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Cleft-chinned, steely-eyed and virile star of international cinema who rose from being "the ragman's son" (the name of his best-selling 1988 autobiography) to become a bona fide superstar, Kirk Douglas, also known as Issur Danielovitch Demsky, was born on December 9, 1916 in Amsterdam, New York. His parents, Bryna (Sanglel) and Herschel Danielovitch, were Jewish immigrants from Chavusy, Mahilyow Voblast (now in Belarus). Although growing up in a poor ghetto, Douglas was a fine student and a keen athlete and wrestled competitively during his time at St. Lawrence University. Professional wrestling helped pay for his studies as did working on the side as a waiter and a bellboy. However, he soon identified an acting scholarship as a way out of his meager existence, and was sufficiently talented to gain entry into the American Academy of Dramatic Arts. He made his Broadway debut in "Spring Again" before his career was interrupted by World War II. He joining the United States Navy in 1941, and then after the end of hostilities in 1945, returned to the theater and some radio work. On the insistence of ex-classmate Lauren Bacall, movie producer Hal B. Wallis screen-tested Douglas and cast him in the lead role in The Strange Love of Martha Ivers (1946). His performance received rave reviews and further work quickly followed, including an appearance in the low-key drama I Walk Alone (1947), the first time he worked alongside fellow future screen legend Burt Lancaster. Such was the strong chemistry between the two that they appeared in seven films together, including the dynamic western Gunfight at the O.K. Corral (1957), the John Frankenheimer political thriller Seven Days in May (1964) and their final pairing in the gangster comedy Tough Guys (1986). Douglas once said about his good friend: "I've finally gotten away from Burt Lancaster. My luck has changed for the better. I've got nice-looking girls in my films now."
After appearing in "I Walk Alone," Douglas scored his first Oscar nomination playing the untrustworthy and opportunistic boxer Midge Kelly in the gripping Champion (1949). The quality of his work continued to garner the attention of critics and he was again nominated for Oscars for his role as a film producer in The Bad and the Beautiful (1952) and as tortured painter Vincent van Gogh in Lust for Life (1956), both directed by Vincente Minnelli. In 1955, Douglas launched his own production company, Bryna Productions, the company behind two pivotal film roles in his career. The first was as French army officer Col. Dax in director Stanley Kubrick's brilliant anti-war epic Paths of Glory (1957). Douglas reunited with Kubrick for yet another epic, the magnificent Spartacus (1960). The film also marked a key turning point in the life of screenwriter Dalton Trumbo, who had been blacklisted during the McCarthy "Red Scare" hysteria in the 1950s. At Douglas' insistence, Trumbo was given on-screen credit for his contributions, which began the dissolution of the infamous blacklisting policies begun almost a decade previously that had destroyed so many careers and lives.
Douglas remained busy throughout the 1960s, starring in many films. He played a rebellious modern-day cowboy in Lonely Are the Brave (1962), acted alongside John Wayne in the World War II story In Harm's Way (1965), again with The Duke in a drama about the Israeli fight for independence, Cast a Giant Shadow (1966), and once more with Wayne in the tongue-in-cheek western The War Wagon (1967). Additionally in 1963, he starred in an onstage production of Ken Kesey's "One Flew Over the Cuckoo's Nest," but despite his keen interest, no Hollywood studio could be convinced to bring the story to the screen. However, the rights remained with the Douglas clan, and Kirk's talented son Michael Douglas finally filmed the tale in 1975, starring Jack Nicholson. Into the 1970s, Douglas wasn't as busy as previous years; however, he starred in some unusual vehicles, including alongside a young Arnold Schwarzenegger in the loopy western comedy The Villain (1979), then with Farrah Fawcett in the sci-fi thriller Saturn 3 (1980) and then he traveled to Australia for the horse opera/drama The Man from Snowy River (1982).
