The best musical composers I have heard
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Walter Scott Bradley was a legendary composer for animated cartoons, namely from the 1920s to the 1950s. He was born on November 26, 1891 in Russellville, Arkansas. Piano was his specialty. Bradley noted that he started out performing a theaters and conductions in Houston, Texas. In 1926, he moved to Los Angeles to practice music even more!
Bradley was very busy during this time; as a staff musician for Walt Disney (1929), Ub Iwerks (1930-1934), and Hugh Harman and Rudolf Ising (1934-1938)! His most notable success during this time was 1938's Cartoonia. In 1937, when MGM's new cartoon studio was established, Bradley was permanently hired and remained with the department for 20 years. At first, Bradley composed popular and anonymous music, but by the mid 1940s, his music conduction started to become more original and complex, namely the "twelve tone technique". This began with the 1944 Tom and Jerry short "Puttin' On the Dog. Many people criticized Bradley's composition, with one even saying that he is going to break fingers!
Bradley worked a lot with Tom and Jerry's co-creator William Hanna, because both worked on timing. In 1954, MGM terminated it's weekly contract with Bradley but still paid him $1000 per film. This theme remained evident until the cartoon studio closed it's doors in 1958, after the point which Bradley retired after having spent about 45 years in music.
He died on April 27, 1977 in Chatsworth, California at the age of 85. He lived in Chatsworth for over 40 years! Bradley is still best known for scoring almost all the MGM cartoons. Many of his conductions have been performed in the concert hall, just like what Bradley had done before.An obscure but wonderful composer, who scored most of the MGM cartoons and gave them a zany flair with his orchestrations.- Music Department
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Born in Cleveland, Ohio, but brought up in Pennsylvania, where he played the flute in a local band, as a youth, before sending some arrangements to Benny Goodman. Goodman offered him a job and, after serving in WWII, he joined the rearranged Glenn Miller band. In 1952, he was given a two-week assignment at Universal to work on an Bud Abbott and Lou Costello film and ended up staying for six years. Success with The Glenn Miller Story (1954) allowed him to score many other films, helping along the way to change the style of film background music by injecting jazz into the traditional orchestral arrangements of the 1950s. He was nominated for 18 Oscars and won four; in addition, he won 20 Grammys and 2 Emmys, made over 50 albums and had 500 works published. Mancini collaborated extensively with Blake Edwards -- firstly on TV's Peter Gunn (1958), then on Breakfast at Tiffany's (1961), which won him two Oscars; he won further Oscars for the titles song for Days of Wine and Roses (1962) and the score for Victor/Victoria (1982); he will be best-remembered for the theme tune for The Pink Panther (1963).A master jazz musician, who made elegant but peppy themes of great renown; his most famous song is the Pink Panther theme.- Music Department
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As one of the best known, awarded, and financially successful composers in US history, John Williams is as easy to recall as John Philip Sousa, Aaron Copland or Leonard Bernstein, illustrating why he is "America's composer" time and again. With a massive list of awards that includes over 52 Oscar nominations (five wins), twenty-odd Gold and Platinum Records, and a slew of Emmy (two wins), Golden Globe (three wins), Grammy (25 wins), National Board of Review (including a Career Achievement Award), Saturn (six wins), American Film Institute (including a Lifetime Achievement Award) and BAFTA (seven wins) citations, along with honorary doctorate degrees numbering in the teens, Williams is undoubtedly one of the most respected composers for Cinema. He's led countless national and international orchestras, most notably as the nineteenth conductor of the Boston Pops Orchestra from 1980-1993, helming three Pops tours of the US and Japan during his tenure. He currently serves as the Pop's Conductor Laureate. Also to his credit is a parallel career as an author of serious, and some not-so-serious, concert works - performed by the likes of Mstislav Rostropovich, André Previn, Itzhak Perlman, Yo-Yo Ma, Gil Shaham, Leonard Slatkin, James Ingram, Dale Clevenger, and Joshua Bell. Of particular interests are his Essay for Strings, a jazzy Prelude & Fugue, the multimedia presentation American Journey (aka The Unfinished Journey (1999)), a Sinfonietta for Winds, a song cycle featuring poems by Rita Dove, concerti for flute, violin, clarinet, trumpet, tuba, cello, bassoon and horn, fanfares for the 1984, 1988 and 1996 Summer Olympics, the 2002 Winter Olympics, and a song co-written with Alan Bergman and Marilyn Bergman for the Special Olympics! But such a list probably warrants a more detailed background...
Born in Flushing, New York on February 8, 1932, John Towner Williams discovered music almost immediately, due in no small measure to being the son of a percussionist for CBS Radio and the Raymond Scott Quintet. After moving to Los Angeles in 1948, the young pianist and leader of his own jazz band started experimenting with arranging tunes; at age 15, he determined he was going to become a concert pianist; at 19, he premiered his first original composition, a piano sonata.
He attended both UCLA and the Los Angeles City College, studying orchestration under MGM musical associate Robert Van Eps and being privately tutored by composer Mario Castelnuovo-Tedesco, until conducting for the first time during three years with the U.S. Air Force. His return to the states brought him to Julliard, where renowned piano pedagogue Madame Rosina Lhevinne helped Williams hone his performance skills. He played in jazz clubs to pay his way; still, she encouraged him to focus on composing. So it was back to L.A., with the future maestro ready to break into the Hollywood scene.
Williams found work with the Hollywood studios as a piano player, eventually accompanying such fare such as the TV series Peter Gunn (1958), South Pacific (1958), Some Like It Hot (1959), The Apartment (1960), and To Kill a Mockingbird (1962), as well as forming a surprising friendship with Bernard Herrmann. At age 24, "Johnny Williams" became a staff arranger at Columbia and then at 20th Century-Fox, orchestrating for Alfred Newman and Lionel Newman, Dimitri Tiomkin, Franz Waxman, and other Golden Age notables. In the field of popular music, he performed and arranged for the likes of Vic Damone, Doris Day, and Mahalia Jackson... all while courting actress/singer Barbara Ruick, who became his wife until her death in 1974. John & Barbara had three children; their daughter is now a doctor, and their two sons, Joseph Williams and Mark Towner Williams, are rock musicians.
