Since Steven Spielberg unleashed the iconic thriller Jaws in 1975, the world of shark-themed cinema has evolved, but rarely matched its visceral impact. The French have now stepped up to give us Under Paris, directed by Xavier Gens, famed for his contributions to series like Gangs of London and Lupin. This film, streaming on Netflix, introduces us to a scenario as outlandish as it is intriguing—a giant mako shark terrorizing the Seine River. A Troubling Threat to Parisian Waters Under Paris (or Sous la Seine) centers around Sophia, played by Bérénice Bejo, known for her stellar performance in The Artist.
- 6/9/2024
- by Steve Delikson
- TVovermind.com
Under Paris is making waves as a compelling thriller on Netflix, featuring an intriguing blend of scientific discovery and aquatic terror. Let’s delve into the key characters and the talented actors who bring them to life. The Protagonist Scientist Sophia Bérénice Bejo, known for her Oscar-nominated performance in The Artist, stars as scientist Sophia. After a tragic past event, she encounters a new threat when she discovers a massive shark swimming in the Seine. Her role is critical, as she navigates the impending disaster that might ensue during Paris’s popular triathlon. Viewers have hailed the film as one of the...
- 6/8/2024
- by Steve Delikson
- TVovermind.com
Plot: Sophia, a brilliant scientist comes to realize that a large shark is swimming deep in the waters near Paris.
Review: There’s something about shark movies that gets to me on a primal level. Sure, there’s still just the one good one but something about them increases my anxiety to unreal heights. The surface of the water hides all the mysteries and horror beneath it, and I have a very active imagination. So my ears perked up when it was announced that Xavier Gens would be entering the world of shark horror. Because even when he doesn’t entirely hit (like this year’s Mayhem) he still manages to provide a technically proficient film with consistent momentum.
Under Paris follows Sophia after her entire team has been killed by a large shark. Three years later, the same shark’s Gps tag springs up in the canals of Paris,...
Review: There’s something about shark movies that gets to me on a primal level. Sure, there’s still just the one good one but something about them increases my anxiety to unreal heights. The surface of the water hides all the mysteries and horror beneath it, and I have a very active imagination. So my ears perked up when it was announced that Xavier Gens would be entering the world of shark horror. Because even when he doesn’t entirely hit (like this year’s Mayhem) he still manages to provide a technically proficient film with consistent momentum.
Under Paris follows Sophia after her entire team has been killed by a large shark. Three years later, the same shark’s Gps tag springs up in the canals of Paris,...
- 6/5/2024
- by Tyler Nichols
- JoBlo.com
“What if there were a shark in the Seine?” is, one can only assume, a question that Parisians ponder on a daily basis. It’s also brilliant in its simplicity, if not quite as appealingly silly a high-concept premise as “what if there were snakes on a plane?” and “what if the moon … fell?” Look no further than “Under Paris” for an answer to the hypothetical that surely keeps Emmanuel Macron up at night, as Netflix’s new thriller swims rather than sinks as it adds life to a genre that’s been bloodless for far too long.
Most importantly, director Xavier Gens (“Lupin”) plays it straight — there’s no winking at the crowd or so-bad-it’s-good posturing, just killer set-pieces and a firm understanding of the fact that the best creature features are those in which you see the creature as little as possible.
In much the same way...
Most importantly, director Xavier Gens (“Lupin”) plays it straight — there’s no winking at the crowd or so-bad-it’s-good posturing, just killer set-pieces and a firm understanding of the fact that the best creature features are those in which you see the creature as little as possible.
In much the same way...
- 6/4/2024
- by Michael Nordine
- Variety Film + TV
Under Paris, a shark thriller from genre regular Xavier Gens, is set to be released through the Netflix streaming service on June 5th – but producers Sébastien Auscher and Edouard Duprey have been hit with a parasitism lawsuit filed by filmmaker Vincent Dietschy, who claims that Under Paris resembles a project called Silure, which he began working on in 2011. According to Deadline, if a judge rules in favor of Dietschy at the initial hearing on June 14th, Netflix might have to remove Under Paris just days after its release, as Dietschy’s lawyer has requested that the release of the film be suspended while the parasitism lawsuit makes its way through the court system.
Dietschy says he registered Silure with France’s rights management body Sacd in 2012. Going by article 1240 of France’s Civil Code, parasitism is what it’s called when “one party follows in the footsteps of another party...
Dietschy says he registered Silure with France’s rights management body Sacd in 2012. Going by article 1240 of France’s Civil Code, parasitism is what it’s called when “one party follows in the footsteps of another party...
- 5/30/2024
- by Cody Hamman
- JoBlo.com
The Zone of Disinterest: Hazanavicius Reanimates the Holocaust in Moral Fable
What’s most interesting about director Michel Hazanavicius are his valiant attempts at dabbling in multiple genres and styles, clearly exemplifying a broad taste in cinematic subjects and inspirations. Unfortunately, most of these attempts often feel as if they’re missing key ingredients to make them noteworthy. After an earnestly disastrous remake of Fred Zinneman’s The Search (2014), a curiously dull biopic with Godard Mon Amour (2017) and a remake of a meta Japanese zombie comedy in Final Cut (2022), it would seem Hazanvicius works best when navigating humorous elements (like his Oss Bond spoofs from earlier in his career).…...
What’s most interesting about director Michel Hazanavicius are his valiant attempts at dabbling in multiple genres and styles, clearly exemplifying a broad taste in cinematic subjects and inspirations. Unfortunately, most of these attempts often feel as if they’re missing key ingredients to make them noteworthy. After an earnestly disastrous remake of Fred Zinneman’s The Search (2014), a curiously dull biopic with Godard Mon Amour (2017) and a remake of a meta Japanese zombie comedy in Final Cut (2022), it would seem Hazanvicius works best when navigating humorous elements (like his Oss Bond spoofs from earlier in his career).…...
- 5/27/2024
- by Nicholas Bell
- IONCINEMA.com
The only animated film in the competition, Michel Hazanavicius has been a favorite of the festival landing several competition berths beginning with 2011’s The Artist. The Most Precious of Cargoes became his fourth feature to compete just after showcasing Coupez! as the opening film of the 2022 selection. This took a bit less time than most animated films we track — and stars Dominique Blanc, Denis Podalydès, Grégory Gadebois and Jean-Louis Trintignant as the voice cast.
Gist: An adaptation of Grumberg’s 2019 novel of the same name, the story centers on a Holocaust-surviving Jewish girl whose father throws her from a moving train heading to Auschwitz and ultimately found by a woodcutter and his family.…...
Gist: An adaptation of Grumberg’s 2019 novel of the same name, the story centers on a Holocaust-surviving Jewish girl whose father throws her from a moving train heading to Auschwitz and ultimately found by a woodcutter and his family.…...
- 5/25/2024
- by Eric Lavallée
- IONCINEMA.com
Of all the films premiering at Cannes this year, “The Most Precious of Cargoes” is both an anomaly (the first animated feature to compete for the Palme d’Or since “Persepolis” in 2007) and the most likely to become a classic. Blending the heavy lines of early-20th-century woodcuts with the gentle pastels of watercolor painting, “The Artist” director Michel Hazanavicius finds a poignant way to address not only the horrors of the Holocaust, but the kindness that combated it, crafting an indelible parable destined to be watched and shared by generations to come.
The polar opposite of “The Zone of Interest,” his hand-drawn adaptation of the slender but impactful novel by Jean-Claude Grumberg engages audiences at the gut, rather than in some abstract intellectual way. It focuses on neither the culprits nor the victims, but average folk who tried to remain neutral — as if such a thing were possible — until...
The polar opposite of “The Zone of Interest,” his hand-drawn adaptation of the slender but impactful novel by Jean-Claude Grumberg engages audiences at the gut, rather than in some abstract intellectual way. It focuses on neither the culprits nor the victims, but average folk who tried to remain neutral — as if such a thing were possible — until...
- 5/24/2024
- by Peter Debruge
- Variety Film + TV
Competing for Cannes’ top prize, The Most Precious of Cargoes deploys animation to tell a semi-contemporary fairy tale about a lost baby girl who is thrown from a train bound for Auschwitz and found in the snow by a childless woodcutter’s wife. It’s the latest feature by French filmmaker Michel Hazanavicius, who’s been a favorite of the Cannes programmers ever since his cinephile- and crowd-pleasing serio-comic pastiche The Artist (2011) broke him onto the international stage, going on to scoop up awards — including a best picture Oscar — and box-office records (for a near-silent film, at least) worldwide.
