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- The story of the prince Tamino and his zestful sidekick Papageno, who are sent on a mission to save a beautiful princess from the clutches of evil.
- Violetta meets Alfredo and quickly falls for him. After the lovers run away together, they live in bliss for a short time. However, Alfredo's father, Giorgio, starts to interfere, concerned that Violetta's bad reputation will affect the marriage prospects of Alfredo's sister. Violetta reluctantly leaves Alfredo, but his love is so strong that it leads him to actions that have tragic consequences.
- Sebastian, Chief Archer in the Roman Army, converts to Christianity. A favorite of Emperor Augustus, Sebastian's devotion to Christ eventually drives him to reject the Emperor's love, causing the Emperor to angrily order Sebastian to be shot with arrows by his fellow archers. The film retells this mystery play with a definite 'art-house' approach: an almost poetical use of language, singing, dancing, some homoerotic themes, and some special effects.
- The crazed brother of a condemned killer sent to the gas chamber swears vengeance on those he holds responsible for his brother's execution.
- A very visual and profound dramatization of the various sections of Carmina Burana, a symphonic piece composed by Carl Orff about medieval poetry by an anonymous author.
- A documentary which shows, in great detail, the making of the 1985 Bernstein-conducted recording of the entire score of "West Side Story", featuring operatic stars.
- The Duke lives the high life. The court jester taunts too well. Revenge has unintended consequences both times it is attempted.
- The opera "La Bohème" is about the tragic love story of Mimí and Rodolfo, set in Paris in the year 1830.
- The story is set in southern Italy and recounts the tragedy of Canio, the lead clown in a commedia dell'arte troupe, his wife Nedda, and her lover, Silvio.
- Turridu is spotted by his wife, Santuzza, returning from the home of his lover, Lola. He is also seen on the road by Lola's husband, Alfio. While he suspects nothing, Santuzza knows exactly what's happened. Ever loyal, though, she decides to confront her husband instead of telling Alfio.
- Puccini's opera shot in the actual locations of the action in Rome: Tosca and Cavaradossi are in love, but the tyrant Scarpia also longs for Tosca. While searching for an opponent on the run, he arrests Cavaradossi and blackmails Tosca.
- A young Japanese geisha clings to the belief that her arrangement with a visiting American naval officer is a loving and permanent marriage.
- First brought to the stage in 1967 at Milano's La Scala to commemorate the 10th anniversary of the death of Toscanini, Verdi's Requiem is one of the most important compositions in 19th century liturgical music.
- La Traviata stands or falls on its lead singers and in Norah Amsellem and Rolando Villazon this 2005 Salzburg Festival performance has a pair whose electric interactions and brilliant singing are irresistible. If Amsellem can't quite provide the vocal bloom of the great Violettas of the past, hers is a lovely voice used with intelligence and dramatic intensity and she has the coloratura chops to deliver her Act I showpieces with flair. Villazon's tenor has ping on top, terrific color, and an impressive range of rubato, dynamic shadings, and interesting phrasing that makes Alfredo's music sound newly minted. The Germont is Thomas Hampson, no Verdi baritone but an astute singer and actor. Chorus and smaller roles are fine, the orchestra first-rate. Carlo Rizzi has odd notions about the music (usually too fast, sometimes way too slow) but this Traviata triumphs despite his conducting.
- Richard Strauss' classic opera version of the ancient Greek tragedy about the princess Elektra, who dreams of avenging her father Agamemnon's murder by his wife Clytemnestra and her lover.
- The people of the Duchy of Brabant are divided by quarrels and political infighting; also, a devious hostile power left over from the region's pagan past is seeking to subvert the prevailing monotheistic government and to return the Duchy to pagan rule. A mysterious knight, sent by God and possessing superhuman charisma and fighting ability, arrives to unite and strengthen the people, and to defend the innocent noble woman Elsa from a false accusation of murder, but he imposes a condition: the people must follow him without knowing his identity. Elsa in particular must never ask his name, or his heritage, or his origin. The conspirators attempt to undermine her faith in her rescuer, to create doubt among the people, and to force him to leave.