Unknown to many, Kirk has long been involved in humanitarian causes and has been a Goodwill Ambassador for the US State Department since 1963. His efforts were rewarded with the Presidential Medal of Freedom (1981), and with the Jefferson Award (1983). Furthermore, the French honored him with the Chevalier of the Legion of Honor. More recognition followed for his work with the American Cinema Award (1987), the German Golden Kamera Award (1987), The National Board of Reviews Career Achievement Award (1989), an honorary Academy Award (1995), Recipient of the American Film Institute's Lifetime Achievement Award (1999) and the UCLA Medal of Honor (2002). Despite a helicopter crash and a stroke suffered in the 1990s, he remained active and continued to appear in front of the camera. Until his passing on February 5 2020 at the age of 103, he and Olivia de Havilland were the last surviving major stars from the Golden Years of Hollywood.- Actor
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Patrick Warburton is known to many for the role of "Puddy" in the hit NBC comedy "Seinfeld," the laconic, enigmatic, quirky Saab salesman and Elaine's boyfriend. Warburton starred for 7 seasons on the hit CBS comedy "Rules of Engagement" with David Spade, Oliver Hudson, and Megyn Price about two couples and their single friend, all at different stages in their relationships dealing with the complications of dating, commitment, and marriage. He is now set to star in NBC's newest sitcom series entitled "Crowded," premiering Sunday, March 20th, about an empty nest couple (Warburton & Carrie Preston) who find out their adult daughters want to move back home with them. Patrick also played "Guy" in the international blockbuster comedy Ted and recently completed shooting the highly anticipated sequel Ted 2 where he reprises his role. Warburton starred on the ABC hit comedy "Less than Perfect," as "Jeb Denton," an opinionated network anchorman; and on the hit show "NewsRadio" as "Johnny Johnson" the unscrupulous business rival who takes over the station. Warburton starred in Disney's major motion picture, live action comedy Underdog, as the archenemy "Cad," based on the 1964 cartoon television series. He is also perhaps the busiest voiceover artist in Hollywood for his many characters including the role of the paraplegic and over-zealous cop, "Joe Swanson," on the hit comedy "Family Guy."
Warburton was the lead in the independent film The Civilization of Maxwell Bright, in which he stared as a vicious and self-destructive anti-hero who desperately needs to save his soul. The film won numerous festival awards in which Warburton captured Best Actor at the Beverly Hills Film Festival, New York VisionFest, and the Boulder International Film Festival. The film's other honors include Viewer's Choice at the Beverly Hills Film Festival, the Special Jury Award at WorldFest Houston and at the Florida Film Festival, Grand Jury Prize at the Florida Film Festival, and the Vision Award for David Beaird at WorldFest Houston. This festival favorite is essentially a modern re-telling of "Beauty and the Beast" that explores what happens when a modern Neanderthal is locked in close proximity with a kind and loving woman. Written and directed by David Beaird, The Civilization of Maxwell Bright co-stars Jennifer Tilly, Marie Matiko, Simon Callow and Eric Roberts. In addition, Warburton starred in the independent feature film I'll Believe You alongside Fred Willard, Thomas Gibson, and Chris Elliott, a comedy for young adults/teens about a hunt for an alleged alien living in a small town after a mysterious phone call is received on a radio broadcast. The film was released in April of 2007 to 1,500 theaters nationwide, quite the accomplishment for a small independent film.
To complement his animated films, Warburton voiced the hit cartoon series "Scooby-Doo! Mystery Incorporated" and the animated feature Bee Movie with Jerry Seinfeld, Renée Zellweger, Uma Thurman and Oprah Winfrey. He played the character "Rip Smashenburn" in the UPN animated series "Game Over," the voice of "Brock Samson" in the animated adult series "The Venture Brothers," and the voice of "Mr. Barkin" on the Disney Channel's "Disney's Kim Possible." He plays the character of Ian, "the ultimate alpha-male," in the Sony animated film Open Season opposite Ashton Kutcher and Martin Lawrence. Playing in both regular theaters and Imax 3-D, it was a box office smash on its opening week as #1 and held top spots following its debut. Warburton's voice can also be heard alongside that of Sarah Michelle Geller, Sigourney Weaver, George Carlin, Andy Dick, and Freddie Prinze Jr. in the animated feature film Happily N'ever After, from the producers of Shrek, where he plays the voice of "Prince Humperdink." As the voice of the "Savior of the Universe" in Disney's animated Saturday morning TV series "Buzz Lightyear," Warburton's voice graced the big screen in the Disney animated film The Emperor's New Groove, Kronks New Groove and "The Emperor's New School."
