Production Details on HBO Max Films
Including original films, films originally set for a theatrical release & Warner Bros. Same Day Premieres of 2021
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- DirectorBrandon TrostStarsSeth RogenSarah SnookMolly EvensenAn immigrant worker at a pickle factory is accidentally preserved for 100 years and wakes up in modern-day Brooklyn.Director: Brandon Trost
Composer (Original Themes): Michael Giacchino
Composer: Nami Melumad
Cinematographer: John Guleserian
Cinematographer (Add'l Photography): Todd Antonio Somodevilla SOC
Film Editor: Lisa Zeno Churgin ACE
Production Designer: William Arnold
Costume Designer: Brenda Abbandandolo
Executive Producer/Unit Production Manager: Ted Gidlow
Stunt/Fight Coodinator/2nd Unit Director: John Koyama
Production SFX Supervisor: Russell Tyrrell
Production SFX Coordinator: Dean Tyrrell
Production VFX Supervisor: Adam Rowland
Co-Stunt Coordinator: Matt Leonard
A-Camera/Steadicam Operator: Michael Fuchs
Steadicam/Add'l B-Camera Operator: Michael W. Craven
B-Camera Operators: Brian Outland, Daniel Sharnoff
Digital Colorist: Andrea Chlebak
Ass't Colorist: Andre Rivas
Filming Dates: October 29, 2018 - December 22, 2018
Camera: Alexa LF (4.5K ARRIRAW)
Lenses: Arri DNA LF Primes
AR: 1.33:1 (1920s Scenes), 1.85:1 (4-Perf Super 35mm)
Budget: 20 Million USD
Digital Intermediate Provided by: EFilm Company 3
Attribute: Camera Equipment Provided by Arri Rental - DirectorRachel Lee GoldenbergStarsHaley Lu RichardsonBarbie FerreiraGiancarlo EspositoA 17-year old Missouri teen named Veronica discovers she has gotten pregnant, a development that threatens to end her dreams of matriculating at an Ivy League college, and the career that will follow.Director: Rachel Lee Goldenberg
Composer: Roger Neill
Cinematographer: Doug Emmett
Film Editor: Julia Wong ACE
Production Designer: Celine Diano
Costume Designer: Matthew Simonelli
Production SFX Supervisor: David Greene
Production VFX Coordinator: Jennifer Mochinski
Stunt Coordinator: Alex Terzieff
B-Camera/Steadicam Operator: Joe Lindsay
2nd Unit DoP: Corey Weintraub
Filming Dates: Late-2019 - Early-2020
Camera: Sony CineAlta Venice (6K AXS-R7)
AR: 2.39:1 (Super 35mm)
Digital Intermediate Provided by: Company 3 - DirectorAngel Manuel SotoStarsJahi Di'Allo WinstonMeek MillWilliam CatlettFourteen-year-old Mouse desperately wants to join the Midnight Clique, an infamous group of Baltimore dirt-bike riders who rule the summertime streets.Director: Angel Manuel Soto
Composer: Alex Somers
Cinematographer: Katelin Arizmendi
Cinematographer (Add'l Photography): Shelly Johnson ASC
Production Designer: Scott Dougan
Film Editor: Luis Carballar
Costume Designer: Kairo Courts
Stunt Coordinator: Kevin Rogers
A-Camera/Steadicam Operator: Stewart Cantrell
B-Camera/Add'l Steadicam Operator: Janice Y. Min
Camera Operator (Add'l Photography): Wayne Arnold
Camera/Steadicam Operator (Add'l Photography): Andy Schwartz
Add'l Film Editor: John Axelrad ACE
Colorist: Sam Daley
Ass't Colorist: Andre Rivas
Filming Dates: Late-2018 - Early-2019
Camera: Alexa Mini (3.2K ProRes 4444 XQ)[CFast 2.0]
Lenses: Panavision Super Speed MKII Spherical Primes & Ultra Speed MKII Spherical Primes
AR: 2.39:1 (Super 35mm)
Digital Intermediate Provided by: Company 3 Deluxe
Attribute: Filmed in Panavision - DirectorRobert ZemeckisStarsAnne HathawayOctavia SpencerStanley TucciA young boy and his grandmother have a run-in with a coven of witches and their leader.Director/Screenwriter/Producer: Robert Zemeckis
Screenwriter/Producer: Guillermo Del Toro
Screenwriter: Kenya Barris
Producer: Alfonso Cuaron
Executive Producer/Unit Production Manager: Marianne Jenkins
Co-Producer: Derek Hogue
Cinematographer: Don Burgess ASC
Production Designer: Gary Freeman
Film Editors: Jeremiah O'Driscoll, Ryan Chan
Composer/Conductor/Score Producer: Alan Silvestri
Production VFX Supervisor: Kevin Baillie
Costume Designer: Joanna Johnston
Associate Producer/1st Ass't Director: Lee Grumett
Production VFX Producer: Sandra Scott
Sound Designer/Re-Recording Mixer: Randy Thom
Sound Designer: Jeremy Bowker
Stunt Coordinator: Eunice Huthart
Ass't Stunt Coordinator: Tolga Kenan
Production Manager: Samar Pollitt
Supervising Art Director: Tom Still
Art Directors: Su Whitaker, Claire Fleming, Matt Robinson, Richard Usher
A-Camera Operator: Des Whelan ACO
B-Camera/Steadicam Operator: Vince McGahon ACO
Key 2nd Ass't Director: Jo Tew
2nd Assistant Director: James Chasey
3rd Assistant Director: James Reid
Set Decorator: Raffy Goivannetti
Prosthetic Designer: Kristyan Mallett
Chief Lighting Technician: Martin Smith
Ass't Chief Lighting Technician: Lee Eldred
Rigging Gaffer: Greg Thomas
Production SFX Supervisor: Mark Holt
SFX Floor Supervisor: David Holt
SFX Workshop Supervisor: Mark Vanstone
Production SFX Coordinator: Lucy Thompson
Picture Vehicle Supervisor: Michael Geary
Additional Unit 1st Ass't Director: Mark Hopkins
Splinter Unit DoP/Add'l Unit Cam. Op./DoP: Matt Windon
Re-Recording Mixer: Kevin O'Connell
Score Producer/Coordinator: Dave Bifano
Orchestrator: Mark Graham
Score Mixer: Dennis S. Sands
VFX Production Supervisor: Francesca Mancini
VFX Visualization Supervisor: Ryan Beagan
Method Studios VFX Supervisors: Sean Konrad, Glenn Melenhorst
Method Studios Add'l VFX Supervisors: Tim Ledbury, Christian Emond, Gong Myung Lee
Method Studios VFX CG Supervisors: Amir Eleswy, Avi Goodman, Nathan Ortiz, Frederik Sundqvist
Method Studios VFX Producers: Sheena Johnson, Ineke Majoor, Billy McMillen, Laura Schultz, Samantha Thrupp
Method Studios Animation Supervisor: Nicholas Tripodi
Senior DI Colorist: Maxine Gervais
DI Colorist: Jeff Pantaleo
DI Producer: Nancy Fuller
Filming Dates: 8 May 2019 - 25 June 2019
Cameras: Millennium DXL2 & Red Weapon Monstro (8K Redcode RAW)
Lenses: Panavision Primo 70 Primes
AR: 2.39:1 (Panavision Super 70)
Score Recorded at: Abbey Road Studios, London
Visual Effects & Animation Provided by: Method Studios
Attribute: Filmed in Panavision - DirectorBen FalconeStarsMelissa McCarthyJames CordenBobby CannavaleWhen an all-powerful Superintelligence chooses to study average Carol Peters, the fate of the world hangs in the balance. As the A.I. decides to enslave, save or destroy humanity, it's up to Carol to prove that people are worth saving.Director: Ben Falcone
Composer: Fil Eisler
Cinematographer: Barry Petersen
Film Editor: Tia Nolan ACE
Production Designer: Jefferson Sage
Production SFX Supervisor: JD Schwalm
Production VFX Producer: Jacob Eaton
Stunt Coordinator: Walter Garcia
Camera Operators: Cooper Dunn, Casey Hotchkiss
A-Camera/Steadicam Operator: Kris Krosskove
Aeriel Unit DP: Dylan Goss
Filming Dates: July 16, 2018 - August 31, 2018
Cameras: Alexa Mini & XT (Digital)
AR: 2.39:1 (Super 35mm)
Attribute: Camera Equipment Provided by Otto Nemenz International - DirectorSteven SoderberghStarsMeryl StreepGemma ChanDianne WiestA famous author goes on a cruise trip with her friends and nephew in an effort to find fun and happiness while she comes to terms with her troubled past.Director/Cinematographer/Film Editor: Steven Soderbergh
Camera Operators: Christopher Duskin, Mark Lee Cobb
Production VFX Supervisor: Fernando Torres Idrovo
Production VFX Coordinator: Ryan Smith
Supervising VFX Artist: Nicolaus Waetjen
Production VFX Producer: Sean Findley
Composer: Thomas Newman
Costume Designer: Ellen Mirojnick
Unit Production Manager: Joseph Malloch
Colorist: Nat Jencks
Finishing Artist: Jordan PH Stein
Camera: Red Komodo (6K Redcode RAW)
Lenses: Leitz Summilux-C Primes
AR: 2.39:1 (Super 35mm)
Attribute: Camera Equipment Provided by Technological Cinevideo Services - DirectorPatty JenkinsStarsGal GadotChris PineKristen WiigDiana must contend with a colleague, and with a businessman whose desire for extreme wealth sends the world down a path of destruction, after an ancient artifact that grants wishes goes missing.Director, Producer & Co-Writer: Patty Jenkins
Producer: Gal Gadot
Overall Visual Effects Supervisor: John Moffatt
Casting: Lucinda Syson CDG CSA, Kristy Carlson
Costume Designer: Lindy Hemming
Film Editor: Richard Pearson ACE
Production Designer: Aline Bonetto
Cinematographer: Matthew Jensen ASC
Composer/Synth Programming/Score Producer: Hans Zimmer
Composers, Add'l Music: David Fleming, Steve Mazzaro
Executive Producers: Rebecca Steel Roven, Richard Suckle
Executive Producer/Unit P.M.: Marianne Jenkins
Executive Producers: Chantal Nong Vo, Wesley Coller
Producers: Charles Roven, Zack Snyder, Deborah Snyder
Producer/Unit Production Mgr.: Stephen Jones
Screenwriter: Dave Callaham
Unit Production Manager: Damian Anderson
First AD / Associate Producer: Toby Hefferman
Key Second Assistant Director: Andy Madden
Second Unit Director: Dan Bradley
Overall Visual Effects Producer: Dominic Sidoli
Post Production Supervisor: Tim Grover
Associate Producers: Elise Callas Iglesias, Jason Crain
