Top Ten Contributors - Heat Wave (1954)
This is one of several British film noir movies produced by the Hammer Production Company. Here are the top 10 contributors that brought this movie to the screen.
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- Writer
- Director
- Producer
Ken Hughes was an award-winning writer and director who flourished in the 1950s and 1960s, though he continued directing into the early 1980s. Born in Liverpool, England, on January 19, 1922, Hughes decided early in his life that he wanted to be a filmmaker. When he was 14 years old he won an amateur movie-making contest.
In 1952 his first feature, the crime drama Wide Boy (1952), was released. By 1955 he was working with imported American character actor Paul Douglas in the quirky Joe MacBeth (1955), a retelling of William Shakespeare's tragedy recast as a modern film noir. Hughes directed the movie and wrote the screenplay. That film led to his directing more English pictures with imported Hollywood B-list stars, including Arlene Dahl and Victor Mature. In a reverse of the Atlantic trade, he exported a script to the US, which was picked up by "Alcoa Theater" and aired as Eddie (1958), starring Mickey Rooney and directed by Jack Smight. It brought Hughes an Emmy Award for his teleplay.
His favorite of his many movies was The Trials of Oscar Wilde (1960), starring Peter Finch as the doomed writer. He was nominated for three BAFTA Awards and Finch took home the BAFTA as Best Actor. It also won the Samuel Goldwyn Award for Best English-Language Foreign Film at the Golden Globes.
During the 1960s Hughes worked on A-List pictures, including Of Human Bondage (1964), an adaptation of W. Somerset Maugham's book, but it did not make anyone forget the Bette Davis-Leslie Howard classic of 30 years earlier (Of Human Bondage (1934)). He also toiled as one of the five directors on the cinematic mishmash Casino Royale (1967), which was a box-office smash but a critical bomb.
His greatest hit was the adaptation of another Ian Fleming work, his children's book Chitty Chitty Bang Bang (1968). The movie was a huge hit, but Hughes was dissatisfied with it. His next picture, the historical epic Cromwell (1970) (1970), got good reviews, but did not burn up the turnstiles at theaters.
His career slowed down in the 1970s, the low point of which was undoubtedly his directing 83-year-old Mae West, vamping eternally as the 30-something sexpot she imagined herself in her mind, in the Golden Turkey Sextette (1977), a critical and box-office dud. He ended his career directing the exploitation film Night School (1981), a slasher pic starring a then-unknown Rachel Ward.
After a period of declining health, Ken Hughes died on April 28, 2001, in Los Angeles. He was 79 years old.wrote the novel "High Wray" along with the screenplay- Producer
Ken Hughes is known for Hammer City (2011).- Cinematographer
- Camera and Electrical Department
Walter J. Harvey was born on 9 February 1903 in Hornsey, London, England, UK. Walter J. was a cinematographer, known for The Avengers (1961), Whispering Smith vs. Scotland Yard (1952) and Bulldog Drummond at Bay (1937). Walter J. was married to Nancy Sherry. Walter J. died in 1979 in London, England, UK.in charge of cinematography- Music Department
- Composer
- Soundtrack
Ivor Slaney was born on 27 May 1921 in West Bromwich, Birmingham, England, UK. He was a composer, known for Shall We Dance? (2004), Monty Python and the Holy Grail (1975) and The Curious Case of Benjamin Button (2008). He died on 20 March 1998 in Milford on Sea, Hampshire, England, UK.conductor of music- Actor
- Director
- Producer
A regular "good guy" and "bad guy" presence in sagebrush sagas and two-fisted film action during the early 1950s, brawny, blond-haired Alexander Livingston Nicol Jr. was born in 1916 in Ossining, New York, the son of a prison warden there at Sing Sing, and his wife, the matron of a detention center. Alex developed an early interest in acting and originally trained at the Fagin School of Dramatic Art.