Warburton started his television career appearing regularly on the CBS sitcom "Dave's World," with Harry Anderson and Mesach Taylor and originally guest-starred on "Seinfeld" as the painted-faced New Jersey Devils' fan and Jerry's mechanic, only to become one of the show's funniest fixtures. He also did commercial spots for American Express (as the voice of "Superman" alongside Seinfeld), Cadillac, and M&Ms. Warburton starred in The Woman Chaser, which received critical acclaim at the prestigious New York Film Festival and The Sundance Film Festival, as well as opposite Sam Neill in The Dish, an Australian production about the first man on the moon. Barry Sonnenfeld directed Warburton in the Columbia Tri Star half-hour comedy "The Tick," which continues to have a huge cult following since its release on DVD. The show gained its popularity with audiences due to its relaxed, adult-friendly comedy. "The Tick", in addition to the DVD, has released action figures, t-shirts, and Quaker Oat Life cereal boxes with "The Tick" character adorning the cover. He also paired up with Tim Allen in Sonnenfeld's feature films Big Trouble and Joe Somebody, and also appeared in Scream 3 and Men in Black 2.
A native Californian, Patrick grew up in Huntington Beach and resides in Ventura County with his wife Cathy and four children Talon, Alexandra (Lexie), Shane, and Gabriel. When talking about his children, Patrick's face lights up as he describes them as the ultimate joy and love of his life. With what little spare time he has, Patrick gets in a game of golf or tennis, does activities with his children, and spends time in his cabin on the Rogue River in Oregon with his family. Warburton also hosts the annual charity golf tournament The Warburton a Celebrity Tournament to benefit St. Jude Children's Hospital each year in Palm Springs, CA.- Actor
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American character actor of gruff voice and appearance who was a fixture in Hollywood pictures from the earliest days of the talkies. The fifth of seven children, he was born in the first minute of 1891. He was a boisterous child, and at nine was tried and acquitted for attempted murder in the shooting of a motorman who had run over his dog. He worked as a lumberjack and investment promoter, and briefly ran his own pest extermination business. In his late teens, he gave up the business and traveled aimlessly about country. In San Francisco, an attempt to romance a burlesque actress resulted in an offer to join her show as a performer. He spent the next dozen years touring the country in road companies, then made a smash hit on Broadway in "Outside Looking In". Cecil B. DeMille saw Bickford on the stage and offered him the lead in Dynamite (1929). Contracted to MGM, Bickford fought constantly with studio head Louis B. Mayer and was for a time blacklisted among the studios. He spent several years working in independent films as a freelancer, then was offered a contract at Twentieth Century Fox. Before the contract could take effect, however, Bickford was mauled by a lion while filming 'East of Java (1935)'. He recovered, but lost the Fox contract and his leading man status due to the extensive scarring of his neck and also to increasing age. He continued as a character actor, establishing himself as a character star in films like The Song of Bernadette (1943), for which he received the first of three Oscar nominations. Burly and brusque, he played heavies and father figures with equal skill. He continued to act in generally prestigious films up until his death in 1967.- Actor
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Lew Ayres was born in Minneapolis, Minnesota and raised in San Diego, California. A college dropout, he was found by a talent scout in the Coconut Grove nightclub in Los Angeles and entered Hollywood as a bit player. He was leading man to Greta Garbo in The Kiss (1929), but it was the role of Paul Baumer in All Quiet on the Western Front (1930) that was his big break. He was profoundly affected by the anti-war message of that film, and when, in 1942, the popular star of Young Dr. Kildare (1938) and subsequent Dr. Kildare films was drafted, he was a conscientious objector. America was outraged, and theaters vowed never to show his films again, but quietly he achieved the Medical Corps status he had requested, serving as a medic under fire in the South Pacific and as a chaplain's aid in New Guinea and the Phillipines. His return to film after the war was undistinguished until Johnny Belinda (1948) - his role as the sympathetic physician treating the deaf-mute Jane Wyman won him an Academy Award nomination as Best Actor. Subsequent movie roles were scarce; an opportunity to play Dr. Kildare in television was aborted when the network refused to honor his request for no cigarette sponsorship. He continued to act, but in the 1970s put his long experience into a project to bring to the west the philosophy of the East - the resulting film, Altars of the World (1976), while not a box-office success, won critical acclaim and a Golden Globe Award. Lew Ayres died in Los Angeles, California on December 30, 1996, just two days after his 88th birthday.- Actress
