Top Ten Contributors - The Lady Gambles (1949)
This is a list of the major contributors that brought this movie to the screen. From my viewpoint, these are my top ten influencers for this movie. This movie does excellent presentation of the steady decline of an individual gabbling with a gambling addiction.
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- Director
- Actor
A stage actor and director, Michael Gordon broke into films in 1940 as a dialogue director, then became a film editor. He directed his first feature in 1942. He started out with low-budget crime thrillers, but in the late 1940s and early 1950s turned out several well-crafted dramas, notably Cyrano de Bergerac (1950), which garnered José Ferrer an Academy Award. His career was interrupted, however, by the anti-Communist hysteria in the 1950s, led by Sen. Joseph McCarthy. Because of Gordon's early affiliation with several leftist organizations, he was accused of Communist leanings by the Red-baiting politicians of the era, and found himself blacklisted and unable to obtain work. He made one film in Australia, then returned to the U.S. Gordon started getting jobs again in the late 1950s, and this time, instead of turning out the tight, gritty little dramas he was known for, did a complete 180 and worked on glossy, big-budget mainstream comedies. He was, however, responsible for what is arguably Doris Day's best vehicle, the stylish Pillow Talk (1959).As by Universal Pictures to direct this film.- Writer
- Producer
- Production Manager
Roy Huggins was born on 18 July 1914 in Litelle, Washington, USA. He was a writer and producer, known for The Fugitive (1993), City of Angels (1976) and U.S. Marshals (1998). He was married to Adele Mara and Bonnie Marie Porter. He died on 3 April 2002 in Santa Monica, California, USA.Wrote the original screenplay- Music Department
- Composer
- Soundtrack
The author of the textbook "F.Skinner's Simplified Method for Modern Arranging" (published 1934) began his musical career as a pianist in vaudeville alongside his brother Carl. He then became a noted arranger for New York dance orchestras in the 1930's and was briefly active in the field of music publishing. Skinner's debut in Hollywood was as arranger for MGM's The Great Ziegfeld (1936). After completing work on the picture, he went on to spend the remainder of his lengthy career as composer/orchestrator for Universal (1938-1966) under the aegis of department head Joseph Gershenson. Skinner became best known for his horror film scores, but he was immensely prolific and versatile, handling all manner of subjects (albeit, the vast majority of his films were second features). He often worked in collaboration with the Austrian-born composer Hans J. Salter.
Skinner's best-known film compositions include the dramatic main theme for Universal's "Sherlock Holmes" series, starring Basil Rathbone and Nigel Bruce; his classic horror score for Son of Frankenstein (1939); his gentle, romantic themes for Written on the Wind (1956), Imitation of Life (1959) and Back Street (1961); and his effective, haunting arrangement of the American folk song "Oh Shenandoah", which is featured throughout the sprawling Civil War drama Shenandoah (1965). Skinner authored several more textbooks on orchestration theory. His manual "Underscore" (published 1950) was the first of its kind to detail techniques of orchestrating and composing for films.Provided the musical direction for the movie- Cinematographer
- Camera and Electrical Department
- Additional Crew
Cinematographer Russell Metty, a superb craftsman who worked with such top directors as John Huston, Stanley Kubrick, Steven Spielberg and Orson Welles, was born in Los Angeles on September 20, 1906. Entering the movie industry as a lab assistant, he apprenticed as an assistant cameraman and graduated to lighting cameraman at RKO Radio Pictures in 1935. Metty's ability to create effects with black-and-white contrast while shooting twilight and night were on display in two films he shot for Welles, The Stranger (1946) and the classic Touch of Evil (1958), the latter showing his mastery of complex crane shots. (Metty shot additional scenes for Welles' second masterpiece, The Magnificent Ambersons (1942), whose lighting cameraman was Stanley Cortez but had the look of Citizen Kane (1941), which was shot by Gregg Toland). At Universal in the 1950s, he enjoyed a productive collaboration with director Douglas Sirk on ten films from 1953-59, including Sirk's masterpieces Magnificent Obsession (1954) and Imitation of Life (1959), a remake of the 1934 classic (Imitation of Life (1934)). However, his collaboration with Kubrick on Spartacus (1960) proved troublesome.