The orchestrating gigs led to serious composing jobs for television, notably Alcoa Premiere (1961), Checkmate (1960), Gilligan's Island (1964), Lost in Space (1965), Land of the Giants (1968), and his Emmy-winning scores for Heidi (1968) and Jane Eyre (1970). Daddy-O (1958) and Because They're Young (1960) brought his original music to the big theatres, but he was soon typecast doing comedies. His efforts in the genre helped guarantee his work on William Wyler's How to Steal a Million (1966), however, a major picture that immediately led to larger projects. Of course, his arrangements continued to garner attention, and he won his first Oscar for adapting Fiddler on the Roof (1971).
During the '70s, he was King of Disaster Scores with The Poseidon Adventure (1972), Earthquake (1974) and The Towering Inferno (1974). His psychological score for Images (1972) remains one of the most innovative works in soundtrack history. But his Americana - particularly The Reivers (1969) - is what caught the ear of director Steven Spielberg, then preparing for his first feature, The Sugarland Express (1974). When Spielberg reunited with Williams on Jaws (1975), they established themselves as a blockbuster team, the composer gained his first Academy Award for Original Score, and Spielberg promptly recommended Williams to a friend, George Lucas. In 1977, John Williams re-popularized the epic cinema sound of Erich Wolfgang Korngold, Franz Waxman and other composers from the Hollywood Golden Age: Star Wars: Episode IV - A New Hope (1977) became the best selling score-only soundtrack of all time, and spawned countless musical imitators. For the next five years, though the music in Hollywood changed, John Williams wrote big, brassy scores for big, brassy films - The Fury (1978), Superman (1978), 1941 (1979), Raiders of the Lost Ark (1981) ... An experiment during this period, Heartbeeps (1981), flopped. There was a long-term change of pace, nonetheless, as Williams fell in love with an interior designer and married once more.
E.T. the Extra-Terrestrial (1982) brought about his third Oscar, and The River (1984), Empire of the Sun (1987), The Accidental Tourist (1988) and Born on the Fourth of July (1989) added variety to the 1980s, as he returned to television with work on Amazing Stories (1985) and themes for NBC, including NBC Nightly News with Lester Holt (1970). The '80s also brought the only exceptions to the composer's collaboration with Steven Spielberg - others scored both Spielberg's segment of Twilight Zone: The Movie (1983) and The Color Purple (1985).
Intending to retire, the composer's output became sporadic during the 1990s, particularly after the exciting Jurassic Park (1993) and the masterful, Oscar-winning Schindler's List (1993). This lighter workload, coupled with a number of hilarious references on The Simpsons (1989) actually seemed to renew interest in his music. Two Home Alone films (1990, 1992), JFK (1991), Nixon (1995), Sleepers (1996), Seven Years in Tibet (1997), Saving Private Ryan (1998), Angela's Ashes (1999), and a return to familiar territory with Star Wars: Episode I - The Phantom Menace (1999) recalled his creative diversity of the '70s.
In this millennium, the artist shows no interest in slowing down. His relationships with Spielberg and Lucas continue in A.I. Artificial Intelligence (2001), the remaining Star Wars prequels (2002, 2005), Minority Report (2002), Catch Me If You Can (2002), and a promised fourth Indiana Jones film. There is a more focused effort on concert works, as well, including a theme for the new Walt Disney Concert Hall and a rumored light opera. But one certain highlight is his musical magic for the world of Harry Potter (2001, 2002, 2004, etc.), which he also arranged into a concert suite geared toward teaching children about the symphony orchestra. His music remains on the whistling lips of people around the globe, in the concert halls, on the promenades, in album collections, sports arenas, and parades, and, this writer hopes, touching some place in ourselves. So keep those ears ready wherever you go, 'cause you will likely hear a bit of John Williams on your way.The master behind the iconic film scores from Star Wars, Jaws, ET, Indiana Jones and Jurassic Park.- Music Department
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John Barry was born in York, England in 1933, and was the youngest of three children. His father, Jack, owned several local cinemas and by the age of fourteen, Barry was capable of running the projection box on his own - in particular, The Rialto in York. As he was brought up in a cinematic environment, he soon began to assimilate the music which accompanied the films he saw nightly to a point when, even before he'd left St. Peters school, he had decided to become a film music composer. Helped by lessons provided locally on piano and trumpet, followed by the more exacting theory taught by tutors as diverse as Dr Francis Jackson of York Minster and William Russo, formerly arranger to Stan Kenton and His Orchestra, he soon became equipped to embark upon his chosen career, but had no knowledge of how one actually got a start in the business. A three year sojourn in the army as a bandsman combined with his evening stints with local jazz bands gave him the idea to ease this passage by forming a small band of his own. This was how The John Barry Seven came into existence, and Barry successfully launched them during 1957 via a succession of tours and TV appearances. A recording contract with EMI soon followed, and although initial releases made by them failed to chart, Barry's undoubted talent showed enough promise to influence the studio management at Abbey Road in allowing him to make his debut as an arranger and conductor for other artists on the EMI roster.
A chance meeting with a young singer named Adam Faith, whilst both were appearing on astage show version of the innovative BBC TV programme, Six-Five Special (1957), led Barry to recommend Faith for a later BBC TV series, Drumbeat (1959), which was broadcast in 1959. Faith had made two or three commercially unsuccessful records before singer/songwriter Johnny Worth, also appearing on Drumbeat, offered him a song he'd just finished entitled What Do You Want? With the assistance of the JB7 pianist, Les Reed, Barry contrived an arrangement considered suited to Faith's soft vocal delivery, and within weeks, the record was number one. Barry (and Faith) then went from strength to strength; Faith achieving a swift succession of chart hits, with Barry joining him soon afterwards when the Seven, riding high on the wave of the early sixties instrumental boom, scored with Hit & Miss, Walk Don't Run and Black Stockings.
