Barbra Fuller, who starred as the daughter Claudia on the long-running radio soap opera One Man’s Family, all while appearing in films for Republic Pictures and such TV shows as Adventures of Superman, has died. She was 102.
Fuller, who lived in the Los Angeles area, died Wednesday, her godson J.P. Sloane announced.
On the San Francisco-set One Man’s Family, created by Carlton E. Morse, Fuller played one of the Barbour family’s five kids from 1945 until the NBC Radio drama completed its 27-year run in 1959. Her character, a twin with kids of her own, was gone from the program for a couple of years before she came aboard.
“It was a fun part. Claudia was a good girl with interesting qualities,” she said in Michael G. Fitzgerald and Boyd Magers’ 2006 book, Ladies of the Western.
In 1949, Fuller signed with Republic and was under contract with the B-picture studio for a year,...
Fuller, who lived in the Los Angeles area, died Wednesday, her godson J.P. Sloane announced.
On the San Francisco-set One Man’s Family, created by Carlton E. Morse, Fuller played one of the Barbour family’s five kids from 1945 until the NBC Radio drama completed its 27-year run in 1959. Her character, a twin with kids of her own, was gone from the program for a couple of years before she came aboard.
“It was a fun part. Claudia was a good girl with interesting qualities,” she said in Michael G. Fitzgerald and Boyd Magers’ 2006 book, Ladies of the Western.
In 1949, Fuller signed with Republic and was under contract with the B-picture studio for a year,...
- 5/18/2024
- by Mike Barnes
- The Hollywood Reporter - Movie News
At the inaugural Academy Awards in 1929, native Pennsylvanian Janet Gaynor made history as the first American-born performer to win an Oscar by taking the Best Actress prize for her body of work in “7th Heaven,” “Street Angel,” and “Sunrise.” Over the subsequent 95 years, 215 more thespians originating from the United States won the academy’s favor, meaning the country has now produced 68.1% of all individual acting Oscar recipients. Considering the last decade alone, the rate of such winners is even higher, at 70.3%.
At this point, 96.8% of American-born acting Oscar victors have hailed from one of 34 actual states. Of those constituting the remainder, three originated from the federal District of Columbia, while four were born in the territory of Puerto Rico. New York (home to 49 winners) is the most common birth state among the entire group, followed by California (34), Illinois (13), Massachusetts (11), and Pennsylvania (11).
Bearing in mind our specific birthplace focus, the 16 states...
At this point, 96.8% of American-born acting Oscar victors have hailed from one of 34 actual states. Of those constituting the remainder, three originated from the federal District of Columbia, while four were born in the territory of Puerto Rico. New York (home to 49 winners) is the most common birth state among the entire group, followed by California (34), Illinois (13), Massachusetts (11), and Pennsylvania (11).
Bearing in mind our specific birthplace focus, the 16 states...
- 3/18/2024
- by Matthew Stewart
- Gold Derby
Just 30 minutes after final voting for the Screen Actors Guild Awards wrapped up, I made a last-minute switch in my best actress prediction — from Lily Gladstone in “Killers of the Flower Moon” to Emma Stone in “Poor Things.” Let this be a lesson: Second-guessing yourself is seldom a good idea.
Lily Gladstone made history as the first Native American and Indigenous person to clinch an individual SAG Award for her portrayal of Mollie Burkhart, an Osage woman, in Martin Scorsese’s gripping crime saga. With a lead actress (drama) Golden Globe and a SAG Award now under her belt, Gladstone’s award-season momentum continues to be formidable. Historically, only seven performers have failed to win the Oscar after winning the unique combination of Globe and SAG:
1995: Lauren Bacall (“The Mirror Has Two Faces”) lost to Juliette Binoche 2001: Russell Crowe (“A Beautiful Mind”) lost to Denzel Washington (“Training Day...
Lily Gladstone made history as the first Native American and Indigenous person to clinch an individual SAG Award for her portrayal of Mollie Burkhart, an Osage woman, in Martin Scorsese’s gripping crime saga. With a lead actress (drama) Golden Globe and a SAG Award now under her belt, Gladstone’s award-season momentum continues to be formidable. Historically, only seven performers have failed to win the Oscar after winning the unique combination of Globe and SAG:
1995: Lauren Bacall (“The Mirror Has Two Faces”) lost to Juliette Binoche 2001: Russell Crowe (“A Beautiful Mind”) lost to Denzel Washington (“Training Day...
- 2/25/2024
- by Clayton Davis
- Variety Film + TV
Director William Friedkin and producer/screenwriter William Peter Blatty enjoyed having fun with Warner Bros. executives during the production of “The Exorcist.” The Oscar-winning horror masterpiece celebrates its 50th anniversary Dec. 26 “We always put them on,” Friedkin told me in a 2018 L.A. Times interview “They were always concerned that we were both crazy and would eventually implode the movie. So, we staged blowups in front of them, where it looked like we were fiercely arguing over the most minute, meaningless details.”
“The Exorcist” was shot in Iraq, New York City and Georgetown in Washington, D.C. But Warners wanted the film to be made at the studio in Burbank and to “shoot day for night, so we didn’t get into night shooting,” said Friedkin, who died this past August at 87.”I I said ‘no’ to everything, I said things like ‘Why shoot day for night? Why don’t we...
“The Exorcist” was shot in Iraq, New York City and Georgetown in Washington, D.C. But Warners wanted the film to be made at the studio in Burbank and to “shoot day for night, so we didn’t get into night shooting,” said Friedkin, who died this past August at 87.”I I said ‘no’ to everything, I said things like ‘Why shoot day for night? Why don’t we...
- 12/26/2023
- by Susan King
- Gold Derby
Whatever one wants to say about John Boorman’s absolutely maniacal and much-maligned Exorcist II: The Heretic, it certainly isn’t unimaginative. By contrast, David Gordon Green’s The Exorcist: Believer very much is. The film, written by Green and Peter Sattler, is a mélange of tired normcore horror tropes indistinguishable from any film in the Conjuring universe. It even fails to address the series’s most basic themes in any truly meaningful way beyond a conviction-less “can’t we all just get along” subtext regarding the divide between America’s secular population and religious conservatives.
The film’s cold open in Haiti hints at a unique, voodoo-tinged—that is, non-Catholic—take on the franchise’s fascination with crisis of faith. But Haiti turns out to just be a random place to witness Victor Fielding (Leslie Odom Jr.) struggling to make a very difficult choice between saving his injured wife or his unborn daughter,...
The film’s cold open in Haiti hints at a unique, voodoo-tinged—that is, non-Catholic—take on the franchise’s fascination with crisis of faith. But Haiti turns out to just be a random place to witness Victor Fielding (Leslie Odom Jr.) struggling to make a very difficult choice between saving his injured wife or his unborn daughter,...
- 10/4/2023
- by Justin Clark
- Slant Magazine
God, or at least the idea of a god, is an omniscient presence that’s also suspiciously absent in William Friedkin’s The Exorcist. The faith is kept alive in the film’s perpetual use of religious iconography, implying a worldly sense of spiritual belief, but the way in which the various priests conduct their pietism, most exemplified by Jason Miller’s brooding church psychologist Damien Karras, practically render their convictions as moot. At one point, Karras openly doubts his career choice after seeing firsthand the anxieties of his patients.
Of course, the devil is another story. It manifests itself within poor 12-year-old Regan McNeil (Linda Blair), turning a figure of pure innocence into a bile- and vulgarity-spewing demon who goes unnoticed by divine intervention. Friedkin and William Peter Blatty, adapting his own bestselling novel, forgo the easy psychological introspection that’s found in a crisis of faith, instead externalizing...
Of course, the devil is another story. It manifests itself within poor 12-year-old Regan McNeil (Linda Blair), turning a figure of pure innocence into a bile- and vulgarity-spewing demon who goes unnoticed by divine intervention. Friedkin and William Peter Blatty, adapting his own bestselling novel, forgo the easy psychological introspection that’s found in a crisis of faith, instead externalizing...
- 9/12/2023
- by Wes Greene
- Slant Magazine
While you wait for The Exorcist: Believer, in theaters on October 6, Fathom Events wants you to relive the terror of the original horror classic on the biggest screen you can find.
This year marks the 50th anniversary of The Exorcist and Fathom Events is bringing it back to theaters nationwide as part of Fathom’s annual Fright Fest lineup.
The recent passing of legendary director William Friedkin has cast a renewed spotlight on the film, which hits theaters on Sunday, October 1 at 4pm and 7pm local time, and Wednesday, October 4 at 7pm local time.
The limited engagement puts the spotlight on William Friedkin’s Extended Director’s Cut, sourced from the Original 1973 Cut Camera Negative with newly restored and remastered picture and sound in stunning 4k—removing dirt, scratches, and other defects, while maintaining the film’s original creative integrity.
Leading into each screening is an all-new exclusive tribute to...