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Harlean Carpenter, who later became Jean Harlow, was born in Kansas City, Missouri, on March 3, 1911. She was the daughter of a successful dentist and his wife. In 1927, at the age of 16, she ran away from home to marry a young businessman named Charles McGrew, who was 23. The couple pulled up stakes and moved to Los Angeles, not long after they were married, and it was there Jean found work as an extra in films, landing a bit part in Moran of the Marines (1928). From that point on she would go to casting calls whenever she could. In 1929 she had bit parts in no less than 11 movies, playing everything from a passing woman on the street to a winged ballerina. Her marriage to McGrew turned out to be a disaster--it lasted barely two years--and they divorced. The divorce enabled her to put more of her efforts into finding roles in the movie business. Although she was having trouble finding roles in feature movies, she had more luck in film shorts. She had a fairly prominent role in Hal Roach's Double Whoopee (1929). Her big break came in 1930, when she landed a role in Howard Hughes' World War I epic Hell's Angels (1930), which turned out to be a smash hit. Not long after the film's debut, Hughes sold her contract to MGM for $60,000, and it was there where her career shot to unprecedented heights. Her appearance in Platinum Blonde (1931) cemented her role as America's new sex symbol. The next year saw her paired with Clark Gable in John Ford's Red Dust (1932), the second of six films she would make with Gable. It was while filming this picture (which took 44 days to complete at a cost of $408,000) that she received word that her new husband, MGM producer Paul Bern, had committed suicide. His death threatened to halt production of the film, and MGM chief Louis B. Mayer had even contacted Tallulah Bankhead to replace Harlow if she were unable to continue, a step that proved to be unnecessary. The film was released late in 1932 and was an instant hit. She was becoming a superstar. In MGM's glittering all-star Dinner at Eight (1933) Jean was at her comedic best as the wife of a ruthless tycoon (Wallace Beery) trying to take over another man's (Lionel Barrymore) failing business. Later that year she played the part of Lola Burns in director Victor Fleming's hit Bombshell (1933). It was a Hollywood parody loosely based on Clara Bow's and Harlow's real-life experiences, right down to the latter's greedy stepfather, nine-room Georgian-style home with mostly-white interiors, her numerous pet dogs - right down to having her re-shoot scenes from the Gable and Harlow hit, Red Dust (1932) here! In 1933 Jean married cinematographer Harold Rosson, a union that would only last eight months. In 1935 she was again teamed with Gable in another rugged adventure, China Seas (1935) (her remaining two pictures with Gable would be Wife vs. Secretary (1936) and Saratoga (1937)). It was her films with Gable that created her lasting legacy in the film world. Unfortunately, during the filming of Saratoga (1937), she was hospitalized with uremic poisoning. On June 7, 1937, she died from the ailment. She was only 26. The film had to be finished by long angle shots using a double. Gable said he felt like he was in the arms of a ghost during the final touches of the film. Because of her death, the film was a hit. Record numbers of fans poured into America's movie theaters to see the film. Other sex symbols/blonde bombshells have followed, but it is Jean Harlow who all others are measured against.- Actor
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Herbert Marshall had trained to become a certified accountant, but his interest turned to the stage. He lost a leg while serving in World War I and was rehabilitated with a wooden leg. This did not stop him from making good his decision to make the stage his vocation. He used a very deliberate square-shouldered and guided walk, largely unnoticeable, to cover up his disability. He spent 20 years in distinguished stage work in London before entering films. He almost made the transition from the stage directly to sound movies except for one silent film, Mumsie (1927), produced in Great Britain. His wonderfully mellow baritone and British accent rolled out with a minimum of mouth movement and a nonchalant ease that stood out as unique. His rather blasé demeanor could take on various nuances, without overt emotion, to fit any role he played, whether sophisticated comedy or drama, and the accent fit just as well. He filled the range from romantic lead, with several sympathetic strangers thrown in, to dignified military officer to doctor to various degrees of villainy, his unemotional delivery meshing with the cold, impassive criminal character.