Sadly, Hazanavicius’ subsequent films haven’t enjoyed the same success. This latest effort, however, might just be his most commercially viable in a while since Holocaust films nearly always travel. Its portability is only enhanced by it being animated, making it easy to dub this for different territories. If nothing else,...
Sadly, Hazanavicius’ subsequent films haven’t enjoyed the same success. This latest effort, however, might just be his most commercially viable in a while since Holocaust films nearly always travel. Its portability is only enhanced by it being animated, making it easy to dub this for different territories. If nothing else,...
- 5/24/2024
- by Leslie Felperin
- The Hollywood Reporter - Movie News
Everywhere on social media, you read comments from readers lamenting our modern culture.
They long for the good old days when comedy was offensive, antiheroes said whatever they were thinking, and actors were judged by their undeniable talent rather than the biggest mistakes of their careers.
Plotlines were more important than representation. Complicated characters were more important than "Wokeness."
Back then, they say, it didn't matter if a character was black or gay. All that mattered was the story.
We watched because a filmmaker had something important to say, not because every race and sexual orientation appeared and was treated with respect.
We listened because regardless of what anyone said about a comedian, at least he was funny!
Unsurprisingly, many of the same social critics would also say no movies from the 2010-2030 era will be remembered as classics 20 or 30 years from now.
They didn't have the edge and the...
They long for the good old days when comedy was offensive, antiheroes said whatever they were thinking, and actors were judged by their undeniable talent rather than the biggest mistakes of their careers.
Plotlines were more important than representation. Complicated characters were more important than "Wokeness."
Back then, they say, it didn't matter if a character was black or gay. All that mattered was the story.
We watched because a filmmaker had something important to say, not because every race and sexual orientation appeared and was treated with respect.
We listened because regardless of what anyone said about a comedian, at least he was funny!
Unsurprisingly, many of the same social critics would also say no movies from the 2010-2030 era will be remembered as classics 20 or 30 years from now.
They didn't have the edge and the...
- 5/22/2024
- by Michael Arangua
- TVfanatic
Michel Hazanavicius, the Oscar-winning director of “The Artist,” makes a first foray into animation with “The Most Precious of Cargoes” which world premieres at the Cannes Film Festival on May 24. Adapted from Jean-Claude Grumberg’s bestselling novel, “The Most Precious of Cargoes” is the first animated feature to vie for a Palme d’Or since Ari Folman’s “Waltz With Bashir” in 2008; and it will be the last movie watched by the competition jury, presided over by Greta Gerwig, before the closing ceremony.
Hazanavicius developed the project for years and wrote the script with Grumberg, as well as created the drawings. Oscar-winning composer Alexandre Desplat created the original score. The drama intertwines the fate of a Jewish family, including newborn twins, deported to Auschwitz, with that of a poor and childless woodcutter couple living deep in a Polish forest. On the train to the death camp, the young father wraps...
Hazanavicius developed the project for years and wrote the script with Grumberg, as well as created the drawings. Oscar-winning composer Alexandre Desplat created the original score. The drama intertwines the fate of a Jewish family, including newborn twins, deported to Auschwitz, with that of a poor and childless woodcutter couple living deep in a Polish forest. On the train to the death camp, the young father wraps...
- 5/19/2024
- by Elsa Keslassy
- Variety Film + TV
Animated feature “Flow,” selected for Cannes’ Un Certain Regard, has debuted an exclusive image and it’s purr-fect.
In the dialogue-free film, a flood is coming, quickly devouring everything on its way: including Cat’s home. There is no human in sight, but luckily, he finds refuge on a boat full of other animals. Together, they silently sail through the cat-astrophe.
Directed by Latvia’s Gints Zilbalodis, “Flow” is produced by Sacrebleu Productions, Dream Well Studio and Take Five. Charades handles sales.
“All the films I’ve made before didn’t have any dialogues either. I think it’s my strength: telling stories through images rather than words,” said the man in question, admitting that “Flow” was always supposed to be “visually driven.”
“All the characters are animals and we wanted them to behave like animals, to keep it grounded this way. It’s not a Disney film. I can...
In the dialogue-free film, a flood is coming, quickly devouring everything on its way: including Cat’s home. There is no human in sight, but luckily, he finds refuge on a boat full of other animals. Together, they silently sail through the cat-astrophe.
Directed by Latvia’s Gints Zilbalodis, “Flow” is produced by Sacrebleu Productions, Dream Well Studio and Take Five. Charades handles sales.
“All the films I’ve made before didn’t have any dialogues either. I think it’s my strength: telling stories through images rather than words,” said the man in question, admitting that “Flow” was always supposed to be “visually driven.”
“All the characters are animals and we wanted them to behave like animals, to keep it grounded this way. It’s not a Disney film. I can...
- 5/15/2024
- by Marta Balaga
- Variety Film + TV
These auteurs are ready for their close-up.
When Quentin Dupieux’s comedy about an ill-fated film set, “The Second Act,” opened the Cannes Film Festival May 14, it will be just one of several movies about filmmaking and filmmakers to touch down on the Croisette. After all, directors Christophe Honoré, Paul Schrader and Josh Mond are among the other prominent filmmakers who are ready to premiere semi-autobiographical stories.
Honoré’s in-competition comedy, “Marcello Mio,” casts Chiara Mastroianni as a version of herself who — after a director compares her to her late father, Marcello Mastroianni — dresses in drag and takes on his identity. Schrader’s in-competition drama, “Oh, Canada,” focuses on a documentary filmmaker (Richard Gere) telling his life story in a doc. Mond’s drama “It Doesn’t Matter” follows two friends chronicling their lives on video. Leos Carax’s 40-minute “C’est pas moi” is partly a self-portrait, with footage from his films and life.
When Quentin Dupieux’s comedy about an ill-fated film set, “The Second Act,” opened the Cannes Film Festival May 14, it will be just one of several movies about filmmaking and filmmakers to touch down on the Croisette. After all, directors Christophe Honoré, Paul Schrader and Josh Mond are among the other prominent filmmakers who are ready to premiere semi-autobiographical stories.
Honoré’s in-competition comedy, “Marcello Mio,” casts Chiara Mastroianni as a version of herself who — after a director compares her to her late father, Marcello Mastroianni — dresses in drag and takes on his identity. Schrader’s in-competition drama, “Oh, Canada,” focuses on a documentary filmmaker (Richard Gere) telling his life story in a doc. Mond’s drama “It Doesn’t Matter” follows two friends chronicling their lives on video. Leos Carax’s 40-minute “C’est pas moi” is partly a self-portrait, with footage from his films and life.
- 5/14/2024
- by Gregg Goldstein
- Variety Film + TV
Studiocanal has unveiled the first clip of Michel Hazanavicius’s “The Most Precious of Cargoes,” an allegorical hand-drawn animated feature which is competing at the Cannes Film Festival. The first animated film to vie for a Palme d’Or since Ari Folman’s “Waltz With Bashir” in 2008, “The Most Precious of Cargoes” is adapted from Jean-Claude Grumberg’s bestselling novel of the same name.
Set during World War II against the backdrop of the Holocaust,” the film has been developed by Hazanavicius, the Oscar-winning filmmaker behind “The Artist,” for many years.Hazanavicius penned the script with Grumberg and created the drawings, with Oscar-winning composer Alexandre Desplat providing the score.
The drama intertwines the fate of a Jewish family, including newborn twins, deported to Auschwitz, with that of a poor and childless woodcutter couple living deep in a Polish forest. On the train to the death camp, the young father wraps...
Set during World War II against the backdrop of the Holocaust,” the film has been developed by Hazanavicius, the Oscar-winning filmmaker behind “The Artist,” for many years.Hazanavicius penned the script with Grumberg and created the drawings, with Oscar-winning composer Alexandre Desplat providing the score.
The drama intertwines the fate of a Jewish family, including newborn twins, deported to Auschwitz, with that of a poor and childless woodcutter couple living deep in a Polish forest. On the train to the death camp, the young father wraps...
