including a marvelous sequence involving a religion based around the game of Russian Roulette, Jodorowsky’s film feels at times like a twisted celebration of mysticism, sampling notes from Catholicism, Christianity, Hinduism and Buddhism. It’s ending, a chaotic, dream-like burst of violence, adds a scathing gut-punch to an already overwhelming experience. There is no other western quite like El Topo, to say the least.
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- 6/22/2017
- by Tony Hinds
- The Film Stage
Chicago in the early 1890s was the backdrop for both the World's Fair and a skilled serial killer. Erik Larson's book The Devil in the White City explored the prolifically murderous H.H. Holmes, whose true story is once again on track for the big screen in an upcoming film adaptation directed by Martin Scorsese and starring Leonardo DiCaprio.
According to The Hollywood Reporter, the Devil in the White City film is back in development at Paramount after being previously let go by the studio. It looks like Devil in the White City will be Scorsese's next movie, once again teaming him up with DiCaprio, who will play Holmes, a man who posed as a doctor and killed a staggering number of people during the chaos of the "White City" being erected in Chicago by architect Daniel H. Burnham. DiCaprio is a big fan of the true story and...
According to The Hollywood Reporter, the Devil in the White City film is back in development at Paramount after being previously let go by the studio. It looks like Devil in the White City will be Scorsese's next movie, once again teaming him up with DiCaprio, who will play Holmes, a man who posed as a doctor and killed a staggering number of people during the chaos of the "White City" being erected in Chicago by architect Daniel H. Burnham. DiCaprio is a big fan of the true story and...
- 8/11/2015
- by Derek Anderson
- DailyDead
The most lucrative director/actor partnership of the last decade plus has been Leonardo DiCaprio and Martin Scorsese: Gangs of New York, The Aviator, The Departed, Shutter Island, and most recently, The Wolf of Wall Street. For what will be their sixth film together, Scorsese, DiCaprio, and Paramount Pictures have closed the deal on the rights to Erik Larson’s book The Devil in the White City: Murder, Magic, and Madness at the Fair that Changed America.
Deadline reports that Billy Ray (The Hunger Games, Captain Phillips) will adapt the screenplay about Chicago’s most violent and notorious serial killer. Set in the late 19th Century at the Chicago World’s Fair, a fair worker named Dr. H. H. Holmes, who used the fair and his charm to lure anywhere between 27 and 200 people, mostly young women, back to his “murder castle”, complete with gas chambers, dissection tables, and a crematorium.
Deadline reports that Billy Ray (The Hunger Games, Captain Phillips) will adapt the screenplay about Chicago’s most violent and notorious serial killer. Set in the late 19th Century at the Chicago World’s Fair, a fair worker named Dr. H. H. Holmes, who used the fair and his charm to lure anywhere between 27 and 200 people, mostly young women, back to his “murder castle”, complete with gas chambers, dissection tables, and a crematorium.
- 8/11/2015
- by Brian Welk
- SoundOnSight
J.K. Simmons has been taking awards season by storm. The Whiplash star not only scored an Academy Award nomination to add to his accolades, but he's even hosting Saturday Night Live this weekend. But Simmons, 60, didn't become a star overnight. In fact, his résumé includes over 140 projects since 1986, some which sent us running to Netflix to refresh our memories. Without further ado, we proudly present our Nine Movies You Forgot J.K. Simmons Was In (some of which he probably wants to forget, too). 1. The First Wives Club (1996)The revenge comedy featured plenty of stars like Bette Midler, Goldie Hawn, Diane Keaton,...
- 1/31/2015
- by Matthew Cole Weiss, @MattColeWeiss
- PEOPLE.com
J.K. Simmons has been taking awards season by storm. The Whiplash star not only scored an Academy Award nomination to add to his accolades, but he's even hosting Saturday Night Live this weekend. But Simmons, 60, didn't become a star overnight. In fact, his résumé includes over 140 projects since 1986, some which sent us running to Netflix to refresh our memories. Without further ado, we proudly present our Nine Movies You Forgot J.K. Simmons Was In (some of which he probably wants to forget, too). 1. The First Wives Club (1996)The revenge comedy featured plenty of stars like Bette Midler, Goldie Hawn, Diane Keaton,...