This year marks the 50th anniversary of The Exorcist and Fathom Events is bringing it back to theaters nationwide as part of Fathom’s annual Fright Fest lineup.
The recent passing of legendary director William Friedkin has cast a renewed spotlight on the film, which hits theaters on Sunday, October 1 at 4pm and 7pm local time, and Wednesday, October 4 at 7pm local time.
The limited engagement puts the spotlight on William Friedkin’s Extended Director’s Cut, sourced from the Original 1973 Cut Camera Negative with newly restored and remastered picture and sound in stunning 4k—removing dirt, scratches, and other defects, while maintaining the film’s original creative integrity.
Leading into each screening is an all-new exclusive tribute to...
- 9/12/2023
- by John Squires
- bloody-disgusting.com
Ron Faber, an Obie Award-winning stage actor whose widest fame came from a brief but crucial scene in the 1973 horror classic The Exorcist, died March 26 of lung cancer. He was 90.
His death was only recently announced. In a Facebook post, Faber’s longtime friend and colleague, the actor David Patrick Kelly, remembered him as a “great artist and gentleman with a wonderful voice and laugh.”
Faber had just won an Obie Award for his performance in the 1972 Off Broadway play And They Put Handcuffs on Flowers when he was spotted by director William Friedkin for the small role of Chuck in The Exorcist.
In the film, Faber’s Chuck is the assistant director of Crash Course, the movie-within-the-movie in which Ellen Burstyn’s actor character Chris MacNeil stars. In a pivotal scene, a stunned Chuck arrives at MacNeil’s Georgetown home to deliver the news that Crash Course director Burke...
His death was only recently announced. In a Facebook post, Faber’s longtime friend and colleague, the actor David Patrick Kelly, remembered him as a “great artist and gentleman with a wonderful voice and laugh.”
Faber had just won an Obie Award for his performance in the 1972 Off Broadway play And They Put Handcuffs on Flowers when he was spotted by director William Friedkin for the small role of Chuck in The Exorcist.
In the film, Faber’s Chuck is the assistant director of Crash Course, the movie-within-the-movie in which Ellen Burstyn’s actor character Chris MacNeil stars. In a pivotal scene, a stunned Chuck arrives at MacNeil’s Georgetown home to deliver the news that Crash Course director Burke...
- 4/26/2023
- by Greg Evans
- Deadline Film + TV
Spinning heads, seared flesh, holy incantations in Latin: could it be… Satan? We have reached the 50th anniversary of The Exorcist, William Friedkin’s blockbusting, genre-transforming horror landmark that has been parodied, sequelized (on multiple occasions), and firmly embedded in the collective cultural consciousness. And now along comes The Pope’s Exorcist, a passable little supernatural horror spectacle starring a big, bearded Russell Crowe trying on an Italian accent as Father Gabriele Amorth, apparently a real-life exorcist of some renown.
Yes, there are real-life exorcists, and this was actually key to...
Yes, there are real-life exorcists, and this was actually key to...
- 4/15/2023
- by Chris Vognar
- Rollingstone.com
Movie star John Wayne took his career very seriously. He starred in a wide assortment of Western and war movies, but they weren’t all winners. Wayne wasn’t afraid to admit when a movie role wasn’t the right one for him. However, he always took it personally when a bad one came across his desk. It once went so far that he threatened to fire his agent when he read a script that he found offensive. Nevertheless, it went on to win big at the Academy Awards.
John Wayne wanted to play strong movie roles John Wayne | Rdb/ullstein bild via Getty Images
Wayne made his first box-office disaster with 1930’s The Big Trail, which was directed by Raoul Walsh. He didn’t get the opportunity to explode into stardom until 1939’s Stagecoach, which was his first leading collaboration with his mentor, John Ford. The movie star had...
John Wayne wanted to play strong movie roles John Wayne | Rdb/ullstein bild via Getty Images
Wayne made his first box-office disaster with 1930’s The Big Trail, which was directed by Raoul Walsh. He didn’t get the opportunity to explode into stardom until 1939’s Stagecoach, which was his first leading collaboration with his mentor, John Ford. The movie star had...
- 3/9/2023
- by Jeff Nelson
- Showbiz Cheat Sheet
Following six consecutive instances of Best Supporting Actor and Best Supporting Actress Oscar-winning performances being divided by a screen time gap of at least 20 minutes, last year’s triumphant duo were only separated by six minutes and 40 seconds. This minimal difference was largely caused by the fact that the winning male and female turns were the shortest and longest ones in their respective categories since 2017. Furthermore, both awards went to performances that were widely accepted as genuinely supporting, which has become rare on the male side but remains the female norm.
In 2022, Ariana DeBose took home the Best Supporting Actress trophy for her work in “West Side Story,” which amounts to a screen time total of 28 minutes and 54 seconds, or 18.49% of the film. This made her the second woman to win this exact award for playing Anita in a screen adaptation of the classic musical after Rita Moreno, who appears...
In 2022, Ariana DeBose took home the Best Supporting Actress trophy for her work in “West Side Story,” which amounts to a screen time total of 28 minutes and 54 seconds, or 18.49% of the film. This made her the second woman to win this exact award for playing Anita in a screen adaptation of the classic musical after Rita Moreno, who appears...
- 3/8/2023
- by Matthew Stewart
- Gold Derby
Paul Mason, the screenwriter, producer and studio executive who penned episodes of Ben Casey, Ironside and CHiPs, created The Bold Ones: The New Doctors with Steven Bochco and served as president of Viacom Pictures, has died. He was 92.
Mason died Dec. 26 at his home in West Hills, his son Barry Jacobs announced.
At the start of his six-decade career, Mason co-wrote Angel Baby (1961), a drama that starred George Hamilton, Mercedes McCambridge, Joan Blondell and, in his film debut, Burt Reynolds.
Also for the big screen, Mason’s produced Nickel & Dime (1992) and executive produced The Further Adventures of Tennessee Buck (1988), Seven Hours to Judgment (1988), I, Madman (1989), Where Sleeping Dogs Lie (1991), The Amityville Horror (2005), Hachi: A Dog’s Tale (2009), A Common Man (2013), The House at the End of the Drive (2014) and Amityville: The Awakening (2017).
He, Bochco and Richard Landau created NBC’s The Bold Ones: The New Doctors, which ran from 1969-73 and starred E.G. Marshall,...
Mason died Dec. 26 at his home in West Hills, his son Barry Jacobs announced.
At the start of his six-decade career, Mason co-wrote Angel Baby (1961), a drama that starred George Hamilton, Mercedes McCambridge, Joan Blondell and, in his film debut, Burt Reynolds.
Also for the big screen, Mason’s produced Nickel & Dime (1992) and executive produced The Further Adventures of Tennessee Buck (1988), Seven Hours to Judgment (1988), I, Madman (1989), Where Sleeping Dogs Lie (1991), The Amityville Horror (2005), Hachi: A Dog’s Tale (2009), A Common Man (2013), The House at the End of the Drive (2014) and Amityville: The Awakening (2017).
He, Bochco and Richard Landau created NBC’s The Bold Ones: The New Doctors, which ran from 1969-73 and starred E.G. Marshall,...
- 1/5/2023
- by Mike Barnes
- The Hollywood Reporter - Movie News
It took a little longer than we thought after her initial surge in October, but Jamie Lee Curtis has finally infiltrated the top five in the Best Supporting Actress Oscar odds. The “Everything Everywhere All at Once” star has jumped from sixth to third place, even leapfrogging over her own co-star Stephanie Hsu.
Curtis’ rise isn’t surprising after she earned Golden Globe and Critics Choice Awards nominations this week and is one of three people — the others being Angela Bassett (“Black Panther: Wakanda Forever”) and Kerry Condon (“The Banshees of Inisherin”) — who was shortlisted at both in the still very messy but very fun supporting actress race. The Golden Globe category was rounded out by Dolly de Leon (“Triangle of Sadness”) and Carey Mulligan (“She Said”), while Critics Choice’s six-person field also included Hsu, Jessie Buckley (“Women Talking”) and Janelle Monáe (“Glass Onion: A Knives Out Mystery”).
See...
Curtis’ rise isn’t surprising after she earned Golden Globe and Critics Choice Awards nominations this week and is one of three people — the others being Angela Bassett (“Black Panther: Wakanda Forever”) and Kerry Condon (“The Banshees of Inisherin”) — who was shortlisted at both in the still very messy but very fun supporting actress race. The Golden Globe category was rounded out by Dolly de Leon (“Triangle of Sadness”) and Carey Mulligan (“She Said”), while Critics Choice’s six-person field also included Hsu, Jessie Buckley (“Women Talking”) and Janelle Monáe (“Glass Onion: A Knives Out Mystery”).
See...
- 12/16/2022
- by Joyce Eng
- Gold Derby
Ever since “Three Billboards Outside Ebbing, Missouri” (2017) ended a 26-year drought, double Best Supporting Actor Oscar nominees from one film have been all the rage. And this season, the category could very well tread new territory with a double set of double nominees.