- 5/13/2024
- by Elsa Keslassy
- Variety Film + TV
One of the year’s most anticipated films will be on sale for independent buyers at the upcoming Cannes market. We can bring you news that French sales company Goodfellas has boarded Francis Ford Coppola’s Megalopolis ahead of the movie’s world premiere in Competition at the festival.
Also confirmed today is the film’s French deal with Le Pacte and the involvement of longtime Coppola collaborator Paul Rassam.
Speculation has been rife around rollout plans for the $120M self-financed epic ever since Coppola showed it for the first time to buyers at L.A.’s Universal CityWalk Imax Theater at the end of March, with the screening followed shortly after by news of its Cannes selection.
Adam Driver stars as an idealistic architect attempting to rebuild New York as an American Utopia, with the ensemble cast also featuring Nathalie Emmanuel, Aubrey Plaza, Shia Labeouf, Dustin Hoffman, Jon Voigt,...
Also confirmed today is the film’s French deal with Le Pacte and the involvement of longtime Coppola collaborator Paul Rassam.
Speculation has been rife around rollout plans for the $120M self-financed epic ever since Coppola showed it for the first time to buyers at L.A.’s Universal CityWalk Imax Theater at the end of March, with the screening followed shortly after by news of its Cannes selection.
Adam Driver stars as an idealistic architect attempting to rebuild New York as an American Utopia, with the ensemble cast also featuring Nathalie Emmanuel, Aubrey Plaza, Shia Labeouf, Dustin Hoffman, Jon Voigt,...
- 4/30/2024
- by Melanie Goodfellow and Andreas Wiseman
- Deadline Film + TV
Michel Hazanavicius is back on the Croisette - with animated wartime drama The Most Precious of Cargoes Photo: © Ex Nihilo, Les Compagnons du Cinéma, Studio Canal, France 3 Cinéma, Les Films du Fleuve) The Oscar-wining director of The Artist, Michel Hazanavicius returns to the Cannes Film Festival Competition with his new animated feature The Most Precious of Cargoes, adapted from Jean-Claude Grumberg’s best-selling novel of the same name.
It is set during the Second World World War against the backdrop of the Holocaust and will be the first animated feature to compete in the official selection in more than a decade, since Ari Folman’s Waltz With Bashir in 2008.
Described as “a passion project” for Hazanavicius the story intertwines the fate of a Jewish family, including newborn twins, who are arrested in Paris and deported to Auschwitz, with that of a poor and childless woodcutter couple living in the depths of a Polish forest.
It is set during the Second World World War against the backdrop of the Holocaust and will be the first animated feature to compete in the official selection in more than a decade, since Ari Folman’s Waltz With Bashir in 2008.
Described as “a passion project” for Hazanavicius the story intertwines the fate of a Jewish family, including newborn twins, who are arrested in Paris and deported to Auschwitz, with that of a poor and childless woodcutter couple living in the depths of a Polish forest.
- 4/22/2024
- by Richard Mowe
- eyeforfilm.co.uk
Films from Oliver Stone, Michel Hazanavicius and Arnaud Desplechin have been added to the Official Selection of the 77th Cannes Film Festival. They join previously announced titles from David Cronenberg, Yorgos Lanthimos, Francis Ford Coppola and Paul Schrader. Greta Gerwig is the president of this year’s jury.
Stone’s film, “Lula” is a documentary about Brazilian president Luiz Inácio Lula da Silva and will have its world premiere as part of the Special Screenings section, which also features “Spectators,” from Arnaud Desplechin. His latest stars “Anatomy of a Fall” child actor Milo Machado Graner as well as Mathieu Amalric (“The Diving Bell and the Butterfly”).
Hazanavicius, a Best Director Oscar winner for “The Artist,” joins the Competition lineup with “La Plus Précieuse des Marchandises” (“The Most Precious of Cargoes”), an animated film about a Jewish child during World War II whose father, in a desperate attempt to save his son’s life,...
Stone’s film, “Lula” is a documentary about Brazilian president Luiz Inácio Lula da Silva and will have its world premiere as part of the Special Screenings section, which also features “Spectators,” from Arnaud Desplechin. His latest stars “Anatomy of a Fall” child actor Milo Machado Graner as well as Mathieu Amalric (“The Diving Bell and the Butterfly”).
Hazanavicius, a Best Director Oscar winner for “The Artist,” joins the Competition lineup with “La Plus Précieuse des Marchandises” (“The Most Precious of Cargoes”), an animated film about a Jewish child during World War II whose father, in a desperate attempt to save his son’s life,...
- 4/22/2024
- by Missy Schwartz
- The Wrap
Iranian filmmaker Mohammad Rasoulof is finally making his way back to the Cannes Film Festival following the controversy surrounding his Un Certain Regard 2023 jury appointment.
Rasoulof was invited to serve on the jury last year but was unable to attend due to Iran’s travel embargo on him. The “There Is No Evil” filmmaker was banned from leaving Iran after being arrested in July 2022 for posting statements criticizing government-sanctioned violence against protesters. Rasoulof was later temporarily released in February 2023 due to ongoing health concerns. He was later pardoned and sentenced to one year of penal servitude and a two-year ban from leaving Iran on the charge of “propaganda against the regime.”
Now, Rasoulof is debuting his latest feature “The Seed of the Sacred Fig” in competition at the festival. While the plot remains under wraps, there is no word on whether Rasoulof will attend the festival. Variety first reported the news.
Rasoulof was invited to serve on the jury last year but was unable to attend due to Iran’s travel embargo on him. The “There Is No Evil” filmmaker was banned from leaving Iran after being arrested in July 2022 for posting statements criticizing government-sanctioned violence against protesters. Rasoulof was later temporarily released in February 2023 due to ongoing health concerns. He was later pardoned and sentenced to one year of penal servitude and a two-year ban from leaving Iran on the charge of “propaganda against the regime.”
Now, Rasoulof is debuting his latest feature “The Seed of the Sacred Fig” in competition at the festival. While the plot remains under wraps, there is no word on whether Rasoulof will attend the festival. Variety first reported the news.
- 4/22/2024
- by Samantha Bergeson
- Indiewire
After announcing a whopping number of English-language films in competition, Cannes Film Festival has added some international titles: Michel Hazanavicius’ animated feature “The Most Precious of Cargoes” and Iranian filmmaker Mohammad Rasoulof’s “The Seed of the Sacred Fig,” Variety has learned.
An auteur-driven allegorical feature, “The Most Precious of Cargoes” (first-look still below) is adapted from Jean-Claude Grumberg’s bestselling novel of the same name, set during World War II against the backdrop of the Holocaust. It will be the first animated feature to compete in more than a decade, since Ari Folman’s “Waltz With Bashir” in 2008.
The film is co-produced and represented internationally by Studiocanal, which also has Gilles Lellouche’s “Beating Hearts” in competition. “The Most Precious of Cargoes” is a passion project for Hazanavicius, the Oscar-winning filmmaker behind “The Artist,” who has been developing the project for years. Hazanavicius penned the script with Grumberg and created the drawings,...
An auteur-driven allegorical feature, “The Most Precious of Cargoes” (first-look still below) is adapted from Jean-Claude Grumberg’s bestselling novel of the same name, set during World War II against the backdrop of the Holocaust. It will be the first animated feature to compete in more than a decade, since Ari Folman’s “Waltz With Bashir” in 2008.
The film is co-produced and represented internationally by Studiocanal, which also has Gilles Lellouche’s “Beating Hearts” in competition. “The Most Precious of Cargoes” is a passion project for Hazanavicius, the Oscar-winning filmmaker behind “The Artist,” who has been developing the project for years. Hazanavicius penned the script with Grumberg and created the drawings,...
- 4/22/2024
- by Elsa Keslassy
- Variety Film + TV
At first, I was shocked by the news that Participant Media was dying. Such an appealing company. Smart. Mindful. Vibrant. Forward-thinking. The producer of intelligent films like Spotlight and Green Book, with a distinctly progressive message.
How could this be?
Then it finally hit me. Whatever else may have happened—announcing the shutdown, proprietor Jeff Skoll cited “revolutionary” changes in the entertainment business—Participant went under, I believe, because most of high-end Hollywood jumped into the company’s basically sound but modestly sized boat. The purpose-film niche was swamped.
It’s almost hard to remember that 20 years ago, when Participant was founded, the notion of a self-consciously message-oriented, activist film company was actually novel.