Associate Producer/Prod. Liaison: Anna Obropta
Supervising Stunt Coordinator: Rob Inch
Assistant Stunt Coordinators: Stuart Clark, CC Smiff, Florian Robin
Fight Coordinator: Liang Yang
Fight Trainers: Andy Lister, Trayan Mielnov
Movement Artist, Stunts: Charlie Mayhew
Supervising Art Director: Peter Russell
Art Directors: Rod McLean, Rich Selway, Gavin Fitch, Simon Elsley, Mark Scruton, Arwel Evans, Georgia Warner, Anita Gupta, Darren Tubby
Assistant Art Directors: Tara Ilsley, Aoife Warren, Lauren Briggs-Miller
Draughtspersons: Denise Ball, Dobbie Young, Claire Shakespeare, Corrine Silver, William Houghton-Connell, Sophie Lockwood, Andy Protcor
Junior Draughtspersons: Oliver Herrick, James McClellan, Craig Gilroy
Concept Artists: Peter McKinstry, Nick Ainsworth, Howard Swindell, Keith Seymour, Aaron Sims, Houston Sharp, Maciej Kuciara
Lead Storyboard Artist / Prod. Liaison: Stephen Forrest-Smith
Storyboard Artists: Soren Bendt Pederson, Jim Cornish
Art Department Coordinator" Gabi Brown
A / Steadicam Operator: Simon Jayes ACO SOC
A Camera First Assistant Camera: Sam Barnes
A Second Assistant Camera: Adrian Stephens
B Camera Operator: Simon Finney ACO
B Cam First Assistant Camera: Rene Adefarasin
B Cam Second Assistant Camera: Dean Murray
Central Loader: Alasdair Boyce
Insert Unit DoP: Hamish Doyne-Ditmas
A & B Third Camera Assistant: Ryan King
Video Playback Operator: Dylan Jones
Video Assistant Operator: Josh Andrews
Production Sound Mixer: Peter J. Devlin CAS
First Assistant Sound Technician: Adam Ridge
Sound Dept. Second Assistant: Milos Momcilovic
Script Supervisor: Jaurajane Miles
Additional Film Editor: Tom Harrison-Read
Second Assistant Editors: Rob Avery, Laura Mountford
Prod. Visual Effects Editor: Constantin Brody
Visual Effects First Assistant Editor: Christopher Frith
Visual Effects Second Assistant Editor: Isabel Zippert
First Apprentice Editor: Holly Burn
Visual Effects Production Managers: Joseph Lloyd Pack, Jeff Winkle
Overall Visual Effects Accountant: Helen Glover
Additional Visual Effects Supervisors: Charlie Noble, Chris Shaw
Visual Effects Assistant Data Wranglers: Steve Barham, Johan Sebastian, Prias Suarez
Visual Effects Assistant Coordinators: Natalie Cooke, Jasmine Newton
Visual Effects Composite Supervisors: Joss Flores, Wesley Froud
Visual Effects Compositors: Lucie Brant, Ivan Cipriani, Mike Cosgrove, Marcellino D. Avino, Joey Harris, Gareth Jones, Alasdair McNeill
Supervising Sound Editors: Richard King, Jimmy Boyle
Re-Recording Mixers: Gary A. Rizzo, Gilbert Lake
Additional Re-Recording Mixer: Chris Burdon
Sound Effects Editor / Foley Supervisor: Kevin Penney
Sound Effects Editors: Rowan Watson, Michael Babcock, Jeff Sawyer
Dialogue Editor: Iain Eyre
Assistant Sound Editors: Andrew Bock, Buster Flaws
Second Assistant Sound Editor: George Riley
Costume Supervisor: Dan Grace
Assistant Costume Designers: Andrea Cripps, Nat Turner, Richard Sale, Caroline Brett, Sinead O. Sullivan
Wardrobe Supervisor: Brendan Handscombe
Costume Coordinator: Kate Chadderton
Costume Buyers: Charlotte Wiseman, Gemma Hodgson
Concept Illustrators: Geo Pavlov, Jack Dudman
Key Textile Artist: Steven Gill
Costume Cutters: Sara Fay, Ian Frazer Wallace
Key Costumer: Nicholas Roche-Gordon
Costumer to Gal Gadot: Suey Casey
HOD Costume Modellers: Naomi Critcher, Pierre Bohanna
Assistant HOD/Costume Modeller: Andy Hodgson
Makeup and Hair Designer: Jan Swell
Makeup and Hair Supervisor: Karen Cohen
Key Makeup and Hair Artist Julie Dartnell
Makeup Artist to Gal Gadot: Sarah Brock
Set Decorator: Anna Lynch-Robinson
Production Buyer: Krysia Whitty
Assistant Set Decorators: Lotty Sanna, Caitlin Thompson, Kay Mitchell, Francisco Chamorro, Lee Gordon
Set Decoration Coordinator: Kristy Parnham
Set Decoration Assistants: Roxy Stapleton, Harriet Willis
Graphic Designers: Alan Payne, Chris Tooth
Concept Artist: Lee Oliver
Drapes Master: Graham Caulfield
Production Supervisor: David Zealey
Production Coordinator: Winnie Wishart
Assistant Production Coordinators: Rebecca Ioannou, Chloe Warren, Athena Sammy
Travel and Accommodation Coordinator: Samantha Robbshaw
Post Production Coordinator: Diarmuid Hughes
Stunt Department Coordinator: Jane Batey
Clearances Coordinator: Vicki Kisner
Digital Assets Manager: Eren Ramadan
Assistant Digital Assets Manager: Runalaila Jalil-Loewenthal
Environmental Coordinator: Jimmy Keeping
Assistant to Patty Jenkins: Sophia Ohler
Assistant to Mr. & Mrs. Roven, UK: Andy Johnson
Assistant to Stephen Jones: Michelle Davis
Assistant to Deborah Snyder: Jackie Levine
Assistant to Zack Snyder: Celeste Schipono-Coller
Casting Associate: Natasha Vincent
Casting Assistants: Jenna Bamberger, Georgia Fleury Reynolds
Dialect Coach: Roisin Carty
Second Second Assistant Director: Rob Madden
Third ADs: Donald Bentley, Andrew Richards, Cat Laine, Emily Thomas
Supervising Location Managers: Mandy Stevens, Steve Mortimore
Location Managers: Lynsey Cosford, Peter Gray
Assistant Location Managers: Emily Coldwell, Anna Vahrman, Jessica Woodland
Location Unit Managers: Tom Barnes, Andy Reeve
Assistant Location Unit Manager: Craig Cook
Studio Unit Manager: Yago Placer
Assistant Studio Unit Manager: Gregor Sharp
Key Production Controller: Dan Hillsdon
Production Controller, UK: Betty Williams
Production Accountant: Isaac Sananes
Post Production Accountant: Sandra Nixon
First Assistant Accountant: Claire Quinn
Chief Lighting Technician: David Sinfield
Assistant Chief LTs: Ian Sinfield, David Brennan
Rigging Gaffer: Tom O'Sullivan
Dimmer Board Operators: Adam Baker, Richard Allen, Matt Hickin
Lighting Technicians: Toby Tyler, Charlie Bell, Conor Finlay, Mark Joiner, Harlon Haveland, Bradley Wilson
HOD Electrical Rigger: Mick Heath
Supervising Electrical Rigger: Simon Mahoney
Electrical Riggers: Steve Reid, Ashley Bayes, Mark Smith, Anton Osbourne, Paul Wellstead, George Biggerstaff
Key Grip: Kevin Fraser
Best Boy Grip: Tony Benjamin
Grips: Dave Rist, Alex Fraser
Crane Technicians: Ben Edwards, Dennis Fraser
Production Special Effects Supervisor: Mark Holt
Special Effects Floor Supervisor: David Holt
Special FX Workshop Supervisor: Mark Vanstone
Overall Special Effects Coordinator: Lucy Myers
Production Special Effects Designer: Will Wyatt
Supervising Prop Master: Terry Wood
Assistant Prop Master: Warren Parkinson
Prop Storeman: Leigh Bryant
HOD Prop Modeller: Craig Narramore
Assistant HOD Prop Modeller: Katie Lodge
Supervising Prop Modeller: Sander Ellers
HOD Armoury: Ben Rothwell, Tim Wildgoose
Supervising Armourer: Jon Baker
Unit Publicist: Lee Anne Muldoon
Still Photographer: Clay Enos
Picture Vehicle Supervisor: Ian Clarke
Assist Picture Vehicle Supervisors: Kevin Fisher, Michael Davie
Transport Manager: Dean Thomas
Assistant Transport Managers: Dave Bemister, Stevie Kotey
Transportation for Patty Jenkins: Tony Jayes
Transportation for Charles Roven: Bary Dye
Health and Safety Advisors: Jake Edmonds, Keith Murray
Second Unit Director of Photog.: Tim Wooster
Second Unit First Assist Director: Dominic Fysh
Second Unit PMs: Russ Lodge, Samar Pollitt
Second Unit Art Director: Hazel Keane
Second Unit A Cam Operator: John Gamble ACO
Second Unit B Cam Operator: Stefan Stankowski
Second Unit C Ops: Mark Moriarty, Peter Field
Second Unit D Camera Operator: Chris Moseley
Second Unit A Camera First AC: Sean Connor
Second Unit B Camera First AC: Simon Heck
Second Unit C Camera First AC: Ray Meere
Second Unit A Cam Second AC: Glenn Coulman
Second Unit B Second AC: Dominique Cheung
Second Unit C Second ACs: Russel Torode, Dean Morrish
Second Unit Central Loader: Tom Gamble
Second Unit IMAX Technician: Stuart MacFarlane
Second Unit Drone Cam First AC: Harry Gamble
Second Unit Drone Camera Second AC: Ben Foat
Second Unit Video Playback Operator: Tom Elgar
Second Unit Video Assistant Operator: Oli Smith
Second Unit Production Sound Mixer: Shaun Mills
Second Unit Script Supervisor: Susie Jones
Second Unit Continuity Coordinator: Marie Lacey
Second Unit Costumers: Sarah Brest, Alexandra Disertori, Grace Hands, Paul Harvey
Costumer / Makeup & Hair Supervisor, Second Unit: Eva Marieges
Second Unit Makeup and Hair Artists: Dorey Cila, Kirsty Martin
Second Unit Production Coordinators: Hephzibah Craen, Sandy Reinhardt
Second Unit Assistant Production Coordinator: Katie Boughen
Assistant to Dan Bradley, Second Unit: Jennifer Eddy
Second Unit Production Secretary: Daniella Baggaley
Second Unit Second Assist Director: Scott Bunce
Second Unit Second Second AD: Ben Quirk
Second Unit Third ADs: Tom Bentley, Zoe Tough, Mike Hayes
Second Unit Assistant Location Manager: Hannah McCarthy
Second Unit Location Unit Manager: Drew Payne
Second Unit Production Accountant: Louise Van Hamme
Second Unit Assist Accountant: Georgie Fletcher
Second Unit Chief LT: Michael Chambers
Second Unit Assistant Chief LT: John Walker
Second Unit LTs: Alan Coates, Richard Conway, Matthew Lumley, Stephen O'Donoghue
