80s Action Thriller Heroines, Sidekicks, Villainesses & Damsels
All the women you remember from the classic action movies.
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Actress, model, presenter and singer Brigitte Nielsen was born July 15, 1963 in Rødovre, a little place near Copenhagen in Denmark. At the end of high school when she was sixteen, Gitte (her given name) left her family to begin her modeling career. She worked for top fashion designers like Giorgio Armani, Gianni Versace and Gianfranco Ferré and divided her time between New York, Paris, Milan and Berlin. In 1983, she married Danish musician Kasper Winding, and the year after, her first son Julian was born but, in the same period, acted in Red Sonja (1985) and left her husband and son for an acting career. The film with Arnold Schwarzenegger was successful and, in 1985, she also acted in Rocky IV (1985) with her future husband, Sylvester Stallone. Stallone met Nielsen in the summer of 1985 during Red Sonja (1985)'s promo and, after six months, they married in Malibu. After 19 months, another film together Cobra (1986) and many scandals, Gitte and Sly divorced. In 1987, Brigitte acted in Beverly Hills Cop II (1987), directed by Tony Scott, with Eddie Murphy, Paul Reiser and Chris Rock. She went to Italy, where she worked in a big Italian television show called Festival (1987), recorded a dance album, "Every Body Tells a Story", and a pop music single, "Body Next to Body" with Austrian singer Falco. In January 1988, she met football player Mark Gastineau in an Los Angeles gym and soon she was in love with him. In December 1989, her second son, Killian, was born but the relationship with Gastineau finished. In 1990, Nielsen married the photographer/director Sebastian Copeland (Orlando Bloom's cousin) in Las Vegas and recorded another album called "I'm the One...Nobody Else". In 1992, when her third marriage was finished, Brigitte met Swiss/Italian Raoul Meyer and married him in December 1993. The same year, her third son, Douglas Aaron, was born and Gitte also acted in some films such as: The Double 0 Kid (1992) with Seth Green and Wallace Shawn, Fantaghirò 2 (1992), and in the erotic thriller Chained Heat 2 (1993). Meanwhile, she also worked in European television and, in 1995, her last son, Raoul Jr. Ayrton (in memory of her friend Ayrton Senna) was born. Since then, Brigitte left her fourth husband. She continues to act in many films such as:She's Too Tall (1998), Body Count (1995), 976-Evil II (1991), Galaxis (1995) with Sam Raimi, Compelling Evidence (1995), Corey Feldman, George Hamilton, Snowboard Academy (1997), Hostile Environment (1999) and Doomsdayer (2000). She has also recorded some dance music singles: "No More Turning Back" and "You're No Lady", with RuPaul. In 2004, she participated in three reality television shows, the Italian La talpa (2004) (Celebrity Mole) and the American The Surreal Life (2003) and Strange Love (2005).
She divides her residences between Milan, Italy and the United States.- Actress
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One tough cookie who can definitely hold her own next to the boys on film and TV, lovely, dark-haired Rachel Ticotin has stepped up to the plate many times in strong-armed femme roles, playing everything from cops and bodyguards to military corporals.
Born on November 1, 1958, and raised in the Bronx, Rachel is of Puerto Rican, Russian-Jewish descent and learned the fine art of discipline at a young age with ballet training at age 8. She made her first stage appearance at age 10 as a Siamese princess in a production of "The King and I" at NYC's City Center Theatre. At age twelve she joined the Ballet Hispanico of New York and went on to work with such famed choreographers as Alvin Ailey, Geoffrey Holder and Anna Sokolow.
Rachel made her film debut at age 20 in a bit role as a gypsy dancer in the King of the Gypsies (1978) starring Eric Roberts. She gained valuable experience in off-Broadway shows and on the other side of the camera as a production assistant for such films as The Wanderers (1979), Dressed to Kill (1980) and Raging Bull (1980).
Rachel earned her big break after being handed the top female role opposite Paul Newman and Edward Asner in the brutal police film Fort Apache the Bronx (1981). Television became a viable forum with the TV pilot For Love and Honor (1983) as Corporal Grace Pavlik. The pilot introduced her to up-and-coming actor David Caruso. They married later that year. Rachel went on to appear in the short-lived series version of For Love and Honor (1983) without Caruso. Other television projects included assertive roles in Prison Stories: Women on the Inside (1991), Aftershock: Earthquake in New York (1999) and Warden of Red Rock (2001). On the big screen she played tough in Critical Condition (1987), Where the Day Takes You (1992), and Falling Down (1993).
Her best known role is probably the Arnold Schwarzenegger sci-fi blockbuster Total Recall (1990) in which the athletic Rachel has a memorable fisticuffs scene with Sharon Stone. In 1997, Rachel earned an ALMA award for her role as a prison guard in Con Air (1997). Divorced from Caruso after six years in 1989, she later met actor Peter Strauss on the set of the TV movie Thicker Than Blood: The Larry McLinden Story (1994). They married in 1998. In series drama she joined the cast of Ohara (1987) as a U.S. attorney and played detective in the police drama Crime & Punishment (1993).
A proven talent who is as alluring as she is enduring, Rachel's work has included the popular films Something's Gotta Give (2003) starring Jack Nicholson and Oscar-nominated Diane Keaton, Man on Fire (2004) with Denzel Washington, as well as the recent The Sisterhood of the Traveling Pants (2005) and its sequel The Sisterhood of the Traveling Pants 2 (2008). She also was part of the critically acclaimed bi-cultural series American Family (2002).
Although gracing such recent films as horror opus The Eye (2008), the romantic crimer The Burning Plain (2008) and the dramatic thriller América (2011), Rachel has focused on TV as of late with guest roles on the revamped "The Outer Limits," as well as "Lost," "Law & Order: LA," "NCIS: Los Angeles," "Homeland," "Grey's Anatomy" and "The Act."- Actress
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Maria Conchita Alonso was born Maria Concepcion Alonso Bustillo on June 29, 1957 in Cienfuegos, Cuba, but raised in Caracas, Venezuela. She was crowned Miss Teenager World in 1971 and later as Miss Distrito Federal became the first runner up in the Miss Venezuela 1975 competition placing later that year in the top seven of the Miss World 1975. She became a popular actress in Latin America, working in ten telenovelas (soap operas) and starred in a quartet of Venezuelan films. She was also a popular singer, and has three Grammy Award nominations.
In 1982, she emigrated to the United States, and made her Hollywood film debut in Paul Mazursky's Moscow on the Hudson (1984), opposite Robin Williams. She also starred in movies such as Touch and Go (1986), Extreme Prejudice (1987), The Running Man (1987), Colors (1988), Vampire's Kiss (1988), Predator 2 (1990) and The House of the Spirits (1993). In 1995, she was playing Aurora/Spider Woman in a Broadway production of "Kiss of the Spider Woman", making her the first South American woman to star on the Great White Way.- Actress
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As she inherited her love for the arts by her father, well-known playwright, actor, director and novelist Mario Peña, it is not hard to understand that actress Elizabeth Pena already had designs to become an actress by the time she was eight years old.
Born in Elizabeth, New Jersey on September 23, 1959, the petite (5' 2") actress was raised in New York City. Elizabeth's (and sister Tania's) parents, Cuban immigrants Mario and Estella Margarita Peña, would achieve a strong Latino reputation as the founders of the off-Broadway Latin-American Theatre Ensemble. They also encouraged Elizabeth's talent. In 1975, the young teenager became a founding member of the Hispanic Organization of Latin Actors, and two years later graduated from New York's High School of Performing Arts, now the Fiorello H. LaGuardia High School of Music and Art and Performing Arts.
Elizabeth found occasional work in repertory theater and in television commercials. Making her film debut in the independent Spanish-speaking feature El Super (1979), about Cuban refugees, she continued with playing a long line of independent and rebellious characters, which showed plenty of attitude and independence. Playing offbeat roles -- from a knife-threatening waitress to a disco queen -- she appeared in such early films as They All Laughed (1981) and Crossover Dreams (1985). Elizabeth's big break came in the form a support role in the hugely popular and entertaining comedy Down and Out in Beverly Hills (1986), co-starring Bette Midler, Richard Dreyfuss and Nick Nolte, in which she stole several scenes as the sultry, smoky-voiced, politically-minded maid Carmen.