He was almost 40 when he appeared in his first picture in Hollywood, The Letter (1929), a film worthy of comparison (but for the primitive sound recording) to the more famous second version (The Letter (1940)) with Bette Davis. Marshall is the murder victim in 1929 and the betrayed husband in 1940. He was heavily in demand in the 1930s, sometimes in five or six pictures a year. Perhaps his best suave comedic role was in Trouble in Paradise (1932), the first non-musical sound comedy by producer-director Ernst Lubitsch--to some, Lubitsch's greatest film. That same year, Marshall did one of his most warmly human, romantic roles in the marvelously erotic Blonde Venus (1932), with the captivating Marlene Dietrich.
Through the '40s, his roles were more of the character variety, but always substantial. He was deviously subtle as the pre-World War II peace leader actually working against peace for a veiled foreign power (Germany) in Foreign Correspondent (1940). The film was one of Alfred Hitchcock 's earliest Hollywood films and definitely an under-rated thriller. Who could forget Marshall's small but standout performance as "Scott Chavez", who at the beginning of Duel in the Sun (1946), with typical Marshall nonchalance, calmly shoots his Indian cantina-entertainer wife for her cheating ways? By the '50s, Marshall was doing fewer movies, but still in varied genres. His voice was perfect to lend credence to some early sci-fi classics, such as Riders to the Stars (1954) and Gog (1954) and the The Fly (1958). He was also busy honing his considerable talent with various early-TV playhouse programs. He also fit comfortably into episodic TV, including a rare five-episode run as a priest on 77 Sunset Strip (1958). All told, Herbert Marshall graced nearly 100 movie and TV roles with an aplomb that remains a rich legacy.- Music Artist
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Nat King Cole was born Nathaniel Adams Coles (he later dropped the "s" in his surname) in Montgomery, Alabama. He received music lessons from his mother and his family moved to Chicago when he was only five, where his father, Edward James Coles, was a minister at the True Light Baptist Church and later Pastor of the First Baptist Church. At 12, he was playing the church organ. At age 14, he formed a 14 piece band called the Royal Dukes. Nat was a top flight sandlot baseball player at Wendell Phillips high school in Chicago.
His three brothers, Ike, Frankie, and Eddie Cole, also played the piano and sang professionally. Nat was an above-average football player in high school. His sister, Evelyn Cole, was a beautician in nearby Waukegan, Illinois. In 1939 he formed the King Cole Trio after his publicist put a silver tin-foiled crown on his head and proclaimed him "King". He later toured Europe and made a command performance before Queen Elizabeth II.
He had a highly-rated TV show in the 1950s but it was canceled (by Cole himself) as no companies could be found that were willing to sponsor the show. He was a big baseball fan and had a permanent box seat at Dodger Stadium in Los Angeles. He met his wife Maria Cole (a big-band singer) at the Zanzibar nightclub in Los Angeles through Eddie 'Rochester' Anderson show. Her parents opposed her decision to marry Cole, claiming he was "too black". They married, nonetheless, in 1948, and had two daughters, Caroline and Natalie Cole. On April 10, 1956, at Birmingham, Alabama, he was attacked by six white men from a white supremacist group called the White Cizizens Council during a concert and sustained minor injuries to his back. Cole appeared in several movies, the last of which was Cat Ballou (1965), starring Lee Marvin.