Second Unit Electric Rigger: John Hanks
Second Unit Key Grip: Alex Mott
Second Unit Best Boy Grip: Michael Wacker
Second Unit Dolly Grips: Nicholas Cupac, James Starr, Daniel Brennan, Philip Kenyon
Second Unit Crane Technicians: Neil Folly, Neil Tomlin
Second Unit Props: Paul Robinson, Conor Maclay
Second Unit Special Effects Floor Supervisor: James Davis
Second Unit Production Assists: Ethan Modder, Fateh Khaled
Washington DC USA Unit Production Supervisor: Karen Ramirez
Unit Production Manager, Washington DC USA Unit: David Seigel
Washington DC USA Unit Second AD: Rhys Summerhays
Washington DC USA Unit Art Director: Domenic Silvestri
Washington DC USA Unit Assistant Art Director: Will Eliscu
Washington DC USA Unit Set Designers: Cosmas Demetriou, Sophie Solomon Resplandy
Washington DC USA Unit Graphic Artist: Jenn Move
Washington DC USA Unit Illustrators: John Park, Jared Purrington
Washington DC USA Unit Art Dept Coordinator: Brogan Dinger
Washington DC USA Unit A First AC: Ray Milazzo
Washington DC USA Unit A Second A.C.: Blake Collins
Washington DC USA Unit B Operator: Jamie Sterba
Washington DC USA Unit B First AC: Eric Guerin
Washington DC USA Unit B Second A.C.: Seth Gallagher
Washington DC USA Unit C Operator: Brooks Robinson
Washington DC USA Unit C First AC: Pat McArdle
Washington DC USA Unit C Second AC: Michael Panczenko
Washington DC USA Unit Central Loader: Kalli Kouf
Washington DC USA Unit Digital Imaging Technician: Eduardo Eguia
Washington DC USA Unit First Assistant Sound: Ben Greaves
Washington DC USA Unit Second Assistant Sound: Nathaniel Sisson
Washington DC USA Unit Video Playback Operator: Alex Applefeld
Washington DC USA Unit Video Assistant Operator: Jessica Pinns
Washington DC USA Unit 24 Frame Playback Supervisors: Matthew Morrissey, Mark Hochman
Washington DC USA Unit Visual Effects Data Wrangler: Jessica Chamberlain
Washington DC USA Unit Costume Supervisor: Jennifer Jobst
Washington DC USA Unit Key Costumer: Sloane True
Washington DC USA Unit Dept. Head Makeup: Mindy Hall
Washington DC USA Unit Key Makeup Artist: Blair Aycock
Washington DC USA Unit Crowds Makeup Supervisors: Matiki Anoff, Liz Villamarin
Washington DC USA Unit Makeup Artists: Milagros Cerdeira, Sandy Linn, Lisa Forst, Ngozi Young, Ned Neidhardt, Hanny Tjan
Washington DC USA Unit Dept. Head Hair: Sean Flanigan
Washington DC USA Unit Key Hair Stylist: Gary English
Washington DC USA Unit Hair Stylists: Jerry Popolis, Mark Schmidt, Adele Thore, Sonja Gregoire
Washington DC USA Unit Production Coordinator: Kristin Vela
Washington DC USA Unit Assistant Production Coordinator: Mariam Yacoub
Washington DC USA Unit Travel/Housing Coord.: Ashley Saunders
Washington DC USA Unit Production Secretaries: Adrienne Olson, Jenny Kissoon
Washington DC USA Unit Clearances Coord.: Alisson Klein
Washington DC USA Unit Assistant to Kristen Wiig: Sandra Campanga
Washington DC USA Unit Cast Physical Trainers: Angela Gordon, Sam Welsch, Kwang Han
Washington DC USA Unit Dialect Coach: Samara Bay
Washington DC USA Unit Assistant to Mr. & Mrs. Roven: Rachel Corson
Washington DC USA Unit Supervising Location Manager: James R. Lin
Washington DC USA Unit Location Managers: Matthew Noonan, Carol Flaisher
Washington DC USA Unit Aerial Pilot: Al Cerullo
Washington DC USA Unit Production Accountant: Lisa Wiggins
Washington DC USA Unit Chief LT: Chris Prampin
Washington DC USA Unit Assistant Chief LT: Greg Etheredge
Washington DC USA Unit LTs: Craig Molsberry, Brent Studler, Andrew Corbin, Justin Unger, Mike Piekutowski, Marc Shearer
Washington DC USA Unit Dimmer Board Op.: Kevin Matz
Washington DC USA Unit Rigging Gaffer: Adam Harrison
Washington DC USA Unit Rigging Best Boy: Peter Smith
Washington DC USA Unit Rigging Electrics: Trey Peterson, Casey Dunn, Jesse Cooper, Adunbi Kazembe, Aric Leinen, Bryan Cox
Washington DC USA Unit Key Grip: Walter Scott
Washington DC USA Unit Best Boy Grip: Wilson Mylander
Washington DC USA Unit Dolly Grips: Darryl Humber, Shawn Baron, Mark Smoot, Carl Hamilton, Brent Matejcek, Yema Morgan, Paul Thomas
Washington DC USA Unit Rigging Grips: Kenny Morton, Michelle Zerdelian, John Curran, Darin Devonshire, William Gilleran, Andrew Sykes
Washington DC USA Unit Prop Master: Steven H. George
Washington DC USA Unit Assistant Prop Master: John D. Bert
Washington DC USA Unit Armourer: Andrew Wert
Washington DC USA Unit Set Dec Prod Buyers: Liz McPherson, Susan Kessel, Becky Weidner
Washington DC USA Unit Leadman: Sean Ginevan
Washington DC USA Unit Set Decoration: Paul Mugavero, Mark Tuttle, Jameson Buston, Craig Taylor, Mike Raybould, Melina Giorgi
Washington DC USA Unit Set Dressers: Evan Devine, Peter Frank, James Fulgham, Charles Gardiner, Keith Jackson, Richard Reeder, Stephen Shifflette, Shawn Stanley, Dave Starkey, Jesse Taylor
Washington DC USA Unit Draper: Julia Dent
Washington DC USA Unit Special Effects Coord.: Steve Cremin
Washington DC USA Unit Special Effects Assist Coordinators: Brandon McLaughlin, Will Dawson
Washington DC USA Unit Transport Coordinator: Aaron Skalka
Washington DC USA Unit Transport Captains: Keith Fisher, Richie Ryan
Washington DC USA Unit Transportation for Patty Jenkins: Pat Wilson
Washington DC USA Unit Picture Car Coord.: Rob Griffon Jr
Washington DC USA Unit Assistant Picture Car Coordinator: Jacqueline Hurd
Washington DC USA Unit Picture Car Technicians: Scott Denis, Kyle Curtis, Rob McCormack, Brent Godek, Jeff Wilson
Spanish Unit Surfilm Producer: Andreas Wentz
Spanish Unit Surfilm Producer / Unit Production Manager: Juan Cano Trujillo
Spanish Unit Prod. Mgrs.: Matt Jones, Bea Fluxa
Spanish Unit PCs: Xavi To, Nath Rodriguez
Spanish Unit Prod Supervisor: Patricia De La Uz
Spanish Unit Travel & Accommodation Coord.: Regina Ruffini
Spanish Unit Assistant Production Coordinator: Ruth Martin
Spanish Unit Art Director: Daniel Nussbaumer
Spanish Unit Assist Art Director: Jonathan Marin
Spanish Unit Second Second ADs: Kath Hoffman, Michael Michael
Spanish Unit Third ADs: Aaron Dormer, Andrea Baldridge, Maria Badia
Spanish Unit Assistant to Cast: Liliana Niespial
Spanish Unit Local Casting: Antonia V. Ramirez
Spanish Unit Location Production Accountant: Gina Hallas
Spanish Unit Production Accountant: Sara Martin
Spanish Unit First Assistant Sound: Sara Sanchez Gancedo
Spanish Unit Supervising Location Mgr: Yanira De Armas
Spanish Unit Location Managers: Tobin Hughes, Priscila Calero, Jorge Noguerales
Spanish Unit Assistant Location Managers: Tinerfe Martin, Joaquin Fernandez
Spanish Unit Location Unit Managers: Danny Khoudary, Isidro Gonzalez, Olivier Prez, Mattheus Makowski, Martin Diaz, Oscar Barba
Spanish Unit Picture Vehicle Coordinator: Diego Rodriguez Lobalzo
Spanish Unit Picture Vehicle Office Coordinator: Claudia Calvo
Spanish Unit Horse Master: Ricardo Cruz Jr
Spanish Unit Animal Coordinators: Tamara Cid, Augusto Peraltz
Spanish Unit Armourer: Antonio Molina
Spanish Unit Marine Coordinator: Juan Ignacio Diminguez
Spanish Unit Assistant Marine Coordinator: Sandra Molinski
Spanish Unit Divers: Alejandro D. Gonzalez, Enrique Aguillo, Garcia Daniel, Cuellas Fortea
Spanish Unit Set Decoration Coordinator: Silvia Tobajas Piedrabuena
Spanish Unit Prop Storemen: Ben Vinnicombe, Billy Troc
Spanish Unit Special Effects Senior Technician: Cesar Abades
Spanish Unit Transport Manager: Steve Day
Spanish Unit Transport Captains: Max Zivkovic, Melina Frias
Spanish Unit Aerial Pilot: Corey Gineris
Unit Production Manager/First Assistant Director, AP: Tommy Gormley
A & B First Assistant Camera, AP: David Penfold
Key Grip, Additional Photography: John Connon
Production Foley Mixer: Glen Gathard
Production Foley Artists: Pete Burgis, Zoe Freed
Music Editors: Gerard McCann, Ryan Rubin, Timeri Duplat
Sequencer Programming / Score Programmers: Omer Benyamin, Steven Doar
Score Mixer: Seth Waldmann
Score Consultant: Alan Meyerson
Electric & Acoustic Cellist: Tina Guo
Supervising Score Orchestrator: Bruce Fowler
Orchestrators: Walt Fowler, Suzette Moriarty, Kevin Kaska, Carl Rydlund, Jennifer Hammond, David Giuli
Orchestra Conductors: Gavin Greenaway, Matt Dunkley
Orchestra Leader: Perry Montague-Mason
Choir Masters: Ben Parry, Terry Edwards
Heads of Music Prep: Booker White, Jill Streater
Score Recordist: Geoff Foster
Add'l Score Recordists: Tom Bailey, John Witt Chapman, Eva Reistad
Score Pro Tools Operator: John Prestage
Score Editors: Chris Barrett, Adam Miller, Alfredo Pasquel
Technical Score Engineer: Chuck Choi
Assistant Engineers: Aldo Arechar, James Grimwade, Alejandro Moros
Synth Programming Lead: Kevin Schroeder
Digital Instrument Design: Mark Wherry, Taurees Habib, Raul Vega
Score Coordinators: Shalini Singh, Cynthia Park
DI Supervising Colourist: Stefan Sonnenfeld ASC
Company 3 Senior Colourist: Adam Nazarenko
CO3 Lead Colourists: Paul Ensby, James Slattery
CO3 DI Editors: Tom Sudgen, Jonas Jangvad