On the professional stage from 1938, he soon found work as an apprentice to Maurice Evans. As part of the ensemble in his highly-regarded Shakespearean production company, he appeared on stage with the great actor in "Henry IV, Part I" (1939) and "Richard II" (1940) on Broadway. Following a stage role in "Return Engagement," his newly-found career was interrupted by World War II. Following his five-year stretch as a Tech Sergeant with the National Guard and Cavalry Unit, he became a student and eventual charter member of Lee Strasberg's Actors Studio. He also returned to Broadway in such shows as "Sundown Beach" and "South Pacific" (in the ensemble as a Marine). Other post-war stage plays included "Waiting for Lefty," "Forward the Heart" and "Mister Roberts," in which he took over Ralph Meeker's role (as the sailor Minnion) and served as understudy to Henry Fonda. The pinnacle of his Broadway career occurred when he replaced Ben Gazzara and received excellent reviews as Brick in "Cat on a Hot Tin Roof" in 1956.
Alex's film career was launched when he was discovered by Universal-International director George Sherman, who cast him in a prime role in his film mystery The Sleeping City (1950) starring Richard Conte and Coleen Gray. He next appeared in Tomahawk (1951), the first of his many oaters, which starred Yvonne De Carlo, Van Heflin and an up-and-coming Rock Hudson. Continuing in the same vein throughout the early 1950s as both support player and occasional lead, he played an assortment of decent, law-abiding sheriffs and simpering, murdering gunslingers in such westerns as The Redhead from Wyoming (1953), his first co-starring role opposite Maureen O'Hara, The Lone Hand (1953), Law and Order (1953), Dawn at Socorro (1954), and his best film, The Man from Laramie (1955) in which he memorably menaced James Stewart. Outside the western genre he rolled out such outdoor/war pictures as Target Unknown (1951), Air Cadet (1951), Red Ball Express (1952) and Strategic Air Command (1955), the last mentioned also starring Stewart. He also top-lined a few British-made pictures during this 1950s time period.
Television also brought Alex work with a number of appearances in such popular shows as "The Twilight Zone," "Dr. Kildare" and "The Outer Limits," among others. Unable to break free of his rugged secondary typecast, he also tried his hand at directing, his first being the semi-cult horror film The Screaming Skull (1958) in which he was a secondary character in a cast of five. He found more prolific directing offers on TV, notably the "Tarzan" series starring Ron Ely throughout the 1960s.
In 1959, after receiving a major part in the Italian/Yugoslavian picture 5 Branded Women (1960), Alex and his family transported themselves to Rome for a couple of years where he continued to film. Although they returned to the US in 1961, he would often show up in a European-made "spaghetti western" or two during the early 1960s. He appeared sporadically on TV and film into the next decade, his last feature being the extremely low-budget giant monster flick Ape (1976), about a 36 foot gorilla that terrorizes Korea, a film he agreed to do for his friend Paul Leder. Alex retired fully in 1987 and died in Montecito, California in 2001 at the age of 85, survived by long-time wife (since 1948), former actress Jean Fleming, and their three children (two sons and a daughter).play male lead - Mark Kendrick- Hillary Brooke's image as the epitome of glacial, regal, upper-class British gentility is muted somewhat by the fact that she was born Beatrice Sofia Mathilda Peterson to a middle-class American family in Long Island, New York. She was the sister of actor Arthur Peterson, best-known as the demented "Major" on the soap-opera satire Soap (1977). Always a beauty, she had a successful career as a photographer's model before breaking into show business. Her "British" accent came about when she realized that she was just one of innumerable tall, good-looking blondes vying for roles, and needed something to make her stand out among them. She came up with affecting a British accent and it worked; she began to get more and more roles that called for a "British" blonde, so she kept the accent.
