Advanced search
- TITLES
- NAMES
- COLLABORATIONS
Search filters
Enter full date
to
or just enter yyyy, or yyyy-mm below
to
to
to
Exclude
Only includes titles with the selected topics
to
In minutes
to
1-2 of 2
- Like filling the sea with sand, is following the process of Olympic regeneration in East London as a massive metaphor of the contemporary age. Like a kaleidoscopic blockbuster through which we are looking for a narrative discourse, hidden between a stadium, the largest mall in Europe, and a small unorthodox church in an old industrial unit. There are people living around this, living into this magma, or for it indeed. People with thoughts about austerity, temples, and luxury, about facilities and the sense of community. We've been inside the apocalypse of capitalism, hidden behind a single finger; in this Golden Temple you can lose your way.
- After losing his house for the reconstruction of the London 2012 Olympic Park, Michael is very busy in a campaign of resistance against Olympic games, and accepts the invitation from Enrico to register the narrating voice of a documentary about the Brazilian situation. Michael, in the middle of an existential crisis, leaves to find shelter in the Brazilian culture. While Enrico tries to explain him his vision of a magnificent country invaded by giant events, Marie, his fiancee, reaches him bringing with her more commitments and responsibilities. While learning to become a narrator, Michael progressively abandons his fear of death, and prepares to resist against the Oppressor, becoming the "Ultimo Cangaceiro". Brazil, today like in 1571, is a land to conquer, a prize for a war between two society models: estate and multinational promoters on the one side, housing strength and human rights defenders on the other.