Two consecutive short-lived television series came about around this time. Her first, the ensemble comedy Tough Cookies (1986), had her playing a police officer, and the second was the title housekeeper role in the sitcom I Married Dora (1987). High in demand now, Elizabeth continued to spice up both the big and small screen in such roles as Ritchie Valens' stepsister-in-law in the well-received biopic La Bamba (1987); a drug enforcement agent in the miniseries Drug Wars: The Camarena Story (1990); PTSD-suffering Tim Robbins' live-in girlfriend in the complex drama Jacob's Ladder (1990); and a dedicated legal secretary on the corporate drama series Shannon's Deal (1990) starring Jamey Sheridan.
Honors also came Elizabeth's way when she received the Independent Spirit and Bravo awards for the film Lone Star (1996), and four ALMA Awards for her performances in the television movie Contagious (1997), the films Tortilla Soup (2001) and Rush Hour (1998), and her regular role on the Latino drama series Resurrection Blvd. (2000).
Into the millennium, Elizabeth found steady employment on television with guest roles on Boston Public (2000), CSI: Miami (2002), Without a Trace (2002), Numb3rs (2005), Ghost Whisperer (2005), Charlie's Angels (2011), Prime Suspect (2011), Common Law (2012), and Modern Family (2009). One of her last roles was on the television series Matador (2014). She also found herself further down the credits in films such as On the Borderline (2001), Transamerica (2005), The Lost City (2005), Mother and Child (2009), The Perfect Family (2011), Plush (2013), and Grandma (2015). Three other films -- Girl on the Edge (2015), Ana Maria in Novela Land (2015), and The Song of Sway Lake (2018) -- were released posthumously. She also provided a voice in the popular Disney/Pixar animated film The Incredibles (2004).
A chronic alcohol problem severely hampered Elizabeth's life and she died suddenly from cirrhosis of the liver in Los Angeles, California on October 14, 2014, at age 55. She was survived by her second husband (from 1994), Hans Rolla, and their two children, son Kælan and daughter Fiona.- Actress
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Sigourney Weaver has created a host of memorable characters, both dramatic and comic, ranging from Ripley in Alien to Dian Fossey in Gorillas in the Mist to Gwen/Tawny in Galaxy Quest and most recently, 14-year-old Kiri in Avatar: The Way of Water. With a career spanning over 50 years, Weaver has captivated audiences and won acclaim as one of the most gifted and versatile actresses on stage and screen.
Born and educated in New York City, Weaver graduated from Stanford University and went on to receive a master's degree from the Yale School of Drama. Her first professional job was in Sir John Gielgud's production of The Constant Wife working with Ingrid Bergman.
After a walk-on in Woody Allen's Annie Hall, Weaver made her motion picture debut in Ridley Scott's 1979 blockbuster Alien. She later reprised the role of Warrant Officer Ripley in James Cameron's 1986 Aliens; her performance earned her Academy Award and Golden Globe nominations for Best Actress. In 1992, she again brought Ripley back to life in David Fincher's Alien 3, which she co-produced, and in 1997 she starred in and co-produced Alien: Resurrection for director Jean-Pierre Jeunet. In 1985, Weaver starred in Ivan Reitman's Ghostbusters alongside Bill Murray and Dan Aykroyd playing Dana Barrett and her possessed counterpart Zuul.
In 1988 Weaver portrayed primatologist Dian Fossey in Gorillas in the Mist and Katharine Parker in the Mike Nichols comedy Working Girl. Both performances earned her Academy Award Nominations, and she was awarded two Golden Globes for Best Actress and Best Supporting Actress in a Motion Picture. Other films include Peter Weir's The Year of Living Dangerously (1983) with Linda Hunt and Mel Gibson, Eyewitness (1981) with William Hurt, Half Moon Street (1986) with Michael Caine, Ridley Scott's 1492: Conquest of Paradise (1992) with Gerard Depardieu, Roman Polanski's gripping film adaptation of Death and the Maiden (1994), the thriller Copycat (1995) and Paul Rudnick's comedy Jeffery (1995). Weaver also starred in Showtime's live-action film Snow White (1997) based on the original Grimm's fairy tale, which earned her an Emmy nomination and a Screen Actors Guild nomination.
In 1997 Weaver joined the ensemble of Ang Lee's critically acclaimed film The Ice Storm alongside Kevin Kline, Joan Allen, Elijah Wood and Christina Ricci. Her performance garnered her a BAFTA Award, a Golden Globe nomination and a Screen Actors Guild nomination for Best Supporting Actress. She later gave a galvanizing performance in A Map of the World (1999), Scott Elliott's powerful drama based on the novel by Jane Hamilton, which earned her universal critical praise and a Golden Globe nomination for best actress. Also in 1999, Weaver appeared in the science fiction comedy Galaxy Quest directed by Dean Parisot alongside Tim Allen and Alan Rickman. She delighted audiences with her flair for comedy, and the film proved to be a hit of the 1999 holiday season. She followed this with the popular comedies Company Man (2000) written and directed by Douglas McGrath and David Mirkin's Heartbreakers (2001) opposite Gene Hackman, Jennifer Love-Hewitt and the late Ray Liotta.
In 2002 Weaver starred in the film version of The Guys, with Anthony LaPaglia, directed by Jim Simpson, and in 2003 she portrayed the cold-blooded, red-headed warden in the hit comedy Holes directed by Andy Davis. The next year, Weaver appeared in M. Night Shyamalan's The Village and received rave reviews for her performance in Imaginery Heroes written and directed by Dan Harris.
In 2006 she appeared in three films - as Babe Paley in Douglas McGrath's Infamous, in Jake Kasdan's The TV Set, and in Snow Cake opposite Alan Rickman. In the following years, Weaver lent her voice to Pixar's 2008 box office smash WALL-E as well as The Tale of Despereaux (2008) with Matthew Broderick, Dustin Hoffman and Emma Watson. She also starred in the Tina Fey/Amy Poehler comedy Baby Mama (2008) and Andy Fickman's comedy You Again (2010) with Jamie Lee Curtis. In December 2009 Weaver starred as Dr. Grace Augustine in Jim Cameron's groundbreaking film Avatar, which went on to be the highest grossing film of all time. The film won a Golden Globe for Best Picture and an Academy Award nomination for Best Picture.
Other credits include Drew Goddard's The Cabin in the Woods (2012), Miguel Arteta's Cedar Rapids (2011), Paul (2011), Amy Heckerling's Vamps (2012), and Neil Blomkamp's Chappie (2015). In December 2016 she starred in Focus Features' A Monster Calls alongside Liam Neeson, Felicity Jones and newcomer, Lewis MacDougall, followed by Lionsgate's The Assignment (2017) with Michelle Rodriguez directed by Walter Hill.
After coming to New York in the fall of 1975, Weaver performed Off-Off Broadway in Christopher Durang's The Nature and Purpose of the Universe (1974), Titanic (1976) and Das Lusitania Songspiel (1980). She and Durang co-wrote Das Lusitania which earned them both Drama Desk nominations. She has appeared in numerous Off-Broadway productions in New York, working with writers such as John Guare, Albert Innaurato, Richard Nelson and Len Jenkin. In regional repertory she has performed works by Pinter, Williams, Feydeau and Shakespeare. Weaver also appeared in the PBS mini-series "The Best of Families" (1977) and John Cheever's The Sorrows of Gin (1979), adapted by Wendy Wasserstein for PBS.
Weaver received a Tony Award nomination for her starring role in Hurlyburly (1984) on Broadway, directed by Mike Nichols. She played Portia in the Classic Stage Company of New York's production of The Merchant of Venice (1986). In 1996 Weaver returned to Broadway in the Lincoln Center production of Sex and Longing, written by Christopher Durang. In the Fall of 2012, she starred in the Lincoln Center production of Christopher Durang's Vanya and Sonia and Masha and Spike which moved to Broadway in 2013. That year Vanya and Sonia and Masha and Spike took home the Tony award for Best Play.
Weaver originated the female lead in Anne Nelson's The Guys (2001) at The Flea where it was commissioned and directed by Jim Simpson. The Guys tells the story of a fire captain played by Bill Murray dealing with the aftermath of 9/11. In 2002 she starred in Neil LaBute's play The Mercy Seat opposite Liev Schreiber - which John Lahr of The New Yorker described as offering "performances of a depth and concentration that haven't been seen in New York for many seasons." Weaver also originated roles in two A.R. Gurney world premieres, Mrs. Farnsworth (2004) at the Flea Theater (New York Times 10 Best Plays for 2004), and Crazy Mary (2007) at Playwrights Horizons.