But, cinematically speaking, it was a much different world in 2004. The top movie that year was Shrek 2—not much message there. Culturally, the big story was a religious film, The Passion of the Christ. That hasn’t happened since.
How could this be?
Then it finally hit me. Whatever else may have happened—announcing the shutdown, proprietor Jeff Skoll cited “revolutionary” changes in the entertainment business—Participant went under, I believe, because most of high-end Hollywood jumped into the company’s basically sound but modestly sized boat. The purpose-film niche was swamped.
It’s almost hard to remember that 20 years ago, when Participant was founded, the notion of a self-consciously message-oriented, activist film company was actually novel.
But, cinematically speaking, it was a much different world in 2004. The top movie that year was Shrek 2—not much message there. Culturally, the big story was a religious film, The Passion of the Christ. That hasn’t happened since.
- 4/21/2024
- by Michael Cieply
- Deadline Film + TV
Last April, the Netflix streaming service unveiled a pair of first look images from the then-untitled shark thriller genre regular Xavier Gens has been working on for them. Now a trailer for the film has made its way online, revealing that it’s going by the title Under Paris and is scheduled to begin streaming on June 5th! You can watch the trailer in the embed above.
Starring Bérénice Bejo, who earned an Oscar nomination for her performance in the silent film The Artist, Léa Léviant of Mortel, and Nassim Lyes of Overdose, this shark thriller has the following synopsis: Set in the Summer of 2024, the film unfolds in Paris which is hosting the World Triathlon Championships on the Seine for the first time. Sophia, a brilliant scientist, learns from Mika, a young environmental activist, that a large shark is swimming deep in the river. To avoid a bloodbath at the heart of the city,...
Starring Bérénice Bejo, who earned an Oscar nomination for her performance in the silent film The Artist, Léa Léviant of Mortel, and Nassim Lyes of Overdose, this shark thriller has the following synopsis: Set in the Summer of 2024, the film unfolds in Paris which is hosting the World Triathlon Championships on the Seine for the first time. Sophia, a brilliant scientist, learns from Mika, a young environmental activist, that a large shark is swimming deep in the river. To avoid a bloodbath at the heart of the city,...
- 4/9/2024
- by Cody Hamman
- JoBlo.com
There are sharks all up in the Seine in Netflix’s upcoming aquatic horror, Under Paris. Here’s the first trailer.
At some point, sharks will club together and get a PR manager; until then, we’ll keep getting films like Jaws, Sharknado, and upcoming efforts like Beast Of War, Something In The Water and Renny Harlin’s Deep Water.
To the ever-growing list we can now add Under Paris, coming to a small screen near you this summer courtesy of Netflix. If you haven’t gathered already: yes, the film really is about sharks swimming up the Seine to terrorise all the hundreds of people that (presumably) swim in Paris’ waters on any given day.
Yes, it’s all incredibly silly, but if the trailer’s anything to go by, everyone involved knows it’s all incredibly silly. Under Paris is directed by Xavier Gens, who broke through with the extremely gory 2007 indie horror,...
At some point, sharks will club together and get a PR manager; until then, we’ll keep getting films like Jaws, Sharknado, and upcoming efforts like Beast Of War, Something In The Water and Renny Harlin’s Deep Water.
To the ever-growing list we can now add Under Paris, coming to a small screen near you this summer courtesy of Netflix. If you haven’t gathered already: yes, the film really is about sharks swimming up the Seine to terrorise all the hundreds of people that (presumably) swim in Paris’ waters on any given day.
Yes, it’s all incredibly silly, but if the trailer’s anything to go by, everyone involved knows it’s all incredibly silly. Under Paris is directed by Xavier Gens, who broke through with the extremely gory 2007 indie horror,...
- 4/9/2024
- by Ryan Lambie
- Film Stories
Given that the last Best Actor Oscar recipient with less than an hour of screen time was Jean Dujardin, it’s clear that modern academy voters strongly prefer lengthy lead male roles. That hasn’t always been the case, however, as indicated by the fact that 30 briefer turns than Dujardin’s have been awarded during the category’s 96-year history. Scroll through our photo gallery to find out which 10 Best Actor-winning performances are the shortest of all time.
This countdown is presented in terms of physical screen time, meaning any time an actor actually appears on screen or can be heard off screen. Moments involving non-visible or audible scene presence are not factored in. Unfortunately, one of this category’s 98 winning performances – Emil Jannings – could not be counted since the film is lost, but his concurrently honored and still-intact turn in “The Last Command” puts him in 13th place here.
This countdown is presented in terms of physical screen time, meaning any time an actor actually appears on screen or can be heard off screen. Moments involving non-visible or audible scene presence are not factored in. Unfortunately, one of this category’s 98 winning performances – Emil Jannings – could not be counted since the film is lost, but his concurrently honored and still-intact turn in “The Last Command” puts him in 13th place here.
- 3/28/2024
- by Matthew Stewart
- Gold Derby
Given that the last Best Actor Oscar recipient with less than an hour of screen time was Jean Dujardin, it’s clear that modern academy voters strongly prefer lengthy lead male roles. That hasn’t always been the case, however, as indicated by the fact that 30 briefer turns than Dujardin’s have been awarded during the category’s 96-year history. Scroll through our photo gallery to find out which 10 Best Actor-winning performances are the shortest of all time.
This countdown is presented in terms of physical screen time, meaning any time an actor actually appears on screen or can be heard off screen. Moments involving non-visible or audible scene presence are not factored in. Unfortunately, one of this category’s 98 winning performances – Emil Jannings – could not be counted since the film is lost, but his concurrently honored and still-intact turn in “The Last Command” puts him in 13th place here.
This countdown is presented in terms of physical screen time, meaning any time an actor actually appears on screen or can be heard off screen. Moments involving non-visible or audible scene presence are not factored in. Unfortunately, one of this category’s 98 winning performances – Emil Jannings – could not be counted since the film is lost, but his concurrently honored and still-intact turn in “The Last Command” puts him in 13th place here.
- 3/28/2024
- by Matthew Stewart
- Gold Derby
Dramas based on well-known IP and starring A-list talent were front and centre at this year’s Series Mania.
Mediawan, for example, hosted a splashy showcase of its upcoming mini-series The Count of Monte-Cristo, produced by Italy’s Palomar with France’s Demd Productions, from Danish director Bille August, starring British actors Sam Claflin and Jeremy Irons.
During the festival, Paramount+ and France Télévisions also announced they had teamed up for an eight-episode adaptation of Zorro (working title) starring Jean Dujardin, the Oscar-winning actor of The Artist. France Televisions also announced a series commission for Lucky Luke, an adaptation of the cult Belgian comic book.
Mediawan, for example, hosted a splashy showcase of its upcoming mini-series The Count of Monte-Cristo, produced by Italy’s Palomar with France’s Demd Productions, from Danish director Bille August, starring British actors Sam Claflin and Jeremy Irons.
During the festival, Paramount+ and France Télévisions also announced they had teamed up for an eight-episode adaptation of Zorro (working title) starring Jean Dujardin, the Oscar-winning actor of The Artist. France Televisions also announced a series commission for Lucky Luke, an adaptation of the cult Belgian comic book.
- 3/22/2024
- ScreenDaily
We’ve raised a cheer for the March 10 Oscar broadcast’s audience bump, up 4 percent, to 19.5 million viewers from 18.8 million a year ago. The total should stretch toward 21 million when digital viewers over seven days are finally added in. (Social media presence will also have grown.)
That’s not bad, given precipitous declines in prior years.
But it’s not enough – not by a long shot, as the Academy of Motion Picture Arts and Sciences braces for a contractual reckoning that is only a few short years away.
Almost everyone in Hollywood knows about deal anxiety. You’ve barely signed a new contract when that nervous feeling starts to creep in. The clock begins ticking on Day One. By the halfway point, you start to sweat. What happens when it ends (yet again)? Will they renew you? Dump you? Promote you? What?
In the Academy’s case, several key contracts...
That’s not bad, given precipitous declines in prior years.
But it’s not enough – not by a long shot, as the Academy of Motion Picture Arts and Sciences braces for a contractual reckoning that is only a few short years away.