“The Fabelmans” and “The Banshees of Inisherin” are both vying to field two supporting actor nominees — Paul Dano and Judd Hirsch for the former, and Brendan Gleeson and Barry Keoghan for the latter. Three of them are in the current top five in the odds and all four are in the top six. Ke Huy Quan (“Everything Everywhere All at Once”) leads the way in first place, followed by Gleeson, Ben Whishaw (“Women Talking”), Dano, Hirsch and Keoghan.
Should all four get in, this would be the second time in Oscar history in which two films score double nominations in the same acting category and the first time in supporting actor.
“The Fabelmans” and “The Banshees of Inisherin” are both vying to field two supporting actor nominees — Paul Dano and Judd Hirsch for the former, and Brendan Gleeson and Barry Keoghan for the latter. Three of them are in the current top five in the odds and all four are in the top six. Ke Huy Quan (“Everything Everywhere All at Once”) leads the way in first place, followed by Gleeson, Ben Whishaw (“Women Talking”), Dano, Hirsch and Keoghan.
Should all four get in, this would be the second time in Oscar history in which two films score double nominations in the same acting category and the first time in supporting actor.
- 12/1/2022
- by Joyce Eng
- Gold Derby
If it’s Tuesday, this must be Election Day in a year when democracy itself is on the ballot. It’s a moment that Jefferson Smith – the naive but idealistic young senator played by Jimmy Stewart – could have appreciated in the Oscar-winning 1939 classic “Mr. Smith Goes to Washington” from director Frank Capra. It tops the list of 25 movies that this Gold Derby editor singles out as exemplary staples of the political genre over the past 80-plus years. Most originated on the big screen, but a few were made-for-tv.
Why bring this to you today? Think of it as a distraction tactic at a time when so many of us are overloaded with anxiety over an especially consequential election that will determine control of Congress. The list features biopics, satires, historical dramas and journalism hybrid thrillers as well as fictitious allegories.
SEE15 Best American Political Films
Watch any of these tonight...
Why bring this to you today? Think of it as a distraction tactic at a time when so many of us are overloaded with anxiety over an especially consequential election that will determine control of Congress. The list features biopics, satires, historical dramas and journalism hybrid thrillers as well as fictitious allegories.
SEE15 Best American Political Films
Watch any of these tonight...
- 11/8/2022
- by Ray Richmond
- Gold Derby
While he may not be as well-known today as Alfred Hitchcock or Billy Wilder, director Nicholas Ray had a fantastic run during the '50s working across a range of genres from film noir ("In a Lonely Place") to war saga ("Flying Leathernecks"), coming-of-age teen angst ("Rebel Without a Cause") to westerns, the strangest of which is undoubtedly "Johnny Guitar." Shot in gaudy Trucolor, it stands apart from other studio westerns of the day, maybe because it isn't really a western at all -- It's more like a twisted gothic psychodrama that just happens to be set in the Old West.
Although the title refers to Sterling Hayden's nonchalant protagonist, Mr. Guitar takes a back seat for much of the movie, just one of many of Ray's subversive twists to the standard western formula. Instead, the main focus is the bitter rivalry between Vienna (Joan Crawford), a steely saloon keeper,...
Although the title refers to Sterling Hayden's nonchalant protagonist, Mr. Guitar takes a back seat for much of the movie, just one of many of Ray's subversive twists to the standard western formula. Instead, the main focus is the bitter rivalry between Vienna (Joan Crawford), a steely saloon keeper,...
- 9/5/2022
- by Lee Adams
- Slash Film
Sergio Leone's "Once Upon a Time in the West" is an elegy for a genre that has died countless deaths. The Western has passed in and out of favor many times since the advent of the motion picture, and is currently ticking anew thanks to Taylor Sheridan's "Yellowstone" franchise. But as the 1970s approached, there was a realization that the stars and filmmakers who'd transformed the oater into the most American of movie genres were on their way out. John Ford had been driven into retirement. John Wayne was dying. Anthony Mann was dead. A glorious, yet complicated era was drawing to a close.
This was the perfect moment for Sergio Leone to go once more to the Western well with a mythic send-off to the films on which he'd built his international reputation. But his scope wasn't limited to "A Fistful of Dollars," "For a Few Dollars More...
This was the perfect moment for Sergio Leone to go once more to the Western well with a mythic send-off to the films on which he'd built his international reputation. But his scope wasn't limited to "A Fistful of Dollars," "For a Few Dollars More...
- 8/19/2022
- by Jeremy Smith
- Slash Film
Director Ron Underwood discusses a few of his favorite westerns with hosts Josh Olson and Joe Dante.
Show Notes: Movies Referenced In This Episode
Pearl Harbor (2001)
Mighty Joe Young (1998)
Speechless (1994)
Heart and Souls (1993)
Stealing Sinatra (2003)
City Slickers (1991)
Tremors (1990) – Glenn Erickson’s Blu-ray review
Tourist Trap (1979) – David DeCoteau’s trailer commentary
The Seduction (1982)
Puppet Master (1989)
The Boondock Saints (1999)
Abbott and Costello Meet Captain Kidd (1952)
Capricorn One (1977) – Larry Karaszewski’s trailer commentary
Panic In The Streets (1950) – John Landis’s trailer commentary, Randy Fuller’s wine pairing
Back When We Were Grownups (2004)
Tremors: A Cold Day in Hell (2018)
Tremors: Shrieker Island (2020)
The Howling (1981) – Josh Olson’s trailer commentary, Randy Fuller’s wine pairing
Red River (1948) – Allan Arkush’s trailer commentary
Johnny Guitar (1954) – Michael Lehmann’s trailer commentary, Glenn Erickson’s Blu-ray review
The Searchers (1956)
Seven Samurai (1954) – Brian Trenchard-Smith’s trailer commentary
The Magnificent Seven (1960) – Jesus Treviño’s trailer commentary
The Magnificent Seven (2016)
Westworld...
Show Notes: Movies Referenced In This Episode
Pearl Harbor (2001)
Mighty Joe Young (1998)
Speechless (1994)
Heart and Souls (1993)
Stealing Sinatra (2003)
City Slickers (1991)
Tremors (1990) – Glenn Erickson’s Blu-ray review
Tourist Trap (1979) – David DeCoteau’s trailer commentary
The Seduction (1982)
Puppet Master (1989)
The Boondock Saints (1999)
Abbott and Costello Meet Captain Kidd (1952)
Capricorn One (1977) – Larry Karaszewski’s trailer commentary
Panic In The Streets (1950) – John Landis’s trailer commentary, Randy Fuller’s wine pairing
Back When We Were Grownups (2004)
Tremors: A Cold Day in Hell (2018)
Tremors: Shrieker Island (2020)
The Howling (1981) – Josh Olson’s trailer commentary, Randy Fuller’s wine pairing
Red River (1948) – Allan Arkush’s trailer commentary
Johnny Guitar (1954) – Michael Lehmann’s trailer commentary, Glenn Erickson’s Blu-ray review
The Searchers (1956)
Seven Samurai (1954) – Brian Trenchard-Smith’s trailer commentary
The Magnificent Seven (1960) – Jesus Treviño’s trailer commentary
The Magnificent Seven (2016)
Westworld...
- 2/1/2022
- by Kris Millsap
- Trailers from Hell
Best Supporting Actress has always been the Oscar acting category that’s kindest to having multiple nominees from the same film. There have been 35 instances of one film scoring more than one bid in the category, compared to 20 in Best Supporting Actor, 12 in Best Actor and just five in Best Actress. The category is also the only one of the four that has ever featured two pairs of double bids in the same year — and that could just happen again this year.
A long 72 years ago, in the 1949-50 race, the Oscars nominated four women from two films: Ethel Barrymore and Ethel Waters from “Pinky,” and Celeste Holm and Elsa Lanchester from “Come to the Stable.” The fifth nominee was “All the King’s Men” star Mercedes McCambridge, who won the supporting actress award and whom you could argue benefited from the double vote-split (“All the King’s Men” also won Best...
A long 72 years ago, in the 1949-50 race, the Oscars nominated four women from two films: Ethel Barrymore and Ethel Waters from “Pinky,” and Celeste Holm and Elsa Lanchester from “Come to the Stable.” The fifth nominee was “All the King’s Men” star Mercedes McCambridge, who won the supporting actress award and whom you could argue benefited from the double vote-split (“All the King’s Men” also won Best...
- 12/8/2021
- by Joyce Eng
- Gold Derby
The recent Top 5 on our picks of the Most Extreme Films went down rather well with you, our Nerdly audience, so we thought we’d bring you another Top 5 – this time looking at the Top 5 Cursed Films… in no particular order may I add! Check out the list below and let us know your thoughts in the comments below.