A union cinematographer himself who had been an accomplished professional photographer, Kubrick exerted control over the look of his films. Kubrick gave far less leeway to his directors of photography than did traditional directors, even directors such as Welles and noted bizarre-camera-angle freak Sidney J. Furie (The Appaloosa (1966)), men who were extraordinarily active partners in crafting the look of their films. Kubrick was not deferential to his directors of photography, even to such top cameramen as Lucien Ballard and future Academy Award winners Oswald Morris and Geoffrey Unsworth. Metty and Kubrick clashed over the filming of "Spartacus," as Kubrick--with his extraordinary sense of light and effect--considered himself to be the director of photography on the film.
Ironically, it was "Spartacus" that won Metty his sole Academy Award, for color cinematography (he received his second nomination for the color cinematography on Flower Drum Song (1961)). Metty continued to work on top productions into the 1970s, including The Misfits (1961), That Touch of Mink (1962), Thoroughly Modern Millie (1967), Madigan (1968), and The Omega Man (1971). Metty also worked extensively on television, including Columbo (1971) and The Waltons (1972).
Russell Metty died on April 28, 1978, in Canoga Park, California. He was 71 years old.Provided the Cinematography for the film- Actress
- Soundtrack
Today Barbara Stanwyck is remembered primarily as the matriarch of the family known as the Barkleys on the TV western The Big Valley (1965), wherein she played Victoria, and from the hit drama The Colbys (1985). But she was known to millions of other fans for her movie career, which spanned the period from 1927 until 1964, after which she appeared on television until 1986. It was a career that lasted for 59 years.
Barbara Stanwyck was born Ruby Catherine Stevens on July 16, 1907, in Brooklyn, New York, to working class parents Catherine Ann (McPhee) and Byron E. Stevens. Her father, from Massachusetts, had English ancestry, and her Canadian mother, from Nova Scotia, was of Scottish and Irish descent. Stanwyck went to work at the local telephone company for fourteen dollars a week, but she had the urge (a dream--that was all it was) somehow to enter show business. When not working, she pounded the pavement in search of dancing jobs. The persistence paid off. Barbara was hired as a chorus girl for the princely sum of $40 a week, much better than the wages she was getting from the phone company. She was seventeen, and was going to make the most of the opportunity that had been given her.
In 1928 Barbara moved to Hollywood, where she was to start one of the most lucrative careers filmdom had ever seen. She was an extremely versatile actress who could adapt to any role. Barbara was equally at home in all genres, from melodramas, such as Forbidden (1932) and Stella Dallas (1937), to thrillers, such as Double Indemnity (1944), one of her best films, also starring Fred MacMurray (as you have never seen him before). She also excelled in comedies such as Remember the Night (1939) and The Lady Eve (1941). Another genre she excelled in was westerns, Union Pacific (1939) being one of her first and TV's The Big Valley (1965) (her most memorable role) being her last. In 1983, she played in the ABC hit mini-series The Thorn Birds (1983), which did much to keep her in the eye of the public. She turned in an outstanding performance as Mary Carson.