Cole received 28 gold record awards for such hits as "Sweet Lorraine", "Ramblin' Rose" in 1962, "Too Young" in 1951, "Mona Lisa" in 1949 and Mel Tormé's "Christmas Song". His first recordings of the Christmas Song included the lyrics, "Reindeers really know how to fly" instead of "reindeer really know how to fly", a mistake later corrected by Capitol Records. He was also a composer and his song "Straighten Up and Fly Right" was sold for $50.00. A heavy smoker, he died of lung cancer.- Actor
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Legendary Hollywood "tough guy", on screen and off. Remembered as the title character in Dillinger (1945) and as the consummately brutal lover of Claire Trevor in Born to Kill (1947). Notorious for his frequent, well-publicized barroom brawls and the like, including being stabbed in 1973. In his later years, he continued as a screen actor projecting the hard-as-nails mien that has been ingrained since his younger days, as evidenced in Quentin Tarantino's Reservoir Dogs (1992).- Stony-faced, grizzled-looking tough guy Charles McGraw (real name Charles Butters) notched up dozens of TV and film credits, usually portraying law enforcement figures or military officers, plus the odd shifty gangster. While at high school he worked as a theatre usher and was nicknamed "Chick" by his friends. At 17, he returned to his home town of Akron to study at university. He hitchhiked to New York from Ohio, enjoyed a substantial period in the boxing ring as a middleweight pugilist and then found his first success as an actor in 1937 on the Broadway stage in the Clifford Odets play "Golden Boy". Afterwards, stage work proved hard to come by. Therefore, to make ends meet, McGraw began to earn his living as a hoofer in dime-a-dance establishments. His career in Hollywood began in 1942 with bit parts and stalled again after a brief sojourn in the army. However, by 1947, he had picked up a solid amount of work as radio actor thanks to his gravelly voice which was perfectly suited for crime dramas. This did eventually re-open the door to Hollywood. Before long, McGraw regularly plied his trade as assorted hard cases who perfectly matched his craggy looks and steely-eyed visage. Best remembered among his standout roles are the dogged cop protecting a mob witness in the 1952 classic thriller The Narrow Margin (1952) , as resolute Lt. Jim Cordell pursuing armed bandits in Armored Car Robbery (1950), as a hit man in Robert Siodmak's seminal film noir The Killers (1946), as sadistic gladiatorial trainer Marcellus taunting slave Kirk Douglas (and ending up in a vat of boiling soup) in the epic Spartacus (1960), as William Holden's naval commander in the Korean War drama The Bridges at Toko-Ri (1954) and as jaded police officer Lt. Matthews assisting Spencer Tracy in the all-star comedy It's a Mad Mad Mad Mad World (1963). McGraw died in 1980 after a tragic accident in which he slipped and fell through a glass shower door.
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Paul Richards was born on 23 November 1924 in Hollywood, California, USA. He was an actor, known for Beneath the Planet of the Apes (1970), Monkey on My Back (1957) and The St. Valentine's Day Massacre (1967). He was married to Monica Keating. He died on 10 December 1974 in Culver City, California, USA.- Actor
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Although by his own account Benchley was not quite a writer and not quite an actor, he managed to become one of the best-known humorists and comedians of his time. As a Harvard undergraduate, Benchley gave his first comic performance, impersonating a befuddled after-dinner speaker. The act made him a campus celebrity -- and remained in Benchley's repertoire for the rest of his life. (Landing the position of editor of the Harvard Lampoon was the other highlight of his college career.) As a post-graduate journalist, between frequent firings and other disruptions, Benchley made his mark as a theater critic and as writer of whimsical musings on the vagaries of modern life. He served briefly as managing editor of the magazine Vanity Fair, where his lieutenants were Dorothy Parker and Robert E. Sherwood, but he quit to protest Parker's firing. (Benchley, Parker and Sherwood were among the regulars at the so-called Algonquin Round Table, a social circle of New York wits that also included Harpo Marx and George S. Kaufman). Benchley was among the first contributors to The New Yorker, where his work influenced other writers -- such as E.B. White and James Thurber- Actor
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Jeffrey Hunter was born Henry Herman McKinnies Jr. on November 25, 1926 in New Orleans, Louisiana, an only child. His parents met at the University of Arkansas, and when he was almost four his family moved to Milwaukee, Wisconsin. In his teens, he acted in productions of the North Shore Children's Theater and, from 1942 to 1944, performed in summer stock with the local Port Players, along with Eileen Heckart, Charlotte Rae and Morton DaCosta. Hunter was also a radio actor at WTMJ, getting his first professional paycheck in 1945 for the wartime series "Those Who Serve." After graduation from Whitefish Bay High School, where he was co-captain of the football team, he enlisted in the United States Navy and underwent training at Great Lakes Naval Station, Illinois, in 1945-1946, but on the eve of his shipping out for active duty in Japan he took ill and received a medical discharge from the service.