Opera Mortem
Written and directed by English painter David Fleas, Opera Mortem was apparently filmed over almost 10 years, in super-8 mm and VHS no less, and screened only one time in the 1973 at the Nottingham’s Odeon Film Theatre. Described as weird, trippy, filled with graphic blood, sex, and black magical ritualistic symbols, Opera Mortem – and its 1973 screening – are “believed” to be cursed; with reports of fires in projection booths, people dying after seeing it, riots… you name it, Opera Mortem reportedly caused it. Undoubtedly due to all the satanic symoblism within it!
Opera Mortem
Written and directed by English painter David Fleas, Opera Mortem was apparently filmed over almost 10 years, in super-8 mm and VHS no less, and screened only one time in the 1973 at the Nottingham’s Odeon Film Theatre. Described as weird, trippy, filled with graphic blood, sex, and black magical ritualistic symbols, Opera Mortem – and its 1973 screening – are “believed” to be cursed; with reports of fires in projection booths, people dying after seeing it, riots… you name it, Opera Mortem reportedly caused it. Undoubtedly due to all the satanic symoblism within it!
- 8/12/2021
- by Phil Wheat
- Nerdly
Our exclusive odds predict that Anthony Hopkins and Olivia Colman will both earn Oscar nominations for their roles in the Sony Pictures Classics release “The Father.” He is a strong Best Actor contender for his heartbreaking portrayal of a man dealing with dementia. And she is coming on strong in the Best Supporting Actress race for her work as the daughter struggling to come to terms with him.
Should both of these past Oscar champs prevail again this year, they’d be just the eighth pair of co-stars nominated in these categories to do so. In the 84 years since the supporting awards were introduced at the 9th Oscars, a lucky seven films can boast victories in both these races.
The last such duo from the same film to both win were Daniel Day-Lewis and Brenda Fricker for “My Left Foot” in 1990. That marked the first of Day-Lewis’s three Best Actor trophies.
Should both of these past Oscar champs prevail again this year, they’d be just the eighth pair of co-stars nominated in these categories to do so. In the 84 years since the supporting awards were introduced at the 9th Oscars, a lucky seven films can boast victories in both these races.
The last such duo from the same film to both win were Daniel Day-Lewis and Brenda Fricker for “My Left Foot” in 1990. That marked the first of Day-Lewis’s three Best Actor trophies.
- 1/23/2021
- by Paul Sheehan
- Gold Derby
Always bold to some degree, seldom less than ambitious, William Friedkin’s career as a filmmaker has seen countless awards won; box offices records broken; and left us with more than a few classics. While the director can tell a story behind the camera, he’s also a knowledgeable, entertaining personality in front of one. Gifted with a voice worthy of sports broadcasting, he manages to appear even larger than his resume–in the same way his contemporary Peter Bogdanovich often does, another director who kept a foot in both “New Hollywood” and the gilded past of cinema history. Yet Friedkin is perhaps the only filmmaker so intrinsically linked with both the birth of New Hollywood and, unwittingly, with its ideological demise.
This irresistible combo of charisma, auteurism, and historical clout has inspired a number of documentary filmmakers in recent years. Francesco Zippel’s 2018 movie Friedkin Uncut provided a rollicking career overview,...
This irresistible combo of charisma, auteurism, and historical clout has inspired a number of documentary filmmakers in recent years. Francesco Zippel’s 2018 movie Friedkin Uncut provided a rollicking career overview,...
- 6/10/2020
- by Rory O'Connor
- The Film Stage
Once upon a time, MGM launched a big spectacle Western remake with the top star Glenn Ford and the bright import Maria Schell — and then second-guessed the whole production, cutting back on everything so severely that director Anthony Mann ankled the set for Spain and El Cid. The storytelling is a mess — after starting big, the show soon falls into pieces. But many of individual scenes and set pieces are exemplary, especially Mann’s re-run of the Oklahoma Land Rush, staged in Arizona and augmented by classy special effects. The large cast rounds up some big talent — Mercedes McCambridge, Russ Tamblyn — to tell Edna Ferber’s multi-generational story about ambition, intolerance and dreams of glory on the frontier.
Cimarron (1960)
Blu-ray
Warner Archive Collection
1960 / Color / 2:35 anamorphic widescreen / 147 min. / Street Date January 21, 2020 / available through the WBshop / 21.99
Starring: Glenn Ford, Maria Schell, Anne Baxter, Arthur O’Connell, Russ Tamblyn, Mercedes McCambridge, Vic Morrow,...
Cimarron (1960)
Blu-ray
Warner Archive Collection
1960 / Color / 2:35 anamorphic widescreen / 147 min. / Street Date January 21, 2020 / available through the WBshop / 21.99
Starring: Glenn Ford, Maria Schell, Anne Baxter, Arthur O’Connell, Russ Tamblyn, Mercedes McCambridge, Vic Morrow,...
- 1/7/2020
- by Glenn Erickson
- Trailers from Hell
“ A man can lie, steal… and even kill. But as long as he hangs on to his pride, he’s still a man. All a woman has to do is slip – once. And she’s a “tramp!” Must be a great comfort to you to be a man. “
Webster University presents “The Other St. Nick”, a six-film Nicholas Ray Film Festival that runs December 27th-January 5th at the University’s Moore Auditorium(470 E Lockwood Ave). The films screen Friday, Saturdays, and Sundays at 7:00pm the weekends of Dec 27-29th and Jan 3-5th. The series continues Friday night, January 3rd at 7pm with Johnny Guitar (1954). A Facebook invite for the film can be found Here
A revisionist Western made at a time when a large section of the population didn’t recognize that the Western genre could use some revising, Nick Ray’s Johnny Guitar focuses on female...
Webster University presents “The Other St. Nick”, a six-film Nicholas Ray Film Festival that runs December 27th-January 5th at the University’s Moore Auditorium(470 E Lockwood Ave). The films screen Friday, Saturdays, and Sundays at 7:00pm the weekends of Dec 27-29th and Jan 3-5th. The series continues Friday night, January 3rd at 7pm with Johnny Guitar (1954). A Facebook invite for the film can be found Here
A revisionist Western made at a time when a large section of the population didn’t recognize that the Western genre could use some revising, Nick Ray’s Johnny Guitar focuses on female...
- 12/30/2019
- by Tom Stockman
- WeAreMovieGeeks.com
” The city can be lonely too. Sometimes people who are never alone are the loneliest. “
Webster University presents “The Other St. Nick”, a six-film Nicholas Ray Film Festival that runs December 27th-January 5th at the University’s Moore Auditorium(470 E Lockwood Ave). The films screen Friday, Saturdays, and Sundays at 7:00pm the weekends of Dec 27-29th and Jan 3-5th. The series continues tonight, December 29th at 7pm with On Dangerous Ground (1951)
A film noir more often compared to the work of Carl Theodor Dreyer than its American contemporaries, On Dangerous Ground concerns the hot-headed detective Jim Wilson (Robert Ryan), who partners up with Walter Brent (Ward Bond), the father of a murdered young girl, in the solving of the crime. Along the way they encounter a blind woman, Mary Malden (Ida Lupino), who may offer a key to the case. Featuring a memorable score from master Bernard Herrmann.
Webster University presents “The Other St. Nick”, a six-film Nicholas Ray Film Festival that runs December 27th-January 5th at the University’s Moore Auditorium(470 E Lockwood Ave). The films screen Friday, Saturdays, and Sundays at 7:00pm the weekends of Dec 27-29th and Jan 3-5th. The series continues tonight, December 29th at 7pm with On Dangerous Ground (1951)
A film noir more often compared to the work of Carl Theodor Dreyer than its American contemporaries, On Dangerous Ground concerns the hot-headed detective Jim Wilson (Robert Ryan), who partners up with Walter Brent (Ward Bond), the father of a murdered young girl, in the solving of the crime. Along the way they encounter a blind woman, Mary Malden (Ida Lupino), who may offer a key to the case. Featuring a memorable score from master Bernard Herrmann.
- 12/29/2019
- by Tom Stockman
- WeAreMovieGeeks.com
” This boy… and this girl… were never properly introduced to the world we live in… To tell their story… They Live by Night. “
Webster University presents “The Other St. Nick”, a six-film Nicholas Ray Film Festival that runs December 27th-January 5th at the University’s Moore Auditorium(470 E Lockwood Ave). The films screen Friday, Saturdays, and Sundays at 7:00pmthe weekends of Dec 27-29th and Jan 3-5th.The series kicks off tonight, December 27th at 7pm with They Live By Night – 1948
After seven years in prison, 23-year-old Bowie (Farley Granger) escapes alongside some bank robbers. Once out, he runs into new love Keechie (Cathy O’Donnell), and makes it a priority to prove his innocence, or at least escape to the mountains with Keechie in tow. With this, his film debut, Nicholas Ray already exhibits future preoccupations with young underdogs and offers a fine contribution to the film noir canon.
