Top Ten Contributors - Blackout (1954)
Several years ago, I purchased a 3-disc collection of Hammer Studios of Britain and their film noir collection. There are six British film noir in this set. Here are the top 10 contributors that lead to the release of Blackout in 1954.
List activity
50 views
• 0 this weekCreate a new list
List your movie, TV & celebrity picks.
10 people
- Helen Nielsen was born on 23 October 1918. She was a writer, known for Blackout (1954), Alfred Hitchcock Presents (1955) and Lux Playhouse (1958). She died on 22 June 2002 in Prescott, Arizona, USA.wrote the original novel
- Director
- Editor
- Editorial Department
Terence Fisher was born in Maida Vale, England, in 1904. Raised by his grandmother in a strict Christian Scientist environment, Fisher left school while still in his teens to join the Merchant Marine. By his own account he soon discovered that a life at sea was not for him, so he left the service and tried his hand at a succession of jobs ashore. It was during this time that he discovered the cinema, entering the film industry as "the oldest clapper boy in the business." One day, almost as a lark, he applied to J. Arthur Rank Studios to become a film editor. To his astonishment, he was accepted. In 1947, at the age of 43, he made his directorial debut with a supernatural comedy called Colonel Bogey (1948)--a foreshadowing of things to come.
For the next few years he switched between "A"-film assignments (Noël Coward's _The Astonished Heart (1948)_, So Long at the Fair (1950) with Jean Simmons and Dirk Bogarde and Lost Daughter (1949) with Herbert Lom) and a succession of "B" films, which enabled him to support his wife and daughter. Typical of these programmers are Three Stops to Murder (1953) and Spaceways (1953), efficient but uninspired films that show little in the way of personality.
His break came in 1956 when, at the age of 52, he was asked to helm Hammer Studios' remake of Frankenstein (1931). The result, The Curse of Frankenstein (1957), broke box-office records and enraged critics worldwide who were unaccustomed to its plethora of hearty bloodletting. The Eastmancolor shocker set a new standard for horror films and helped to make Fisher, Hammer and stars Peter Cushing and Christopher Lee into bankable commodities. With its emphasis on realistic character interplay over melodramatic conventions, the film established Fisher's personal approach to horror, which stood in direct defiance to the old Universal films--in fact, Fisher flatly refused to watch James Whale's 1931 version for fear that it might influence his vision.
More remakes followed. Fisher actively sought to remake Dracula (1931), and the results proved to be both aesthetically and commercially superior to "Curse of Frankenstein". Horror of Dracula (1958) proved to be universally popular and is commonly held as Fisher's--and Hammer's--finest work. It may or may not be, but it does remain the freshest and most vibrant big-screen reworking of the story; even Francis Ford Coppola in his remake failed to recapture its vigor and sense of urgency.
Fisher's subsequent films tended to place less emphasis on shock effects and more on complex emotional interplay. For example, the titular characters of The Curse of the Werewolf (1961) and The Phantom of the Opera (1962) are more sympathetic than the so-called "normal" characters, while Fisher's fascinating Freudian take on the Dr. Jekyll story--The Two Faces of Dr. Jekyll (1960)--offers a homely old Dr. Jekyll who transforms into a virile man about town named Edward Hyde. Similarly, The Gorgon (1964) disappointed schlock fans by offering a haunting story of doomed love in place of the conventional Hammer-style shocker. Following the commercial failure of "Phantom"--Hammer's most expensive film to that point--Fisher was booted out for a brief period. During this time lesser talents like Freddie Francis were entrusted with the franchises that Fisher had helped to establish. Invariably the results were inferior. Despite his hatred for sci-fi, which stood in contrast to his confessed love for horror, Fisher made good work of The Devil Rides Out (1968) precursor The Earth Dies Screaming (1964) (with Dennis Price), while Night of the Big Heat (1967) (again with Lee and Cushing) benefited from his ability to suggest pent-up passion and paranoia.