Faith had long harboured ambitions to act even before his first hit record and was offered a part in the up and coming British movie, Wild for Kicks (1960), at that time. As Barry was by then arranging not only his recordings but also his live Drumbeat material, it came as no surprise when the film company asked him to write the score to accompany Faith's big screen debut. It should be emphasised that the film was hardly a cinematic masterpiece. However, it did give Faith a chance to demonstrate his acting potential, and Barry the chance to show just how quickly he'd mastered the technique of film music writing. Although the film and soundtrack album were both commercial successes, further film score offers failed to flood in. On those that did, such as Never Let Go (1960) and The Amorous Mr. Prawn (1962), Barry proved highly inventive, diverse and adaptable and, as a result, built up a reputation as an emerging talent. It was with this in mind that Noel Rogers, of United Artists Music, approached him in the summer of '62, with a view to involving him in the music for the forthcoming James Bond film, Dr. No (1962).
He was also assisted onto the cinematic ladder as a result of a burgeoning relationship with actor/writer turned director Bryan Forbes, who asked him to write a couple of jazz numbers for use in a club scene in Forbes' then latest film, The L-Shaped Room (1962). From this very modest beginning, the couple went on to collaborate on five subsequent films, including the highly acclaimed Seance on a Wet Afternoon (1964), King Rat (1965) and The Whisperers (1967). Other highlights from the sixties included five more Bond films, Zulu (1964), Born Free (1966) (a double Oscar), The Lion in Winter (1968) (another Oscar) and Midnight Cowboy (1969).
In the seventies he scored the cult film Walkabout (1971), The Last Valley (1971), Mary, Queen of Scots (1971) (Oscar nomination), wrote the theme for The Persuaders! (1971), a musical version of Alice's Adventures In Wonderland and the hit musical Billy. Then, in 1974, he made the decision to leave his Thameside penthouse apartment for the peace of a remote villa he was having built in Majorca. He had been living there for about a year, during which time he turned down all film scoring opportunities, until he received an invitation to write the score for the American TV movie, Eleanor and Franklin (1976). In order to accomplish the task, he booked into the Beverly Hills Hotel for six weeks in October 1975. However, during this period, he was also offered Robin and Marian (1976) and King Kong (1976), which caused his stay to be extended. He was eventually to live and work in the hotel for almost a year, as more assignments were offered and accepted. His stay on America's West Coast eventually lasted almost five years, during which time he met and married his wife, Laurie, who lived with him at his Beverly Hills residence. They moved to Oyster Bay, New York and have since split their time between there and a house in Cadogan Square, London.
After adopting a seemingly lower profile towards the end of the seventies, largely due to the relatively obscure nature of the commissions he accepted, the eighties saw John Barry re-emerge once more into the cinematic limelight. This was achieved, not only by continuing to experiment and diversify, but also by mixing larger budget commissions of the calibre of Body Heat (1981), Jagged Edge (1985), Out of Africa (1985) (another Oscar) and The Cotton Club (1984) with smaller ones such as the TV movies, Touched by Love (1980) and Svengali (1983). Other successes included: Somewhere in Time (1980), Frances (1982), three more Bond films, and Peggy Sue Got Married (1986).
After serious illness in the late eighties, Barry returned with yet another Oscar success with Dances with Wolves (1990) and was also nominated for Chaplin (1992). Since then he scored the controversial Indecent Proposal (1993), My Life (1993), Deception (1992), Cry, the Beloved Country (1995) and has made compilation albums for Sony (Moviola and Moviola II) and non-soundtrack albums for Decca ('The Beyondness Of Things' & 'Eternal Echoes').
In the late nineties he made a staggeringly successful return to the concert arena, playing to sell-out audiences at the Royal Albert Hall. Since then he has appeared as a guest conductor at a RAH concert celebrating the life and career of Elizabeth Taylor and made brief appearances at a couple of London concerts dedicated to his music. In 2004 he re-united with Don Black to write his fifth stage musical, Brighton Rock, which enjoyed a limited run at The Almeida Theatre in London.
He continued to appear at concerts of his own music, often making brief appearances at the podium. In November 2007, Christine Albanel, the French Minister for Culture, appointed him Commander in the National Order of Arts and Letters. The award was made at the eighth International Festival Music and Cinema, in Auxerre, France, when, in his honour, a concert of his music also took place.
In August 2008 he was working on a new album, provisionally entitled Seasons, which he has described as "a soundtrack of his life." A new biography, "John Barry: The Man with The Midas Touch", by Geoff Leonard, Pete Walker, and Gareth Bramley, was published in November 2008.
He died following a heart-attack on 30th January 2011, at his home in Oyster Bay, New York.The composer who originated the soundtrack for James Bond (the early 60-70 films), Born Free and Dances With Wolves. And did a whole host of other awesome soundtracks for other less famous films.- Composer
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Yuji Ohno was born on 30 May 1941 in Shizuoka, Japan. He is a composer, known for Lupin III: The Castle of Cagliostro (1979), Proof of the Man (1977) and Lupin III: Farewell to Nostradamus (1995).A jazz musician, most famous for working on the "Lupin III" series.- Music Artist
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Isaac Hayes, the second-born child of Eula and Isaac Hayes Sr., was raised by his grandparents, Mr. and Mrs. Willie Wade Sr. The child of a poor family, he grew up picking cotton in Covington, Tennessee. He dropped out of high school, but later his former high-school teachers to get his diploma, which he earned when he was 21. Otis Redding, Johnnie Taylor, The Bar-Kays, and Booker T. Jones (later of Booker T. & the M.G.s fame) were some of the "Memphis Sound" musical luminaries Hayes worked with during his early years as a budding musician and vocalist. He was a multi-talented composer, singer, and arranger who played the piano, vibraphone, and saxophone equally well. In 1971 he won an Academy Award for Best Original Song for a Motion Picture for the "Theme from Shaft" (1970) and was nominated for Best Original Dramatic Score for Shaft (1971).Composer of the famous Shaft theme and a pioneer of pop music.- Music Artist
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Born and brought up in an obscure village near Kambam in Southern Tamil Nadu, Ilayaraja became the first Asian to score a symphony for the London Philharmonic Orchestra, besides scoring over 1000 feature films in a period of 38 years. Raja, as he is popularly known and affectionately called, comes from a family of musicians. His mother, a huge repository of Tamil folk songs, seems to be a very strong influence in his music. He learned to play the harmonium, the typical musical instrument used in street performances. The team of the brothers, the eldest being Pavalar Varadharajan, a poet, worked as a group of musicians traveling across the state, accompanying theater artists. Raja picked up most of his acumen for audience tastes during this period.
