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1-6 of 6
- The film shows the genesis of the El Rocío pilgrimage and unveils the economic, socio-political and religious reasons and interests that nurture the phenomenon.
- The cinema can show wonderful cities that do not exist, to move the citizen to recover them. The protagonist goes on a hallucinatory journey through an unreal Seville, even breaking the natural physical laws.
- Through American TV we see Seville, a model city, with a technology at the service of man as nowhere else in the world, surpassing the Yankees themselves. We see an imaginary, Utopian, surprising Seville.
- In this short film of the "Sevillian Pentalogy", we are presented with a mockumentary about the Seville of the "future" (1995), in which the city is divided into three levels: that of the rooftops, where the outcasts and the marginalized live ; level 0, where "productive" individuals live, and underground, where time has stopped.
- The city is the collective memory of its inhabitants. With fixed scenarios, the days, the seasons, the festivals, the years, the centuries go by - The climate changes, activities occur, even the buildings are replaced in a real or imaginary way. A subtle elasticity of times and spaces follow and suggest one another in this experimental film.
- In this short, belonging to the "Sevillian Pentalogy", the director plays with the perception of the space of the Seville city, through experimentation with cinematographic language.