Hunter attended and graduated from Northwestern University with a bachelor's degree in 1949, where he acquired more stage experience in Sheridan's "The Rivals" and Ruth Gordon's "Years Ago". He also did summer stock with Northwestern students at Eagles Mere, Pennsylvania in 1948, worked on two Northwestern Radio Playshop broadcasts, was president of Phi Delta Theta Fraternity, and was active in the campus film society with David Bradley, later acting in director David Bradley's production of Julius Caesar (1950) in 1949. He then attended graduate school at the University of California at Los Angeles, where he studied radio and drama. He was in the cast of a UCLA production of Arthur Miller's "All My Sons" in May, 1950; on opening night, the good-looking Hunter drew the attention of talent scouts from Paramount and 20th Century-Fox Studios.
Hunter made a screen test with Ed Begley in a scene from "All My Sons" at Paramount (where he met Barbara Rush, his future wife), but after an executive shake-up at that studio derailed his hiring, he was signed by 20th Century Fox (where he remained under contract until 1959) and within a month was sent on location in New York for Fourteen Hours (1951). Hunter was kept fairly busy in pictures, working his way from featured roles to starring roles to first-billing within two years in Sailor of the King (1953). His big break came with John Ford's classic, The Searchers (1956), where he played the young cowboy who accompanies John Wayne on his epic search for a child kidnapped by Comanches. Hunter got excellent reviews for his performance in this film and justifiably so, as he held his own well with the veteran Wayne.
Starring roles in two more John Ford movies followed, and in 1960, Hunter had one of his best roles in Hell to Eternity (1960), the true story of World War II hero Guy Gabaldon. That same year, Hunter landed the role for which he is probably best known (although it's far from his best work), when he played Jesus in producer Samuel Bronston's King of Kings (1961), which due to Hunter's still youthful looks at 33, was dubbed by irreverent Hollywood wags "I Was a Teenage Jesus." After the cancellation of his Western series Temple Houston (1963), and his decision not to continue in the lead role of the current series Star Trek (1966), his career took a downturn, and Hunter eventually wound up in Europe working on cheap Westerns, at the time a sure sign of a career in trouble.
While in Spain in November 1968 to film Cry Chicago (¡Viva América!), a story about the Chicago Mafia, Hunter was injured in an on-set explosion when a car window near him, which had been rigged to explode outward, accidentally exploded inward. Hunter sustained a serious concussion. According to Hunter's wife Emily, he "went into shock" on the flight back to the United States after filming and "couldn't speak. He could hardly move." After landing, Hunter was taken to Good Samaritan Hospital in Los Angeles, but doctors could not find any serious injuries except for a displaced vertebra and a concussion.
On the afternoon of May 26, 1969, Hunter suffered an intracranial hemorrhage while walking down a three-stair set of steps at his home in Van Nuys, California. He fell, knocked over a planter, and struck his head on the banister, fracturing his skull. He was found unconscious by Frank Bellow, an actor and a friend of Hunter's, who came for a visit, and taken to Valley Presbyterian Hospital, where he underwent brain surgery. He died at about 9:30 the following morning at the age of 42.- Actress
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A major little talent, this French-American moppet star of the late '40s and early '50s was able to parlay her precocious popularity into a modest young adult career, but then left it for family. She has nevertheless maintained on its fringe for decades.
Gigi Perreau was born on February 6, 1941, in Los Angeles to a French father, who fled his native country at the onset of WWII, and an American mother. Her beginnings in acting started way back to the tender age of 2-1/2 when her mother was approached by a talent agent who represented child actors and who took an initial interest in her 5-year-old brother Gerald. But Gigi grabbed a little attention for herself. When producer/director Mervyn LeRoy discovered little Gigi could speak French as well as English at such a precious age, he cast her as Greer Garson's daughter in Madame Curie (1943). Gigi went on to play Gloria DeHaven as a toddler in Two Girls and a Sailor (1944) and a child to Bette Davis in the classic soaper Mr. Skeffington (1944).