In 1969, Raja migrated to the city of Madras, the Southern Movie capital, when he was 25 years old, looking for a break into music making for the public. He studied under Dhanraj Master, playing the guitar and piano in the Western style. Ilayaraja's break into music for films came with Annakili in 1976. The film dealt with a village story, to which Ilayaraja composed great melodies. The songs offered simplicity and musicality typical of Tamil folk in an authentic way, and they offered new sounds--rich orchestration typical of Western music. The songs became an instant hit, the most popular being "Machchana Partheengala" sung by a female voice, S. Janaki. This was followed by a series of films that portrayed contemporary Tamil villages in an authentic way, against stylistic shallow portrayals before. For all of these films Raja created memorable songs. Most popular were the songs "Senthoorappove" and "Aatukkutti Mutaiyittu" from Pathinaru Vayathinile (1977), and "Samakkozhi" and "Oram Po" from Ponnu Oorukku Pudhusu (1979).
Raja soon proved his abilities in other styles as well. classical Karnatic melodies were used in Kannan Oru Kai Kuzhandhai (1978) (Rag Mohanam), Mayile Mayile (Ragam Hamsadhwani), and Chinna Kannan Azhaikiran (Reethi Gowlai). Raja's grasp of Western classical structure became evident with his masterful use of the piano, guitar, and string ensembles. Some of the numbers that show his orchestral genius are "Pon malai Pozhudu" and "Poongadhave" from Nizhalgal (1980), Kanmaniye Kadhal from Aarilirindhu Aruvathu Varai (1979), "Ramanin Mohanam" from Netri Kann (1981), "En Iniya Pon nilave from Moodupani (1980), "Paruvame Pudhiya" from Nenjathai Killathe (1980), and "Edho Moham" from Kozhi Koovuthu (1982). These songs could literally be heard coming from every doorstep in Tamil Nadu state every day for at least a year after being released. Raja composed film music prolifically for the next fifteen years, at a rate of as many as three new songs a day. After a few years as a film composer, he could write all the parts to a score as they came to him, and his assistants would make fair copies, which would be recorded immediately.
Once during a trip to Europe, he visited places where Wolfgang Amadeus Mozart, Johann Sebastian Bach, and Ludwig van Beethoven lived. They were his Manasika Gurus or non-physical teachers, he wrote once. He also met contemporary composers and arrangers including Paul Mauriat. His listeners were awestruck by the quality and quantity of his musical output. He also scored a few films abroad. Ilayaraja's image grew to be a unique one in the history of Tamil cinema: stories, themes, and casts would be changed to fit his music, which swept away the minds of millions of Indians in hundreds of films.
Ilayaraja also recorded non-film albums, such as "How to Name It" and "Nothing But Wind," which were well-received in India and abroad. In 1993, he wrote a symphony for the London Philharmonic Orchestra in an amazing one-month span. To many people who know him, Raja represents more than his music. He is usually referred to by the title Isaignani (English: Musical Genius), or as The Maestro. ilaiyaraaja is a gold medalist in classical guitar from Trinity College of Music, London. He is a mark of great achievement that is possible by hard work, yet he is seen in most of his interviews as talking very philosophically. He is very much attracted by the philosophy of Ramana Maharishi of Thiruvanna Malai, who lived in the early 20th Century. Raja once referred to Ramana as "our Zen master."An Indian composer who composes symphonic blends of Indian and Western music.- Composer
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Mike Post - musician, composer, arranger and producer - has long been considered the most successful composer in television history. His career in television started in 1970. Over the years, he's written the music for seven thousand hours of TV including: Law and Order: Special Victims Unit, Law & Order Criminal Intent, Law & Order and Nurses.
The list continues with NYPD Blue, The Rockford Files, Magnum PI, Hill Street Blues, L.A. Law, The A-Team, Wiseguy, Hunter, The Commish, Quantum Leap, Doogie Howser MD, Blossom, Hooperman, The White Shadow, Hardcastle & McCormick, Byrds of Paradise, News Radio, Silk Stalkings and Renegade. Theme songs from The Rockford Files, The Greatest American Hero, Hill Street Blues and L.A. Law all became chart topping records and landed Post four of his five Grammy Awards. In 1996 he won the Emmy for outstanding achievement in Main Title composition for the critically acclaimed Murder One.
Born and raised in Los Angeles County's San Fernando Valley, the son of an architect, Post began his study of music with piano lessons at the age of six. His taste was decidedly eclectic--obsessed with Dvorak, Stephen Foster, the blues and rock n' roll. At fifteen, he was playing club dates. He bought an electric piano just like his idol Ray Charles had used on stage; a brown Wurlitzer.
Post's life revolved around music and Valley sub-culture--much like the characters in the film American Graffiti. Cut off from music during school hours, his salvation at Grant High School was a homemade paper keyboard that he would pull out and silently "play" in class, hiding behind dark sunglasses and an open book. Ironically, nearly twenty-four years later, Post was summoned back to campus as one of the school's 1987 Hall of Fame inductees. His 1962 senior classmates included Mickey Dolenz of the Monkees and Magnum PI's Tom Selleck.