Back at Hammer after this brief hiatus, Fisher resurrected Christopher Lee's count in the under-rated, poetic Dracula: Prince of Darkness (1966) before detailing the further adventures of Baron Frankenstein in Frankenstein Created Woman (1967), Frankenstein Must Be Destroyed (1969) and his last film, Frankenstein and the Monster from Hell (1974). All three films offer subtle variations on the character of the Baron, played by the impeccable Cushing, thus emphasizing Fisher's unique ability to lend complex, credible characterization to seemingly formula-bound material. "Frankenstein Must Be Destroyed", an unusually bitter film which mirrors the nihilism of the late 1960s, remains Fisher's finest, most multi-layered work, despite its lack of popularity. At the center of Fisher's work is a fascinating moral dilemma: the seductive appeal of evil vs. the overzealous, frequently close-minded representatives of good. The consistency of theme in Fisher's work, coupled with a distinctive style achieved through precise framing and a dynamic editing style, refutes the idea that he was merely a hack for hire, while lending his films a recognizable signature.
Best films: "So Long at the Fair", Lost Daughter (1949), "Dracula", The Revenge of Frankenstein (1958), The Mummy (1959), The Stranglers of Bombay (1959), "Two Faces of Dr. Jekyll", The Brides of Dracula (1960), "Curse of the Werewolf", The Phantom of the Opera (1962), "The Gorgon", "The Earth Dies Screaming", "Dracula--Prince of Darkness" and "Frankenstein Must Be Destroyed".
Terence Fisher died in 1980 at the age of 76.asked by Hammer Film productions to direct- Writer
- Producer
- Additional Crew
Richard H. Landau was born on 21 February 1914 in New York City, New York, USA. Richard H. was a writer and producer, known for The Black Hole (1979), The Rat Patrol (1966) and The Six Million Dollar Man (1974). Richard H. died on 18 September 1993 in Century City, California, USA.wrote the screenplay- Cinematographer
- Camera and Electrical Department
Walter J. Harvey was born on 9 February 1903 in Hornsey, London, England, UK. Walter J. was a cinematographer, known for The Avengers (1961), Whispering Smith vs. Scotland Yard (1952) and Bulldog Drummond at Bay (1937). Walter J. was married to Nancy Sherry. Walter J. died in 1979 in London, England, UK.director of cinematography- Music Department
- Composer
- Soundtrack
Ivor Slaney was born on 27 May 1921 in West Bromwich, Birmingham, England, UK. He was a composer, known for Shall We Dance? (2004), Monty Python and the Holy Grail (1975) and The Curious Case of Benjamin Button (2008). He died on 20 March 1998 in Milford on Sea, Hampshire, England, UK.musical director- Actor
- Director
Dane Clark was born Bernard Elliot Zanville in Brooklyn, New York City, to Rose (Korostoff) and Samuel Zanville, who were Russian Jewish immigrants. He graduated from Cornell University and St. John's Law School (Brooklyn). When he had trouble finding work in the mid-1930s he tried boxing, baseball, construction, sales and modeling, among other jobs. From there he went into acting on Broadway ("Dead End", "Stage Door", "Of Mice and Men"), which finally brought him to Hollywood. He acted under his own name until 1943 when, as Dane Clark (a name he said was given him by Humphrey Bogart), he took the role of sailor Johnnie Pulaski in Warner's Action in the North Atlantic (1943), a wartime tribute to the Merchant Marine. He was a regular in World War II movies, playing the part of a submariner in Destination Tokyo (1943), an airman in God Is My Co-Pilot (1945) and a Marine in Pride of the Marines (1945).
Though he co-starred with such luminaries as Bogart, Cary Grant, Bette Davis and Raymond Massey, it was his self-described "Joe Average" image that got him his parts: "They don't go much for the 'pretty boy' type [at Warner Brothers]. An average-looking guy like me has a chance to get someplace, to portray people the way they really are, without any frills." He was also proud of his role as Abe Saperstein, who founded the Harlem Globetrotters black basketball team, in Go Man Go (1954), a film he believed pioneered in opposing race hatred.plays Casey Morrow in lead role- Green-eyed blonde bombshell Belinda Lee was born in Devon, England to florist Stella Mary Graham and hotel owner Robert Esmond Lee on June 15, 1935. Nicknamed "Billie," she was an incredible beauty while still a teen attending the Rookesbury Park Prep School in Hampshire and St. Margaret's boarding school in Devon. Expressing an avid interest in acting, she focused on dramatics at the Tudor Arts Academy at Surrey (1947), then gained entry via a scholarship to London's RADA, at which she made her stage debut in "Point of Departure."