Almost everyone in Hollywood knows about deal anxiety. You’ve barely signed a new contract when that nervous feeling starts to creep in. The clock begins ticking on Day One. By the halfway point, you start to sweat. What happens when it ends (yet again)? Will they renew you? Dump you? Promote you? What?
In the Academy’s case, several key contracts...
- 3/14/2024
- by Michael Cieply
- Deadline Film + TV
For the first time in 12 years, the Best Picture and Best Actor Oscars have gone to the same film. “Oppenheimer” took the top honor at Sunday’s 96th Academy Awards, moments after Cillian Murphy prevailed for his lead turn as J. Robert Oppenheimer.
“The Artist” (2011) was the last film to accomplish this feat as Jean Dujardin nabbed Best Actor. That came a year after “The King’s Speech” and star Colin Firth pulled off the double. Since these back-to-back wins, there have been a few close calls. “Birdman” (2014) won four Oscars, including Best Picture and Best Director, but not for its leading man Michael Keaton. The following year, Leonardo DiCaprio won his long-awaited Best Actor trophy for “The Revenant,” which won Best Director but not Best Picture.
See Full list of Oscar winners
“Oppenheimer” is the 28th film to win Best Picture and Best Actor. Of those, thrice has a film also won Best Actress.
“The Artist” (2011) was the last film to accomplish this feat as Jean Dujardin nabbed Best Actor. That came a year after “The King’s Speech” and star Colin Firth pulled off the double. Since these back-to-back wins, there have been a few close calls. “Birdman” (2014) won four Oscars, including Best Picture and Best Director, but not for its leading man Michael Keaton. The following year, Leonardo DiCaprio won his long-awaited Best Actor trophy for “The Revenant,” which won Best Director but not Best Picture.
See Full list of Oscar winners
“Oppenheimer” is the 28th film to win Best Picture and Best Actor. Of those, thrice has a film also won Best Actress.
- 3/11/2024
- by Joyce Eng
- Gold Derby
The French legal drama thriller, Anatomy of a Fall, is nominated for five major Oscars, including Best Picture and Best Director awards. However, the film will be missing one of its popular stars at the Awards ceremony on Sunday. Messi, the French border collie, played Snoop in the film and became America’s favorite after attending the annual Oscar Nominees Luncheon. This appearance also sparked controversy, which some fans feel speaks a lot about the Academy.
Sandra Hüller in the Oscar-nominated film Anatomy of a Fall
According to reports, some companies, with films nominated for Best Picture and other major awards, complained that the dog’s appearance gave an unfair advantage to the film. Messi first drew attention when he won the Palm Dog award at the Cannes Film Festival.
Anatomy Of A Fall‘s Canine Star Reportedly Worries Other Oscar Nominees Anatomy of a Fall‘s Messi will be...
Sandra Hüller in the Oscar-nominated film Anatomy of a Fall
According to reports, some companies, with films nominated for Best Picture and other major awards, complained that the dog’s appearance gave an unfair advantage to the film. Messi first drew attention when he won the Palm Dog award at the Cannes Film Festival.
Anatomy Of A Fall‘s Canine Star Reportedly Worries Other Oscar Nominees Anatomy of a Fall‘s Messi will be...
- 3/9/2024
- by Hashim Asraff
- FandomWire
Devastating news for fans of canine cameos: Messi, the scene-stealing border collie from best picture nominee Anatomy of a Fall and unlikely star of the 2024 Oscar campaign season, will not return to Los Angeles for Sunday’s Academy Awards ceremony.
Though reps for the Academy did not comment, a source at the Neon-distributed film says the French pup’s recent Hollywood sojourn, during which he overshadowed every human actor at the annual nominees luncheon, was a one-off. That means those A-Listers who didn’t get face time with Messi will just have to book a part in one of his future projects.
“All of this attention began at Cannes,” trainer and dog mom Laura Martin told The Hollywood Reporter in February, via translator Frederic Cassidy. Cannes is where Anatomy of a Fall started its run on the awards circuit, taking home the Palme d’Or, and where Messi got...
Though reps for the Academy did not comment, a source at the Neon-distributed film says the French pup’s recent Hollywood sojourn, during which he overshadowed every human actor at the annual nominees luncheon, was a one-off. That means those A-Listers who didn’t get face time with Messi will just have to book a part in one of his future projects.
“All of this attention began at Cannes,” trainer and dog mom Laura Martin told The Hollywood Reporter in February, via translator Frederic Cassidy. Cannes is where Anatomy of a Fall started its run on the awards circuit, taking home the Palme d’Or, and where Messi got...
- 3/8/2024
- by Mikey O'Connell
- The Hollywood Reporter - Movie News
We Oscarologists (ridiculous name) spend our time trying to read certain tea leaves to figure out what a potential Best Picture winner typically needs to win in order to take home the Oscars’ top prize. Best Director was once the most important category to excel in. Then it was Best Editing that we thought a Best Picture hopeful needed to check off. Then, recently, the combination of a writing Oscar and an acting win has proven to be a powerful one for eventual Best Picture winners. But what do the stats say? Well, we’ve combed through every Best Picture winner of this century and documented which other Oscars they won. We then tallied those figures up in this below handy chart:
*A note: For a detailed breakdown of exactly what Oscars each Best Picture winner of this century won, head here while you can find a full breakdown of...
*A note: For a detailed breakdown of exactly what Oscars each Best Picture winner of this century won, head here while you can find a full breakdown of...
- 3/8/2024
- by Jacob Sarkisian
- Gold Derby
“Oppenheimer” took home an impressive seven Academy Awards at Sunday’s Oscars, including the night’s top prize of Best Picture. The Universal movie also won Best Director for Christopher Nolan and Best Actor for Cillian Murphy amongst a number of other awards. That is one below the total of eight wins we predicted for the film as “The Zone of Interest” beat the movie to win Best Sound. However, seven is still a huge tally and places “Oppenheimer” amongst the Best Picture winners to take home the highest amount of Oscars this century. Scroll down below for a complete list of every Best Picture winner this century ranked by total Oscar wins.
“The Lord of the Rings: The Return of the King” (2004) — 11 Oscars won
Dir: Peter Jackson
Starring: Viggo Mortensen, Ian McKellen, Elijah Wood, Sean Astin
Gandalf and Aragorn lead the World of Men against Sauron’s army to...
“The Lord of the Rings: The Return of the King” (2004) — 11 Oscars won
Dir: Peter Jackson
Starring: Viggo Mortensen, Ian McKellen, Elijah Wood, Sean Astin
Gandalf and Aragorn lead the World of Men against Sauron’s army to...
- 3/8/2024
- by Jacob Sarkisian
- Gold Derby
Alexander Payne movies always do well in two areas come the Oscar nominations: writing and acting. Five of Payne’s movies have been nominated for writing while five of his flicks have also snagged acting bids. However, while “Sideways” and “The Descendants” both took home Oscars for their writing (both for Best Adapted Screenplay), no Payne movie has ever won for acting. Here’s the record.
“About Schmidt” procured a Best Actor nomination in 2003 for Jack Nicholson. He was in a two-horse race for the Best Actor gong with “Gangs of New York” star Daniel Day-Lewis but it was Adrien Brody (“The Pianist”) who ended up winning by splitting the votes. Kathy Bates was also nominated for Best Supporting Actress for “About Schmidt” but she lost to Catherine Zeta-Jones (“Chicago”).
Paul Giamatti was cruelly snubbed for a Best Actor bid for “Sideways” in 2005 but two of his costars were nominated.
“About Schmidt” procured a Best Actor nomination in 2003 for Jack Nicholson. He was in a two-horse race for the Best Actor gong with “Gangs of New York” star Daniel Day-Lewis but it was Adrien Brody (“The Pianist”) who ended up winning by splitting the votes. Kathy Bates was also nominated for Best Supporting Actress for “About Schmidt” but she lost to Catherine Zeta-Jones (“Chicago”).
Paul Giamatti was cruelly snubbed for a Best Actor bid for “Sideways” in 2005 but two of his costars were nominated.
- 3/6/2024
- by Jacob Sarkisian
- Gold Derby
Daniel Radcliffe Was Once Miffed At Harry Potter 8’s Oscar Snub & Took A Jibe At Martin Scorsese(Photo Credit –IMDb/Instagram)
The 96th Academy Awards is just a few days away, and fans are waiting with bated breaths to find out which films will grab the top honors this year. The Oscars are probably the most prestigious film award in the industry, but it has often faced criticism for some of its shortfalls. From being accused of favoring white actors to Margot Robbie and Greta Gerwig’s Oscar snub this year, the list of controversy is quite something! Similarly, Harry Potter star Daniel Radcliffe once called the Academy for failing to acknowledge the last film in this fantasy film franchise.