Post spent his evenings on the L.A. club circuit, often appearing with acts that had famous names but few, if any, original members. He was the new "Paul" in Paul and Paula and a member of the Markettes after the founding members had moved on. "There was little money in it, but it sure was fun," says Post. He graduated high school (just to make his parents happy), giggled with various rock groups and did a stint in the house band of a famed San Francisco topless club before he realized that he needed to return to school to study music. A year later, equipped with sight-reading skills and the ability to notate music, he formed a 60's folk ensemble, The Wellingbrook Singers, and toured the U.S. After the group disbanded, Post came off the road and in to the recording studio.
He began playing record, commercial, and movie dates; a part of what would famously be known as The Wrecking Crew. Post played for virtually everyone active in the LA recording scene during this time. Most notably he worked on all of Sonny and Cher's early hits, starting with I Got You Babe. Post's ambition ultimately led to a career on the other side of the glass. While working for producer Jimmy Bowen, he formed The First Edition, featuring then unknown bassist/vocalist, Kenny Rogers. Post's debut as producer led to the group's Top Five single, I Just Dropped In ( To See What Condition My Condition Was In). Next, he served as producer/arranger for Mason Williams' The Mason Williams Phonograph ALbum - the LP that spawned the hit record Classical Gas and garnered Post his first Grammy, awarded for "Best Instramental Arrangement".
At 24, Post became Musical Director for The Andy Williams Show, becoming the youngest musician in TV history to hold such a position. Later, he returned to television as a producer for The Mac Davis Show. He also began designing stage shows-putting together acts for artists like Dolly Parton and Ronny Milsap.
Yet, Post's most visible forte would be composing dramatic music for television and film. In 1968 he met veteran arranger/trombonist Pete Carpenter. Their initial project was music for the TV show Toma- Stephen J. Cannell's first series. It launched the most important musical collaboration and friendship of their lives. They followed up with The Rockford Files ( which became a Top 10 single and landed them each a Grammy), Baa Baa Black Sheep, Hunter and Magnum PI. Their partnership ended late in 1987 when Carpenter died after a long illness. In 1989 Post worked with the BMI Foundation to establish a Pete Carpenter Memorial Fund to benefit young composers.
In addition to scoring, Post has continued to work as a record producer and arranger. He's contributed arrangements to several Ray Charles LP's, produced, arranged, and co-wrote ( with Stephen Geyer ) the theme from The Greatest American Hero, which became a #1 record for singer Joey Scarbury. In 1981 Post hit the Top 10 again with his own recording of the theme from Hill Street Blues, which featured guitarist Larry Carlton.
When asked to comment on his success, he says, " I am so fortunate. If I couldn't make a living writing music, I'd do something else during the day and write music at night for free. I'm the luckiest person I've ever met. I've worked with, who I believe are, the greatest musicians in the world."A composer of memorable TV themes (Magnum PI, The A-Team, The Greatest American Hero).- Music Department
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Shirley Walker was born in Napa, California in 1945. She was educated at Pleasant Hill High School; attended San Francisco State College on piano scholarship; studied composition with Dr. Roger Nixon; and piano with Harald Logan of Berkeley, California. She was soloist with San Francisco Symphony while in high school; performed with various hotel, jazz & art bands in San Francisco, 1964 - 1967.
Industrial film and jingles work 1967 - 1978. Oakland Symphony Orchestra pianist 2 seasons, Cabrillo Festival Orchestra pianist 2 seasons. Member American Federation of Musicians (AFM) 1962 - present Member National Academy of Recording Arts & Sciences (NARAS) 1978 - present; Member American Society of Composers Authors & Publishers (ASCAP) 1980 - present; Member Academy of Television Arts & Sciences (ATAS) 1987 - present; Awards Committee 1987 - 1988; Member Society of Composers & Lyricists (SCL) 1985 - present; Vice President 1988 - 1992; Board of Directors 1986 - 1994; Working Conditions Committee 1987 - 1989; author SCL Working Conditions Questionnaire; author for The Score, SCL periodical: Packaging Scores, The Business of Quality Orchestration, New Low Budget Film Rate, Assumption Agreements and the Special Payments Fund. Member Recording Musicians Association (RMA) 1990 - present, Board of Directors 1994 - present; Member Broadcast Music Inc., (BMI) 1993 - present; Member Academy of Motion Picture Arts & Sciences (AMPAS) 1994 - present; Executive Music Branch Committee 1994 - present.
She married Don Walker in 1967 and they had two sons, Colin born 1970, Ian born 1972.One of the first female composers, most renowned for scoring 1990s DC animated series (Batman, Superman, Justice League).- Composer
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An award-winning composer, songwriter, recording and performing artist, Shuki Levy has garnered 15 gold and platinum records with sales in excess of 14 million records worldwide. He has scored over a dozen feature and television films, composed the music for over 130 television shows, and produced, written and directed multiple film and television projects. He has also composed over 100 memorable television theme songs, including Inspector Gadget (1983), He-Man and the Masters of the Universe (1983), Spider-Man: The Animated Series (1994), and X-Men: The Animated Series (1992). Shuki holds the world record for composing the most television theme songs.
A self-taught musician, Shuki mastered the guitar by the age of 14 and founded one of Israel's first rock groups. In 1975, Shuki partnered with Israeli actress Aviva Paz and started a pop group called Shuki and Aviva. The group became well-known throughout Europe, Asia, and Africa. Shuki left the group at the height of its popularity to pursue a composing career in the United States.
Shuki later became the driving creative force behind "Saban Entertainment", a children's programming giant that he co-founded with his longtime friend and business partner, Haim Saban. While at Saban, Shuki co-created several popular children's franchises including Mighty Morphin Power Rangers (1993). With Shuki at the creative helm, Saban grew into one of the largest independent producers and distributors of children's programming in the world and was eventually sold to Fox Entertainment. In addition, Shuki has written and directed several independent features, including Susie Q (1996), Round Trip to Heaven (1992), Rusty: A Dog's Tale (1998), and Aussie & Ted's Great Adventure (2009).