Barbara was considered a gem to work with for her serious but easygoing attitude on the set. She worked hard at being an actress, and she never allowed her star quality to go to her head. She was nominated for four Academy Awards, though she never won. She turned in magnificent performances for all the roles she was nominated for, but the "powers that be" always awarded the Oscar to someone else. However, in 1982 she was awarded an honorary Academy Award for "superlative creativity and unique contribution to the art of screen acting." Sadly, Barbara died on January 20, 1990, leaving 93 movies and a host of TV appearances as her legacy to us.Play the lead role of Joan Boothe- Actor
- Soundtrack
American leading man of vast charisma, Robert Preston was the son of a garment worker and a record store clerk and grew up in Los Angeles. He was a trained musician, playing several instruments, and in high school became interested in theatre. He joined the Pasadena Community Playhouse, taking classes and appearing in scores of plays alongside such soon-to-be-well-known actors as Dana Andrews, George Reeves, Victor Mature and Don DeFore. Even in the distinguished company of Playhouse veterans like Victor Jory and Samuel S. Hinds, young Preston Meservey--or Pres, as he was always known to intimates--was an acknowledged star in the making. During one play a Paramount scout saw him and he signed a contract with the studio, which renamed him Robert Preston. After several roles in inconsequential films, Preston became a favorite of director Cecil B. DeMille, who cast him in several films but became nevertheless one of the few people Preston actively and publicly disliked. In 1946, after serving in England with the Army Air Corps, Preston married Kay Feltus (aka Catherine Craig), whom he had known in Pasadena. He struggled through numerous unfulfilling roles in the '40s, then relocated to New York and concentrated on theatre. He played many roles on Broadway and in 1957 got the part that would immortalize him in entertainment history: Professor Harold Hill in the musical "The Music Man". He won a Tony Award for the role and repeated it in the film version (The Music Man (1962)). Now a star of the first magnitude, Preston alternated between stage and film, winning another Tony for "I Do, I Do" and appearing to enormous good effect in such films as The Dark at the Top of the Stairs (1960), All the Way Home (1963) and Junior Bonner (1972). He received an Oscar nomination for his triumphant portrayal of a witty, gay entertainer in Victor/Victoria (1982). He died in 1987 from lung cancer, after a career that took him from modest supporting lead to national treasure.played role of David Boothe, husband- Dark-haired, rugged-looking Stephen McNally forsook a thriving career as an attorney in the late 1930s in order to pursue an acting career. This impulsive decision to switch gears in mid-life was rewarded in the end, playing a steady stream of hard-edged, noirish characters and more than his share of cold-hearted villains and thugs for nearly four decades.
Born Horace Vincent McNally on July 29, 1911 in New York City of Irish descent, he attended Fordham University Law School. Like fellow Irish-American performers J. Farrell MacDonald, Pat O'Brien, and Dennis Day, McNally's voice often carried at least the trace of an innate, rather than acquired, working-class/transatlantic Irish accent. He practiced law until the late 1930s when the acting bug finally hit hard. Beginning on the stage, Horace made his Broadway debut in a bit part as a waiter in "The Man Who Killed Lincoln" (1940). This was immediately followed by more prominent roles in the plays "Johnny Belinda" (1940) and "The Wookey" (1941).
MGM took an interest in the nascent actor during the war-era years. Continuing to use his real name of Horace McNally, he appeared in a series of film shorts while moving gradually up the credits ranks with featured roles in such full-length films as Grand Central Murder (1942), The War Against Mrs. Hadley (1942), Eyes in the Night (1942), For Me and My Gal (1942), Dr. Gillespie's New Assistant (1942), the Tracy/Hepburn drama Keeper of the Flame (1942), the Laurel & Hardy comedy Air Raid Wardens (1943), The Man from Down Under (1943), Thirty Seconds Over Tokyo (1944), An American Romance (1944), and Bewitched (1945).
By 1948, the actor was freelancing and made a strong impression in the Warner Bros. movie version of the Canadian-set Johnny Belinda (1948), playing menacing brute "Locky McCormick", a fisherman who sexually assaults deaf mute Belinda played by Jane Wyman (who won the Academy Award for Best Actress for her performance), who bears his child. This was a far different role than the doctor part he played years earlier on Broadway. With this movie, Horace also changed his marquee name to Stephen McNally, taking the first name of his then-2-year-old son.