Daniel grew up while doing the Harry Potter films alongside his co-stars, Emma Watson and Rupert Grint. The movies were based on Jk Rowling’s works. The films have been...
The 96th Academy Awards is just a few days away, and fans are waiting with bated breaths to find out which films will grab the top honors this year. The Oscars are probably the most prestigious film award in the industry, but it has often faced criticism for some of its shortfalls. From being accused of favoring white actors to Margot Robbie and Greta Gerwig’s Oscar snub this year, the list of controversy is quite something! Similarly, Harry Potter star Daniel Radcliffe once called the Academy for failing to acknowledge the last film in this fantasy film franchise.
Daniel grew up while doing the Harry Potter films alongside his co-stars, Emma Watson and Rupert Grint. The movies were based on Jk Rowling’s works. The films have been...
- 3/6/2024
- by Esita Mallik
- KoiMoi
The Oscar for Best Original Score has been awarded to some of the most memorable pieces of film music of all time, from “Star Wars” to “La La Land.” Many awards are considered precursors to the Oscars, so you would think the Grammy for Best Score Soundtrack for Visual Media would be pretty accurate, right? After all, there’s surely overlap between the Recording Academy and the music branch of the motion picture academy. And musicians would naturally be more aligned with what other musicians think than with groups of journalists like the Golden Globes Association or Critics Choice Association.
The two awards bodies have overlapped a lot over the years, but they are not afraid to differ. Since 2000 Oscar-winning scores for films like “Babel,” “The Artist,” “Life of Pi” and “The Hateful Eight” have lost the Grammy, sometimes to scores they beat at the Oscars. Other Oscar champs like “Frida,...
The two awards bodies have overlapped a lot over the years, but they are not afraid to differ. Since 2000 Oscar-winning scores for films like “Babel,” “The Artist,” “Life of Pi” and “The Hateful Eight” have lost the Grammy, sometimes to scores they beat at the Oscars. Other Oscar champs like “Frida,...
- 3/3/2024
- by Jaime Rodriguez
- Gold Derby
The 2024 Film Independent Spirit Awards are being handed out Sunday, February 25, from Santa Monica Pier in Santa Monica, CA in a show hosted by comedian, actress and “SNL” alumnus Aidy Bryant. On the film side, the nominations were dominated by “American Fiction,” “Past Lives” and “May December,” which picked up five nods apiece. Those three films are up for Best Feature along with “All of Us Strangers,” “Passages” and “We Grown Now.” Best Director is a contest between Andrew Haigh (“All of Us Strangers”), Todd Haynes (“May December”), William Oldroyd (“Eileen”), Ira Sachs (“Passages”) and Celine Song (“Past Lives”).
Of the nominated features, only “American Fiction” and “Past Lives” are also in the running for Best Picture at the Oscars, while none of the nominated directors are up for Academy Awards. However, on the off chance that either “American Fiction” or “Past Lives” manages to take the top prize at...
Of the nominated features, only “American Fiction” and “Past Lives” are also in the running for Best Picture at the Oscars, while none of the nominated directors are up for Academy Awards. However, on the off chance that either “American Fiction” or “Past Lives” manages to take the top prize at...
- 2/25/2024
- by Ray Richmond
- Gold Derby
Gold Derby is backstage at the 39th Annual Indie Spirit Awards on the beach in Santa Monica, CA on Sunday, February 25, hosted by comedian, actress and “SNL” alumnus Aidy Bryant. We’ll bring you all of the up-to-date details on the presenters, nominees and winners. (See the complete winners list here.) Read on for the 2024 Spirits live blog.
The kudofest is streaming live on IMDb’s YouTube Channel as well as Film Independent’s YouTube and Twitter accounts starting at 2 p.m. Pst/5 p.m. Est.
On the film side, the nominations were dominated by “American Fiction,” “Past Lives” and “May December,” which picked up five nods apiece. Those three films are up for Best Feature along with “All of Us Strangers,” “Passages” and “We Grown Now.” Since 2012, Film Independent and the Spirits have forecast 7 of 12 Best Picture winners at the Academy Awards, including “The Artist” (2012), “12 Years a Slave...
The kudofest is streaming live on IMDb’s YouTube Channel as well as Film Independent’s YouTube and Twitter accounts starting at 2 p.m. Pst/5 p.m. Est.
On the film side, the nominations were dominated by “American Fiction,” “Past Lives” and “May December,” which picked up five nods apiece. Those three films are up for Best Feature along with “All of Us Strangers,” “Passages” and “We Grown Now.” Since 2012, Film Independent and the Spirits have forecast 7 of 12 Best Picture winners at the Academy Awards, including “The Artist” (2012), “12 Years a Slave...
- 2/25/2024
- by Ray Richmond
- Gold Derby
The 39th Independent Spirit Awards will stream live on Film Independent and IMDb’s YouTube channels on Sunday, February 25. Scroll down to see our official odds in all 12 film categories (with our predicted winners highlighted in gold) and be sure to make or update your own predictions while there’s still time.
Heading into the ceremony, which will be hosted by comic actress Aidy Bryant, “American Fiction,” “May December,” and “Past Lives” stand as the year’s nominations leaders with five apiece. They will all face off in the top category of Best Picture, along with “Passages” (four total bids), “All of Us Strangers” (three), and “We Grown Now” (three).
Last year’s Spirit Awards previewed the Oscars success of “Everything Everywhere All at Once,” which left both ceremonies with seven wins including Best Picture. Over the years, only eight recipients of the academy’s highest honor have first clinched the corresponding Spirit Award,...
Heading into the ceremony, which will be hosted by comic actress Aidy Bryant, “American Fiction,” “May December,” and “Past Lives” stand as the year’s nominations leaders with five apiece. They will all face off in the top category of Best Picture, along with “Passages” (four total bids), “All of Us Strangers” (three), and “We Grown Now” (three).
Last year’s Spirit Awards previewed the Oscars success of “Everything Everywhere All at Once,” which left both ceremonies with seven wins including Best Picture. Over the years, only eight recipients of the academy’s highest honor have first clinched the corresponding Spirit Award,...
- 2/23/2024
- by Matthew Stewart
- Gold Derby
As of this writing the combined predictions of Gold Derby users lean towards Cillian Murphy (“Oppenheimer”) with 17/5 odds in this year’s Oscar race for Best Actor. Meanwhile, Paul Giamatti (“The Holdovers”) is close behind in second place with 69/20 odds. However, the former may have more going for him. Here are five reasons why I think Murphy is the favorite.
SEEOscars: Will ‘Oppenheimer’ or ‘Poor Things’ win all three design awards?
1. He’s starring in the Best Picture frontrunner
“Oppenheimer” is expected to be quite a juggernaut on Oscar night. It’s currently predicted to take home eight accolades: Best Picture, Best Director (Christopher Nolan), Best Supporting Actor (Robert Downey Jr.), Best Adapted Screenplay, Best Cinematography, Best Film Editing, Best Score and Best Sound. With that in mind, it’s possible that Murphy could be carried along in the sweep. He’s the face of the whole thing and carries the film on his shoulders.
SEEOscars: Will ‘Oppenheimer’ or ‘Poor Things’ win all three design awards?
1. He’s starring in the Best Picture frontrunner
“Oppenheimer” is expected to be quite a juggernaut on Oscar night. It’s currently predicted to take home eight accolades: Best Picture, Best Director (Christopher Nolan), Best Supporting Actor (Robert Downey Jr.), Best Adapted Screenplay, Best Cinematography, Best Film Editing, Best Score and Best Sound. With that in mind, it’s possible that Murphy could be carried along in the sweep. He’s the face of the whole thing and carries the film on his shoulders.
- 2/22/2024
- by Jeffrey Kare
- Gold Derby
The winners of the 77th annual BAFTA Awards were revealed on February 18, just four days before Oscar voters begin weighing in with their choices for the winners of the 96th annual Academy Awards. The British Academy of Film and Television Arts has approximately 10,000 voting members as does the motion picture academy.