Webster University presents “The Other St. Nick”, a six-film Nicholas Ray Film Festival that runs December 27th-January 5th at the University’s Moore Auditorium(470 E Lockwood Ave). The films screen Friday, Saturdays, and Sundays at 7:00pmthe weekends of Dec 27-29th and Jan 3-5th.The series kicks off tonight, December 27th at 7pm with They Live By Night – 1948
After seven years in prison, 23-year-old Bowie (Farley Granger) escapes alongside some bank robbers. Once out, he runs into new love Keechie (Cathy O’Donnell), and makes it a priority to prove his innocence, or at least escape to the mountains with Keechie in tow. With this, his film debut, Nicholas Ray already exhibits future preoccupations with young underdogs and offers a fine contribution to the film noir canon.
- 12/27/2019
- by Tom Stockman
- WeAreMovieGeeks.com
” I’ve got the bullets! “
Webster University has announced “The Other St. Nick”, a six-film Nicholas Ray Film Festival that runs December 27th-January 5th at the University’s Moore Auditorium(470 E Lockwood Ave). The films screen Friday, Saturdays, and Sundays at 7:00pm the weekends of Dec 27-29th and Jan 3-5th.
Jean-Luc Godard once famously wrote that “Cinema is Nicholas Ray.” Champion of the underdog, one of the earliest masters of Cinemascope, forward thinking in depictions of the aligned and marginalized, Mr. Ray’s contributions to film continue to resonate with modern filmmakers and audiences. Sure, you can spend the holiday season with an old man in a red suit, but Nicholas Ray is the one giving the gifts that keep on giving.
Here’s the lineup:
They Live By Night (1948) Friday, December 27 at 7:00pm
After seven years in prison, 23-year-old Bowie (Farley Granger) escapes alongside some bank robbers.
Webster University has announced “The Other St. Nick”, a six-film Nicholas Ray Film Festival that runs December 27th-January 5th at the University’s Moore Auditorium(470 E Lockwood Ave). The films screen Friday, Saturdays, and Sundays at 7:00pm the weekends of Dec 27-29th and Jan 3-5th.
Jean-Luc Godard once famously wrote that “Cinema is Nicholas Ray.” Champion of the underdog, one of the earliest masters of Cinemascope, forward thinking in depictions of the aligned and marginalized, Mr. Ray’s contributions to film continue to resonate with modern filmmakers and audiences. Sure, you can spend the holiday season with an old man in a red suit, but Nicholas Ray is the one giving the gifts that keep on giving.
Here’s the lineup:
They Live By Night (1948) Friday, December 27 at 7:00pm
After seven years in prison, 23-year-old Bowie (Farley Granger) escapes alongside some bank robbers.
- 11/25/2019
- by Tom Stockman
- WeAreMovieGeeks.com
46 years on from its release, “The Exorcist” is not exactly a film that wants for analysis; it’s also not a film people are likely to stop analyzing any time soon. William Friedkin’s horror masterclass is, well, just that: one of its genre’s most irresistibly teachable works, with a clear, clean command of form and theme that lends itself to limitless scholarly scrutiny and interpretation. Alexandre O. Philippe’s simply styled documentary “Leap of Faith: William Friedkin on ‘The Exorcist'” has a lot more of that to offer;Essentially a single interview with Friedkin interspersed with repeatedly revisited clips, “Leap of Faith” chiefly examines — per its title — the film’s spiritual allusions and illusions, distinguishing it from just any old making-of doc.
Not that you’d expect anything quite so standard from Philippe, the Swiss filmmaker who has carved out his own auteurist niche in the realm of cinema-studies documentary,...
Not that you’d expect anything quite so standard from Philippe, the Swiss filmmaker who has carved out his own auteurist niche in the realm of cinema-studies documentary,...
- 10/10/2019
- by Guy Lodge
- Variety Film + TV
William Friedkin’s The Exorcist may very well be one of the most culturally significant and acclaimed horror films of all time. Adapted from the novel of the same name by William Peter Blatty, the film shocked an entire generation and to this day remains lauded as one of the scariest films ever. Its impact is […]
The post Remember Her Name: Mercedes McCambridge Was Pazuzu In The Exorcist But Her Name Was Cut From The Credits appeared first on Dread Central.
The post Remember Her Name: Mercedes McCambridge Was Pazuzu In The Exorcist But Her Name Was Cut From The Credits appeared first on Dread Central.
- 8/30/2019
- by Jonathan Barkan
- DreadCentral.com
1968: Dark Shadows' Joe & Guthrie tried to break into Laura's tomb.
1984: Guiding Light's Mindy considered an abortion.
1990: General Hospital's Julian pulled a gun on Paget ("Duke").
1992: Days of our Lives' Vivian arrived in Salem."History speaks to artists. It changes the artist's thinking and is constantly reshaping it into d ifferent and unexpected images."
― Anselm Kiefer
"Today in Soap Opera History" is a collection of the most memorable, interesting and influential events in the history of scripted, serialized programs. From birthdays and anniversaries to scandals and controversies, every day this column celebrates the soap opera in American culture.
On this date in...
1952: Radio serial Whispering Sheets premiered. The show was a "serial with a twist." Each new episode presented the story from one character's perspective, and the character that was being focused on changed each day. The fictional narrator--and principal expositor--for the program was "Hope Winslow,...
1984: Guiding Light's Mindy considered an abortion.
1990: General Hospital's Julian pulled a gun on Paget ("Duke").
1992: Days of our Lives' Vivian arrived in Salem."History speaks to artists. It changes the artist's thinking and is constantly reshaping it into d ifferent and unexpected images."
― Anselm Kiefer
"Today in Soap Opera History" is a collection of the most memorable, interesting and influential events in the history of scripted, serialized programs. From birthdays and anniversaries to scandals and controversies, every day this column celebrates the soap opera in American culture.
On this date in...
1952: Radio serial Whispering Sheets premiered. The show was a "serial with a twist." Each new episode presented the story from one character's perspective, and the character that was being focused on changed each day. The fictional narrator--and principal expositor--for the program was "Hope Winslow,...
- 3/2/2019
- by Roger Newcomb
- We Love Soaps
One film in contention at this year’s Oscars earned nominations for both Best Actor and Best Supporting Actress: “Vice.” How likely is it that leading man Christian Bale and supporting player Amy Adams will both win Academy Awards on Feb. 24? In the 82 years since the supporting awards were introduced at the 9th Oscars, a six lucky seven films could boast victories in both these races.
While this is the second most common of the four winningcombinations behind actress/supporting actress, it is also the one that has not happened in the longest time. The last such duo from the same film to both win were Brenda Fricker and Daniel Day-Lewis for “My Left Foor” in 1990. This was the first of Day-Lewis’s three Best Actor trophies – he could’ve repeated this pairing last year with Lesley Manville for Paul Thomas Anderson’s sublime “Phantom Thread” but, sadly, neither of them won.
While this is the second most common of the four winningcombinations behind actress/supporting actress, it is also the one that has not happened in the longest time. The last such duo from the same film to both win were Brenda Fricker and Daniel Day-Lewis for “My Left Foor” in 1990. This was the first of Day-Lewis’s three Best Actor trophies – he could’ve repeated this pairing last year with Lesley Manville for Paul Thomas Anderson’s sublime “Phantom Thread” but, sadly, neither of them won.
- 2/22/2019
- by Jacob Sarkisian
- Gold Derby
1962: Our Five Daughters premiered on NBC.
1968: Dark Shadows' Angelique dug her way of Jeremiah's grave.
1980: Barbara hid a big secret on As the World Turns.
2004: Rebecca and Julian were married on Passions."History speaks to artists. It changes the artist's thinking and is constantly reshaping it into different and unexpected images."
― Anselm Kiefer
"Today in Soap Opera History" is a collection of the most memorable, interesting and influential events in the history of scripted, serialized programs. From birthdays and anniversaries to scandals and controversies, every day this column celebrates the soap opera in American culture.
On this date in...
1959: CBS Radio aired the final episode of Bakcstage Wife, the story of Mary Noble, a girl from a small town in Iowa who came to New York seeking her future. The show was created by Frank and Anne Hummert and premiered August 5, 1935 on the Mutual Broadcasting System.
1968: Dark Shadows' Angelique dug her way of Jeremiah's grave.
1980: Barbara hid a big secret on As the World Turns.
2004: Rebecca and Julian were married on Passions."History speaks to artists. It changes the artist's thinking and is constantly reshaping it into different and unexpected images."
― Anselm Kiefer
"Today in Soap Opera History" is a collection of the most memorable, interesting and influential events in the history of scripted, serialized programs. From birthdays and anniversaries to scandals and controversies, every day this column celebrates the soap opera in American culture.
On this date in...
1959: CBS Radio aired the final episode of Bakcstage Wife, the story of Mary Noble, a girl from a small town in Iowa who came to New York seeking her future. The show was created by Frank and Anne Hummert and premiered August 5, 1935 on the Mutual Broadcasting System.
- 1/2/2019
- by Kevin Mulcahy Jr.