Alternating between anti-heroes and villains, Stephen is best recalled for his sturdy niche of "bad guy" roles. He played a Nazi war criminal pursued by Army agent Dick Powell in the action adventure Rogues' Regiment (1948); a casino owner who prods Barbara Stanwyck's gambling habit in The Lady Gambles (1949); a foreign terrorist in the historical action pic Sword in the Desert (1949); Ida Lupino's murderous husband in Woman in Hiding (1950); a rifle-stealing bully in the James Stewart western Winchester '73 (1950); a gambler who uses his hot-headed brother Jeff Chandler for prizefighting profit in Iron Man (1951); a murderous Austrian count in the swashbuckler The Black Castle (1952); an escaped killer on the lam in Split Second (1953); a paroled gangster out to exact revenge on Dorothy McGuire and her daughter in Make Haste to Live (1954); a bank robber in Violent Saturday (1955); an avenging ranch hand in Tribute to a Bad Man (1956); and a wanted member of the James gang in the western Hell's Crossroads (1957).
In his first top-billed role, McNally starred as a decent guy who runs a youth center in an effort to save kids from a life of crime in the dramatic film City Across the River (1949). Other "good guy" leads and second leads came with such parts as Sidney Poitier's doctor boss in No Way Out (1950); a government agent in Wyoming Mail (1950); an exiled town gambler who returns to warn and assist his town pending an Indian attack in Apache Drums (1951); another casino owner who tries to help and falls for weak-willed teacher/gambler Linda Darnell in the romantic film The Lady Pays Off (1951); a marshal after a gang of claim jumpers in the Audie Murphy western The Duel at Silver Creek (1952); a sheriff battling Indians in The Stand at Apache River (1953); and a plant engineer whose family his threatened by disgruntled ex-employee Vic Morrow in Hell's Five Hours (1958).
McNally made a notably adjustment to TV in the late 1950's with such anthologies as "Lux Video Theatre," "Goodyear Playhouse," "Schlitz Playhouse," "Ford Theatre Playhouse," "Zane Grey Theatre" and "Climax!" Into the 1960's he was frequent guest on a number of popular rugged westerns and suspense series including "Wagon Train," "The Texan," "Laramie", "Rawhide", "The Alfred Hitchcock Hour", "The Outer Limits", "Burke's Law", "Ben Casey", "The Big Valley", "Gunsmoke", "Branded", and "Iron Horse." He starred in the short-lived drama series Target: The Corruptors (1961) as a news reporter and earned a brief, recurring part on Run for Your Life (1965). He went on to be seen in such 1970s TV series as "Mission: Impossible", "The Rockford Files", "Medical Story", "Policy Story", "Police Woman", "The F.B.I.", "Starsky & Hutch", and "Charlie's Angels", he was spotted on a 1980s episode of "Fantasy Island" before retiring.
Long married to Rita Wintrich, with whom he had eight children, McNally was a one-time president of the Catholic Actors Guild. He died of heart failure on June 4, 1994, at age 82, at his Beverly Hills home.Played Horace Corrigan who introduced Joan to the world of gambling - Actor
- Writer
- Producer
John Hoyt was born on 5 October 1905 in Bronxville, New York, USA. He was an actor and writer, known for When Worlds Collide (1951), Spartacus (1960) and Brute Force (1947). He was married to Dorothy Marion Oltman and Marion Virginia Burns. He died on 15 September 1991 in Santa Cruz, California, USA.Plays Dr. Rojac who treats Joan at the hospital and engages David in a dialogue about treatment measures.- Actor
- Soundtrack
Leif Erickson was born on 27 October 1911 in Alameda, California, USA. He was an actor, known for The High Chaparral (1967), On the Waterfront (1954) and Show Boat (1951). He was married to Annie Ruth Diamond, Margaret Hayes and Frances Farmer. He died on 29 January 1986 in Pensacola, Florida, USA.plays Tony one of the gamblers that Joan encounters during her journey.- Edith Barrett was born on 19 January 1907 in Roxbury, Massachusetts, USA. She was an actress, known for I Walked with a Zombie (1943), Jane Eyre (1943) and Ruthless (1948). She was married to Vincent Price. She died on 22 February 1977 in Albuquerque, New Mexico, USA.Plays Ruth Phillips, Joan's sister and mysterious influence over Joan.