- 1/31/2015
- by Matthew Cole Weiss, @MattColeWeiss
- PEOPLE.com
By Don Stradley
Charles Bronson was 55 at the time of “St Ives” (1976). He was just a couple years past his star-making turn in “Death Wish”, and was enjoying a surprising run of success. I say surprising because Bronson had, after all, been little more than a craggy second banana for most of his career. Now, inexplicably, he had box office clout as a leading man. In fact, Bronson reigned unchallenged for a few years as the most popular male actor in international markets. Yes, even bigger than Eastwood, Newman, Reynolds, Redford, or any other 1970s star you can name. Many of Bronson’s movies were partly financed by foreign investors, for even if his movies didn’t score stateside, they still drew buckets of money in Prague or Madrid. Some have suggested that his popularity on foreign screens was due to how little he said in his movies (there was...
Charles Bronson was 55 at the time of “St Ives” (1976). He was just a couple years past his star-making turn in “Death Wish”, and was enjoying a surprising run of success. I say surprising because Bronson had, after all, been little more than a craggy second banana for most of his career. Now, inexplicably, he had box office clout as a leading man. In fact, Bronson reigned unchallenged for a few years as the most popular male actor in international markets. Yes, even bigger than Eastwood, Newman, Reynolds, Redford, or any other 1970s star you can name. Many of Bronson’s movies were partly financed by foreign investors, for even if his movies didn’t score stateside, they still drew buckets of money in Prague or Madrid. Some have suggested that his popularity on foreign screens was due to how little he said in his movies (there was...
- 1/2/2015
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Director Robert Altman had his fair share of ups and downs. The oscillation between works widely lauded and those typically forgotten is prevalent throughout his exceptionally diverse career. This was — and still is — certainly the case with his 1970s output. This decade of remarkable work saw the release of now established classics like M*A*S*H, Nashville, and McCabe & Mrs. Miller, as well as a picture like 3 Women, which would gradually gain a cult following of sorts and subsequently be regarded as a quality movie despite its initial dismissal. But couched between and around these features are more electric and generally more unorthodox films. There are multiple titles from this, arguably Altman’s most creative of decades, that remain generally unheralded to all but his most ardent of admirers.
For Altman, the 1970s began with this disparity. The first year of the decade saw the release of M*A*S*H,...
For Altman, the 1970s began with this disparity. The first year of the decade saw the release of M*A*S*H,...
- 1/20/2014
- by Jeremy Carr
- SoundOnSight
News and notes from all over the TV world:
- Fox's "Broadchurch" remake "Gracepoint" has added former "Gossip Girl" actor Kevin Zegers to its cast. Zegers ("The Mortal Instruments") will play a reporter in the small town where the murder mystery takes place, a role similar to the one Jonathan Bailey played in the British show.
- New-ish cable channel Pivot has acquired rights to two classic teen dramas, "Buffy the Vampire Slayer" and "Veronica Mars." The two shows will debut on Jan. 13 and air weeknights at 10 and 11 p.m. Pivot, which launched in August, is in about 40 million homes.
- Robert Rodriguez's "From Dusk Till Dawn" TV series on El Rey Network has added three more actors. Most notable among them is "Friday Night Lights" alum Adrianne Palicki, who will play a woman from Seth Gecko's (D.J. Cotrona) past named Vanessa Styles. Also added are Gary Busey's...
- Fox's "Broadchurch" remake "Gracepoint" has added former "Gossip Girl" actor Kevin Zegers to its cast. Zegers ("The Mortal Instruments") will play a reporter in the small town where the murder mystery takes place, a role similar to the one Jonathan Bailey played in the British show.
- New-ish cable channel Pivot has acquired rights to two classic teen dramas, "Buffy the Vampire Slayer" and "Veronica Mars." The two shows will debut on Jan. 13 and air weeknights at 10 and 11 p.m. Pivot, which launched in August, is in about 40 million homes.
- Robert Rodriguez's "From Dusk Till Dawn" TV series on El Rey Network has added three more actors. Most notable among them is "Friday Night Lights" alum Adrianne Palicki, who will play a woman from Seth Gecko's (D.J. Cotrona) past named Vanessa Styles. Also added are Gary Busey's...
- 12/17/2013
- by editorial@zap2it.com
- Zap2It - From Inside the Box
Well, you know that I wasn’t going to allow Haywire to escape from my local monsterplex without giving it a look. A guy who’s written about Lady Shiva and Black Canary, not to mention a somewhat wimpified Wonder Woman who used martial arts in lieu of genuine superpowers – this guy was about to let pass a movie starring one Gina Carano who, in addition to being gorgeous, has real-life ass-kicker credentials, a film directed by one of the most interesting gents in movieland? No siree!