- We Love Soaps
Cyril Connolly famously noted that “whom the gods wish to destroy, they first call promising,” an observation Orson Welles fought his whole post-“Citizen Kane” life. But Welles’ legend as one of cinema’s true geniuses — and most fervid champions of its worth as art — is also such that when he leaves enough footage behind from an unfulfilled project, others are only too eager to see it through, to celebrate him anew. Even 40 years later.
“The Other Side of the Wind,” which Welles filmed between 1970 and 1976, and built around a riotous, revealing 70th birthday party for an exiled filmmaker (John Huston) engineering a comeback, was always the unfinished work most likely to see fruition. Now, thanks to producers Frank Marshall (who worked on the initial shoot) and Filip Van Rymsza, Peter Bogdanovich (one of the movie’s co-stars), and editor Bob Murawski (“The Hurt Locker”), there’s a completed version...
“The Other Side of the Wind,” which Welles filmed between 1970 and 1976, and built around a riotous, revealing 70th birthday party for an exiled filmmaker (John Huston) engineering a comeback, was always the unfinished work most likely to see fruition. Now, thanks to producers Frank Marshall (who worked on the initial shoot) and Filip Van Rymsza, Peter Bogdanovich (one of the movie’s co-stars), and editor Bob Murawski (“The Hurt Locker”), there’s a completed version...
- 10/31/2018
- by Robert Abele
- The Wrap
While the new Halloween from the unlikely trio of David Gordon Green, Danny McBride and John Carpenter is enjoying the highest praise since the original and solid box office projections, Laurie Strode herself, Aka Jamie Lee Curtis recently revealed some interesting news while making rounds on her latest press tour.
Specifically, the 59-year-old admitted that she was almost in the role which made Linda Blair (Reagan MacNeil) famous in The Exorcist. In an interview with Entertainment Weekly, she shared all the details, saying:
When I was 13 years old, [a producer] called my mother (Psycho star Janet Leigh) and said, ‘Will you let Jamie audition for a movie?’ My mother said, ‘No.’ The movie was The Exorcist.”
Since this initial story made the rounds, director William Friedkin has weighed in on Twitter and claimed it’s not true, but either way, I really don’t think Curtis would’ve made any difference in...
Specifically, the 59-year-old admitted that she was almost in the role which made Linda Blair (Reagan MacNeil) famous in The Exorcist. In an interview with Entertainment Weekly, she shared all the details, saying:
When I was 13 years old, [a producer] called my mother (Psycho star Janet Leigh) and said, ‘Will you let Jamie audition for a movie?’ My mother said, ‘No.’ The movie was The Exorcist.”
Since this initial story made the rounds, director William Friedkin has weighed in on Twitter and claimed it’s not true, but either way, I really don’t think Curtis would’ve made any difference in...
- 10/3/2018
- by Evan J. Pretzer
- We Got This Covered
Netflix has released a chaotic trailer for Orson Welles’ unfinished final film “The Other Side of the Wind,” just before its premiere Thursday at the Venice Film Festival.
John Huston stars as a high-profile Hollywood director making a comeback, much like Welles was attempting. The trailer mixes black-and-white and color footage, and two other filmmakers of the era — Peter Bogdanovich and Dennis Hopper — appear as characters.
Several characters in the trailer offer brutal assessments of Huston’s character, saying, “What he creates, he has to wreck. It’s a compulsion,” and, “He’s just making it up as he goes along.”
Welles shot the film-within-a-film between 1970 and 1976, and then worked on it until his death in 1985, leaving behind a 45-minute work print that he had smuggled out of France. Huston portrayed a temperamental film director battling with Hollywood executives to finish a movie — just like Welles did throughout his career.
John Huston stars as a high-profile Hollywood director making a comeback, much like Welles was attempting. The trailer mixes black-and-white and color footage, and two other filmmakers of the era — Peter Bogdanovich and Dennis Hopper — appear as characters.
Several characters in the trailer offer brutal assessments of Huston’s character, saying, “What he creates, he has to wreck. It’s a compulsion,” and, “He’s just making it up as he goes along.”
Welles shot the film-within-a-film between 1970 and 1976, and then worked on it until his death in 1985, leaving behind a 45-minute work print that he had smuggled out of France. Huston portrayed a temperamental film director battling with Hollywood executives to finish a movie — just like Welles did throughout his career.
- 8/29/2018
- by Dave McNary
- Variety Film + TV
Morgan Neville's documentary on the making of Orson Welles's The Other Side Of The Wind is a 56th New York Film Festival Special Event Photo: Anne-Katrin Titze
The Film Society of Lincoln Center has announced the 56th New York Film Festival Special Events program: Orson Welles's The Other Side Of The Wind with John Huston, Peter Bogdanovich, Oja Kodar, Edmund O’Brien, Susan Strasberg, Lilli Palmer, Paul Stewart, Mercedes McCambridge, Cameron Mitchell, Paul Mazursky, Henry Jaglom, Claude Chabrol, and Norman Foster plus Morgan Neville's They’ll Love Me When I’m Dead documentary on the making of The Other Side Of The Wind, and Rex Ingram's The Four Horsemen Of The Apocalypse, courtesy of Martin Scorsese, with a score written and performed by Matthew Nolan, Barry Adamson, Seán Mac Erlaine, Adrian Crowley, and Kevin Murphy.
Film Comment Presents: Nuri Bilge Ceylan's The Wild Pear Tree starring...
The Film Society of Lincoln Center has announced the 56th New York Film Festival Special Events program: Orson Welles's The Other Side Of The Wind with John Huston, Peter Bogdanovich, Oja Kodar, Edmund O’Brien, Susan Strasberg, Lilli Palmer, Paul Stewart, Mercedes McCambridge, Cameron Mitchell, Paul Mazursky, Henry Jaglom, Claude Chabrol, and Norman Foster plus Morgan Neville's They’ll Love Me When I’m Dead documentary on the making of The Other Side Of The Wind, and Rex Ingram's The Four Horsemen Of The Apocalypse, courtesy of Martin Scorsese, with a score written and performed by Matthew Nolan, Barry Adamson, Seán Mac Erlaine, Adrian Crowley, and Kevin Murphy.
Film Comment Presents: Nuri Bilge Ceylan's The Wild Pear Tree starring...
- 8/23/2018
- by Anne-Katrin Titze
- eyeforfilm.co.uk
1968: Dark Shadows' Joe & Guthrie tried to break into Laura's tomb.
1984: Guiding Light's Mindy considered an abortion.
1990: General Hospital's Julian pulled a gun on Paget ("Duke").
1992: Days of our Lives' Vivian arrived in Salem."Whoever wishes to foresee the future must consult the past; for human events ever resemble those of preceding times. This arises from the fact that they are produced by men who ever have been, and ever shall be, animated by the same passions, and thus they necessarily have the same results."
― Machiavelli
"Today in Soap Opera History" is a collection of the most memorable, interesting and influential events in the history of scripted, serialized programs. From birthdays and anniversaries to scandals and controversies, every day this column celebrates the soap opera in American culture.
On this date in...
1952: Radio serial Whispering Sheets premiered. The show was a "serial with a twist.
1984: Guiding Light's Mindy considered an abortion.
1990: General Hospital's Julian pulled a gun on Paget ("Duke").
1992: Days of our Lives' Vivian arrived in Salem."Whoever wishes to foresee the future must consult the past; for human events ever resemble those of preceding times. This arises from the fact that they are produced by men who ever have been, and ever shall be, animated by the same passions, and thus they necessarily have the same results."
― Machiavelli
"Today in Soap Opera History" is a collection of the most memorable, interesting and influential events in the history of scripted, serialized programs. From birthdays and anniversaries to scandals and controversies, every day this column celebrates the soap opera in American culture.
On this date in...
1952: Radio serial Whispering Sheets premiered. The show was a "serial with a twist.
- 3/4/2018
- by Roger Newcomb
- We Love Soaps
1962: Our Five Daughters premiered on NBC.
1968: Dark Shadows' Angelique dug her way of Jeremiah's grave.
1980: Atwt's Barbara was keeping a big secret.
2004: Rebecca and Julian were married on Passions."History is a vast early warning system."
― Norman Cousins
"Today in Soap Opera History" is a collection of the most memorable, interesting and influential events in the history of scripted, serialized programs. From birthdays and anniversaries to scandals and controversies, every day this column celebrates the soap opera in American culture.
On this date in...
1959: CBS Radio aired the final episode of Bakcstage Wife, the story of Mary Noble, a girl from a small town in Iowa who came to New York seeking her future. The show was created by Frank and Anne Hummert and premiered August 5, 1935 on the Mutual Broadcasting System. Claire Niesen played the role of Mary from the early 1940s until the end of its run.
1968: Dark Shadows' Angelique dug her way of Jeremiah's grave.
1980: Atwt's Barbara was keeping a big secret.
2004: Rebecca and Julian were married on Passions."History is a vast early warning system."
― Norman Cousins
"Today in Soap Opera History" is a collection of the most memorable, interesting and influential events in the history of scripted, serialized programs. From birthdays and anniversaries to scandals and controversies, every day this column celebrates the soap opera in American culture.