MGM signed her up and Gigi spent several years there where, among other roles, she played the daughter of Katharine Hepburn in the composer Schumann biopic Song of Love (1947) and a child to Lana Turner in Green Dolphin Street (1947). Gigi earned her best reviews when Universal-International picked up her option. She positively bloomed as a top juvenile player and received an award from the Screen Children's Guild while appeared in top quality films, both light-hearted and tear-stained.
At Universal, Gigi was quite endearing as Claudette Colbert's lively daughter in the domestic comedy Family Honeymoon (1948); quite touching in the melodrama My Foolish Heart (1949) starring Susan Hayward; and quite earnest in the lead role of a child who witnesses a murder in the film noir Shadow on the Wall (1950) starring Ann Sothern. She had a standout role as Piper Laurie's kid sister and a Charleston partner to Charles Coburn in the Roaring 20's comedy Has Anybody Seen My Gal (1952) and got to monkey around with a monkey in the comedy Bonzo Goes to College (1952).
In the mid '50s, things started tapering off for the former pigtailed child star as she tried to adjust through the awkward teenage years. Appearances in such lowbudget exploitation as The Cool and the Crazy (1958), Girls Town (1959), and Hell on Wheels (1967) pretty much tell the story.
Developing into a lovely-looking young adult, she also graced the small screen. She co-starred in two short-lived series: the sitcom The Betty Hutton Show (1959) and the detective drama Follow the Sun (1961). She also guested on such shows as "Whirlybirds," "The Donna Reed Show," The Detective," "Hawaiian Eye," "Surfside 6," "Laramie," "Rawhide," "The Rebel," "The Roaring 20s," "The Rifleman," "Perry Mason," "Gunsmoke," "Gomer Pyle," "My Three Sons," "Ironside," "The Brady Bunch," and "Adam-12."
At age 20, Gigi married and had a son and a daughter; a second marriage produced another son and daughter. Rarely seen on film or TV since the late '60s, Gigi has continued on as a stage director and college prep drama teacher. Brother Gerald (aka Peter Miles) equipped himself quite well as a child actor performing in The Red Pony (1949), The Good Humor Man (1950), and Quo Vadis (1951). Gigi appeared with him in the movies Enchantment (1948) and Roseanna McCoy (1949) and played his sister on The Betty Hutton Show (1959). Gigi's two younger sisters, Janine Perreau and Lauren Perreau, also dabbled in film and TV as youngsters, but to a much lesser degree.- Actor
- Producer
Elwy Yost was born on 10 July 1925 in Toronto, Ontario, Canada. He was an actor and producer, known for The Moviemakers (1984), Magic Shadows (1974) and The Superior Sex (1961). He was married to Lila Melby. He died on 21 July 2011 in West Vancouver, British Columbia, Canada.- Writer
- Actress
Salka Viertel was born on 15 June 1889 in Sambor, Galicia, Austria-Hungary [now Sambir, Lviv Oblast, Ukraine]. She was a writer and actress, known for Seven Faces (1929), Anna Christie (1930) and Deep Valley (1947). She was married to Berthold Viertel. She died on 20 October 1978 in Klosters, Switzerland.- Murray Westgate was born on 16 April 1918 in Regina, Saskatchewan, Canada. He was an actor, known for Countdown to Looking Glass (1984), Happy Birthday to Me (1981) and Blue City Slammers (1988). He was married to Alice Hill. He died on 27 August 2018 in Toronto, Ontario, Canada.
- Robert Keith was an American character actor who appeared in a number of prominent films and was the father of actor Brian Keith. A native of Indiana, Keith joined a stock company as a teenager and developed skills as a writer and actor. He appeared in dozens of plays around the country and on Broadway.
He came to the attention of Hollywood as a writer after his play "The Tightwad" appeared in New York in 1927. He was contracted to write dialog for pictures and managed to act in several as well. He returned to Broadway as a playwright in 1932 and continued to act on the stage in a number of legendary theatre productions including "Yellow Jack", "The Children's Hour" and "Mr. Roberts" (as Doc).
In the late 1940s he returned to film work full-time and became a familiar and respected performer in films of the period. His son Brian, by his second wife, Helena Shipman, appeared with him in several silent films as a child, long before becoming a star in his own right. Robert Keith died in 1966.