Although Shuki has found international success as a composer and producer, his connection to Israel has remained strong. In 2007 he opened a museum at the desert fortress Masada, giving a home to the numerous historical treasures found there. Shuki also composed a stage musical about the events that occurred at Masada. In the story, the historical events of Masada are juxtaposed with the World War II Warsaw ghetto uprising. "Masada 1942" opened on January 23, 2020 at Habima, the National Theatre of Israel, to rave reviews. After forced closure due to the global pandemic, Habima reopened the musical on April 7, 2021.
Shuki is a co-chair of Genius 100 Visions, a global project to honor the life and legacy of Albert Einstein. Genius 100 Visions brings together accomplished, compassionate minds to re-imagine the future and improve our world. The Genius 100 Visionaries are a group of global leaders, activists, and innovators. The group is comprised of 16 Nobel Laureates, Astronauts, an EGOT, Olympic Gold Medalists, Knight(s) of the British Empire, Guinness World Record Holder, Global Teacher Prize, Companion(s) of the Order of Canada, a former NASA Administrator, a World Chess Champion, a Grammy winner, an Oscar winner, global brand CEO's, Justice of the Supreme Court of Canada - and recipients of National Medals of Science, Humanities and Arts; Pulitzer Prize; Peabody Award; Albert Einstein Medal, and many more accolades and honors. Shuki also devotes time to his family foundation, which supports a number of projects and creative properties that seek to enlighten, educate, and inspire.The composer of some classic television series themes (He-Man, Inspector Gadget, Dragon Ball Z, and the eternal Power Rangers theme).- Music Department
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Randy Edelman was born on 10 June 1947 in Paterson, New Jersey, USA. He is a composer and actor, known for The Last of the Mohicans (1992), xXx (2002) and Anaconda (1997). He has been married to Jackie DeShannon since 3 June 1976. They have one child.A sadly underrated composer who has done some memorable tunes across his career (The Mask, Dragonheart and Ghostbusters II).- Composer
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Robert J. Walsh has written the music for nearly 50 TV series and specials, several Movies of the Week, over 20 feature films and documentaries, numerous commercials, has received 3 Emmy nominations, and written and produced around 200 albums for various record labels worldwide. Due to the enormous popularity of his releases on the Hollywood Music label, which are licensed almost exclusively into film and TV shows, his music has been featured in perhaps more film and TV shows over the last twenty years than any other contemporary composer for film and television.An underrated composer who worked on many memorable cartoon themes in the 80s (Transformers G1, Jem, GI Joe).- Composer
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Kentarô Haneda was born on 12 January 1949 in Tokyo, Japan. He was a composer, known for Virus (1980), I Want To (1979) and Macross: Do You Remember Love? (1984). He died on 2 June 2007 in Shinjuku, Tokyo, Japan.A Japanese pianist, while not too well-known outside his country, he has created memorable and atmospheric tunes for a score of features.- Music Department
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Alan Menken is an American composer, songwriter, music conductor, director and record producer.
Menken is best known for his scores and songs for films produced by Walt Disney Animation Studios. His scores and songs for The Little Mermaid (1989), Beauty and the Beast (1991), Aladdin (1992), and Pocahontas (1995) have each won him two Academy Awards. He also composed the scores and songs for Little Shop of Horrors (1987), Newsies (1992), The Hunchback of Notre Dame (1996), Hercules (1997), Home on the Range (2004), Enchanted (2007), Tangled (2010), among others.
He is also known for his work in musical theatre for Broadway and elsewhere. Some of these are based on his Disney films, but other stage hits include Little Shop of Horrors (1982), A Christmas Carol (1994) and Sister Act (2009).
Menken has collaborated with such lyricists as Lynn Ahrens, Howard Ashman, Jack Feldman, Tim Rice, Glenn Slater, Stephen Schwartz and David Zippel. With eight Academy Award wins, Menken is the second most prolific Oscar winner in the music categories after Alfred Newman, who has 9 Oscars. He has also won 11 Grammy Awards, a Tony Award, Emmy Award, 7 Golden Globe Awards and many other honors.Disney's maestro, who has created a variety of wonderful songs for Disney's animated musicals.- Music Department
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As Danny Elfman was growing up in the Los Angeles area, he was largely unaware of his talent for composing. It wasn't until the early 1970s that Danny and his older brother Richard Elfman started a musical troupe while in Paris; the group "Mystic Knights of Oingo-Boingo" was created for Richard's directorial debut, Forbidden Zone (1980) (now considered a cult classic by Elfman fans). The group's name went through many incarnations over the years, beginning with "The Mystic Knights of the Oingo Boingo" and eventually just Oingo Boingo. While continuing to compose eclectic, intelligent rock music for his L.A.-based band (some of which had been used in various film soundtracks, e.g. Weird Science (1985)), Danny formed a friendship with young director Tim Burton, who was then a fan of Oingo Boingo. Danny went on to score the soundtrack of Pee-wee's Big Adventure (1985), Danny's first orchestral film score. The Elfman-Burton partnership continued (most notably through the hugely-successful "Batman" flicks) and opened doors of opportunity for Danny, who has been referred to as "Hollywood's hottest film composer".A wonderfully quirky and eccentric composer, best known for working with Goth director Tim Burton (Beetlejuice, Batman).- Music Department
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James Horner began studying piano at the age of five, and trained at the Royal College of Music in London, England, before moving to California in the 1970s. After receiving a bachelor's degree in music at USC, he would go on to earn his master's degree at UCLA and teach music theory there. He later completed his Ph.D. in Music Composition and Theory at UCLA. Horner began scoring student films for the American Film Institute in the late 1970s, which paved the way for scoring assignments on a number of small-scale films. His first large, high-profile project was composing music for Star Trek II: The Wrath of Khan (1982), which would lead to numerous other film offers and opportunities to work with world-class performers such as the London Symphony Orchestra. With over 75 projects to his name, and work with people such as George Lucas, Steven Spielberg, James Cameron, Oliver Stone, and Ron Howard, Horner firmly established himself as a strong voice in the world of film scoring. In addition, Horner composed a classical concert piece in the 1980s, called "Spectral Shimmers", which was world premiered by the Indianapolis Symphony Orchestra. Horner passed away in a plane crash on June 22, 2015, two months short of his 62nd birthday.A composer who composed stirring adventurous music for films of many genres (Jumanji, The Mask of Zorro, Apollo 13).- Music Department
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Richard Stone was born on 27 November 1953 in Philadelphia, Pennsylvania, USA. He was a composer, known for Witness (1985), Animaniacs (1993) and Dolores Claiborne (1995). He died on 9 March 2001 in West Hills, Los Angeles, California, USA.An underrrated composer who worked on WB comedy shows in the 90s (Taz-Mania, Freakazoid, Pinky and the Brain).- Music Artist
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Michael Joseph Jackson was born on August 29, 1958 in Gary, Indiana, and entertained audiences nearly his entire life. His father, Joe Jackson (no relation to Joe Jackson, also a musician), had been a guitarist, but was forced to give up his musical ambitions following his marriage to Michael's mother Katherine Jackson (née Katherine Esther Scruse). Together, they prodded their growing family's musical interests at home. By the early 1960s, the older boys Jackie, Tito and Jermaine had begun performing around the city; by 1964, Michael and Marlon had joined in.