On this date in...
1959: CBS Radio aired the final episode of Bakcstage Wife, the story of Mary Noble, a girl from a small town in Iowa who came to New York seeking her future. The show was created by Frank and Anne Hummert and premiered August 5, 1935 on the Mutual Broadcasting System. Claire Niesen played the role of Mary from the early 1940s until the end of its run.
- 1/2/2018
- by Roger Newcomb
- We Love Soaps
Jason from Mnpp here with this week's "Beauty vs Beast" entertainment - I don't know if you've noticed by now that I will take any opportunity to talk about Alfred Hitchcock, but I will take any opportunity to talk about Alfred Hitchcock, and his birthday (which was yesterday) offers one of the best. Thankfully we've still plenty of choices - not many directors adored their villains like Hitch did, and so this series is a perfect fit.
And here's a good one! 1951's Strangers on a Train offers up one of Hitch's greatest bad guys in Bruno Antony, murder theorist and gay icon, played with giddy panache by Robert Walker. And Farley Granger's no slouch as the clearly-enticed-no-matter-how-hard-he-pretends-otherwise tennis-pro Guy Haines.
Previously It's one of her greatest roles so I'm not surprised that Joan Crawford stampeded her way to a win with last week's Johnny Guitar contest - she...
And here's a good one! 1951's Strangers on a Train offers up one of Hitch's greatest bad guys in Bruno Antony, murder theorist and gay icon, played with giddy panache by Robert Walker. And Farley Granger's no slouch as the clearly-enticed-no-matter-how-hard-he-pretends-otherwise tennis-pro Guy Haines.
Previously It's one of her greatest roles so I'm not surprised that Joan Crawford stampeded her way to a win with last week's Johnny Guitar contest - she...
- 8/14/2017
- by JA
- FilmExperience
Jason from Mnpp here with this week's "Beauty vs Beast." On this day in 1911 was born the writer-director Nicholas Ray, whose movies have come to seem fairly ahead of their time. His biggest success would of course be 1955's Rebel Without a Cause (his only Oscar nomination was for that film's script) but several of his other works have grown in reputation over the decades, and we're here to look at maybe the weirdest of them all - 1954's technicolor acid-western Johnny Guitar. (See Also: Tfe's "Hit Me With Your Best Shot" entry for this movie.)
Guitar stars Joan Crawford as the "railroad tramp" Vienna, who runs a saloon and is drawn to bad men, and her cowgirl nemesis Emma Small, played by an enthusiastically hateful Mercedes McCambridge. The actresses apparently tore it up behind the scenes (everybody who's spoken of the filming of this film makes it sound like...
Guitar stars Joan Crawford as the "railroad tramp" Vienna, who runs a saloon and is drawn to bad men, and her cowgirl nemesis Emma Small, played by an enthusiastically hateful Mercedes McCambridge. The actresses apparently tore it up behind the scenes (everybody who's spoken of the filming of this film makes it sound like...
- 8/7/2017
- by JA
- FilmExperience
“Your mother’s in here, Karras. Would you like to leave a message? I’ll see that she gets it.”
The Exorcist screens this Friday and Saturday nights (August 4th and 5th) at midnight at the Tivoli Theater as part of their ‘Reel Late at the Tivoli’ Midnight series.
This ground-breaking, starkly filmed thriller The Exorcist stands for many as one of the most terrifying films of all time. Fairly explicit for 1973, it raised the bar in film-making for realism and adult horror and has been emulated many times. However, it is set apart by its well-written (Oscar-winning) script and realistic performances. Ellen Burstyn is an actress who begins to sense unusual behavior in her preteen daughter (Linda Blair). The bizarre symptoms (open sores, violent thrashing, etc…) escalate as Burstyn seeks help from all conventional avenues. Finally, she determines that Blair is possessed by Satan (or a demon at least) and must be exorcised.
The Exorcist screens this Friday and Saturday nights (August 4th and 5th) at midnight at the Tivoli Theater as part of their ‘Reel Late at the Tivoli’ Midnight series.
This ground-breaking, starkly filmed thriller The Exorcist stands for many as one of the most terrifying films of all time. Fairly explicit for 1973, it raised the bar in film-making for realism and adult horror and has been emulated many times. However, it is set apart by its well-written (Oscar-winning) script and realistic performances. Ellen Burstyn is an actress who begins to sense unusual behavior in her preteen daughter (Linda Blair). The bizarre symptoms (open sores, violent thrashing, etc…) escalate as Burstyn seeks help from all conventional avenues. Finally, she determines that Blair is possessed by Satan (or a demon at least) and must be exorcised.
- 7/31/2017
- by Tom Stockman
- WeAreMovieGeeks.com
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit platforms. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon, and more (note: U.S. only). Check out our rundown for this week’s selections below.
Best in Show (Christopher Guest)
Christopher Guest has had an exceptionally strong ’00s with A Mighty Wind and For Your Consideration, and it remains to be seen how his upcoming Mascots will be received, but his arguable peak is still the gloriously funny mockumentary Best in Show. Guest’s other films have lovingly skewered egotistical oddballs and the insanity of subjective or objective criticism, so Best in Show is...
Best in Show (Christopher Guest)
Christopher Guest has had an exceptionally strong ’00s with A Mighty Wind and For Your Consideration, and it remains to be seen how his upcoming Mascots will be received, but his arguable peak is still the gloriously funny mockumentary Best in Show. Guest’s other films have lovingly skewered egotistical oddballs and the insanity of subjective or objective criticism, so Best in Show is...
- 7/7/2017
- by Jordan Raup
- The Film Stage
On the day a U.S. appeals court lifted an injunction that blocked a Mississippi “religious freedom” law – i.e., giving Christian extremists the right to discriminate against gays, lesbians, bisexuals, transgender people, etc. – not to mention the publication of a Republican-backed health care bill targeting the poor, the sick, the elderly, and those with “pre-existing conditions” – which would include HIV-infected people, a large chunk of whom are gay and bisexual men, so the wealthy in the U.S. can get a massive tax cut, Turner Classic Movies' 2017 Gay Pride or Lgbt Month celebration continues (into tomorrow morning, Thursday & Friday, June 22–23) with the presentation of movies by or featuring an eclectic – though seemingly all male – group: Montgomery Clift, Anthony Perkins, Tab Hunter, Dirk Bogarde, John Schlesinger, Tennessee Williams, Gore Vidal, Arthur Laurents, and Jerome Robbins. After all, one assumes that, rumors or no, the presence of Mercedes McCambridge in one...
- 6/23/2017
- by Andre Soares
- Alt Film Guide
An original feature documentary on late actor-filmmaker Orson Welles is in the works at Netflix, and it will be helmed by Academy Award winning director Morgan Neville (“20 Feet from Stardom”). The documentary will explore the final fifteen years of Welles’ life and his complex relationship with the film industry, both artistically and commercially, through the lens of his final movie, “The Other Side of the Wind,” which he shot in the beginning of the 1970s and has remained unfinished since then.
Read More: From Paris to Netflix: The Long, Strange Journey of Orson Welles’ Last Movie, ‘The Other Side of the Wind’
“‘The Other Side of the Wind’ has long been a ghostly legend in cinema history, but the story behind it is equally fascinating,” Neville said in a statement. “I’m excited to be able to tell the incredible story behind this film and to explore what made Welles such an enduring figure.
Read More: From Paris to Netflix: The Long, Strange Journey of Orson Welles’ Last Movie, ‘The Other Side of the Wind’
“‘The Other Side of the Wind’ has long been a ghostly legend in cinema history, but the story behind it is equally fascinating,” Neville said in a statement. “I’m excited to be able to tell the incredible story behind this film and to explore what made Welles such an enduring figure.
- 5/15/2017
- by Yoselin Acevedo
- Indiewire
Feature will debut on digital service at same time as The Other Side Of The Wind.
Netflix announced on Monday that Morgan Neville will direct an original documentary about the final 15 years of Orson Welles’s life.
Neville will explore the American titan’s complex artistic and commercial relationship with Hollywood.
Frank Marshall and Filip Jan Rymzsa will serve as executive producers on the feature, produced by Neville’s Tremolo Productions.
Netflix recently came on board to add completion funds and pay for the restoration of Welles’s last, unfinished film The Other Side Of Wind.
Marshall and Rymzsa are producing that project and it will have “a significant presence throughout the new documentary, providing a framework into the legendarily volatile dynamics between Welles and the industry.”
The two films will launch in tandem in 2018.
“The Other Side Of The Wind has long been a ghostly legend in cinema history, but the story...
Netflix announced on Monday that Morgan Neville will direct an original documentary about the final 15 years of Orson Welles’s life.
Neville will explore the American titan’s complex artistic and commercial relationship with Hollywood.
Frank Marshall and Filip Jan Rymzsa will serve as executive producers on the feature, produced by Neville’s Tremolo Productions.