The BAFTAs and Oscars have 19 categories in common. Last year, they agreed on just seven races, all of which were below-the line. The BAFTA Awards went all in on “All Quiet on the Western Front” awarding it a lucky seven wins including Best Picture and Best Director while the Academy Awards did the same for “Everything Everywhere All At Once.” And none of the four BAFTA acting winners took to the podium at the Oscars.
Conversely in 2022, the two academies aligned in 15 races. The exceptions were Best Picture (the Oscars went with the BAFTA-snubbed “Coda” while the Brits loved...
The BAFTAs and Oscars have 19 categories in common. Last year, they agreed on just seven races, all of which were below-the line. The BAFTA Awards went all in on “All Quiet on the Western Front” awarding it a lucky seven wins including Best Picture and Best Director while the Academy Awards did the same for “Everything Everywhere All At Once.” And none of the four BAFTA acting winners took to the podium at the Oscars.
Conversely in 2022, the two academies aligned in 15 races. The exceptions were Best Picture (the Oscars went with the BAFTA-snubbed “Coda” while the Brits loved...
- 2/18/2024
- by Paul Sheehan
- Gold Derby
Berlin-based producer/distributor Dcm has taken a sake in Wim Wenders’ production company Road Movies, creating an “equal, strong partnership” between the two firms, Wenders and Dcm said Friday.
Dcm, which has released several of Wenders’ films in Germany, including the Oscar-nominated Perfect Days, will buy into Road Movies in the first quarter of this year. Dcm partners Dario Suter, Christoph Daniel, Marc Schmidheiny and Joel Brandeis described the move as a strategic expansion of the company’s film production business. Schmidheiny will be named Road Movies’ managing director.
Schmidheiny described the partnership as “a dream come true,” saying Dcm would handle the financial and day-to-day management of Road Movies to “to create the space for Wim to bring his seemingly inexhaustible creative power to the screen.”
“It has been on the agenda for years that we would work together with a strong partner,” said Wenders. “As Road Movies, we...
Dcm, which has released several of Wenders’ films in Germany, including the Oscar-nominated Perfect Days, will buy into Road Movies in the first quarter of this year. Dcm partners Dario Suter, Christoph Daniel, Marc Schmidheiny and Joel Brandeis described the move as a strategic expansion of the company’s film production business. Schmidheiny will be named Road Movies’ managing director.
Schmidheiny described the partnership as “a dream come true,” saying Dcm would handle the financial and day-to-day management of Road Movies to “to create the space for Wim to bring his seemingly inexhaustible creative power to the screen.”
“It has been on the agenda for years that we would work together with a strong partner,” said Wenders. “As Road Movies, we...
- 2/15/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
‘In the Belly of a Tiger’, directed and cinematographed by Siddhartha Jatla is poised for its world premiere at the distinguished 74th Berlin International Film Festival. This film promises a captivating human narrative intertwined with visually stunning cinematography, a testament to Jatla’s profound connection with the art of filmmaking since his formative years.
Co-written by Siddhartha and Amanda Mooney, the story unfolds in rural India, delving into the resilience of the human spirit amidst the harsh realities of power dynamics where the vulnerable are exploited by the powerful. The film centres on the fundamental right of human dignity, as a family grapples with economic insecurity. The film contrasts the beauty of the human spirit, and a deeply personal love story, with this harsh reality and calls for human society to bring hope and dignity to families in need.
Siddharth, a cinematography graduate of the Film and Television Institute of India...
Co-written by Siddhartha and Amanda Mooney, the story unfolds in rural India, delving into the resilience of the human spirit amidst the harsh realities of power dynamics where the vulnerable are exploited by the powerful. The film centres on the fundamental right of human dignity, as a family grapples with economic insecurity. The film contrasts the beauty of the human spirit, and a deeply personal love story, with this harsh reality and calls for human society to bring hope and dignity to families in need.
Siddharth, a cinematography graduate of the Film and Television Institute of India...
- 2/13/2024
- by Editorial Desk
- GlamSham
Welcome to Oscar Experts Typing, a weekly column in which Gold Derby editors and Experts Joyce Eng and Christopher Rosen discuss the Oscar race — via Slack, of course. This week, we discuss Best Actor, which appears to be a two-man battle.
Christopher Rosen: Hello, Joyce! We’ve hit Super Bowl weekend — for the nobody who asked: Chiefs moneyline (but I have the 49ers on a longtime bet) — meaning we’re gearing back up for the televised awards to carry us through to Oscar weekend in March. With the BAFTA Awards and Screen Actors Guild Awards on the horizon, most of the Phase 2 attention has turned to the lead acting races. We typed about Best Actress last week, which kind of has the shape of last year’s highly competitive race but also not really. Along those same lines, there’s at least some similarity between the 2023 Best Actor battle and this year’s match.
Christopher Rosen: Hello, Joyce! We’ve hit Super Bowl weekend — for the nobody who asked: Chiefs moneyline (but I have the 49ers on a longtime bet) — meaning we’re gearing back up for the televised awards to carry us through to Oscar weekend in March. With the BAFTA Awards and Screen Actors Guild Awards on the horizon, most of the Phase 2 attention has turned to the lead acting races. We typed about Best Actress last week, which kind of has the shape of last year’s highly competitive race but also not really. Along those same lines, there’s at least some similarity between the 2023 Best Actor battle and this year’s match.
- 2/9/2024
- by Joyce Eng and Christopher Rosen
- Gold Derby
The road to the Oscars is checkered with awards group accolades, but uncertainties still lie ahead. Honors are imminent from several industry bodies — DGA, PGA, BAFTA and SAG — all of which share AMPAS members, setting the stage for potential surprises and maybe more question marks. The biggest one of all: Will the Academy go its own way, or will it unanimously favor Christopher Nolan’s epic “Oppenheimer,” potentially setting a record for most wins for a best picture winner since “Slumdog Millionaire” took eight in 2008. Setting aside that known unknown, here’s a look at the races that are firmly in flux as the big night fast approaches.
Read: Variety’s Awards Circuit for the latest Oscars predictions in all categories.
Best Actor
Maestro. Bradley Cooper as Leonard Bernstein (Director/Writer/Producer) in Maestro. Cr. Courtesy of Netflix © 2023.
Crowding this category are five esteemed actors, each championing a compelling narrative.
Read: Variety’s Awards Circuit for the latest Oscars predictions in all categories.
Best Actor
Maestro. Bradley Cooper as Leonard Bernstein (Director/Writer/Producer) in Maestro. Cr. Courtesy of Netflix © 2023.
Crowding this category are five esteemed actors, each championing a compelling narrative.
- 2/8/2024
- by Clayton Davis
- Variety Film + TV
Lille-based Series Mania, Europe’s biggest TV festival and forum, has revealed its impressive 2024 main competition, which includes three U.S. streamer bows – from Peacock, and MGM+ and Disney+/HBO Europe world premieres.
The starry lineup features, for example, the much-anticipated new Liane Moriarty adaptation “Apples Never Fall” with Annette Bening as the matriarch who suddenly disappears, leaving her picture-perfect family in disarray. Currently celebrating Oscar nomination for “Nyad,” Bening is joined in the series be by Sam Neill and Alison Brie.
Alex Wolff, recently spotted in another Oscar hopeful “Oppenheimer,” will put on his deepest voice for “So Long, Marianne” about the tumultuous relationship between Leonard Cohen and Norwegian writer Marianne Ihlen, from Norway’s Nrk.
With Wolff currently set to attend, Zal Batmanglij – behind Netflix’s “The Oa” – “The Artist’s” Bérénice Bejo, “Gossip Girl” alumni Kelly Rutherford, novelist Douglas Kennedy and France’s Laurent Lafitte will also deliver masterclasses.
The starry lineup features, for example, the much-anticipated new Liane Moriarty adaptation “Apples Never Fall” with Annette Bening as the matriarch who suddenly disappears, leaving her picture-perfect family in disarray. Currently celebrating Oscar nomination for “Nyad,” Bening is joined in the series be by Sam Neill and Alison Brie.
Alex Wolff, recently spotted in another Oscar hopeful “Oppenheimer,” will put on his deepest voice for “So Long, Marianne” about the tumultuous relationship between Leonard Cohen and Norwegian writer Marianne Ihlen, from Norway’s Nrk.