In television Weaver received Emmy, Screen Actors' Guild and Golden Globe nominations for her role as Mary Griffith in Lifetime's "Prayers for Bobby," which was also Emmy nominated for Outstanding Made for Television Movie. In 2012 she was seen in USA Network's miniseries "Political Animals," for which she received SAG, Golden Globe, and Emmy nominations. Weaver also appeared in the Marvel series "The Defenders," released globally on Netflix in August 2017.
Ms. Weaver was honored to receive the GLAAD Media Award for her work in "Prayers for Bobby" as well as the Trevor Life Award in 2011. She has been the Honorary Chair of the Dian Fossey Gorilla Fund for the last 33 years. She currently serves on the Board of Trustees of the New York Botanical Garden in the Bronx, and she also served on the Board of Human Rights First for 25 years. Weaver was proud to receive the National Audubon Society's Rachel Carson Award in 2009 for her environmental work. She was also a co-founder of the original Flea Theater on White Street which championed young artists and new work.
Weaver appeared in season 4 of the French television series "Call My Agent!" which was released globally on Netflix in 2021 and won the International Emmy for Comedy Series. Additionally, she starred in Philippe Falardeau's My Salinger Year which opened the 2020 Berlin International Film Festival. In April 2021 Weaver narrated James Cameron's "Secrets of the Whales," which debuted on Disney+ and garnered an Emmy nomination for Outstanding Narrator. The series also won the Emmy for Outstanding Documentary or Nonfiction Series.
Weaver's recent film work includes Phyllis Nagy's drama Call Jane alongside Elizabeth Banks, Maya Forbes and Wallace Wolodarsky's The Goos House alongside Kevin Kline. James Cameron's Avatar: The Way of Water premiered at the end of 2022 with Weaver playing Kiri, Grace Augustine's Na'vi daughter. A2 received "Best Picture" nominations for the Oscars, Golden Globe, and Critics Choice awards and has grossed almost 2.5 billion dollars. Upcoming projects include Amazon Studios' drama series, "The Lost Flowers of Alice Hart," which she also executive produced, and Paul Schrader's Master Gardener, opposite Joel Edgerton, which premiered at the 2022 Venice Film Festival.- Actress
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Born in Salisbury, Maryland, USA, following high school Linda studied for two years at Washington College in Chestertown, Maryland, before moving on to acting studies in New York. In New York she attended acting workshops given by Lee Strasberg. Her first parts were small parts in TV series, with her biggest break coming with her role in The Terminator (1984). Most known to public at large from her part in the TV series Beauty and the Beast (1987) (before Terminator 2: Judgment Day (1991), at least).- Actress
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Jami Gertz was born on 28 October 1965 in Chicago, Illinois, USA. She is an actress and producer, known for Twister (1996), The Lost Boys (1987) and Still Standing (2002). She has been married to Antony Ressler since 16 June 1989. They have three children.- Actress
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Helen Hunt began studying acting at the age of eight with her father, respected director and acting coach Gordon Hunt. A year later she made her professional debut and afterwards worked steadily in films, theatre and television.- Actress
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Mia Sara is an American actress. She is best known for Legend (1985) and Ferris Bueller's Day Off (1986).
She also had minor roles in A Stranger Among Us (1992) and Timecop (1994).
In 1996, she married Jason Connery, son of Sean Connery, with whom she performed in Bullet to Beijing (1995). In June 1997, they had a son, Dashiell Quinn Connery. The couple divorced in 2002.
She is now married to Brian Henson, oldest son of Muppets creator Jim Henson. They have one daughter, Amelia Jane Henson, born in 2005.- Actress
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Meg Tilly was set on being a dancer, and at 17 connected to the Connecticut Ballet Company and later Throne Dance Theatre. It was in this capacity that she had her screen debut in Alan Parker's Fame (1980). Unfortunately, an injury to her back cut short her plans for a dance career, and a small appearance in the TV series Hill Street Blues (1981) turned her towards acting (her dancing skills were not all forgotten, as was evident in The Big Chill (1983) and Psycho II (1983)). She received an Oscar nomination for Best Supporting Actress for Agnes of God (1985), and nobody doubted that she was on her way to stardom. One step on the road to that status was her being cast in Milos Forman's Amadeus (1984) as Constanza, but again her body interfered, and seven weeks into the production with her foot in a cast were more than the producers could accept, and she was replaced. Her "consolation", was a role in Forman's next project Valmont (1989), didn't do her career much good. Since then she has averaged a movie a year, and with the exception of Leaving Normal (1992), none have tapped the enormous reservoir of talent she has.- Jenette Goldstein is a true chameleon. She is so effective as an actress, it is nearly impossible to recognize her from role to role. Jenette spent most of her childhood in Los Angeles. Born to theater-loving parents, she attended fine arts-oriented schools, and was the young star of the drama classes. She often competed in citywide drama competitions with soon-to-be famous peers Val Kilmer, Gina Gershon, Kevin Spacey and Mare Winningham. To hone her craft after high school, Jenette studied at London's Webber Douglas Academy of Dramatic Art, and at Circle in the Square Theater in New York City, mastering drama theory, physicality, dialects and the classics. It was in London, while performing in local theater productions, where Jenette answered an audition request for American actors with British Equity cards. Thinking it was another play or a small film, she read for a tough, macho Latina character, named 'Vasquez' And shot to fame in James Cameron's iconic film Aliens (1986). Cameron was so pleased with Jenette's creativity and strong work ethic, he recast her as 'Janelle' in Terminator 2: Judgment Day (1991) and a cameo role as the loving 'Irish Mother' in the epic Titanic (1997).
Her resume is testament to her range and versatility: Vampy killer Diamondback in Near Dark (1987), good cop Meagan Shapiro in Lethal Weapon 2 (1989), Patti Jean Lynch in The Presidio (1988), Alice the Maid in a one-scene role in Fear and Loathing in Las Vegas (1998), etc.
In addition to film, Jenette has made several appearances on the small screen. She guest-starred on such award-winning shows as Six Feet Under (2001), L.A. Law (1986), Strong Medicine (2000) and ER (1994) - where she guest-starred on the 100th anniversary show as a grieving mother, and in a separate episode opposite Anthony Edwards, as a heroic flight nurse. It was only after Jenette was hired for the second role that the show's producers realized she had done the show before.
Jenette has continued working in theater throughout her career, appearing in plays in New York, London and Los Angeles. She has performed the classics, William Shakespeare's "Twelfth Night," to more contemporary pieces, such as Arthur Miller's "After The Fall," which won the 2002 Los Angeles Ovation Award for Best Production. Currently, Jenette is excited about her latest creation: a one-woman show she is writing herself. - The talented, unpredictable, opinionated, and uniquely beautiful Jenny Wright was born March 23, 1962 in New York City. Her father was an artist and her mother was a teacher. They instilled a love of the arts and a strong devotion to self education in Jenny at an early age. Her parents later separated, and Jenny moved to Cambridge, New York to live with her mother and two sisters. After her sisters left for college, Jenny and her mother moved back to New York City. Once back home, Jenny decided to pursue acting, and enrolled herself in the Lee Strasberg Theatre Institute. There, she immediately captured the attention of modeling and casting agents. At the age of 16, Jenny modeled for artists Antonio Lopez and Salvador Dalí. She then went on to act on stage, in an off Broadway play, "Album", with Kevin Bacon. In 1980, Jenny made a brief appearance in the TV film Rape and Marriage: The Rideout Case (1980) with Mickey Rourke. She continued to act on stage, even garnering rave reviews for her portrayal of Dorcus Fray in Joseph Papp's Broadway production of "Plenty". In 1982, Jenny was cast in The World According to Garp (1982), after impressing director George Roy Hill with her blend of sensuality and innocence. Jenny then arrived in London for "Pink Floyd: The Wall", where she played an abused groupie. She then quickly followed up with four months in Utah for the TV documentary/drama, "The Executioner's Song," which proved to be a more substantial role. Jenny returned to New York afterwards, and back to the stage and took a break from films. She went back to films in 1984, for "The Wild Life" with Eric Stoltz and Chris Penn. Jenny also made appearances in films such as "St. Elmo's Fire" (1984) and "Out of Bounds" (1986). By appearing in films with actors such as Rob Loew and Anthony Michael Hall, Jenny was put in the 'Brat Pack' category. It was something she found to be uncomfortable, and wanted to shake off. Thus, Jenny's film choices became edgier, starting with Near Dark in 1987. With her girl next door look, large soulful eyes, and sensuality, Jenny made the role of sweet yet dangerous Mae her most memorable part of her career. She credits director Kathryn Bigelow with creating the film's mood and atmosphere, which makes "Near Dark" a stand-out film in the vampire genre. While "Near Dark" didn't fare too well at the box office, it did receive cult status, bringing Jenny independent,'left of center' film roles. Finally, Jenny successfully rid herself of the 'Brat Pack' label. She went on to teen roles in the critically acclaimed film The Chocolate War (1988) and in the off-beat "Twister" (1988). Those roles then gave way to conventional parts in the mainstream films "Young Guns II" (1990) and "The Lawnmower Man" (1992). After that, Jenny quit the film business.