Her film debut was in New Faces of 1937 (1937), in which -- billed as "Beatrice Schute" -- she played a showgirl. She began working steadily in films in the early 1940s, and appeared in such major productions as The Woman in Green (1945), The Fuller Brush Man (1948), The Philadelphia Story (1940), Dr. Jekyll and Mr. Hyde (1941), Wake Island (1942), Jane Eyre (1943) and The Enchanted Cottage (1945), in addition to the usual run of "B" westerns and thrillers in which many up-and-coming young actresses had to put in time. In the early 1950s she began appearing on television including 23 appearances on The Abbott and Costello Show (1952) as "Hillary Brooke", the object of Lou Costello's affections. She had worked previously with the duo in their second color film, Abbott and Costello Meet Captain Kidd (1952), in which she played a pirate chief.
She had no compunctions about taking a pie in the face, a vase on the head, a pratfall, or tussling with Bingo the chimp, and more than held her own. She also had a similar role as the girlfriend of Vern Albright (Charles Farrell) in My Little Margie (1952) and alternated between television and film roles in the 1950s. One of her better-known roles was as little David MacLean (Jimmy Hunt)'s mother, Mary, who is taken over by the Martians in the sci-fi classic Invaders from Mars (1953). She also played Doris Day's character's best friend in The Man Who Knew Too Much (1956), and, the next year, had her final film role in Spoilers of the Forest (1957), after which she turned exclusively to television.
She retired from the film industry in 1960, after marrying film executive Raymond A. Klune, and died in Bonsall, California, aged 84, in 1999.plays role of Carol Forrest - Actor
- Soundtrack
The star of the Carry On series of films, Sid James originally came to prominence as sidekick to the ground breaking British comedy actor Tony Hancock, on both radio and then television. Born in Johannesburg, South Africa and named Solomon Joel Cohen, James arrived in England in 1946, second wife in tow, having served with the South African Army during World War 2. By now an aspiring actor, James claimed to have boxed in his youth, perhaps to explain his craggy features, but was certainly a well respected hairdresser in his native country. Known in the trade as "one take James", he became a very talented and professional actor, constantly in demand for small parts in British post-war cinema. In 1960 James debuted in the fourth of the Carry On films, taking the lead role in Carry on Constable (1960) and went on to appear in a further 18 Carry On films as well as various stage and television spin-offs. Reputed not to have got on with Carry On co-star Kenneth Williams, the two often played adversaries on-screen, notably in the historical parodies Carry on Up the Khyber (1968) and Carry on Don't Lose Your Head (1967). James however was respected and revered by almost everyone he worked with and contrary to popular myth, a true gentleman. An addiction to gambling played a large part in James' workaholic schedule and subsequent heart attack in 1967. He was soon back in action however, playing a hospital patient in Carry on Doctor (1967), able to spend most of the film in bed. He suffered a second and fatal heart attack on stage in Sunderland, England on April 26 1976, leaving behind 3 children and his third wife Valerie who had stuck by him despite his affair with Carry On co-star Barbara Windsor, saying, "He always came home to me".plays role of Beverly Forrest- This pert and perky blonde Londoner was born on July 16, 1931. Susan Rennie Stephen took an interest in acting while still a youth and began performing on stage as an adolescent. She also received early training at a dramatic school.
Susan pursued TV roles as early as her late teens and earned major notice portraying Amy March in the British series Little Women (1950). Following this, she moved into films making her debut with a eye-catching role as the daughter of governor Eric Portman in the Ealing comedy His Excellency (1952). From there she continued with prime parts in such films as the crime drama Stolen Face (1952) and the comedies Treasure Hunt (1952) and Father's Doing Fine (1952).
Susan's demure, slightly elfin loveliness seemed to coincide with the duteous daughters and/or faithful wives she seemed designed to play. The actress was given top billing as a college co-ed in the romantic comedy Fanciulle di lusso (1952) which featured then-husband Lawrence Ward in a lesser role. She followed this with a cluster of dramatic parts, including the femme lead opposite Alan Ladd in Paratrooper (1953); and with second femme leads alongside Alex Nicol in Heat Wave (1954) and Jack Watling in Dangerous Cargo (1954).