Netflix recently came on board to add completion funds and pay for the restoration of Welles’s last, unfinished film The Other Side Of Wind.
Marshall and Rymzsa are producing that project and it will have “a significant presence throughout the new documentary, providing a framework into the legendarily volatile dynamics between Welles and the industry.”
The two films will launch in tandem in 2018.
“The Other Side Of The Wind has long been a ghostly legend in cinema history, but the story...
- 5/15/2017
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
“This isn’t the real Mexico. You know that. All border towns bring out the worst in a country. I can just imagine your mother’s face if she could see our honeymoon hotel.”
Touch Of Evil screens Wednesday May 10th at The Tivoli Theater (6350 Delmar in ‘The Loop’) as part of their new ‘Classics in the Loop’ Crime & Noir film series. The movie starts at 7pm and admission is $7. It will be on The Tivoli’s big screen.
Mike Vargas (Charlton Heston) is a Mexican detective who gets caught up in the strange case of a car being blown up in an America-Mexico border town. Not only does the ethical Vargas have to deal with criminal factions in the area, he must butt heads with the domineering Hank Quinlan (Orson Welles), a celebrated police detective. Vargas must prove that Quinlan isn’t the hero that others make him out to be,...
Touch Of Evil screens Wednesday May 10th at The Tivoli Theater (6350 Delmar in ‘The Loop’) as part of their new ‘Classics in the Loop’ Crime & Noir film series. The movie starts at 7pm and admission is $7. It will be on The Tivoli’s big screen.
Mike Vargas (Charlton Heston) is a Mexican detective who gets caught up in the strange case of a car being blown up in an America-Mexico border town. Not only does the ethical Vargas have to deal with criminal factions in the area, he must butt heads with the domineering Hank Quinlan (Orson Welles), a celebrated police detective. Vargas must prove that Quinlan isn’t the hero that others make him out to be,...
- 5/8/2017
- by Tom Stockman
- WeAreMovieGeeks.com
This remake of a pre-Code classic adds amazing European locations, glorious Technicolor and entire armies on the move, yet doesn’t improve on the original. Producer David O. Selznick secured Rock Hudson to play opposite Jennifer Jones, but the chemistry is lacking. Why did the man spend twenty years trying to top Gone With the Wind?
A Farewell to Arms
Blu-ray
Kl Studio Classics
1957 / Color / 2:35 widescreen / 152 min. / Street Date April 18, 2017 / available through Kino Lorber / 29.95
Starring: Jennifer Jones, Rock Hudson, Vittorio De Sica, Mercedes McCambridge, Elaine Stritch.
Cinematography: Oswald Morris, Piero Portalupi
Production Designer: Alfred Junge
Art Direction: Mario Garbuglia
Film Editors: John M. Foley, Gerard J. Wilson
Original Music: Mario Nascimbene
Written by Ben Hecht from a play by Laurence Stallings from a novel by Ernest Hemingway
Produced by David O. Selznick
Directed by Charles Vidor
What happens when a major Hollywood producer thinks he has all the answers?...
A Farewell to Arms
Blu-ray
Kl Studio Classics
1957 / Color / 2:35 widescreen / 152 min. / Street Date April 18, 2017 / available through Kino Lorber / 29.95
Starring: Jennifer Jones, Rock Hudson, Vittorio De Sica, Mercedes McCambridge, Elaine Stritch.
Cinematography: Oswald Morris, Piero Portalupi
Production Designer: Alfred Junge
Art Direction: Mario Garbuglia
Film Editors: John M. Foley, Gerard J. Wilson
Original Music: Mario Nascimbene
Written by Ben Hecht from a play by Laurence Stallings from a novel by Ernest Hemingway
Produced by David O. Selznick
Directed by Charles Vidor
What happens when a major Hollywood producer thinks he has all the answers?...
- 4/29/2017
- by Glenn Erickson
- Trailers from Hell
Streaming giant acquires The Other Side Of The Wind.
Netflix will help complete Orson Welles’ final, unfinished film The Other Side Of The Wind.
The streaming giant announced it has acquired global rights and will finance the restoration of the project, which Welles started filming in 1970 but abandoned in 1976. He died in 1985.
The film is a Royal Road Entertainment production and was originally produced by Welles and Les Films de L’Astrophore.
The Other Side Of The Wind is a Hollywood satire that takes place during the final days in the life of a legendary director played by John Huston, who is struggling to finish his final masterpiece.
Dennis Hopper, Mercedes McCambridge Peter Bogdanovich appear in the film, with the latter consulting on the restoration with Frank Marshall, a line manager on the original production.
Together the duo will oversee editing based on Welles’ notes.
Frank Marshall said: “I can’t quite believe it, but after 40 years...
Netflix will help complete Orson Welles’ final, unfinished film The Other Side Of The Wind.
The streaming giant announced it has acquired global rights and will finance the restoration of the project, which Welles started filming in 1970 but abandoned in 1976. He died in 1985.
The film is a Royal Road Entertainment production and was originally produced by Welles and Les Films de L’Astrophore.
The Other Side Of The Wind is a Hollywood satire that takes place during the final days in the life of a legendary director played by John Huston, who is struggling to finish his final masterpiece.
Dennis Hopper, Mercedes McCambridge Peter Bogdanovich appear in the film, with the latter consulting on the restoration with Frank Marshall, a line manager on the original production.
Together the duo will oversee editing based on Welles’ notes.
Frank Marshall said: “I can’t quite believe it, but after 40 years...
- 3/15/2017
- by orlando.parfitt@screendaily.com (Orlando Parfitt)
- ScreenDaily
Mildred Pierce
Blu-ray
The Criterion Collection 860
1945 / B&W / 1:37 flat Academy / 111 min. / available through The Criterion Collection / Street Date , 2017 /
Starring Joan Crawford, Jack Carson, Zachary Scott, Eve Arden, Ann Blyth, Bruce Bennett, Lee Patrick, Moroni Olsen, Veda Ann Borg, Jo Ann Marlowe, Butterfly McQueen.
Cinematography: Ernest Haller
Art Direction: Anton Grot
Film Editor: David Weisbart
Original Music: Max Steiner
Written by: Ranald MacDougall from the novel by James M. Cain
Produced by: Jerry Wald, Jack L. Warner
Directed by Michael Curtiz
James M. Cain’s 1941 novel Mildred Pierce offers a venal and self-destructive view of America not with a story of respectable bourgeois society, not the criminal underworld. A de-classed, suburb-dwelling nobody fights her way onto the social register by using men and by hard work… and then watches as her obsessive goals blow up in her face In Cain’s worldview it’s every woman for herself. He drags in an odd personal theme,...
Blu-ray
The Criterion Collection 860
1945 / B&W / 1:37 flat Academy / 111 min. / available through The Criterion Collection / Street Date , 2017 /
Starring Joan Crawford, Jack Carson, Zachary Scott, Eve Arden, Ann Blyth, Bruce Bennett, Lee Patrick, Moroni Olsen, Veda Ann Borg, Jo Ann Marlowe, Butterfly McQueen.
Cinematography: Ernest Haller
Art Direction: Anton Grot
Film Editor: David Weisbart
Original Music: Max Steiner
Written by: Ranald MacDougall from the novel by James M. Cain
Produced by: Jerry Wald, Jack L. Warner
Directed by Michael Curtiz
James M. Cain’s 1941 novel Mildred Pierce offers a venal and self-destructive view of America not with a story of respectable bourgeois society, not the criminal underworld. A de-classed, suburb-dwelling nobody fights her way onto the social register by using men and by hard work… and then watches as her obsessive goals blow up in her face In Cain’s worldview it’s every woman for herself. He drags in an odd personal theme,...
- 1/28/2017
- by Glenn Erickson
- Trailers from Hell
Olive's new branded line reissues the Nicholas Ray classic with a full set of authoritative extras -- plus a never-before-seen widescreen transfer, in all of its Trucolor glory. Joan Crawford and Sterling Hayden never looked better -- we can all compare theories about la Crawford's color-coded costumes. Just how masculine is Vienna supposed to be? Johnny Guitar (Olive Signature widescreen edition) Blu-ray Olive Films 1954 / Color / 1:66 widescreen / 110 min. / Street Date September 20, 2016 / available through the Olive Films website / 39.95 but heavily discounted Starring Joan Crawford, Sterling Hayden, Mercedes McCambridge, Scott Brady, Ward Bond, Ben Cooper, Ernest Borgnine, John Carradine, Royal Dano, Frank Ferguson, Paul Fix, Rhys Williams. Cinematography Harry Stradling Film Editor Richard Van Enger Original Music Victor Young Written by Philip Yordan from the novel by Roy Chanslor Produced by Herbert J. Yates Directed by Nicholas Ray
Reviewed by Glenn Erickson
Wow, it's already been four years since Olive released a...
Reviewed by Glenn Erickson
Wow, it's already been four years since Olive released a...
- 9/20/2016
- by Glenn Erickson
- Trailers from Hell
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