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1-7 of 7
- New teacher Chihiro has been on the job for three months. She does her job with great enthusiasm, but she has a secret that nobody must know. She can't pay back her debt on the wages of a teacher so she started working part-time as a Chat-Lady. In front of a web camera that hides her face, and shakes her breasts and hips.
- A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. Several actors, a producer, a writer, and a production manager talk about working with Fellini. Archive footage of Fellini and others on the set plus clips from his films provide commentary and illustration for the points interviewees make. Fellini is fully in charge; actors call themselves puppets. He dismisses improvisation and calls for "availability." His sets and his films create images that look like reality but are not; we see the differences and the results.
- When a teenage goth movie reviewer causes an accident in space-time causing all once-thought haunted spaces to become hot-spots for the paranormal, he decides to compensate by dragging along his girlfriend and his best friend to bloodily and comically hunt down monsters and ghosts to feel better, plus save himself from a grisly death.
- Tree Fellers tells the remarkable story of the 900 Belizean lumberjacks who in 1941 and 1942 left the tropical rain-forests of British Honduras to help Britain fight fascism by felling trees in Scotland. Sam (93 when the film was made and now 103 and living in Edinburgh), Eric (who passed away since the film was made) and Amos (86) were among those who stayed on after the war to make new lives in a country where, for better or worse, the colour of their skin marked them out. Rarely seen archive, long cherished memories and a last reunion are intertwined in this lyrical and moving documentary testament.
- Of all the emigrant groups to arrive in the United States the Finns and the Irish were the most restless. Both pushed west with the frontier and in 1917 in Butte, Montana, their paths crossed to make an explosive combination with the emerging American Labour movement.
- Filming a one woman play for the cinema sounds straightforward but proves anything but for BAFTA-winning Scottish film director Morag McKinnon in this observational documentary on the challenges of putting theatre on the big screen.