Mainly confined to "B" level films, Susan's more noticeable co-star roles occurred in romantic comedies opposite the likes of Dirk Bogarde in Cocktails in the Kitchen (1954) (aka For Better, For Worse) and John Gregson in Value for Money (1955). Later in the decade she appeared in As Long as They're Happy (1955), It's Never Too Late (1956), and the Jennifer Jones version of The Barretts of Wimpole Street (1957).
Susan's career began to take a back seat in 1957 when she married her second husband, director Nicolas Roeg. After filming major roles in the rollicking comedy Carry on Nurse (1959), the crime thriller Return of a Stranger (1961) and the low-budgeted courtroom drama The Court Martial of Major Keller (1961), along with TV guest parts on such series as "The Adventures of Robin Hood," and "Stryker of the Yard," Susan gently phased her career out and away from the limelight. Her last on-camera appearance was a lead in the low-budgeted Danzinger film comedy Three Spare Wives (1962).
She and Roeg had four children before divorcing in 1977. He subsequently married Hollywood actress Theresa Russell. Focusing henceforth on her children, very little was heard of Susan until her death was announced at age 68 on April 24, 2000, in Sussex, England.plays Andrea Forrest - Actor
- Writer
Paul Carpenter was born on 8 December 1921 in Montreal, Quebec, Canada. He was an actor and writer, known for The Hornet's Nest (1955), Maigret voit rouge (1963) and One Jump Ahead (1955). He was married to Kim Parker and Pauline Black. He died on 12 June 1964 in London, England, UK.plays role of Vincent Gordon- Sharp-featured, incisive Surrey-born actor whose chief trademark was a memorably mellifluous voice. This, he used to maximum effect as a tool for impersonating a gallery of suave, urbane - usually rather likeable - villains, rogues and assorted shady types. He often imbued these characters with an air of smugly superior disdain.
Alan had reinvented himself as an actor after abandoning his first profession as industrial psychologist. He made his theatrical debut in 1928 in "Heartbreak House" by by George Bernard Shaw and appeared on the London stage two years later. For the remainder of the decade, he made a living as a supporting player (with a penchant for period costume) in works by Shakespeare, John Galsworthy, J.M. Barrie, and Oscar Wilde. While preferring the intimacy offered by provincial theatre, he also shone on the grander stage of the Old Vic, and, in 1936, appeared in "St. Helena" on Broadway. That same year, he made his feature film debut in The Conquest of the Air (1931).
During World War II, Alan's voice was heard regularly as announcer and newsreader for the BBC European Service. This led to a constant stream of work as a radio actor and reader of English literature and poetry. In the course of the next three decades, he impersonated the good (detective Lord Peter Wimsey) and the bad (Othello, Judas, Richard III) with equal verve. His television career -- beginning in 1938 -- went along a similar path. Alan was the very first 'BBC Sherlock Holmes' in 1951, taking his cue for the role from the drawings of Sidney Paget and the characterisations by Arthur Conan Doyle. The six instalments (all live transmissions) were well-received but did Alan no favour: the resulting publicity led his agent to ask for higher salaries and this, in turn, led to fewer job offers.
On the big screen, Alan was best served by being the ill-fated Fred Hale in Brighton Rock (1948); the duplicitous traveller on the Sleeping Car to Trieste (1948); and the corrupt financier Mark Cruden in Delayed Action (1954). On television, he will remain the definitive incarnation of the Sheriff of Nottingham in The Adventures of Robin Hood (1955). Alan's sheriff is devious and cunning, a sophisticated arch villain of great clarity, an equal to the hero -- if it were not, of course, for the ineptitude of his minions. After the end of his tenure as Richard Greene's nemesis, Alan popped up as assorted police inspectors, professional types, legal eagles and men of the cloth, in many a popular series, including Danger Man (1960) and Department S (1969). He retired from the screen in 1970, and died in August 1991 in London at the age of 84.plays Inspector MacLennan