For reasons that I suspect are exempt from rationality, I have always responded to movie swashbucklers who can actually do the stuff they’re pretending to do – in the case of the excellent Jackie Chan, actually doing it for the camera. So, either in theaters or in my domicile, I’ve watched flicks starring Jackie, Bruce Lee, and, descending to the region of lesser lights,...
For reasons that I suspect are exempt from rationality, I have always responded to movie swashbucklers who can actually do the stuff they’re pretending to do – in the case of the excellent Jackie Chan, actually doing it for the camera. So, either in theaters or in my domicile, I’ve watched flicks starring Jackie, Bruce Lee, and, descending to the region of lesser lights,...
- 2/23/2012
- by Dennis O'Neil
- Comicmix.com
In the annals of the old west, many legendary figures still ride. Buffalo Bill Cody. Doc Holliday. Billy the Kid. And today, another name etches itself in that pantheon of immortality: Rebecca.
Okay, so it doesn't have quite the same je ne sais quoi just yet, but it soon might: according to Deadline, British actress Ruth Wilson is in talks for the role of the mysterious female lead Rebecca in the upcoming Johnny Depp-starring Disney production of "The Lone Ranger." Hey, legends have started from less.
One of the most popular and enduring western characters of all time, "The Lone Ranger" is set to be played by "The Social Network"'s Armie Hammer, with Depp on board as stalwart companion Tonto.
Now Wilson, who is perhaps best known to American audiences as "Jane Eyre" in the 2006 mini-series version and as 313 in the 2009 remake of "The Prisoner," has emerged as...
Okay, so it doesn't have quite the same je ne sais quoi just yet, but it soon might: according to Deadline, British actress Ruth Wilson is in talks for the role of the mysterious female lead Rebecca in the upcoming Johnny Depp-starring Disney production of "The Lone Ranger." Hey, legends have started from less.
One of the most popular and enduring western characters of all time, "The Lone Ranger" is set to be played by "The Social Network"'s Armie Hammer, with Depp on board as stalwart companion Tonto.
Now Wilson, who is perhaps best known to American audiences as "Jane Eyre" in the 2006 mini-series version and as 313 in the 2009 remake of "The Prisoner," has emerged as...
- 7/13/2011
- by Scott Harris
- NextMovie
The Toronto-lensed dramatic TV series, "Murdoch Mysteries: Season 3", is now available on DVD from Entertainment One.
"Murdoch Mysteries" stars Yannick Bisson as 'William Murdoch', a police detective working in Toronto, Ontario during the 1890's, based on the "Detective Murdoch" novels by author Maureen Jennings.
"Murdoch Mysteries" originated with three Mow's broadcast in 2004 and 2005, with Canadian actor Peter Outerbridge cast as 'Murdoch'. The original three movies, shot in both Winnipeg and Toronto.
Detective Murdoch' (Bisson) solves many of his cases using methods of detection that were unusual at that time, including fingerprinting, human-blood testing and trace evidence. His assistants are 'Inspector Brackenreid' (Thomas Craig), 'Doctor Julia Ogden' (Hélène Joy) and inexperienced partner 'Constable George Crabtree' (Jonny Harris).
Historical characters the likes of 'Buffalo Bill Cody', 'Annie Oakley', 'H. G. Wells', 'Nikola Tesla', 'Wilfrid Laurier' and 'Queen Victoria' have appeared on the show, often foreshadowing future events.
"Murdoch Mysteries...
"Murdoch Mysteries" stars Yannick Bisson as 'William Murdoch', a police detective working in Toronto, Ontario during the 1890's, based on the "Detective Murdoch" novels by author Maureen Jennings.
"Murdoch Mysteries" originated with three Mow's broadcast in 2004 and 2005, with Canadian actor Peter Outerbridge cast as 'Murdoch'. The original three movies, shot in both Winnipeg and Toronto.
Detective Murdoch' (Bisson) solves many of his cases using methods of detection that were unusual at that time, including fingerprinting, human-blood testing and trace evidence. His assistants are 'Inspector Brackenreid' (Thomas Craig), 'Doctor Julia Ogden' (Hélène Joy) and inexperienced partner 'Constable George Crabtree' (Jonny Harris).
Historical characters the likes of 'Buffalo Bill Cody', 'Annie Oakley', 'H. G. Wells', 'Nikola Tesla', 'Wilfrid Laurier' and 'Queen Victoria' have appeared on the show, often foreshadowing future events.
"Murdoch Mysteries...
- 5/16/2011
- by Michael Stevens
- SneakPeek
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