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Sandahl Bergman was born November 14, 1951 in Kansas City, Missouri. She later graduated from Shawnee Mission East High School in Prairie Village, Kansas. She moved to New York City while she was in her 20's, and appeared in a number of Bob Fosse productions. Her film debut was in his film All That Jazz (1979). Sandahl went on to appear in Xanadu (1980), Conan the Barbarian (1982) and Red Sonja (1985).- Even though Sarah Douglas was born and raised in Stratford-Upon-Avon, and knew that she wanted to act, she did try to expand options available to her. She worked in a factory and for a time, also in a sterilizing department of a hospital. She briefly moved to France and also undertook a teacher training course in English and Drama. However, these were all abandoned in favour of acting. Soon after leaving Drama School, she won her first film role in The Final Programme (1973) as well as starring in the television series The Inheritors (1974). Other work began to follow, including the television series Space: 1999 (1975) and the films The Brute (1977) and The People That Time Forgot (1977). During the filming, the casting began for the science fiction blockbuster Superman (1978), and the rest is history.
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Olivia d'Abo is an English actress and singer from London. She debuted as a teenager in 1984, and has remained active over the following decades. Her most famous role was playing the free-spirited Karen Arnold in the historical television series "The Wonder Years" (1988 -1993). The series lasted for 6 seasons, and a total of 115 episodes.
In 1969, d'Abo was born in London. Her father was singer and songwriter Mike d'Abo (1944-), lead vocalist for the pop band Manfred Mann (1966-1969). D'Abo's mother was the model Maggie London. Through her father, d'Abo is a first cousin, once removed of fellow actress Maryam d'Abo (1960-). Maryam is known for playing the Bond girl Kara Milovy in the spy film "The Living Daylights" (1987).
D'Abo settled in the United States in the 1980s. She attended high schools in the Los Angeles area. She made her screen debut in the sword and sorcery film "Conan the Destroyer" (1984), at the age of 14. The film was based on the "Conan the Barbarian" stories by Robert Ervin Howard (1906-1936), with the main role reserved for actor Arnold Schwarzenegger (1947-). D'Abo played Princess Jehnna of Shadizar, who Conan has to escort on a quest to retrieve the magical gemstone Heart of Ahriman and the missing Horn of Dagoth. The film earned about 31 million dollars at the domestic box office.
Months later, the romantic drama film "Bolero" (1984) was released. D'Abo had the supporting role of the Gypsy girl Catalina, who befriends the main character Ayre "Mac" MacGillvary (played by Bo Derek). The film was a box office flop, and was received negatively by most critics. It was nominated for 9 Golden Raspberry Awards, winning 6. D'Abo herself won the "Golden Raspberry Award for Worst New Star".
After a brief hiatus in her career, d'Abo had her next starring film role in the gymnastics-themed film "Flying" (1986). She played Robin Crew, an adolescent gymnast who injured her leg in a car accident. Throughout the film, Robin tries to get back into shape and to rejoin her gymnastics team. The film received only a limited release in movie theaters, but achieved some success in the home video market. The film has a minor cult following, due to featuring Keanu Reeves (1964-) in one of his earliest roles.
Also in 1986, d'Abo had the female lead role in the action film "Bullies". She played Becky Cullen, a female member of a clan consisting of bullies and thugs. Her family objects when she falls in love with a member of an enemy family. The film was loosely inspired by the play "Romeo and Juliet", but had a modern setting. The film earned about 2.9 million dollars at the box office.
In 1988, d'Abo joined the main cast of the historical series the "The Wonder Years", playing the main character's older sister. The series often contrasted the conservative views of the Arnold family's parents with the liberal views expressed by Karen Arnold (d'Abo's character). D'Abo left the series main cast in 1991, as her character was de-emphasized. However, she remained available for guest appearances until the series' finale. The role of Karen Arnold's husband in the later seasons was played by David Schwimmer. This was Schwimmer's first recurring role in a television series.
In 1990, d'Abo played the time traveler Chanel-6 in the science fiction comedy "The Spirit of '76". In the film, time travelers from a dystopian 22nd century attempt to retrieve valuable documents from the year 1776. By accident, they end up in the year 1976. While acclimating themselves to this era, they embrace the era's own revolutionary spirit. The film only had a limited release in movie theaters, but was noted for a soundtrack that included many of the era's hits.
D'Abo often appeared in guest roles in television series during the early 1990s. She eventually gained a major role as a series regular in the sitcom "The Single Guy" (1995-1997). The sitcom had a similar premise with some of the era's hit sitcoms, featuring single people who are struggling with relationships. But it failed to find an audience of its own, and only lasted for two seasons.
D'Abo gained her first major voice acting role in the short-lived animated series "Mortal Kombat: Defenders of the Realm". It was an adaptation of the video game series "Mortal Kombat", featuring many of the same characters. D'Abo voiced military officer Sonya Blade, one of the protagonists of the series. The series only lasted for 13 episodes. The final episode featured a failed insurrection against the evil emperor Shao Kahn, and left the fates of several characters without resolutions.
From 1999 to 2000, d'Abo played female super-villain Ten/ Melanie Walker in the superhero series "Batman Beyond" (1999-2001). Her character was depicted as a member of the playing card-themed super-villain team Royal Flush Gang, and as a love interest for Batman/ Terry McGinnis.
D'Abo played Jane Porter (Tarzan's wife) in the animated series "The Legend of Tarzan" (2001-2003). She had the same role in the spin-off animated film "Tarzan & Jane" (2002). The series was a loose adaptation of the "Tarzan" stories by Edgar Rice Burroughs (1875-1950).
D'Abo had villainous roles in the superhero series Justice League (2001-2004). She voiced both Star Sapphire/Carol Ferris and Morgaine le Fey. She had a more heroic role in the animated film "Ultimate Avengers" (2006), playing the Russian super-heroine Black Widow/Natalia Romanova. She returned to this role in the sequel, "Ultimate Avengers 2" (2006).
From 2002 to 2008, d'Abo played criminal mastermind Nicole Wallace in the police procedural "Law & Order: Criminal Intent" (2001-2011). Her character was depicted as the archenemy of Robert Goren, though she only appeared in 5 episodes. During the series, she murders multiple people. She denies accusations that she has killed her own daughter, claiming that her daughter's death was accidental.
From 2008 to 2009, d'Abo played Jedi master Luminara Unduli in the animated series "Star Wars: The Clone Wars" (2008-2020). In 2009, d'Abo voiced Carol Ferris in the animated film "Green Lantern: First Flight". In 2010, d'Abo voiced the super-heroine Elasti-Girl/Rita Farr in an episode of "Batman: The Brave and the Bold". Easti-Girl is a founding member of the Doom Patrol, and often appears in adaptations of the team's adventures. In 2012, d'Abo voiced another version of Star Sapphire in the animated film "Justice League: Doom". In 2014, she voiced Star Sapphire in the video game "Lego Batman 3: Beyond Gotham".