A musical prodigy, Michael's singing and dancing talents were amazingly mature, and he soon became the dominant voice and focus of the Jackson 5. An opening act for such soul groups as the O-Jays and James Brown, it was Gladys Knight (not Diana Ross) who officially brought the group to Berry Gordy's attention, and by 1969, the boys were producing back-to-back chart-busting hits as Motown artists ("I Want You Back," "ABC," "Never Can Say Goodbye," "Got to Be There," etc.). As a product of the 1970s, the boys emerged as one of the most accomplished black pop / soul vocal groups in music history, successfully evolving from a group like The Temptations to a disco phenomenon.
Solo success for Michael was inevitable, and by the 1980s, he had become infinitely more popular than his brotherly group. Record sales consistently orbited, culminating in the biggest-selling album of all time, "Thriller" in 1982. A TV natural, he ventured rather uneasily into films, such as playing the Scarecrow in The Wiz (1978), but had much better luck with elaborate music videos.
In the 1990s, the downside as an 1980s pop phenomenon began to rear itself. Michael grew terribly child-like and introverted by his peerless celebrity. A rather timorous, androgynous figure to begin with, his physical appearance began to change drastically, and his behavior grew alarmingly bizarre, making him a consistent target for scandal-making, despite his numerous charitable acts. Two brief marriages -- one to Elvis Presley's daughter Lisa Marie Presley -- were forged and two children produced by his second wife during that time, but the purposes behind them appeared image-oriented.
Michael Jackson died on June 25, 2009 in Los Angeles, California. His passion and artistry as a singer, dancer, writer and businessman were unparalleled, and it is these prodigious talents that will ultimately prevail over the extremely negative aspects of his troubled adult life.The King of Pop music.- Music Artist
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The Bee Gees were a music group formed in 1958, featuring brothers Barry, Robin and Maurice Gibb. The trio were especially successful as a popular music act in the late 1960s and early 1970s, and later as prominent performers of the disco music era in the mid- to late 1970s. The group sang recognizable three-part tight harmonies; Robin's clear vibrato lead vocals were a hallmark of their earlier hits, while Barry's R&B falsetto became their signature sound during the mid- to late 1970s and 1980s. The Bee Gees wrote all of their own hits, as well as writing and producing several major hits for other artists and have been regarded as one of the most important and influential acts in pop music history. They have been referred to in the media as The Disco Kings, Britain's First Family of Harmony, and The Kings of Dance Music.
Born on the Isle of Man to English parents, the Gibb brothers lived in Chorlton, Manchester, England until the late 1950s. There, in 1955, they formed the skiffle/rock and roll group the Rattlesnakes. The family then moved to Redcliffe, in the Moreton Bay Region, Queensland, Australia, later to Cribb Island. After achieving their first chart success in Australia as the Bee Gees with "Spicks and Specks" (their twelfth single), they returned to the UK in January 1967, when producer Robert Stigwood began promoting them to a worldwide audience. The Bee Gees' Saturday Night Fever soundtrack (1977) was the turning point of their career, with both the film and soundtrack having a cultural impact throughout the world, enhancing the disco scene's mainstream appeal. They won five Grammy Awards for Saturday Night Fever, including Album of the Year.
The Bee Gees have sold over 120 million records worldwide (with estimates as high as over 200 million records sold worldwide), making them among the best-selling music artists of all time. They were inducted into the Rock and Roll Hall of Fame in 1997; the Hall's citation says, "Only Elvis Presley, the Beatles, Michael Jackson, Garth Brooks and Paul McCartney have outsold the Bee Gees." With nine number-one hits on the Billboard Hot 100, the Bee Gees are the third-most successful band in Billboard charts history behind only the Beatles and the Supremes.
Following Maurice's sudden death in January 2003 at the age of 53, Barry and Robin retired the group's name after 45 years of activity. In 2009, Robin announced that he and Barry had agreed that the Bee Gees would re-form and perform again. Robin died in May 2012, aged 62, after a prolonged period of failing health, leaving Barry as the only surviving member of the group.A disco music band who gave great hits in the 1960s and 1970s.- Composer
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Yuki Kajiura was born on 6 August 1965 in Tokyo, Japan. She is a composer, known for .hack//SIGN (2002), Fate/Zero (2011) and Demon Slayer: Kimetsu no Yaiba - The Movie: Mugen Train (2020).A composer renowned for unearthly orchestral tracks (notably the Fate saga).- Music Artist
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A two-time winner and five-time nominee of the Academy Award, A. R. Rahman is popularly known as the man who has redefined contemporary Indian music. Rahman, according to a BBC estimate, has sold more than 150 million copies of his work comprising of music from more than 100 film soundtracks and albums across over half a dozen languages, including landmark scores such as "Roja", "Bombay", "Dil Se", "Taal", "Lagaan", "Vandemataram", "Jodhaa Akbar", "Slumdog Millionaire" and "127 Hours".
