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1-6 of 6
- A historical documentary about the birth and development of modern advertising through three pioneers who worked with posters and posters, Lucian Bernhard, Ludwing Hohlwein and Julius Klinger.
- Gli anni delle immagini perdute is the portrait of Valerio Zurlini, who died in October 1982, a few weeks after serving as a jury member at the 50th Venice Film Festival. Zurlini knew he was ill and had dedicated the last months of his life to writing his spiritual will, which would be released posthumously as Gli anni delle immagini perdute. It is a pitiless existential final account, the story of a world that has changed irredeemably, an anguished appeal in defence of auteur cinema. The director harks back to the most important events of his life, reveals the motivations behind his filmmaking and remembers the artists who shaped him. Above all he talks about the "Immagini Perdute" (lost images): the numerous films he wrote and prepared without managing to make them. Gli anni delle immagini perdute returns to the places where the director loved to retreat, it brings together the stories of friends and associates and contains a repertoire of interviews and conversations with the director in an attempt to understand the reasons for this enforced and fatal productive "silence".
- It was on the 1st of October in 1926, when in the pages of the American Vogue, a plain black dress made its first appearance in contrast to the eye-catching garments of the era.
- The underworld of artwork dealing is nearly as powerful as that of drug trafficking. Large sums of money are traded among tomb raiders, middlemen, and international kingpins, as paintings are taken from their rightful place as historical artifacts and made ploys in criminal schemes. Journalist Nikolas Zirganos investigates this sinister world of looting and artistic heritage.