In 2019, d'Abo voiced Luminara Unduli again, in a cameo role in the live-action film "Star Wars: The Rise of Skywalker". As of 2021, d'Abo is 52-years-old. She has never retired, and continues to work regularly in both films and television. D'Abo has had an enduring appeal, and is well-remembered for playing popular characters over the decades.- Actress
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Talia Rose Shire is an American actress who played roles as Connie Corleone in The Godfather films and Adrian Balboa in the Rocky series. For her work in The Godfather Part II and Rocky, Shire was nominated for Academy Awards for Best Supporting Actress and Best Actress, respectively, and for the Golden Globe Award for Best Actress in a Drama for her role in Rocky.- Actress
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Margot Kidder was born Margaret Ruth Kidder in Yellowknife, Northwest Territories, Canada, to Jocelyn Mary "Jill" (Wilson), a history teacher from British Columbia, and Kendall Kidder, a New Mexico-born mining engineer and explosives expert. Margot was a delightful child who took pride in everything she did. At an early age, she became aware of the great emotions she felt towards expressing herself, and caught the acting bug. As a child, she wrote in a diary that she wanted to become a movie star, and that one day it would happen, but she had to overcome something else first. She was aware that she was constantly facing mood swings, but didn't know why. At odd times, she would try to kill herself - the first time was at age 14 - but the next day she would be just fine. Her father's hectic schedule and moving around so much didn't help matters, either, causing her to attend 11 schools in 12 years. Finally, in an attempt to help Margot with her troubles, her parents sent" her to a boarding school, where she took part in school plays, such as Romeo and Juliet", in which she played the lead.
After graduation, Margot moved to Los Angeles to start a film career. She found herself dealing with a lot of prejudice, and hotheads, but later found solace with a Canadian agent. This was when she got her first acting job, in the Norman Jewison film Gaily, Gaily (1969). This led to another starring role in Quackser Fortune Has a Cousin in the Bronx (1970), in which she co-starred with Gene Wilder. After some harsh words from the film's director, Margot temporarily left films to study acting in New York, doing television work to pay her bills, but when the money ran out, she decided it was time to make a second try at acting. When she arrived in Hollywood she met up at a screen test with actress Jennifer Salt, resulting in a friendship that still stands strong today. Margot and Jennifer moved into a lofty beach house and befriended other, then unknown, struggling filmmakers such as Martin Scorsese, Brian De Palma, Steven Spielberg and Susan Sarandon, among others. Late nights would see the hot, happening youngsters up until all hours talking around a fire about how they were all going to change the film industry. It was crazy living and within the Christmas season, Margot had become involved with De Palma, and as a Christmas present he gave her the script to his upcoming film Sisters (1972). Margot and Salt both had the leads in the film, and it was a huge critical success.
The film made branded Margot as a major talent, and in the following years she starred in a string of critically acclaimed pictures, such as Black Christmas (1974), The Great Waldo Pepper (1975), 92 in the Shade (1975) - directed by Thomas McGuane, who was also her husband for a brief period - and a somewhat prophetic tale of self-resurrection, The Reincarnation of Peter Proud (1975).
After three years of being a housewife, looking after her daughter Maggie and not working, Margot decided it was time to let her emotions take control and get back into acting. Once her marriage to McGuane was over, she eyed a script that would change her life forever. Her new agent referred her to a little-known director named Richard Donner. He was going to be directing a film called Superman (1978), and she auditioned for and secured the leading female role of Lois Lane. That film and Superman II (1980) filmed simultaneously. After the success of "Superman" she took on more intense roles, such as The Amityville Horror (1979) and Willie & Phil (1980). After that, Margot starred in numerous films, television and theater work throughout the 1980s, including Superman IV: The Quest for Peace (1987). When the 1990s erupted with the Gulf War, Margot found herself becoming involved in politics. She made a stir in the biz when she spoke out against the military for their actions in Kuwait. She also appeared in a cameo in Donner's Maverick (1994).
In 1996, as she was preparing to write her autobiography, she began to become more and more paranoid. When her computer became infected with a virus, this gave her paranoia full rein, and she sank into bipolar disorder. She panicked, and the resulting psychological problems she created for herself resulted in her fantasizing that her first husband was going to kill her, so she left her home and faked her death, physically altering her appearance in the process. After an intervention took place, she got back on her feet and started the mental wellness campaign. Since then, she resumed her career in film, television, and theatre, including appearing in a Canadian stage production of "The Vagina Monologues", and in films like The Clown at Midnight (1998).
Margot died on May 13, 2018, in Livingston, Montana.- Actress
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Helen Slater was born in Bethpage, New York, to Alice Joan (Citrin), a lawyer and peace activist, and Gerald Slater, a television executive. She was raised in Massapequa, Long Island, New York, and is of Eastern European Jewish descent. Appearing in many shows as a child, she attended the New York High School of Performing Arts, graduating in 1982. Having made her acting debut in Amy & the Angel (1982), co-starring with James Earl Jones and Matthew Modine. Helen took her career very seriously. Within months of her graduation, she attended auditions for the upcoming spin-off of the famous Superman (1978) franchise, Supergirl (1984). It was to be shot in England at Pinewood Studios, where the first "Superman" movies were filmed. Slater even spoke to Christopher Reeve about playing a superhero to assure herself she could do it. After being the first to present herself for audition, she was cast as the lead in the film and her career took off. Although Supergirl (1984) received mixed reviews, most critics were impressed with Helen's abilities. In fact, the critics' consensus was that she did a better job at keeping a secret identity (a mousy schoolgirl) than Reeve did as Clark Kent. In her next film, she was cast as a modern-day "Joan of Arc" in The Legend of Billie Jean (1985) with Yeardley Smith and Peter Coyote. The film, though not particularly successful, has managed to attract a somewhat cult following. She next appeared in one of her best-received roles, that of the female half of the bumbling husband-and-wife team that kidnaps Bette Midler in the comic blockbuster, Ruthless People (1986), and scored again in the hit The Secret of My Success (1987). Both roles helped to cement her status as an actress of note. Next, she and her friend, Melanie Mayron, starred in the feminist comedy, Sticky Fingers (1988), a critical but not financial success. It was in this film and her next, Happy Together (1989), that she was able to prove that she could do comedy as well as drama. She went on to do more feature films such as City Slickers (1991), A House in the Hills (1993) and Lassie (1994), before making regular appearances on television. Her regional stage credits include appearances in such plays as "Grease" and "Shakespeare and Friends". On Broadway, she starred in "Responsible Parties" and "Almost Romance". She also attended classes at both NYU and UCLA, trying to broaden her acting abilities. On television, she has appeared in Caroline in the City (1995), as well as many others. She also became a spokeswoman for Preference by L'Oreal in both TV and print ads. She is an accomplished pianist and now has an album out called "One of These Days". She co-founded the New York theater group, The Naked Angels, with her friend Gina Gershon. In 1990, she married award-winning editor Robert Watzke and they have a daughter, born in 1995. She stepped out of the limelight for a couple of years, appearing mainly in the occasional TV show, but came back strong in 2003, showing moviegoers and TV audiences how great an entertainer she really is.- Actress
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An icy, elegant blonde with a knack for playing complex and strong-willed female leads, enormously popular actress Faye Dunaway starred in several films which defined what many would come to call Hollywood's "second Golden Age." During her tenure at the top of the box office, she was a more than capable match for some of the biggest macho stars of the 1970s. Then an overwrought turn in the disastrous biopic Mommie Dearest (1981) effectively derailed her career - but, at the same time, made her a bit of a camp favorite in the gay community - though she's been afforded infrequent opportunities worthy of her talent since that unfortunate halt.
Born prematurely on Jan. 14, 1941 in Bascom, FL, Dorothy Faye Dunaway was the daughter of MacDowell Dunaway, Jr., a career Army officer, and his wife, Grace April Smith. After a stint as a teenaged beauty queen in Florida, she intended to pursue education at the University of Florida, but switched to acting, earning her degree from Boston University in 1962. She was given the enviable task of choosing between a Fulbright Scholarship to the London Academy of Music and Dramatic Arts or a role in the Broadway production of "A Man For All Seasons" as a member of the American National Theatre and Academy. She picked the latter, enjoying a fruitful stage career for the next two years, which was capped by appearances in "After the Fall" and "Hogan's Goat." The latter - an off-Broadway production in 1967 - required Dunaway to tumble down a flight of steps in every performance, earning her a screen debut in the wan counterculture comedy The Happening (1967). Just five months after its release, however, she was wowing audiences across the country as Depression-era bank robber Bonnie Parker in Arthur Penn's controversial Bonnie and Clyde (1967). Her turn as the naïve but trigger-happy and sexually aggressive Parker earned her Academy Award and Golden Globe nominations, and provided a direct route to the front of the line for Hollywood leading ladies in an unbelievably short amount of time.