DI Producers: Hannah Perkins, Gemma Saunders
First Assistant Editor, US: Sean Thompson
Second Assistant Editor, US: Pete Tackaberry
Main and End Titles Designer: Matt Curtis
End Credits Coordinator: Helen Beuselinck
DNEG Visual Effects Supervisors: Huw J. Evans, Chris McLaughlin, Jonathan Bowen, Mike Grobe
DNEG Visual Effects Producers: Sara Khangaroot, Kate Mummery, Asha Joseph
DNEG Digital Effects Supervisors: Robin Beard, Kedar Koot
DNEG CG & Compositing Supervisors: Dalbir Singh, Fabricio Baessa, Mickael Leger, Milos Milosevic, Nik Brownlee, Wasim Ali, Oniel Pascol Fernandes, Stefano Cierl, Ummi Gudjonsson
DNEG Creature Supervisor: Aaron Fickling
DNEG Effects Supervisors: Joe Long, Shal Joseph
DNEG Environment & Generalist Supervisor: Jon Grilo
DNEG Asset Supervisors: Nitin Gite, Nic Guiraud
DNEG Matchmove Supervisor: Simon Pynn
DNEG Layout Supervisor: Bodie Clare
DNEG Senior TD Supervisor: Clint Hanson
DNEG Prep/Roto Supervisor: Kevin Norris
DNEG Animation Supervisors: Colin McEvoy, Eric Bates
DNEG Add'l Visual Effects Supervisors: Donna Feek, Thomas Biller
DNEG Environment Supervisor: Melaina Mace
DNEG Pipeline Supervisor: Robert John Davies
DNEG Senior Visual Effects Editor: Abi Cadogan
DNEG Senior Colourist: Aurora Shannon
DNEG Editors: Samuel Perkins, Ana Nunes, Liam Skogland
DNEG Visual Effects Colorist: Chris Munns
DNEG Assistant TDs: JP Mackel, Chris Leu
DNEG Assistant Colourists: Damien Bent, Sophie Newton
Framestore Visual Effects Supervisor: Alexis Wajsbrot
Framestore Senior Visual Effects Producer: Dan Matley
Framestore CG Supervisor: Alan Woods
Framestore Animation Supervisor: Nat McConnel
Framestore Comp. Supervisor: Gavin McKenzie
Framestore FX Supervisor: Igor Jovanovic
Framestore Visual Effects Editors: Adrienne Underwood, Duncan Williams
Framestore Visual Effects Producer: Mart Perkins
Framestore Visual Effects Coordinators: Rachael Gordon, Eva Adams, Rachel Elfassy-Bitoun, Lee Maher, Sana Rehman
Framestore Visual Effects Line Producers: Maria Casas Andreu, Emily Deere
Framestore Visual Effects Production Manager: Helen Kok
Framestore Visual Effects Production Coord.: Adela Popescu
Method Visual Effects Supervisor: Aidan Fraser
Method Visual Effects Producer: Justine Rosette-Nelligan
Method Digital Supervisors: James Kirk, Bikas Panigrahi, Jordan Schilling
Method Digital Effects Leads: Pravin Mahtani, Hugo Montabault, Nemanja Stavric
DNEG Sr Stereo Supervisor: Ben Breckenridge
DNEG Stereo Supervision: Jim Rees, Tim Chou
DNEG Stereo Producers: Paul Becker, Richard Edwards, Rohan Desai
Filming Dates: 13 June 2018 - 22 Dec. 2018, 28 July 2019 - 28 August 2019 (Add'l Photography)
Cameras: Arriflex 235, 435, Alexa 65, XT Plus, IMAX MSM 9802, Panaflex XL2 & System 65 Studio (35mm/65mm Kodak & 3.4K/6.5K ARRIRAW)
Lenses: Panavision Primo Spherical Primes, Sphero 65 Primes & Hasselblad Primes
AR: 1.43:1 (IMAX Laser Version: Some Scenes), 1.90:1 (IMAX Digital Version: Some Scenes), 2.39:1 (3-Perf/4-Perf Super 35mm)
Budget: 175-200 Million USD
Shot on: Kodak Vision3 Film (50D 5203/250D 5207/500T 5219)
Extras Casting Provided by: Universal Extras
Production Services in Spain / The Canary Islands by: Surfilm
Additional Photography & Spanish Unit Aerial Cameras by: Astraeus Aerial Cinema Systems & Helicopter Film Services
Choir Services Provided by: The London Voices
Score Recorded at: Air Lyndhurst & Abbey Road Studios
Score Mixed at: Remote Control Productions, Santa Monica, CA.
Digital Intermediate & Dailies by: Company 3 UK
65mm Scanning Services by: FotoKem, IMAX & Final Frame
Stereo Conversion, Visual Effects & Animation by: DNEG, Framestore & Method Studios
Visualization Provided by: The Third Floor
Lidar Scanning Provided by: Lidar Lounge
Soundtrack Album on: WaterTower Music
Filmed at: Warner Bros. Studios, Leavesden, England
Filmed on Location in: Virginia & Washington DC, U.S.A. The Monumental Complex of the Alcazaba of Almeria and in The Canary Islands, Spain, London and Elsewhere in the United Kingdom
Camera Equipment by: Panavision London
Attribute: Filmed in Panavision/IMAX - DirectorDoug LimanStarsChiwetel EjioforAnne HathawaySonicA couple attempts a high-risk, high-stakes jewelry heist at a department store.Director/Executive Producer: Doug Liman
Writer/Executive Producer: Steven Knight
Producers: PJ Van Sandwijk, Alison Winter, Michael Lesslie
Executive Producers: Stuart Ford, Miguel A. Palos Jr, Alastair Burlingham
Executive Producer/Unit PM: Richard Whelan
Co-Producer/Music Supervisor: Julianne Jordan
Co-Producer: Marie Savare
Cinematographer/A Camera Operator: Remi Adefarasin BSC
Cinematographer, Additional Footage: Gareth Daley
Production Designer: Laura Conway-Gordon
Film Editor: Saar Klein ACE
Composer, Score Producer & Performer: John Powell
Composer, Additional Music & Arrangements: Batu Sener
Costume Designer: Lucy Bowring
Hair and Make Up Designer: Paul Gooch
Sound Designers: Glenn Freemantle, Ben Barker
Casting Director: Joseph Middleton CSA
First Assistant Director: Dan Channing Williams
Production Manager: Ella Daines-Smith
Stunt Coordinator: Steve Dent
Crew Property Buyer: Caitlin Thompson
Crew Graphic Designer: Sophie Powell
Crew Assistant Set Decorators: Lucy Hassan, Natasha Reynell
Crew Set Decoration Assistant: Carina Kill
Crew Propmaster: Owen Harrison
Crew Assistant Propmaster: Stuart Headley-Read
Crew Dressing Prop Master: Peter Wood
Crew Standby Props Masters: Dan Woodward, Nathalie Page, Robyn Wilton
Crew Propsmen: Neal Kirke, Simon Lee
Crew A First Assistant Camera: Julian Bucknall
Crew A Second Assistant Camera: Alex Collings
Crew Rigging Second Assistant A Camera: Dan Glazebrook
Crew Steadicam Operator: Dave Hamilton-Green
Crew A Camera Trainee: Maggie Stanaszek
Crew Digital Imaging Technician: Quentin Brown
Crew Digital Lab Operator: Iain Thompson
Crew Key Grip, A Camera: Jack Flemming
Crew Grip, A Camera: Ben Goode
Crew Grip Truck Driver, A Camera: David Ott
Crew Gaffer: Pat Sweeney
Crew Best Boy: Martin Conway
Crew Electricians: Tom Hyde, Jack Wheatley
Crew Costume Standby Master: Sarah Hardwick
Crew Production Sound Mixer: Jerome McCann
Crew Boom Operator: Orin Beaton
Crew Sound Trainee: Richard Morgan
Additional Sound Recordists, UK: Paul Paragon, David Bowtel-McMillian, Christopher Woodcock, Luke Wheaton
Additional Sound Recordist, LA: Scott J. Farr
Additional Sound Recordist, New York: Erik Whitestone
Additional Sound Recordists, Sweden: Stellan Sarlefalk, Kristoffer Andersson
Additional Sound Recordist, Vienna: Joseph Mittermeier
Overall Special Effects Supervisor: Luke Murphy
Special Effects Assistant Technicians: Jackson Wise, James Miller
Assistant Production Coordinator: Dominic P. Grant
Script Supervisor: Rebecca Sheridan
Production Accountant: Louise Van Hamme
Compuhire Playback Supervisor: Mark Jordan
Compuhire Playback Technician: Will Nash
Action Vehicle Supervisor: Ian Clarke
Transport Captain: Nicky Davis
Driver to Mr. Ejiofor: Lol Smith
Driver to Mr. Liman and Producers: Mike Hull
Minibus Drivers: Tuncay Aliriza, Nikki Bemetriou, Jim Lynch
EPK Producer: Treva Wurmfeld
EPK Line Producer: Nathan Wilfy
On Set Videographer: Roger Eaton
Second Unit Camera Operator: Oliver Loncraine
Second Unit First Assist Camera: Max Glickman
Second Unit A Second Assist Camera: Chris King
Second Unit Tracking Driver: Rob Herring
Second Unit A Camera Grip: Billy Goddard
Second Unit Third Assist Director: Grant Butler
A Camera Operator, Add'l Photog.: Robert Shaw
Camera Head Technician, AP: Lawrence Whelan
Production Assistant, Addl. Photog: Ben Gomm
Prod. Visual Effects Consultant: Angus Bickerton
RVE Visual Effects Supervisor: Lev Kobolov
RVE CG Supervisor: Tim Ledbury
RVE Senior Compositors: Gillian Simpson, Elis Mar Ferre, Geoff Saver
RVE CG Artist: Evan Daies
GPP Digital Colourist: Adam Glasman
Title Designer: Matt Curtis
EVP, Technical Operations - AGC: Frank Prugo
EVP, Finance & Operations - AGC: Wilfred Chiang
SVP, Business & Legal Affairs for AGC: Anant Tamirisa
Score Engineer: John Michael Caldwell
Music Editor: Robin Morrison
Music Coordinator: Toko Nagata
Heads of Music Clearance Services: Christine Bergren, Julie Butchko
Original Artwork Designer: Ellen Liman
Camera: Alexa Mini LF (4.5K ARRIRAW)
Lenses: Arri Signature Primes
AR: 1.85:1 (4-Perf Super 35mm)
Budget: 3 Million USD
Computer and Video Playback by: Compuhire
Sound Design Provided by: Sound 24
Foley Recorded by: Molinare
Visual Effects Provided by: Red Visual Effects
Digital Intermediate Provided by: Goldcrest Post Production
Digital Dailies Provided by: Timeline Television
Cameras Provided by: ARRI Rental
Score Recorded & Mixed at: 5 Cat Studios
Soundtrack Available on: Varese Sarinbande
Filmed on Location at: Harrods - DirectorJohn Lee HancockStarsDenzel WashingtonRami MalekJared LetoKern County Deputy Sheriff Joe Deacon is sent to Los Angeles for what should have been a quick evidence-gathering assignment. Instead, he becomes embroiled in the search for a serial killer who is terrorizing the city.Director: John Lee Hancock