With Wolff currently set to attend, Zal Batmanglij – behind Netflix’s “The Oa” – “The Artist’s” Bérénice Bejo, “Gossip Girl” alumni Kelly Rutherford, novelist Douglas Kennedy and France’s Laurent Lafitte will also deliver masterclasses.
- 2/7/2024
- by Marta Balaga
- Variety Film + TV
Arthouse streamer Mubi has unveiled a deal to take a majority stake in Benelux indie distributor Cineart.
Terms of the deal were not disclosed, but the agreement will see the management team at Cineart remain intact, while co-CEOs and longtime execs Marc Smit and Stephan De Potter will retain “significant” stakes in the company.
“I’ve known and worked with Marc and Stephan for over 15 years, and admire what they’ve done with Cinéart. They are two of the most sophisticated and visionary operators in the business. We are delighted to be partnering with them and the whole team at Cineart, and can’t wait to bring more great films to audiences in Benelux together,” Efe Cakarel, founder and CEO of Mubi, said in a statement on Tuesday.
Cineart was part of a multi-territory deal for Sofia Coppola’s feature Priscilla ahead of a world premiere at the Venice Film Festival.
Terms of the deal were not disclosed, but the agreement will see the management team at Cineart remain intact, while co-CEOs and longtime execs Marc Smit and Stephan De Potter will retain “significant” stakes in the company.
“I’ve known and worked with Marc and Stephan for over 15 years, and admire what they’ve done with Cinéart. They are two of the most sophisticated and visionary operators in the business. We are delighted to be partnering with them and the whole team at Cineart, and can’t wait to bring more great films to audiences in Benelux together,” Efe Cakarel, founder and CEO of Mubi, said in a statement on Tuesday.
Cineart was part of a multi-territory deal for Sofia Coppola’s feature Priscilla ahead of a world premiere at the Venice Film Festival.
- 2/6/2024
- by Etan Vlessing
- The Hollywood Reporter - Movie News
Mubi has acquired a majority stake in Amsterstam and Brussels-based distributor Cineart.
Led by Marc Smit and Stephan De Potter, Cineart focuses on releasing independent films across Benelux. Over the years, it has handled titles such as Slumdog Millionaire, The Artist, Son Of Saul, The Worst Person In The World, The Whale and The Zone Of Interest.
Cineart is the latest European company acquisition by streamer and distributor Mubi. Two years ago, Mubi acquired sales agent and production company The Match Factory and Match Factory Productions.
In a statement, Mubi said that Cineart’s management team will continue to lead...
Led by Marc Smit and Stephan De Potter, Cineart focuses on releasing independent films across Benelux. Over the years, it has handled titles such as Slumdog Millionaire, The Artist, Son Of Saul, The Worst Person In The World, The Whale and The Zone Of Interest.
Cineart is the latest European company acquisition by streamer and distributor Mubi. Two years ago, Mubi acquired sales agent and production company The Match Factory and Match Factory Productions.
In a statement, Mubi said that Cineart’s management team will continue to lead...
- 2/6/2024
- ScreenDaily
Arthouse streamer and distributor Mubi has acquired a majority stake in leading Benelux indie distributor Cinéart, further bolstering its global firepower as it continues to expand outside of its core streaming business.
Financial details of the deal were not revealed, but the acquisition will see Cinéart’s management team continue to lead the company as an independent European distributor, with no changes in operations. Cinéart will maintain its current team structure and slate of films, and will carry on working closely with its long time partners. Co-CEOs of Cinéart, Marc Smit and Stephan De Potter, will remain significant shareholders of the company.
Founded in 1975 by the late Eliane Dubois, Cinéart has offices in Amsterdam and Brussels and has released numerous prestige independent films, including “Slumdog Millionaire,” “The Artist,” “Amour,” “I Daniel Blake,” “Deux Jours Une Nuit,” “Son of Saul,” “The Worst Person in the World,” “The Whale” and current awards contender “The Zone of Interest.
Financial details of the deal were not revealed, but the acquisition will see Cinéart’s management team continue to lead the company as an independent European distributor, with no changes in operations. Cinéart will maintain its current team structure and slate of films, and will carry on working closely with its long time partners. Co-CEOs of Cinéart, Marc Smit and Stephan De Potter, will remain significant shareholders of the company.
Founded in 1975 by the late Eliane Dubois, Cinéart has offices in Amsterdam and Brussels and has released numerous prestige independent films, including “Slumdog Millionaire,” “The Artist,” “Amour,” “I Daniel Blake,” “Deux Jours Une Nuit,” “Son of Saul,” “The Worst Person in the World,” “The Whale” and current awards contender “The Zone of Interest.
- 2/6/2024
- by Alex Ritman
- Variety Film + TV
The failure of France’s The Taste of Things to secure an Oscar nomination for best international film this year has discomfited the French film industry as it marks the fourth year a French film has not made the final five.
Talk is now already turning to whether this could mean further change on the horizon for its selection committee.
Justine Triet’s Anatomy Of A Fall, the film the committee opted not to select, secured five major nominations, for best picture, best director, best actress, best original screenplay and best film editing.
Back in September, after a series of reportedly passionate but cordial debates,...
Talk is now already turning to whether this could mean further change on the horizon for its selection committee.
Justine Triet’s Anatomy Of A Fall, the film the committee opted not to select, secured five major nominations, for best picture, best director, best actress, best original screenplay and best film editing.
Back in September, after a series of reportedly passionate but cordial debates,...
- 1/24/2024
- ScreenDaily
By now, even the most hardcore fans of French cuisine and “Chocolat” star Juliette Binoche can agree that Justine Triet’s “Anatomy of a Fall” — rather than Tran Anh Hung’s “The Taste of Things” — was the one movie that could have given France its first Oscar win for best international feature in over 30 years, since Régis Wargnier’s “Indochine.”
Over the last three decades, a number of French movies have earned Oscar recognition, but none have been the official French Oscar submission. Michael Haneke’s “Amour” earned five Oscar noms in 2013 and even won the best foreign-language Oscar but it represented Austria. A year before, “The Artist,” a French-directed and produced silent movie, won five Oscars out of 10 nominations, including best picture. But the movie had come out in theaters in October, past the former Sept. 30 deadline (which has since then been extended in France) to submit films for...
Over the last three decades, a number of French movies have earned Oscar recognition, but none have been the official French Oscar submission. Michael Haneke’s “Amour” earned five Oscar noms in 2013 and even won the best foreign-language Oscar but it represented Austria. A year before, “The Artist,” a French-directed and produced silent movie, won five Oscars out of 10 nominations, including best picture. But the movie had come out in theaters in October, past the former Sept. 30 deadline (which has since then been extended in France) to submit films for...
- 1/24/2024
- by Elsa Keslassy
- Variety Film + TV
The 76th annual BAFTA Awards nominations were revealed on January 18, just two days after the deadline for Oscar voters to weigh in with their choices for nominations. The BAFTAs will be handed out in London on Feb. 18. That is four days before academy members start casting their final ballots. The 96th Academy Awards take place on Sunday, March 10.
The British Academy of Film and Television Academy has approximately 9,000 voting members as does the academy. Historically, about two-thirds of the contenders here also reap Oscar bids. Since the BAFTAs moved up in 2000 to take place before the Oscars, these kudos have foreseen just nine of the 22 Best Picture Oscar winners including the 2021 double dipper “Nomadland.”
Discuss All the Oscar contenders with Hollywood insiders in our notorious forums
These precursor prizes also foresaw academy glory for “Gladiator” (2001), “The Lord of the Rings: The Return of the King” (2004) and “Slumdog Millionaire” (2009). And the...
The British Academy of Film and Television Academy has approximately 9,000 voting members as does the academy. Historically, about two-thirds of the contenders here also reap Oscar bids. Since the BAFTAs moved up in 2000 to take place before the Oscars, these kudos have foreseen just nine of the 22 Best Picture Oscar winners including the 2021 double dipper “Nomadland.”
Discuss All the Oscar contenders with Hollywood insiders in our notorious forums
These precursor prizes also foresaw academy glory for “Gladiator” (2001), “The Lord of the Rings: The Return of the King” (2004) and “Slumdog Millionaire” (2009). And the...
- 1/18/2024
- by Paul Sheehan
- Gold Derby
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