Dunaway followed this success with another hit, The Thomas Crown Affair (1968), in which her coolly sensual insurance investigator generated considerable sparks with playboy and jewel thief Steve McQueen. She then bounced between arthouse efforts like Puzzle of a Downfall Child (1970), directed by her ex-boyfriend, photographer Jerry Schatzberg, and the revisionist Western 'Doc' (1971), as well as big-budget efforts like Little Big Man (1970), which cast her as a predatory preacher's wife with designs on Dustin Hoffman's reluctant Native American hero. Dunaway also balanced these projects with several well-regarded theatrical productions, including a 1972-73 stint as Blanche Du Bois in "A Streetcar Named Desire," and notable TV-movies like The Woman I Love (1972), which cast her as the Duchess of Windsor, and TV broadcasts of Hogan's Goat (1971) and After the Fall (1974). But her turn as the duplicitous Lady De Winter in Richard Lester's splashy, slapstick take on The Three Musketeers (1973) and its sequel The Four Musketeers: Milady's Revenge (1974) preceded a long period of critical and box office hits, starting with her masterful performance in Chinatown (1974).
Dunaway's turn as Evelyn Mulwray, the mysterious woman who draws detective Jake Gittes (Jack Nicholson) into a dark and complicated web of murder, incest, and catastrophic business deals, seemed the epitome of every femme fatale to ever stride across a chiaroscuro-lit scene in classic noir. But Dunaway also found the horribly wounded core of her character as well, and turned Evelyn from a pastiche to a full-blown and emotionally resonant human being. Critics and award groups rushed to nominate Dunaway for the role, and she netted her second Academy Award nod, as well as Golden Globe and BAFTA nominations. Dunaway had fought hard for her performance - her battles with director Roman Polanski were no secret - but sadly, she lost the Oscar to Ellen Burstyn for Alice Doesn't Live Here Anymore (1974). However, it would be Dunaway's performance which stood the test of time.
High-gloss turns in The Towering Inferno (1974) and Sydney Pollack's political thriller Three Days of the Condor (1975) preceded one of her best television performances; that of Depression-era radio preacher Aimee Semple MacPherson in The Disappearance of Aimee (1976). Even more startling was her sterling role in Network (1976), Paddy Chayefsky's blistering take on the television industry. Dunaway pulled out all the stops as an executive on the rise who stops at nothing to advance her career - even bedding veteran producer William Holden. Critics again rose in unison to praise Dunaway, and she finally netted an Oscar for the role, as well as a Golden Globe.
Surprisingly, Dunaway's career began to falter after her Oscar win. She was effective as a fashion photographer who experiences disturbing visions in Eyes of Laura Mars (1978), but was wasted in thankless roles as the dissatisfied ex of washed-up boxer Jon Voight in The Champ (1979) and wife to Frank Sinatra's detective in The First Deadly Sin (1980). And then came Mommie Dearest (1981), director Frank Perry's biopic of actress Joan Crawford based on the tell-all book by her daughter Christina Crawford. Crawford herself had praised Dunaway in the early stages of her career, and while some critics gave positive reviews to her performance - in particular, the extent to which she physically transformed herself into Crawford - most fixated on the hysterical dialogue and garish scenes of child abuse. Clips of Dunaway as Crawford bellowing "No more wire hangers!" became immediate laugh-getters on late-night television, and a substantial gay following rose up in response to the film's high camp value. Dunaway, however, found none of the response amusing, and later admitted her regret in taking the role. Whether laughable or pure genius, no one could deny that Dunaway threw her everything into the role. The film's continued cult success proved she had succeeded in becoming Crawford.
The fallout from "Mommie Dearest" obscured Dunaway's follow-up projects, which included the title role in the TV-movie Evita Peron (1981) and a return to Broadway in 1982's "The Curse of an Aching Heart". Discouraged, she moved to London with her second husband, photographer Terry O'Neill, who had also served as a producer on "Mommie Dearest." For the next few years, Dunaway appeared sporadically in films, most of which underscored her newly minted status as a camp icon. The Wicked Lady (1983) was an absurd, near-softcore period drama by Michael Winner, with Dunaway as an 18th-century highway robber. Fans of her early dramatic work were similarly aghast by her turn as a shrieking witch battling Helen Slater's Girl of Steel in Supergirl (1984). Only a Golden Globe-winning appearance in the cumbersome miniseries Ellis Island (1984) offered any respite from the negative press which now continued to follow her.
Dunaway returned to the United States in 1987 following her divorce from O'Neill, and attempted to rebuild her career and reputation by appearing in several independent dramas. She was widely praised for her performance as a once-glamorous woman felled by alcohol in Barbet Schroeder's Barfly (1987), and served as executive producer and star of Cold Sassy Tree (1989), a TV adaptation of the popular novel by Olive Ann Burns about an independent-minded woman who romances a recently widowed store owner (Richard Widmark). Dunaway was exceptionally busy for the remainder of the decade in both major Hollywood features and independent fare, though her strong women now occasionally sported an unfortunate shrill side. She was Robert Duvall's frosty wife in the dystopian thriller The Handmaid's Tale (1990) and contributed a vocal cameo as Evelyn Mulwray in The Two Jakes (1990), the ill-fated sequel to "Chinatown". Other notable performances came as the unhappy wife of psychiatrist Marlon Brando in Don Juan DeMarco (1994), as the daughter of imprisoned Klansman Gene Hackman in The Chamber (1996), and as a bartender caught in the middle of a hostage standoff in Kevin Spacey's Albino Alligator (1996). She later received Screen Actors Guild and Golden Globe nominations as the matron of a wealthy Jewish family in turmoil in The Twilight of the Golds (1996). Perhaps her best turn of the decade was as a seductive murderess who attempts to sway the unflappable Lt. Columbo (Peter Falk) in It's All in the Game (1993), which earned her a 1994 Emmy. She won her third Golden Globe as modeling agency head Wilhelmina Cooper in the biopic Gia (1998), starring Angelina Jolie as doomed model Gia Carangi.
The 1990s were also not without incident for Dunaway. She was embroiled in an ugly lawsuit against Andrew Lloyd Webber after he closed a Los Angeles production of his musical version of "Sunset Blvd." with claims that she was unable to sing to his standards. The suit was later settled out of court for an undisclosed sum. A national tour of Terrence McNally's "Master Class", about the legendary opera diva Maria Callas, ended with her involvement in a suit over legal rights to the play. The project was expected to become her next great film role but remained uncompleted more than a decade after the 1996 tour. Her attempt at sitcom stardom in It Had to Be You (1993), co-starring Robert Urich, was met with universal disinterest, and the project was announced as being retooled without Dunaway prior to its cancellation.
Dunaway's schedule remained busy from 2000 onward, mostly in television and small independent features. She co-starred with Mark Wahlberg and Joaquin Phoenix as the wife of career criminal James Caan in The Yards (2000), then made her directorial debut with the short The Yellow Bird (2001), based on the play by Tennessee Williams. Younger audiences had their first taste of Dunaway's particular star power as Ian Somerhalder's mother in The Rules of Attraction (2002), Roger Avary's amped-up adaptation of the Bret Easton Ellis novel, before Dunaway turned up the heat as a merciless celebrity judge on the reality series The Starlet (2005).
Dunaway penned her memoirs, Looking For Gatsby, in 1995, one year before receiving her star on the Hollywood Walk of Fame. Attached throughout her professional career to intriguing men ranging from Lenny Bruce to Marcello Mastroianni, she was twice married; her first husband was singer Peter Wolf of the popular seventies rock group, The J. Geils Band. Liam O'Neill, her son by second husband Terry, followed in her footsteps with minor acting roles beginning in 2004. His father later dropped a bombshell in 2003 by revealing that Liam was not their biological son, but was adopted - a claim that Dunaway had previously denied.
A series of occasional roles in little-seen films followed, but Dunaway was unexpectedly thrust back into the public eye at the 2017 Academy Awards. Reunited with Warren Beatty on the occasion of the 50th anniversary of "Bonnie and Clyde," the pair were tapped to present the Best Picture award to close the night. Before proceeding onstage, Beatty was mistakenly handed a backup envelope for Best Actress in a Leading Role, which had already been won by Emma Stone for La La Land (2016). Unsure what to do when he opened the envelope and discovered the error, Beatty stalled for time and showed the card to Dunaway; misunderstanding his intent, the actress announced that the Best Picture Oscar went to "La La Land." During producer Jordan Horowitz's acceptance speech, he was informed that the actual Best Picture winner was Moonlight (2016). During the onstage chaos that ensued, Beatty delivered a heartfelt explanation and apology for the snafu while undergoing good-natured ribbing from host Jimmy Kimmel.