Composer: Thomas Newman
Cinematographer: John Schwartzman ASC
Film Editor: Robert Frazen ACE
Casting: Denise Chamian CSA
Production Designer: Michael Corenblith
Supervising Art Director: Lauren E. Polizzi
Costume Designer: Daniel Orlandi
2nd Assistant Director: Stephanie Tull Coscina
Production SFX Supervisor: Mark Hawker
Stunt Coordinators: Robert Powell, Tim Trella
A-Camera Operator: Ian Fox
B-Camera/Steadicam Operator: Jody Miller
Aerial Unit Camera Operator: Dan Godar
Drone Unit Camera Operator: Christopher J. Schuster
Senior DI Colorist: Stefan Sonnenfeld ASC
DI Producer: Erik Rogers
Finishing Editor: Matthew W. Johnson
Filming Dates: September 2, 2019 - December 2019
Cameras: Millennium DXL2 & Red Weapon Monstro (8K Redcode RAW)
Lenses: Panavision Primo 70 Primes & Sphero 65 Primes
AR: 1.85:1 (One Shot), 2.39:1 (Panavision Super 70)
Budget: 30 Million USD
Digital Intermediate Provided by: Company 3
Attribute: Filmed in Panavision - DirectorShaka KingStarsLaKeith StanfieldDaniel KaluuyaJesse PlemonsOffered a plea deal by the FBI, William O'Neal infiltrates the Illinois chapter of the Black Panther Party to gather intelligence on Chairman Fred Hampton.Director: Shaka King
Composers: Mark Isham, Craig Harris
Cinematographer: Sean Bobbitt BSC
Film Editor: Kristan Sprague
Add'l Film Editor: Jennifer Lame ACE
Production Designer: Sam Lisenco
Costume Designer: Charlese Antoinette Jones
Cultural Expert/Consultant: Fred Hampton Jr
Production SFX Supervisor: Russell Tyrrell
Production SFX Coordinator: Dean Tyrrell
Production VFX Supervisor: Jeremy Newmark
Production VFX Producers: James Michael Miller, Brian Reiss, Katherine Soares
Stunt Coordinators: Clayton J. Barber, Larnell Stovall
B-Camera/Steadicam Operator: Marcis Cole
2nd Unit DoP: David Knox
Senior Colorist: Tom Poole ASC
Finishing Editor: John Diesso
Company 3 Head of Production/DI Producer: Margaret Lewis
Company 3 CEO: Stefan Sonnenfeld ASC
Executive Music Producer: Ludwig Göransson
Filming Dates: 21 October 2019 - 19 December 2019
Cameras: Alexa LF & Mini LF (4.5K ARRIRAW)
Lenses: Arri DNA LF Primes
AR: 1.50:1 (One Scene), 2.39:1 (4-Perf Super 35mm)
Budget: 26 Million USD
Digital Intermediate Provided by: Company 3
Attribute: Camera Equipment Provided by Arri Rental - DirectorTim StoryStarsChloë Grace MoretzMichael PeñaColin JostA chaotic battle ensues between Jerry Mouse, who has taken refuge in the Royal Gate Hotel, and Tom Cat, who is hired to drive him away before the day of a big wedding arrives.Director/Executive Producer: Tim Story
Casting Director: Lucinda Syson CDG CSA
Costume Designer: Alison McCosh
Overall Animation Supervisor: Michael Eames
Prod. Visual Effects Supervisor: Frazer Churchill
Music Supervisor: Kier Lehman
Composer: Christopher Lennertz
Composer, Additional Music/Music Editor: Daniel Di Prima
Composer, Additional Music/Co-Producer: Dara Taylor
Composer, Additional Music/Score Programmer: DJ Nu-Mark
Film Editor: Peter S. Elliot ACE
Production Designer: James Hambidge
Cinematographer: Alan Stewart BSC
Co-Cinematographer: Chris Ekstein
Cinematographer, New York Unit: Jack Donnelly
Executive Producers: Adam Goodman, Sam Register, Jesse Eherman, Allison Abrate
Executive Producer/Unit PM: Steven Harding
Producers: Chris DeFaria
Writer: Kevin Costello
First Assistant Director: Will Dodds
Key Second Assistant Director: Gayle Dickle
Prod. Visual Effects Producer: Richard Yeomans
Production Animation Producer: Ryan Delaney
Supervising Stunt Coordinator: Paul Kennington
Stunt Co-Coordinator: Tyler Kennington
Supervising Art Director: Phil Sims
Art Directors: Les Tomkins, Dave Allday, Peter Dorme, Greg Fangeaux, Hazel Keane
Assistant Art Directors: Dan Clay, Keely Lanigan-Atkins, Katy Schurr, Daniel Kearns
Draughtspersons: Jasmine Lean, Alison Clements
Junior Draughtspersons: Jasmin Bachall, Georgia Grant
Concept Artists: Paul Dolan, Rafael Martin Coronel, Franklin Chan, Michael Shorton
Art Department Coordinator: Kelly Taylor Dias
A Camera Operator: Chris Plevin ACO
B Camera Operator: Andrew Banwell
A Camera First Assistant Camera: Dermot Hickey
B Camera First Assistant Camera: Dan West
A Camera Second Assistant Camera: Elliot Purvis
B Camera Second Assistant Camera: Genay Said
Sony Venice Central Loader: Nick Poole
Digital Imaging Technicians: Gastone Ferrante, Will Gardner
Video Playback Operator: Tom Elgar
Video Assistant Operator: Sam Louka
Production Sound Mixer: John Hayes AMPS
First Assistant Sound: Andrew Rowe
Second Assistant Sound: Peter Allan
Script Supervisor: Rowena Ladbury
Post Supervisors: Ann Lynch, Siobhan Boyes
First Assistant Editor: Tom Davis
Second Assistant Editor: Ben Renton
Sr. Visual Effects Editors: Simon Burchell, Derek Burgess
First Assist Visual Effects / Animation Editor: Rod Chisholm
Second Assist Visual Effects Editor: Jena Cheung
First Apprentice Editor: Luca Milillo
Second Apprentice Editor: Holly Remmett
Head of Character: Uli Myeyer
Head of Story: Rob Stevenhagen
Story Artist / Character Designer: Dean Roberts
Story Artists / Draw Over: Carlos Lutterbach, Neil Boyle
Animation Story Artists: Andrew Brooks, Tabitha O'Connell, Aya Suzuki, Jerry Forder, Dino Athanassiou, Phil Vallentin, Teddy Hall
Production Animation Editor: Andrew Walton
Animation First Assistant Editor: Mike Clark-Hall
Prod. Animation Coordinator: Alessandra Aucello
Assistant Animators: Aude Carpentier, Jonathan Wren
Visual Effects Production Manager: Jack Hawkes
Senior Visual Effects Coordinator: Harpreet Bahia
Key Visual Effects Coordinator: Zohra Mennaceur
Visual Effects Production Assist: Ethan McGahon
Visual Effects Lead Data Wranglers: Aron Merritt, Taylor Tulip-Close
Visual Effects Assistant Data Wranglers: Harveen Bahia, Richard Morgan, Dan Pearson
Visual Effects In-House Artists: Neil Culley, Daniel Churchill, Shahin Toosi
Supervising Sound Editor: Sean McCormack
S.S.E./Re-Recording Mixer: Julian Slater
Re-Recording Mixer: Chris Burdon
Supervising Dialogue / ADR Editor: Bar Morgan
Sound Designers: Jeremy Price, Rowan Watson
Sound Effects Editors: Paul Pirola, Hayden Collow
Production Dialogue / ADR Editor: Alex Sawyer
First Assistant Sound Editors: Jacob Stripp, Nina Norek
Costume Supervisor: Anna Lau
Assistant Costume Designer: Robbie Edwards
Crowd Costume Supervisor: Ian Foweraker
Costume Buyers: Jess Willcock-Stow, Alexina Duncan
Costume Cutter: Simeon Morris
Textile Artist: Caroline Nicholls Weston
Costume Coordinators: Katie Newitt, Phillipa Wood
Key Costumers: Alison Lyons, Nat Van Halle
Costumers: Jade Armstrong, Tiffany Russell, Katie Jones, Juliet Reid, Andrea Illiano, Maxine Heywood-Coles
Makeup and Hair Designer: Sarah Monzani
Crowd Make and Hair Supervisor: Laura Solari
Key Makeup Artist: Rose Crocker
Key Hair Artist: Francesco Alberico
Makeup and Hair Artists: Holly Judd, Gigi Dey
Set Decorator: Niamh Coulter
Production Buyer: Lucinda Sturgis
Assistant Set Decorators: Zoe Smith, Felicity Hickman, Candice Marchlewski, Claudia Parker
Set Decoration: Freya Harkon-MacGregor, Jessica MacNaughton
Set Decoration Coordinator: Tara Bailey
Graphic Designer: Shade Addams
Assistant Graphic Designer: Annabel Gibb
Concept Artist: Peter Day
Drapesmaster: Graham Caulfield
Production Coordinator: Erin Duffy
Assistant Production Coordinators: Matthew Moss, Philippa Hodgson
Production Secretaries: Anna Bennett Squire, Hannah Adey
Post Production Coordinator: Flo Miller
Stunt Department Coordinator: Tyler Kennington
Assistant to Tim Story (UK): Jacob Nizzola
Assistant to Tim Story (US): Abigail Thomas, Walinase Mbekeani
Casting Associate: Natasha Vincent
Casting Assistant: Dulcie Jones
Unit Publicist: Stacy Mann
Stills Photographer: Dan Smith
Second Assistant Director: Tom Heaven
Second Second Assistant Director: Giles Barron
Supervising Location Manager: Paul Howard
Production Location Manager: Lex Wade
Location Unit Managers: Phil Viner, Damian McDonald
Assistant Location Manager: Amelia Price
Studio Unit Manager: Shaun Rogers
Assistant Studio Unit Managers: Will Lewis, Lewis Rogers, Callum Griffin
Production Controller: Guy Barker
Production Accountant: Helen Seery
First Assistant Accountant: Terrty Ashby
Post Production/Visual Effects Accountant: Artur Surma
Payroll Accountant: Kirsty Lea
Assistants Accountants: Sophie Springfield, Beryl Brown, Lewis Holland, Victoria White
Chief Lighting Technician: Mark Rocky Evans
Assistant Chief Lighting Technician: Elliot Thomas
Dimmer Board Operators: Elliot Coulter, Mike Farr
Lighting Technicians: Jack Gedoes Hopkins, Lee Baker, Danny Butler, Roy Rowland, Colin Field, Michael Hanrahan
Rigging Gaffer: Mark Evans
Rigging Best Boy: Neil Bloor
Rigging Electricians: Mark Gay, Roy Branch, Paul Middleton, Ian Harding, Dale Evans, Craig Lawson
HOD Electrical Rigger: Gary Samson