Rahman pursued music as a career at a very young age. After assisting leading musicians in India, he went on to compose jingles and scores for popular Indian television features. He also obtained a degree in western classical music from the Trinity College of Music, London and set up his own in-house studio called Panchathan Record-Inn in Chennai. In 1991, noted filmmaker Mani Ratnam offered Rahman a movie called "Roja" which was a run-away success and brought nationwide fame and acclaim to the composer. The movie also won Rahman the Indian National Award for Best Music Composer, the first time ever by a debut. Since then, Rahman has gone on to win the National Award three more times - the most ever by any music composer.
In 1997, to commemorate 50 years of Indian Independence, Sony Music signed Rahman as its first artist in South Asia. The result was "Vande Mataram", an album that instantly and successfully rekindled the spirit of patriotism among Indians around the world. In 2001, Sir Andrew Lloyd Webber, renowned music composer of musicals including "Phantom of the Opera" and "Jesus Christ Superstar", invited Rahman to compose for his musical, "Bombay Dreams", which was the first production that Sir Webber did not compose for. "Bombay Dreams" opened to packed houses at London's West End and had an unprecedented run for two years. The show later premiered in New York. In 2005, Rahman composed the score for the stage production of "The Lord of the Rings", one of the most expensive productions mounted on stage.
In 2008, Rahman's work gained global prominence with the extraordinary success of his score for "Slumdog Millionaire" that won eight Academy Awards including two for Rahman - Best Score and Best Song. Rahman won over 15 awards for this score including two Grammys, the Golden Globe and the BAFTA. Rahman's music led him to be noticed internationally with several of his tracks featured in movies such as "The Lord of War", "Inside Man" and "The Accidental Husband". His composition, "Bombay Theme" holds the distinction for being featured in over 50 international compilations. Aside from "Slumdog Millionaire", he also scored the music for Hollywood productions, "Elizabeth - The Golden Age", "Couples Retreat", "127 Hours", "People Like Us", "Warriors of Heaven & Earth", "The 100 Foot Journey", "Million Dollar Arm" and "Pele".
Rahman has been conferred with honorary doctorates from the Trinity College of Music, Aligarh Muslim University, Anna University, Middlesex University and Berklee College of Music. In 2009, he was featured in Time Magazine's "Time100: The Most Influential People."
In 2011, Rahman joined a super band, SuperHeavy, comprised of Mick Jagger, Joss Stone, Damian Marley and Dave Stewart. Rahman has collaborated with several other international artists including Nusrat Fateh Ali Khan, Michael Jackson, Michael Bolton, MIA, Vanessa Mae, the Pussycat Dolls, Sarah Brightman, Dido, Hossam Ramzy, Hans Zimmer and Akon.
Rahman remains one of the few mainstream artists whose works have been performed live by the likes of the London Philharmonic Orchestra, Los Angeles Philharmonic Orchestra, Babelsberg Film Orchestra and the Birmingham Symphony Orchestra.
Rahman has expanded his focus to newer horizons including the establishment of the A. R. Rahman Foundation to help poor and underprivileged children. Rahman has also announced initiatives to establish a tradition in western classical music in India and has embarked on an ambitious venture to set up the KM Music Conservatory and the KM Music Symphony Orchestra based out of Chennai, India.An Indian composer who created a host of wonderful Indian songs and soundtracks.- Music Department
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An Indian composer of soulful Punjabi rock ballads.- Music Artist
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Queen were one of the longest-lasting and most commercially successful bands to emerge from the British heavy rock scene of the early 1970s, but unlike their contemporaries such as Led Zeppelin, Deep Purple and Black Sabbath, they soon became just as popular with pop fans as fans of hard rock and heavy metal, beginning with "Killer Queen" from their third album "Sheer Heart Attack" in 1974.
Formed in London in 1970 following the demise of the band Smile, Queen originally consisted of vocalist Freddie Mercury, guitarist Brian May and drummer Roger Taylor before being joined by bassist John Deacon. The band became popular with audiences via their hit singles, live performances, originality and showmanship, being voted the greatest British band of all time in a national BBC poll. Their Live Aid (1985) performance was voted the best live rock performance of all time in an industry poll. According to the BBC, Queen have sold more than 300 million albums as of 2009.
Queen's first album "Queen" was a commercial flop in 1973, failing to chart and producing no hit single, but their second album "Queen II" produced a top ten hit, "Seven Seas of Rhye". It was with the release of "Sheer Heart Attack" in 1974 and "A Night at the Opera" the following year that the band gained international success. They have released fifteen studio albums, five live albums and numerous compilation albums. Since Mercury's death and Deacon's retirement, May and Taylor have performed infrequently together at special events and programs as members of other ensembles. Between 2004 to 2009 the duo collaborated with Paul Rodgers under the moniker Queen + Paul Rodgers, and between 2011 to 2015 with Adam Lambert under the moniker Queen + Adam Lambert.One of the best rock bands in history.- Music Artist
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The Electric Light Orchestra (ELO) are an English rock band formed in Birmingham in 1970, by songwriters/multi-instrumentalists Jeff Lynne and Roy Wood with drummer Bev Bevan. During ELO's original 14-year period of active recording and touring, they sold over 50 million records worldwide. From 1972 to 1986, ELO accumulated twenty Top 20 songs on the UK Singles Chart, and fifteen Top 20 songs on the US Billboard Hot 100.A pop rock band that blends classical and modern arrangements to form great tunes.