After her break from acting and the memorable Oscars moment, Dunaway is now back in the saddle as an actress working more frequently in her 70s. Over the past year, she has appeared in three films, starring in The Bye Bye Man (2017), The Case for Christ (2017), and Inconceivable (2017), with more projects expected to be on the way. The icon also fronts Gucci's summer 2018 ad campaign for their Sylvie handbag and has a Broadway show scheduled for 2019.- Nancy Anne Allen was born and raised in the Bronx borough of New York City, the youngest of three children. Her father, Eugene Allen, was a New York police lieutenant. At a young age, she trained for a dancing career at the High School of Performing Arts, and then attended Jose Quintano's School for Young Professionals. In dozens of television commercials from the age of 15, Nancy made her first film appearance in The Last Detail (1973) with Jack Nicholson. Three years later, she furnished the standard for all future bitch-goddess teenagers as Chris Hargensen in Stephen King's Carrie (1976), taken to the big screen by director Brian De Palma. Nancy then married De Palma in 1979. She next appeared in Steven Spielberg's I Wanna Hold Your Hand (1978); for the next few years, she appeared only in De Palma's films: Home Movies (1979), Dressed to Kill (1980), and she starred with John Travolta in Blow Out (1981).
After her divorce from De Palma in 1984, Nancy's film opportunities were supposedly narrowed, but then she surprised the whole world when she performed as Officer Anne Lewis in the sci-fi cult film RoboCop (1987), along with Peter Weller. Here, she furnished another standard as a tough but at the same time feminine policewoman, whose sex would not interfere with her actions. After the success of Robocop (1987), she performed as Patricia Gardner in the second sequel Poltergeist III (1988). She came back in RoboCop 2 (1990) and in order to get more involved with her character, Nancy learned martial arts and police training for real. She returned again in RoboCop 3 (1993), though her co-star Peter Weller did not this time. In 1993, Nancy joined several other veteran stars in Acting on Impulse (1993), and married co-star Craig Shoemaker, in the same year. A few years later, she divorced Craig and some time after she married again.
She later appeared in some diverse films: Dusting Cliff 7 (1997), Secret of the Andes (1998), Circuit (2001), and she had a guest appearance in Steven Soderbergh's Out of Sight (1998). Her last performance was for the television series Law & Order: Special Victims Unit (1999), in the episode "Escape" aired on December 2, 2003. Allen has appeared in a number of documentaries about her most famous films, including Dressed to Kill (1980), Carrie (1976), Blow Out (1981), Poltergeist III (1988), and the RoboCop trilogy. She also hosted Andrew J. Kuehn's horror film documentary Terror in the Aisles (1984), along with Donald Pleasence.
Interested in projecting the image of a strong but at the same time feminine woman, she managed to get away from the victim roles she was always offered, she also was able to get away from the stereotype of the beautiful but dumb woman in most action films. She is an environmentalist that traded her Volvo car for an Hybrid car in order to furnish the example. She is also an activist against breast cancer along with her friend actress Wendie Jo Sperber, who created the foundation WeSpark. Her last appearance on television was on the Inside E! story of her co-star John Travolta and the A&E Biography of Travolta - both appearances in 2004. Nowadays, Allen lives a quiet life along with her family and friends somewhere in the United States. - Actress
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Nancy Travis was born in New York City, to Theresa, a social worker, and Gordon Travis, a sales executive. She lived in Baltimore and Boston before returning to her birthplace to study drama at New York University. Her first job out of school was with New York's American Jewish Theater, after which she hit the road, joining the national tour of Neil Simon's "Brighton Beach Memoirs." She has maintained a connection to the stage throughout her career. A founding member of the New York-based off-Broadway theater company Naked Angels, she appeared in their production of Frank Pugliese's play "Aven-U Boys, " as well as "King of Connecticut" with Frances McDormand. She also performed in the Broadway run of the award-winning play "I'm Not Rappaport" with Cleavon Little and Judd Hirsch. More recently, she appeared in Athol Fugard's "My Children, My Africa," which the author directed at the La Jolla Playhouse. No stranger to television, Travis starred with Peter Gallagher and Isabella Rossellini in the Tom Cruise-directed segment of the Showtime anthology series Fallen Angels (1993).- Actress
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The native New Yorker was born Bonnie Bedelia Culkin on March 25, 1948, the daughter of Phillip Harley Culkin, a journalist, and Marian Ethel Wagner Culkin, a writer and editor. Trained in ballet, her parents guided all of the children at one time or another into acting (which included Kit Culkin, Terry Culkin and Candace Culkin). Bonnie herself attended Quintano School for Young Professionals in New York at one point and Bonnie and Kit went on to appear on the local stage and TV. Brother Kit would later be known more for siring a handful of talented child actors and/or stars (Macaulay Culkin, Kieran Culkin, and the rest).
It was Bonnie who was first spotted among the other acting siblings by a talent scout who happened to catch her in a school production of "Tom Sawyer", and encouraged her. She made her professional debut at age 9 in a 1957 North Jersey Playhouse production of "Dr. Praetorius" and then was handed a full scholarship to study at George Balanchine's New York City Ballet. But the acting bug had bitten and after dancing in only four productions (including playing the role of Clara in "The Nutcracker"), she decided to hang up her ballet slippers. She proceeded to study at both the HB Studio and Actors Studio in New York.
Bonnie nabbed a five-year role as young teen "Sandy Porter" in the New York-based daytime soap Love of Life (1951) starting in 1961. During that time, she took her first Broadway bow in "Isle of Children", a show that lasted but a week in March of 1962. She was also a replacement in the established hit comedy "Enter Laughing", a year later. After appearing in the stage play "The Playroom" in 1965, she earned strong reviews for her touching performance in "My Sweet Charlie", for which she won the 1967 Theatre World Award for "promising new artist". In it, she played a pregnant young Southern girl on the lam with a black lawyer. Patty Duke recreated the role a few years later on TV and captured an Emmy.
Films beckoned at this point and Bonnie made her debut lending topnotch support in The Gypsy Moths (1969) which reunited From Here to Eternity (1953) stars Burt Lancaster and Deborah Kerr. She earned even better marks in her next two films, one performance simply haunting and the other one hilarious. Once again playing pregnant and once again delivering a touching pathos, she played the dirt-poor marathon dancer who pitches songs for pennies and the almost-mother of Bruce Dern's child in the superb, award-winning, Depression-era drama They Shoot Horses, Don't They? (1969). On the other end of the acting spectrum, she played the lovable bride-to-be in the side-splitting comedy classic Lovers and Other Strangers (1970).
By this time, Bonnie had started concentrating on family values. She married scriptwriter Ken Luber on April 24, 1969, and bore him a son, Yuri, the following year. The time off to focus on motherhood (she had second son, Jonah Luber, in 1976) proved detrimental to her rising star. The remaining decade was uneventful at best, despite some fine showings in a splattering of TV-movies. Her big comeback came again on the movie trail in the early 1980s when she absolutely nailed the role of race car driver Shirley Muldowney in Heart Like a Wheel (1983). She was surprisingly overlooked at Oscar time, however, despite the praise she received. Despite respected work in subsequent movies such as Violets Are Blue... (1986), The Prince of Pennsylvania (1988), Presumed Innocent (1990) and a running role as Bruce Willis's put-upon wife in Die Hard (1988) and its sequel, she found better and more frequent parts on TV. She found her niche in TV-movies with social themes and tugged at more hearts in Switched at Birth (1991), A Mother's Right: The Elizabeth Morgan Story (1992), Any Mother's Son (1997) and To Live Again (1998).
In a change of pace, Bonnie joined the ensemble cast of the low-budget cult comedy Sordid Lives (2000), as "Latrelle", a homophobic woman dealing with her mother's death, the imprisonment of her gay brother and her own son's "coming out". The movie evolved into the TV series Sordid Lives: The Series (2008) which reunited her with original cast members Leslie Jordan and Olivia Newton-John. She repeated her role again in still another film -- A Very Sordid Wedding (2017).
More recent independent movie credits include Berkeley (2005), Her Secret Sessions (2016), The Scent of Rain & Lightning (2017), A Stone in the Water (2019). She also managed a few regular TV series roles: The Division (2001) as a police captain, and Parenthood (2010) as a family matriarch opposite Craig T. Nelson.