Electrical Riggers: Ben Mills, Michael Race, Lee Bullen, Cassidy Graham, Gillivan Mitchell Skinner, Luke Hickson
Key Grip: Guy Bennett
Best Boy: Gary Romaine
Dolly Grips: Alex Tate, John McSweeney
Crane Technicians: Harry Elvin, Danny Huddy, Ben Freeth
Prod Special Effects Supervisor: Richard Van Den Bergh
Special Effects Floor Supervisor: David Roddham
Key Special Effects Coordinator: Flora Warrington
Special Effects Senior Technicians: Simon Hewitt, Steve Paton, Neil Damman, Dan Burnett
Special Effects Technicians: Kevin Kerrigan, Ben Phillips, George Spensley-Corfield, Mark Jones, Luke Corbyn, Richard Thomas
Supervising Property Master: David Chessman
Production Prop Storeman: Paul Emerson
Dressing Props: Bradley Godwin, Roland Traynor, Ross Passfield, Lloyd Passfield, Arthur Griggs
Supervising Prop Maker: Paul Carter
Prop Modelers: Tom Vasovic, Ian Cowie, Mitchel Polley, James Kermot
Puppeteers: Robin Guiver, Thomas Wilton
Pic Vehicle Supervisors: Jon Moore, Mark Oliver
Pic Vehicle Technicians: Matt King, Connor Oliver
Transport Manager: Gerry Turner
Assistant Transport Managers: Jim Atkins, Julie Wicks
Transportation for Mr. Story: John Dawson
Transportation for Ms. Moretz: Geoff Bower
Transportation for Mr. Pena: Clive King
Heads of Security: Gareth Price, Maurice Ratson
Health and Safety Advisors: Jake Edmonds, Leah Chalk
Environmental Steward: Jimmy Keeping
Art Department Assistants: Emma Savill, Noela Salvatierra, Dean McDonagh, Emma Ford
Second Unit Director / Director of Photography: Steven Hall BSC
Second Unit First Asst Director: Tom Edmondson
Second Unit Second Assist Director: Clare Glass
Second Unit Third Asst Director: Edel McCormick
Second Unit A Camera Operator: Jamie Harcourt ACO
Second Unit A First Assistant Camera: Alex Howe
Second Unit A Camera Second AC: Ben Gadsden
Second Unit Digital Imaging Technicians: Sandro Magliano, Vincenzo Ondrato
Second Unit Video Playback Operator: James Edgcombe
Second Unit Script Supervisor: Sarah Hayward
Second Unit Chief Lighting Technician: Harlon Haveland
Second Unit Assistant Chief Lighting Technician: Alan Grayley
Second Unit Lighting Technicians: Recce Powton, Jimmy Worley, Mel Hayward, Dan Cloake
Second Unit S. Effects Supervisor: Gergö Bajczár
Second Unit Props: Luke Townsend, Martin Kane
Second Unit Key Grip: Tom North
Second Unit Best Boy: Derek Russell
Second Unit Dolly Grips: Dave Armstrong, Ross Sheppard
Second Unit Crane Technician: Brad Maloney
Second Unit Standby Stagehand: Jack Walker
Second Unit Standby Carpenter: Rhys Webb
Second Unit Standby Painter: Darren Knotts
Second Unit Standby Rigger: Lee Dawson
Second Unit Set Production Assistants: Robert Patrick, JJ McAllister, Rosamund Freeman, Joel Felles, John Stanton
Unit PM, New York Unit: Maggie Engelehardt
NY Unit First Assist Director: Deanna Leslie Kelly
NY Unit Second Assistant Director: Jes Norris
NY Unit Visual Effects Data Wrangler: Sean Ames
Aerial Unit DoP, New York Unit: Brian Heller
New York Unit Helicopter Pilot: Al Cerullo
NY Unit Foley Mixers: Glen Gathard, Jemma Riley Tolch
NY Unit Foley Artists: Rebecca Heathcote, Zoe Freed
New York Unit Foley Editor: Adam Oakley
Music Editors: Peter Clarke, Michael Connell
Score Conductor & Head of Music Preparation: Allan Wilson
Orchestrators: Andrew Kinney, Gernot Wolfgang, Michael J. Lloyd, Marcus Sjowall
Score Coordinator: Alex Karukas
Score Programmers: Alex Karukas, Casey Kolb, Chris Newlin
Heads of Music Preparation: Steven Juliani, Annie Barnard
Orchestra Leader: Benjamin Marquise Gilmore
Feature Instrumentalists: Simon Chamberlain, Leo Abrahams, Steve Pearce, Paul Clarvis, Frank Ricotti, Ed Hession, Andy Findon
Score Recordist: Steve McLaughlin, John Barrett
Score Recordist & Mixer: Casey Stone
Pro-Tools Operators: George Oulton, Andy Maxell
Score Editor: Joshua Margolis
Additional Voices: Kaiji Tang, Andre Sogliuzzo
DLL DI Supervising Colourist: Peter Doyle ASC
WB. DLL Lead Colourist: Mel Kangleon
WB. DLL Digital Intermediate Editor: Otto Rood
WB. DLL Digital Intermediate Producer: Alan Pritt
PPCS Digital Intermediate Colourist: John Daro
WB. PPCS Digital Intermediate Editor: Leo Ferrini
PPCS Digital Intermediate Producer: Paul Lavoie
Plucky End Credits Coordinator: Helen Beuselinck
Framestore V. Effects Supervisors: Mark Curtis, Andy Kind
Framestore Animation Supervisors: Arslan Elver, Aulo Licinio, Kayn Garcia
Framestore Visual Effects CG Supervisors: Eric Noel, Sylvain Degrotte, Kyle Wood, Mark Schmidt
Framestore Compositing Supervisors: Anthony Luigi Santoro, Alex Payman, Oliver Armstrong, Federikke Glick
Framestore Visual Effects Producers: Ken Dailey, Jan Meade, Helene Becourt
Framestore Visual Effects Associate Producers: Georgie Duncan, Laia Alomar
Framestore Visual Effects Editors: Anna Penn, Duncan Williams, Pascal Annand
Framestore Digital Leads: Alastair Cross, Andre Hitsoy, Bianca-Lee Burgess, Chris Hurtt, Edwin Lim, Gary Newman, Heidi Dahle, Jorge Sanches Fresno, Julien Rousseau, Marco Carpagnano, Matthew Patience, Olivier Sicot, Rafael Ray Camacho, Samuel Gordon, Tobias Caparros, Alastair Stevenson, Andres Puente, Billy Butler, Chris McGaw, Federico Favaro, Helio Takahashi, George Fronimadis, Joseph Lewis, Keir Longden, Mariano Mendiburu, Michael Brunet, Pete Warbis, Roman Sotola, Simone Fiorito, Victor Pillet, Alex Jadfard, Anthony Greco, Bora Sahin, Duy Tran, Fiona Kaye, Darren Rodriguez, Ferran Casas, Giacomo Bargellesi Severi, James Harmer, Joshua Canalini, Kersten Smedemark, Marion Strunck, Nicolas Perraguin, Petra Schwane, Ruben Villoria, Stuart Munro, Victoria Pacitti, Alvaro Jimenez, Benjamin Cheong, Charlotte Tyson, Gianpietro Fabre, Jean-Francois Gagne, Juan Nino Florez, Krzysztof Boyoko, Matthew Ball, Noah Pascuzzi, Philip Morris, Russell North, Thierry Dezarmenien
Filming Dates: July 2019 - Early-2020
Camera: Sony CineAlta Venice (6K AXS-R7)
Lenses: Panavision® Primo 70 Series SL Primes & Primo Artiste Primes
AR: 1.85:1 (S35mm & Panavision Super 70)
Budget: 79 Million USD
Score Programming Provided by: The Math Club
Choir Services by: The Pinewood Singers
Score Recorded at: Abbey Road Studios, London
Digital Intermediate and Dailies by: Warner Bros. De Lane Lea & Warner Bros. Post Production Creative Services
Main and End Titles Designed by: Plucky
Visual Effects Provided by: Framestore
Visualization Provided by: Proof
Attribute: Filmed in Panavision® - DirectorZack SnyderStarsHenry CavillBen AffleckGal GadotDetermined to ensure that Superman's ultimate sacrifice wasn't in vain, Bruce Wayne recruits a team of metahumans to protect the world from an approaching threat of catastrophic proportions.Director/Story Writer/B-Camera Operator: Zack Snyder
Costume Designer: Michael Wilkinson
Production VFX Supervisor: John DJ DesJardin
Production VFX Producer: Tamara Watts Kent
Composer/Score Producer/Programmer/Mixer: Tom Holkenborg (Junkie XL)
Co-Producers/Unit Production Managers: Gregor Wilson, Marianne Jenkins
Film Editors: David Brenner ACE, Dody Dorn ACE
Production Designer: Patrick Tatopoulos
Cinematographer: Fabian Wagner ASC BSC
Executive Producers: Christopher Nolan, Emma Thomas, Wesley Coller, Ben Affleck, Curt Kanemoto
Executive Producer/Unit Production Manager: Jim Rowe
Executive Producer/Co-Writer: Chris Terrio
Producers: Charles Roven, Deborah Snyder
Story Writer: Will Beall
Dedicated to: Autumn Snyder
1st Assistant Director: Misha Bukowski
Key 2nd Ass't Directors: Brett Robinson, Ben Howard
Add'l Film Editor: Carlos M. Castillón
2nd VFX Producer: Josh R. Jaggars
Supervising Stunt Coordinator/2nd Unit Director: Damon Caro
Associate Producer/Post-Production Supervisor: Andrea Wertheim
Sound Designers & Supervisors: Scott Hecker, Chuck Michael
Stunt Coordinator: Eunice Huthart
Fight Coordinator: Mike Lambert
Ass't Stunt Coordinator: Marc Mailley
Fight Choreographers: Freddy Bouciegues, Matthew Rugetti
Associate Producers: Madison Weireter, Madison Ainley
Visual Effects Co-Producer: Tricia Mulgrew
Production Supervisor: Matthew Clarke
Supervising Art Directors: Helen Jarvis, Christian Huband
Art Directors: Matt Gray, Keith Pain, Andrew Palmer
Associate Film Editor: Warren Paeff
Production VFX Editor: Brett Schlaman
Add'l VFX Supervisor: Brad Minnich
VFX Production Supervisors: Zack Fox, Robin N. Williams
Production VFX Coordinators: Amy Altvater, Matthew Magnolia, Katie Barker
VFX Ass't Coordinator: Derek Fortuna
2nd VFX Production Supervisor: Patrick Hurd
A-Camera Operator: John Clothier
1st Assistant A-Camera: Matt Windon
1st Assistant B-Camera: Jamie Phillips
Ass't Costume Designer: Stephanie Portnoy Porter
Costume EFX Supervisor: Graham Churchyard
Set Decorator: Dominic Capon
Supervising Location Manager: Amanda Stevens
Chief Lighting Technician: Chuck Finch
Ass't Chief Lighting Technician: Richard Merrill
Rigging Gaffer: Tommy Finch
Production SFX Supervisor: Mark Holt
Ass't SFX Supervisor: Mike Dawson