Sharp-faced Belinda was noticed by Rank Studio director Val Guest while performing at the Nottingham Playhouse. She was artificially groomed in starlet parts, the first being The Runaway Bus (1954), until Guest helped her obtain a movie contract with Rank and introduced her to one of Rank's prime still photographers, Cornel Lucas. That year she married the much-older Lucas, who helped promote her as a sex goddess with thousands of glamorous photographs.
Belinda was promoted as a docile young beauty, but her parts grew sexier. She worked intently in films but became frustrated with being stereotyped as a buxom peroxide blonde. Boxed in as a second-string Diana Dors, she played a sensuous foil to Benny Hill in Who Done It? (1956) and was served up as sexy window-dressing opposite both John Gregson in Miracle in Soho (1957) and Louis Jourdan in Dangerous Exile (1957).
Now estranged from Lucas, Belinda headed off to Italy for a change of pace and atmosphere but only found more of the temptress roles she tried to avoid--Aphrodite, Messalina, and Lucrezia Borgia--in low-budget spectacles. She also became preoccupied with married men, one being Prince Filippo Orsini, whose position with the Vatican led to a major scandal. This particular turbulent romance and a dissipating relationship with the Rank Studio (her last picture for the studio was Elephant Gun (1958) with Michael Craig) triggered a near-fatal suicide attempt with pills in January 1958. She later divorced Lucas and continued her torrid affair with Prince Orsini, then others.
It all ended much too soon for the 25-year-old when she decided to join her current love, the much-older Italian playboy/journalist/film producer Gualtiero Jacopetti, on a trip to Las Vegas, where he was working on a documentary (Women of the World (1963). While she, Jacopetti, and co-producer Paolo Cavara were auto passengers on their way to Los Angeles from Vegas, their driver lost control of their speeding car and flipped. The 25-year-old actress was thrown from the car and died of a fractured skull and broken neck. The other three escaped with fairly minor injuries. She was cremated in the States and her ashes were eventually returned to Rome and placed in the Campo Cestio Cemetery.female lead in Phyllis Brunner - Known for her small yet earthy Brit portrayals on film, Eleanor Summerfield was born in London on March 7, 1921, initially trained at the Royal Academy of Dramatic Art (1937). The hard-looking, blue-eyed blonde began in films in 1947 but created some waves first on stage opposite Cicely Courtneidge in "Her Excellency" at the London Hippodrome in 1949. She followed that with a top role in a rather mediocre musical entitled "Golden City." Musicals would be a strong suit for her in the ensuing years, including a more glamorous role in "When in Rome" (1959) alongside June Laverick. Summerfield made her last West End musical in 1974 in a show based on the cartoon characters of Osbert Lancaster. A popular radio actress and a regular on BBC Radio Four panel show "Many a Slip," she positively shone on TV in a number of comedy series as she entered her matronly years. She had the difficult task of replacing Dora Bryan in the established program "Our Dora" when Bryan abruptly left the series after the sudden death of her first child. Soon retitled My Wife's Sister (1956), the show, and Summerfield, succeeded quite well. During her five-decade career, she added bite to a number of films, often raucous comedies, including Laughter in Paradise (1951), Uncle Willie's Bicycle Shop (1953), Dentist in the Chair (1960), On the Fiddle (1961) and Some Will, Some Won't (1970), which was a remake of the earlier film Laughter in Paradise (1951). Wed to actor Leonard Sachs in 1947, they produced two sons; one son, Robin Sachs, became an actor in his own right. Her husband died in 1990, and Summerfield followed him a decade later on July 13, 2001, in London. She was 80.plays role of Maggie Doone
- Producer
- Actor
- Director
Andrew Osborn was born on 9 April 1910 in Ilford, Essex, England, UK. He was a producer and actor, known for BBC Sunday-Night Theatre (1950), When the Boat Comes In (1976) and Maigret (1959). He died on 11 March 1985 in Gerrards Cross, Buckinghamshire, England, UK.plays role of Lance Gordon- Actor
- Writer
Harold Lang was born in 1923 in London, England, UK. He was an actor and writer, known for Garry Halliday (1959), World Theatre (1959) and Dead on Course (1952). He died on 16 November 1970 in Cairo, Egypt.dual roles of Travis/ Victor Vanno