Divorced from the father of her two children, she is presently married to third husband (or fourth, depending on your source of reference) actor Michael MacRae, whom she married in 1995.- Music Artist
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Born Darlene Wright in Los Angeles in 1938, she began her career as lead singer with the vocal trio, The Blossoms. After a spell as regulars on ABC TV's variety show Shindig! (1964) in the early 60s, the trio went on to sing backup on a variety of Elvis Presley recordings, and even backed him on his 1968 NBC-TV special Elvis: The Comeback Special (1968). For a while, they backed Tom Jones during some of his Las Vegas shows. The Blossoms have the rare distinction of recording a number one hit without ever receiving any credit. Years before the advent of Milli Vanilli, Darlene Love, Fanita James and Gracie Nitzsche sang vocals on the Gene Pitney-penned song "He's a Rebel" that was championed as The Crystals' first (and only) No. 1 US hit. Because of confounding logistics, record producer Phil Spector had to use The Blossoms because The Crystals were on the wrong coast of the US at the time. And since he was up against the clock in L.A. attempting to get his production on the airwaves before the Vikki Carr version, he had no choice. Love also sang vocals on the Bob B. Soxx and the Blue Jeans top twenty hit "Zip-a-Dee Doo Dah".- Actress
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Goldie Jeanne Hawn was born November 21, 1945 in Washington, D.C. to Laura Hawn, who owned a dance school, and Rut Hawn, a band musician. She has one sister, entertainment publicist Patti Hawn; a brother, Edward, died in infancy before her birth. She was raised in the Jewish religion. Her mother was Jewish and the daughter of Hungarian immigrants. Her father was Presbyterian. At the age of three, Goldie began taking ballet and tap dance lessons, and at the age of ten she danced in the chorus of the Ballet Russe de Monte Carlo production of "The Nutcracker". At the age of 19 she ran and instructed a ballet school, having dropped out of college where she was majoring in drama. Before going into the film business she worked as a professional dancer.
Hawn made her feature film debut in The One and Only, Genuine, Original Family Band (1968), with a small role as a giggling dancer. Her first big role came in 1969, where she played opposite Walter Matthau and Ingrid Bergman in Cactus Flower (1969), a role which earned her an Academy Award for Best Supporting Actress. After the Oscar win her career took off and she followed with roles in successful comedies such as There's a Girl in My Soup (1970) and Shampoo (1975), and more dramatic roles in The Girl from Petrovka (1974) and The Sugarland Express (1974). In 1978, she starred alongside Chevy Chase in the box office hit, Foul Play (1978). In 1980 she starred in another box office hit, Private Benjamin (1980), where she also served as producer. During the 1980s she starred in hit movies such as Best Friends (1982), Protocol (1984) and Wildcats (1986). In 1987, she appeared with her boyfriend Kurt Russell in Overboard (1987), which became both a critical and box office disappointment. Her career slowed down after that until 1990 when she starred alongside Mel Gibson in Bird on a Wire (1990). In 1992 she starred in the successful film, Death Becomes Her (1992), with Meryl Streep and Bruce Willis, which was followed by another successful film HouseSitter (1992), which co-starred Steve Martin. In 1996 she played the role of an aging alcoholic actress in the comedy, The First Wives Club (1996), with Diane Keaton and Bette Midler; it became a critical and financial success. She also starred in the Woody Allen film Everyone Says I Love You (1996) and The Out-of-Towners (1999), which reunited her with Martin. In 2001 and 2002 she starred in Town & Country (2001) with Warren Beatty, and The Banger Sisters (2002) with Susan Sarandon.
Goldie has been married twice. First to dancer/director Gus Trikonis from 1969 to 1973. In 1976 she married musician Bill Hudson and became a mother for the first time that year, when she gave birth to their son Oliver Hudson. In 1979, she had her second child with Hudson, daughter Kate Hudson. The marriage ended in divorce in 1980. Since 1983, she has been having a relationship with actor Kurt Russell. Their son Wyatt Russell was born in 1986. Goldie is also a de-facto stepmother to Kurt's son Boston Russell. She has eight grandchildren.- Music Artist
- Actress
- Composer
With almost fifty years in the music business, Tina Turner became one of the most commercially successful international female rock stars. Her sultry, powerful voice, her incredible legs, her time-tested beauty and her unforgettable story all contributed to her legendary status.
Born to a share-cropping family in the segregated South, Anna Mae Bullock and her elder sister were abandoned by their sparring parents early on. After her grandmother's death, she eventually moved to St. Louis, Missouri to reunite with her mother. This opened up a whole new world of R&B nightclubs to the precocious 16-year-old. Called up to sing onstage with Ike Turner's Kings of Rhythm in 1956, she displayed a natural talent for performing which the bandleader was keen to develop. Soon, Anna Mae's aspirations of a nursing career were forgotten and she began to hang around with the group. When the singer booked to record "A Fool in Love" failed to turn up for the session, Ike drafted Anna Mae to provide the vocal with the intention of removing it later. However, once he heard her spine-tingling performance of the song, he soon changed his plans. He changed her name to Tina Turner, and when the record became a hit, Tina became a permanent fixture in Ike's band and his quest for international stardom. One thing led to another: they were married in Mexico after the births of Tina's two sons - the first a result of an earlier relationship with a musician, the second with Ike.
Before too long, the Ike and Tina Turner Revue was tearing up large and small R&B and soul venues throughout the early and mid-1960s. The hits were relatively few, but the unsurpassed energy and excitement generated by the live stage show, primarily Tina, made the Revue a solid touring act, along with the likes of James Brown and Ray Charles. Their greatest attempt to "cross over" came in 1966 with the historic recording of the Phil Spector production, "River Deep, Mountain High". While it was a commercial flop in the United States, it was a monster hit in Europe - and the start of Tina's European superstar status, which never faded during her long stint of relative obscurity in America in the late 1970s. The Revue entered that decade as a top touring and recording act, with Tina becoming more and more recognized as the star power behind the group's international success. Ike, while having been justly described as an excellent musician, a shrewd businessman and the initial "brains" behind the Revue, was also described (by Tina and others) as a violent, drug-addicted wife-beater who was not above frequently knocking Tina (and other women) around both publicly and privately. Despite hits such as "Proud Mary" and Tina's self-penned "Nutbush City Limits", further mainstream success eluded the group and Ike blamed Tina. After years of misery and a failed suicide attempt, Tina finally had enough in July 1976, when she fled the marriage (and the Revue) with the now-famous 36 cents and a Mobil gasoline credit card.
Tina, nearing 40, endured a long and, at times, humiliating trek back to superstardom through working many substandard gigs and performing a repertoire of current Top 40 hits and old Ike & Tina tunes in hotel ballrooms and supper clubs. She later admitted she was having the time of her life at this point, simply putting together her own show and performing. She refused to wrangle for a settlement from the divorce, despite being in huge debt to all the tour promoters she had let down by fleeing the Revue. After an appearance on Olivia Newton-John: Hollywood Nights (1980), Tina - in a wise business move - persuaded Newton-John's management team to take her on. With Roger Davies at her side, Tina's profile began to rise, and performances alongside the likes of Rod Stewart and The Rolling Stones introduced her to the rock market she so wanted to pursue.
The European release of her cover of Al Green's "Let's Stay Together" in 1983 was a major turning point in Tina's career. The record hit #6 on the British chart, and Capitol Records were soon demanding a full album. "Private Dancer" was hurriedly produced in England in two weeks flat. The rest is rock and roll history. The next single - "What's Love Got to Do with It?" - became Tina's first #1 single the following year, and the album hung around the Top 10 for months, spawning two further hits. At the 1985 Grammy Awards, her astonishing comeback was recognized with nominations in the rock, R&B and pop categories and rewarded with four trophies. After that time, the successes just kept coming: a starring role in Mad Max Beyond Thunderdome (1985); duets with Bryan Adams, David Bowie, Eric Clapton and Mick Jagger amongst others; several sell-out world tours; a string of hit albums and awards; a bestselling autobiography, "I, Tina"; and the blockbuster biopic What's Love Got to Do with It (1993) chronicling her life.
After her "Twenty Four Seven Millenium Tour" in 2000, Tina announced she would retire from the concert stage, but continue to record and play live on a smaller scale. Four years later, at age 65, she released a career retrospective entitled "All the Best" featuring new recordings, and reached #2 in the American album chart, her highest ever placing for an album there. She ended 2005 as one of five recipients of the Kennedy Center Honors, the highest form of recognition of excellence in the arts in America. Despite changing the direction of her working life, she will always be remembered as a dynamic live performer and recording artist, able to thrill audiences like no other woman in music history. Tina Turner is the undisputed Queen of Rock and Roll.