SFX Floor Supervisor: David Holt
Production SFX Coordinator: Carmila Gittens
Aerial 2nd Unit Director: Clay Staub
Aerial Unit DoP: David B. Nowell ASC
Picture Vehicle Coordinator: Alex King
2nd Unit DoP: Jean-Philippe Gossart AFC
2nd Unit 1st Ass't Director: Phil Booth
2nd Unit Production Supervisor: David Zealey
2nd Unit Art Director: Jason Virok
2nd Unit A-Camera Operators: John Gamble ACO, John Ferguson
2nd Unit B-Camera Operator: Jeremy Hiles
2nd Unit 1st Ass't A-Camera: Jacob Barrie, Adam Coles, Dean Murray
2nd Unit 1st Ass't B-Camera: Rachel Clark
2nd Unit 2nd Ass't B-Camera: Adam Doreny, Harry Young-Jamieson
2nd Unit 1st Ass't C-Camera: David Churchyard
2nd Unit Chief Lighting Technician: Wick Finch
2nd Unit Ass't Chief Lighting Technicians: Chris Stones, Stewart Monteith
Line Producer (Iceland): Finni Johannsson
Unit Production Manager (Iceland): Brian Donovan
Production Manager (Iceland): Rafnar Hermannsson
SFX Supervisor (Add'l Photography): Michael Gaspar
Supervising Finishing Colorist: Stefan Sonnenfeld ASC
Senior Finishing Colorist: Adam Nazarenko
Finishing Producer: Annie Johnson
Finishing Editor: Matthew W. Johnson
Scanline VFX Supervisors: Bryan Hirota, Julius Lechner
Scanline VFX Producers: Julie Orosz, Ryan Flick
Scanline VFX CG Supervisors: Chris Mulcaster, Ioan Boieriu, Mathew Preveen
Scanline VFX FX Supervisor: Jonathan Friesler
Scanline VFX Animation Supervisor: Clement Yip
Scanline VFX Creature Supervisor: Jim Su
Scanline VFX Compositing Supervisors: Andy Chang, Curtis Carlson, Miles Lauridsen
Scanline VFX DFX Production Manager: Josephine Dwyer
Scanline VFX Modeling Supervisor: Matthew Bullock
Scanline VFX CG Lighting Supervisor: Kevin Couture
Scanline VFX Head of 2D FX: Nick Crew
Scanline VFX Matchmove Supervisor: Evan Fraser
Scanline VFX Add'l VFX Supervisor: Mathew Giampa
Weta Senior VFX Supervisor: Joe Letteri
Weta VFX Supervisor: Kevin Andrew Smith
Weta Supervising VFX Producers: David Conley, Steven McKendry, Tom Greene
Weta VFX Producer: Kevin L. Sherwood
Weta Animation Supervisor: Simeon Duncombe
Weta Add'l VFX Supervisors: Anders Langlands, Keith Miller
Weta Senior CG Supervisor: Stephen Tong
Weta CG Supervisor: Mark Tait
Weta Effects Supervisor: Adrien Toupet
Weta Lead/Senior Animator: Paul Ramsden
Weta Lead Senior Effects Technical Director: Jason Lazaroff
DNEG Senior VFX Supervisor: Thomas Proctor
DNEG VFX Supervisors: Alexander Seaman, Mike Stillwell
DNEG VFX Producer: Antonella Ferrari
DNEG DFX Supervisors: David Denley, Dalbir Singh
DNEG DFX Production Managers: Liz Mann, Yogita Narsian
DNEG VFX Editor: Alex Creasey
Crafty Apes VFX Supervisor: Tim LeDoux
Crafty Apes VFX Producer: Molly Pabian
Crafty Apes VFX CG Supervisor: Nic Spier
Crafty Apes VFX Compositing Supervisor: Brian Sales
Crafty Apes VFX Senior Production Coordinator: Andrew Kalicki
Crafty Apes VFX Digital Compositor: Blake Goedde
Crafty Apes VFX Matchmove Artist: Joshua Little
Crafty Apes Lead 3D Environment Artist: Matthew Ribeiro
Rodeo FX VFX Supervisor: Sebastien Francoeur
Rodeo FX VFX Producer: Graeme Marshall
Rodeo FX VFX Executive Producer: Chad Nixon
Rodeo FX VFX Project Manager: Nancy Lamontagne
MPC VFX Supervisor: Seth Maury
MPC VFX Producer: Steve Griffith
MPC Lead Effects Technical Director: Ken Beauchamp
MPC Animation Supervisor: David Crispino
MPC Lead Modeler: Giles Davies
Method Studios VFX Producer: Sheena Johnson
Method Studios VFX Supervisor: Sean Konrad
Method Studios Compositing Supervisor: Laurence Lok
Method Studios Add'l VFX Supervisor: Daryl Sawchuk
Pixomondo VFX Supervisors: Thilo Ewers, Sven Martin
Pixomondo VFX Producer: Sebastian Meszmann
Pixomondo Effects Supervisor: Max Nagel
Pixomondo Lead Compositor: Mark Spindler
Pre-Visualization Supervisor: Steven Yamamoto
Pre-Visualization Producer: Jill Ambrosino
RED Monstro Camera Designer: Jarred Land
Filming Dates: April 11, 2016 - October 14, 2016, December 2016, October 2020 (Additional Footage)
Cameras: Arricam LT, ST, Arriflex 235, 435 & Red Monstro (35mm Kodak Vision3 50D 5203/250D 5207/500T 5219)
Lenses: Panavision/Leica Summilux-C Spherical Primes & Canon Rangefinder Primes
AR: 1.33:1 (4-Perf Super 35mm)(8K Redcode RAW: Knightmare Scene)
Budget: 320 Million USD
Orchestra Recorded at: Air Studios London
Digital Intermediate Finishing Provided by: Company 3
Visual Effects Provided by: Scanline VFX, Weta Digital, Double Negative, Crafty Apes VFX, Rodeo FX, Moving Picture Company, Method Studios & Pixomondo
Attribute: Filmed in Panavision - DirectorAdam WingardStarsAlexander SkarsgårdMillie Bobby BrownRebecca HallThe epic next chapter in the cinematic Monsterverse pits two of the greatest icons in motion picture history against each other--the fearsome Godzilla and the mighty Kong--with humanity caught in the balance.Director: Adam Wingard
Casting: Sarah Halley Finn CSA
Costume Designer: Ann Foley
Production VFX Supervisor: John DJ DesJardin
Co-Producer/Production VFX Producer: Tamara Watts Kent
Sound Designers: Erik Aadahl, Ethan Van Der Ryn
Composer/Score Producer/Programmer/Mixer & Masterer: Tom Holkenborg (Junkie XL)
Composer (Add'l Music): Antonio Di Lorio
Score Orchestrator: Sara Barone
Film Editor: Josh Schaeffer ACE
Production Designers: Owen Paterson, Thomas S. Hammock
Cinematographer: Ben Seresin ASC BSC
Aerial Cinematographer (AUS & HK): David B. Nowell ASC
Cinematographer (HK)/B-Cam Op (Hawaii): Darin Moran
Aerial Cinematographer (Hawaii): Dylan Goss
Cinematographer (2nd Unit; AUS): Brad Shield ASC ACS
Cinematographer (Add'l Photography): Roham Rahmanian
Executive Producer: Jay Ashenfelter
Exec Prod/EVP of Production: Herbert W. Gains
Producers: Thomas Tull, Jon Jashni
Producer/Unit Production Manager: Eric McLeod
Story Writers: Terry Rossio, Michael Dougherty, Zack Shields
Screenwriters: Eric Pearson, Max Borenstein
Co-Producer/Unit Production Manager: Jen Conroy
Unit Production Manager: Jennifer Cornwell
1st Assistant Director: Nick Satriano
2nd Assistant Director: Brian Avery Galligan
Co-Producer: Richard Mirisch
Co-Producer/Visual Development Supervisor: Matt Allsopp
Supervising Stunt Coordinator/2nd Unit Director: Thomas Robinson Harper
Creature Design Supervisors: Shane Patrick Mahan, Lindsay MacGowan
Stunt Coordinator: Kyle Gardner
Lead Stunt Rigger: Shawn Kautz
Stunt Rigging Foreman: Steve Upton
Stunt Office Manager: Jenn Grundstad
Raptor 360 Driver: Jason Tubbs
Insert Car Driver: John Chabbot
Aerial Unit Pilots: Fred North, David Paris
Drone Unit Camera Operator: Zack Haskell
Associate Producer: Zak Kline
MonsterVerse Mythology Development Sup: Barnaby Legg
Supervising Art Director (Australia): Rich Hobbs
Art Directors (Australia): Bill Booth, Michelle McGahey
Manufacturing Art Director (Australia): Pete Wyborn
Ass't Art Directors (Australia): Mitch Cass, Jim Millett, A. Michael Meyers
Set Decorator v: Rebecca Cohen
A-Camera Operator (Australia): Martin Schaer
1st Ass't A-Camera (Australia): Simon England
2nd Ass't A-Camera (Australia): Justin Zaffiro
B-Cam/Steadicam Op (Australia): Jim Goldman
1st Ass't B-Camera (Australia): Ricky Schamburg
B-Cam Op/1st Ass't (Australia): Frank Hruby
2nd Ass't B-Camera (Australia): Hilary Crombie
Digital Image Tech (Australia): Robert Howie
Camera Loader (Australia): Anusha Rankin
A-Camera Ass't (Australia): Katelyn Holzer
B-Camera Ass't (Australia): Hannah Smith
Aerial Unit Technician (Australia): Peter Graf
Screen Graphs Sup (Australia): Martin Crouch
Screen Graphs Man. (Australia): Nadine Scott
Screen Graphs Touch Designer Programmer (Australia): Chris Wilson
Screen Graphs Head Monitor Techs (Australia): Sam J. Hopkins, Olivier Jean
Screen Graphs Techs (Australia): Ned Pannell, Jake Thomas, Jason Sanders
Screen Graphs Designer (Australia): Anna Jane Fraser
Screen Graphs Sr Animator (Australia): Thomas Hauville
Screen Graphs Jr Animator (Australia): Joshua Hoare
Chief Lighting Tech (Australia): Shaun Conway
Rigging Gaffer (Australia): Craig Clark
Production SFX Supervisors: Mike Meinardus, Bruce Edwin Bright
Production SFX Coordinator: Chris Brenczewski
Production SFX Foremen: Don E. Myers Jr, Doug Ziegler
SFX Pre-Rig Supervisor: Ray Purkis
SFX On-Set Supervisor: James Leng
SFX Purchasing Officer: Mark Brims
SFX Workshop Supervisor: James Paul
SFX Senior Techs: Dean Franklin, Pieter Plooy
SFX Hydraulics Techs: Joe Judd Jr, Jose A. Paramo
SFX Moco Engineer (Australia): Stuart Nicol
Supervising Location Manager: Leann Emmert
Location Manager (Australia): Lauren Cooper
Supervising Prop Master: Steven B. Melton
Ass't Prop Master: Jason Moore
Add'l Film Editors: Richard Pearson ACE, Bob Ducsay ACE, Jesse Chapman, Pete Beaudreau
Editorial Consultant: John Ottman ACE
1st Assistant Editor: Bernie Gomez
2nd Assistant Editor: Kyle Walczak
Production VFX Editor: Adam Avery
VFX 1st Ass't Editor: Eddy Garcia
VFX 2nd Ass't Editor: Brett McManus
VFX 3rd Ass't Editor: Tyler Whitman
Production VFX Compositor: Shiloe Swisher