- When Sir John Falstaff decides that he wants to have a little fun he writes two letters to a pair of Window wives: Mistress Ford and Mistress Page. When they put their heads together and compare missives, they plan a practical joke or two to teach the knight a lesson. But Mistress Ford's husband is a very jealous man and is pumping Falstaff for information of the affair. Meanwhile the Pages' daughter Anne is besieged by suitors.
- This opera tells the fable of Orpheus, a demigod with a talent for music. When his bride Eurydice dies, he decides to seek her soul in the Underworld. However, things will not be so easier than he initially thinks.
- Based on Oscar Wilde's lurid play, it is an intense exploration of the Salome story. Its sumptuous vocal and orchestral writing seethes and pulsates as Strauss conjures up the brutality of Herod's corrupt court.
- When the Prince and Cenerentola meet, it is love at first sight.
- An Oscar winning look at the life of Albert Rubinstein shortly after he turned 70. It contains some home movies of him and his family, but is primarily him talking and demonstrating his great skill as a pianist.
- The Verdi opera, based on Shakespeare's play.
- With more than 50 years of experience as film director, Peter Greenaway (Nightwatching, Eisenstein in Guanajuato) combines the worlds of film and opera at the Verdi Festival in Parma, demonstrating what magic those two can do together with an all new approach to Giuseppe Verdi's Giovanna d'Arco, staged and edited by himself and his wife, Saskia Boddeke. The opera's libretto is based on Friedrich Schiller's 'The Maid of Orleans'. It tells the story of the French national hero Jeanne d'Arc, who defends her country against the English troops during the Hundred Years' War. Constantly torn between her humble roots, her love for King Charles VII and her heavenly task to fight for France, she gains eternal glory by giving her life in the final, victorious battle against England.
- Wotan tries to cheat two giants, who built Walhalla for him, out of their reward. When the giants kidnap Freia, Wotan steals a ring of power made by the dwarf Alberich and use it as payment instead. Complications ensue.
- After Tonio's prologue, the drama unfolds as Canio (Pagliaccio) struggles with rage, despair, and desire on learning of his wife Nedda's intended infidelity with Silvio. Canio's tragic conflict increasingly mirrors the comedy of Pagliaccio.
- The highly talented composer Johannes Brahms was a close friend of Clara and Robert Schumann. International music critics put his work on a par with Beethoven's. The docudrama combines dramatic re-enactments with documentary sequences, painting a vivid picture of Brahms's musical pursuits and private life.
- Operetta concerning the love affair of Niccolò Paganini, the violinist, and Élisa Bonaparte, the younger sister of Napoleon.
- Wilhelm Furtwaengler conducts the Vienna State Opera Chorus and Philharmonic Orchestra performing Mozart's famous opera.
- In the summer of 1830 the impresarios of Teatro Carcano contacted Donizetti and asked him to compose a new opera for the season's opening. At the moment of signing the contract Donizetti still ignored the subject of the new opera, but he knew that the librettist would be Felice Romani and the female protagonist Giuditta Pasta. Success was resounding and unanimous, also with the critics. Donizetti had indeed reached artistic maturity. Anna Bolena tells a human drama of solitude and oppression; it is a work of centered psychological introspection. Donizetti's first great scene of madness is one of the most moving and powerful of the whole history of opera. The new theatrical element introduced by Anna Bolena is that the protagonist's death is not a consequence of moral duty or divine justice, but a plain act of cruelty. A tragedy through and through, then: intense, deep and profoundly romantic. Anna Bolena is a significant work in the history of opera, as well as in Donizetti's own personal history. In this Teatro Donizetti di Bergamo production, Dimitra Theodossiou stands out as a fine interpreter both as a singer and as an actress.