Music Editors: Daniel Waldman, Clint Bennett
Post-Production Coordinator: Kala'E Frank
Editorial Production Assistant: Mitchell Goodwin
VFX Production Manager: Rob Williams
VFX Senior Coordinator: Zack Fox
VFX Digital Asset Manager: Marshall Rainey
Production VFX Coordinators: Amy Altvetar, Katie Barker, Melissa Franco
VFX Ass't Coordinators (Australia): Danielle Sturton, Alexandra Rebeck
Production VFX Accountant: John Vaughan
VFX On-Set Production Manager: Louise McNicholl
VFX Lead Data Wrangler: Shyam Toast Yadav
Production VFX Data Wrangler: Ryan Harvey
Motion Assoc. Texture Photographer (AUS): Ben Soan
Motion Assoc. Lidar Supervisor: Craig Crane
Stereoscopic Producer: Jeremy Nicolaides
Stereoscopic Editor: Travis Dultz
Stereoscopic Coordinator: Ardenn Stolz
Production Coordinator (AUS): Candice Preddy
Ass't Prod Coordinator (AUS): Talia Buckberry
Add'l 2nd Ass't Director: Megan S. Willis
2nd 2nd Ass't Dir (AUS): Christopher Turner
Senior Set Designers: Axel Bartz, Andrew Kattie
Junior Set Designer: Siobhan Purkis
Graphic Designer: Michael Wholley
LA Casting Associate: Krista Husar CSA
ASL Interpreters (AUS): Isaiah Abenchuchan, Colleen Cidade, Sabina A. Wilford
Action Vehicles Coordinator (AUS): Dean Maguire
Unit Manager: Damien Eggins
Ass't Unit Manager: Jamie Whitfield
On-Set Unit Coordinator: Timothy O'Bank
Supervising Art Director (Hawaii): Dawn Swiderski
Art Directors (Hawaii): Andres Cubillan, Harry Otto, Greg Papalia, Stella Vaccaro
Set Decorator (Hawaii): Ronald R. Reiss
1st Ass't B-Camera (Hawaii): Jimmy Ward
2nd Ass't B-Camera (Hawaii): Nathan Stewrn
Camera Loader (Hawaii): Danny Park
A-Camera Ass't (Hawaii): Ignacio Viso Sande
B-Camera Ass't (Hawaii): Cody Yandeu
Aerial Unit Technician (Hawaii): Eric Dvorsky
Video Playback Sup (Hawaii): Matt Morrisey
Video Playback Eng. (Hawaii): Jim Visconti
Video Playback Graphs Sup (Hawaii): Chris Kieffer
Video Playback Coord (Hawaii): Karla Kieffer
Video Playback Graphs Coord (Hawaii): Marty Garner
Video Playback Ass't (Hawaii): Joe McDaniel
Gaffer/CLT (Hawaii): Jeff Murrell
Rigging Gaffer (Hawaii): Don Tomich
SFX Foreman (Hawaii): Mike J. Sagsen
SFX Designer/Licensed Powderman (Hawaii): Tony Simonaitis
SFX Moco Engineer (Hawaii): Arnold Peterson
Location Manager (Hawaii): Jess Cole
VFX Ass't Coordinator (Hawaii): Albert Whitmore
VFX Ass't Data Wrangler (Hawaii): Sela Chung
GGS Texture Photographer (Hawaii): Steve Casa
Prod Coordinators (Hawaii): Courtney La Bree, Jenny Sandell
Ass't Prod Coord (Hawaii): George J. Hrico
2nd 2nd Ass't Dir (Hawaii): Stockton Dave Porter
Lead Graph Designer (Hawaii): Ellen Lampl
ASL Interpreter (Hawaii): Ashley Change
Mold Shop Supervisor (Hawaii): Dale Wilmarth
Transport & Picture Car Coordinator (Hawaii): Geno Hart
1st Ass't Dir (2nd Unit; AUS): Jayson Merrill
2nd Ass't Dir (2nd Unit; AUS): Nerida Groth
2nd 2nd AD (2nd Unit; AUS): Daniel Cole
3rd Ass't Dir (2nd Unit; AUS): Ken Twohy
A-Cam/Steadicam Op (2nd Unit; AUS): Greg Gilbert
1st Ass't A-Cam (2nd Unit; AUS): Becca Crowe
1st Ass't A-Cam/B-Cam Op (2nd Unit; AUS): Scott Dolan
2nd Ass't A-Cam (2nd Unit; AUS): Jake Koning
1st Ass't B-Cam (2nd Unit; AUS): Will Edmunds
Camera Loader (2nd Unit; AUS): Khoa Le
Gaffer (2nd Unit; AUS): Iain Mathieson
2nd Ass't Dir (2nd Unit; Hawaii): Wainani Young Tomicn
Prod Supervisors (2nd Unit; Hawaii): John Marx, Jenny Fumarolo
1st Ass't A-Cam (2nd Unit; Hawaii): Dave Seekins
2nd Ass't A-Cam (2nd Unit; Hawaii): Roxanne Stephens
B-Camera Operator (2nd Unit; Hawaii): Brandon Mastrippolito
1st Ass't B-Cam (2nd Unit; Hawaii): Roger Wall
2nd Ass't B-Cam (2nd Unit; Hawaii): Jajaira Corria
DIT (2nd Unit; Hawaii): Matthew Love
Camera Loader (2nd Unit; Hawaii): Rich Dabbs
Gaffer (2nd Unit; Hawaii): Steven R. Mathis
SFX Set Foreman (2nd Unit; Hawaii): Mike Gaspar
Prop Master (2nd Unit; Hawaii): Matt Huish
Line Producer (HK): Chu Chen On
Production Manager (HK): Aaron Ngo
2nd Ass't Director (HK): Kate Pulley
VFX Data Wrangler/Envirocam Capture Op (HK): James Dornoff
Music Supervisors: Peter Afterman, Alison Litton
Music Coordinator: Jane Berry
Add'l Synth Programmers: Jarrod-Royles Atkins, Shwan Askari, Steven Silvers
Technical Score Engineers: Gevorg Chepchyan, Peter Kohrman, Jacopo Trifone
Re-Recording Mixers: Tom Ozanich, Dean Zupancic
Add'l Re-Recording Mixer: Omnalee Blank
E² Sound Designers: Jason W. Jennings, Brandon Jones, Malte Bieler, John Marquis
E² Supervising Foley Editor: Jonathan Klein
SVP of Production: Sara Flamm
Manager of Physical Production: Jackie Kroopf
SVP of Production Finance: Michael J. Bilog
Production Finance Coordinator: Julianna Politsky
SVP of Post-Production: Valerie Flueger Veras
VP of Post-Production: Desmond Cannon
VP of Post-Prod Technology: Joanne Kim
Post-Production Executive: Jason Beale
Post-Production Manager: Caitlin Atherton
Post-Production Coordinators: Kristin Fowler, Bob Williams
SVP of Visual Effects & Stereo Production: Josh R. Jaggers
Production VFX Executive: Craig Andujar
2nd VFX Coordinator: Meghan Horgan
EVP of Business & Legal Affairs: Mike Ross
SVP of Business & Legal Affairs: Bayan Laird
Counselor of Business & Legal Affairs: Taylor Bryant
SVP of Production Safety: Jim Economos
Safety Compliance Manager: Andrea Lynne Edwards
Head of Assets & Archives: Timothy Villarreal
Archives Coordinator: Robert Montano
Scanline VFX Senior VFX Supervisor: Bryan Hirota
Scanline VFX Add'l VFX Supervisor: Dann Tarmy
Scanline VFX Producers: Julie Orosz, Ryan Flick
Scanline VFX CG Supervisors: Chris Mulcaster, Andrew Roberts
Scanline VFX FX Supervisor: Jonathan Freisler
Scanline VFX Animation Supervisor: Eric Petey
Scanline VFX Creature Supervisor: Jim Su
Scanline VFX Comp Supervisors: Miles Lauridsen, Brennan Prevatt
Scanline VFX DFX Prod Managers: Josephine Dwyer, Alexandra Hrabarchuk
Scanline VFX Prod Supervisors: Alex Branton, Evan Fraser, Matt Bullock, Peter Godden, Nick Crew, Devan Mussato, Kishore Singh, Michele Stocco, Walter Schulz
Scanline VFX Prod Managers: Ann-Marie Bloomaert, Liana Jackson, James Braid, VJ Kanhai, Van Le Do, Cindy Khoo, Aaron Kozak, Sangeeth Mohan, Manon Le Bas, Maxx Lee, Scott Miller, Joel Mendias, Isaac Lipstadt, Gretel Ng, Adam Petrie, Vic Simiele, Ivan Mi Kovi, Howard Yan
Scanline VFX DFX Coordinators: Ankita Agarwal, Kristen Drewski, Queenie Ying Law, Wendy J. Hulbert, Juliette Le Maire, Jack McClelland, Cindy Sum, Yinuo Zhou, Thomas Dane Wagener
Weta Senior VFX Supervisor: Joe Letteri
Weta VFX Supervisor: Kevin Andrew Smith
Weta VFX Producer: Kevin L. Sherwood
Weta Animation Supervisor: David Clayton
Weta VFX Production Managers: Tom Greene, Sophie Ingram
Weta Executive VFX Producer: David Conley
Weta Head of Production: Steven McKendry
Weta CG & Comp Supervisors: Stephen Tong, Giuseppe Tagliavini
Weta FX Supervisors: Gerardo Aguilera, Hartwell Simpson Dufour
MPC VFX Supervisor: Pier Lefebvre
MPC VFX Executive Producers: Christina Graham, Philip Greenlow
MPC VFX Producer: Miranda Middlewood
MPC VFX Production Manager: Sabrina Martins
MPC CG Supervisors: Timucin Ozger, Joan Panis
MPC Animation Supervisor: Michael Langford
MPC Environment Supervisor: Attila Szalma
MPC 2D Supervisor: Sergei Glouk Lourie
MPC Asset Supervisor: Lisa Gonzalez
MPC Heads of Studio: Isabelle Roy, Kranti Sarma
MPC Heads of Production: Ben Harrison, Kiran Prasad, Veronique Messier-Lauzon
MPC Heads of Creative Operations: Kiran Kumar, Leah Beevers, Marilyne Fleury
MPC Visualization Supervisor: Kyle Robinson
MPC Head of Visualization: Duane Floch
MPC Visualization Producer: Mary Loibl
MPC Previsualization Coord: Pierre Alexander
MPC Visualization Asset Builders: Jason Peek, Rudy Wijaya
Luma Pictures Head of Production: Vince Cirelli
Luma Executive VFX Producer: Shauna Bryan
Luma Pictures VFX Producer: Michael Perdew
Luma VFX Supervisors: Brendan Seals, Kevin Souls
Luma Animation Supervisor: Raphael A. Pimentel
Luma CG Supervisors: Clement Renaudin, Andy Zink
Luma Character Supervisor: Mathieu Aerni
Luma Pictures FX Supervisor: Adam Gailey
Luma Pictures Lighting Supervisor: Alex Khan
Luma Associate Bidding Producer: Katryna Shattuck
Luma Digital Production Manager: Mara Frohlich
Luma Lead Digital VFX Coord: Timothy Bond
Luma Digital VFX Coordinators: Sharon Das, Sheldon Neil, Vani Rakesh
Luma Technical Coordinator: Matthew Pickering
Luma Pictures Lead FX Artist: Jacob Santamaria
Luma Pictures Lead Lighting Artist: Michael Yates
Luma Lead Roto/Paint Artist: Michael North
Luma Lead Tracking/Matchmove Artist: Dominic Francis
Luma Pictures VFX Animator: Tiffany Wang
Luma Character Rigging TD: Marcos D. Romero
Luma Pictures Concept Artist: Nicolas Pierquin
Luma Pictures FX Artist: Karl Rogovin
Luma Pictures FX Tech Director: Eric Hollands
3rd Floor Visualization Supervisor: Shawn Hull
3rd Floor Visualization Lead: Robert Wiese
3rd Floor Head of Story: Doug Lefler
3rd Floor Visualization Editors: Trevin Matcek, Thom Newell, Sean Roarke
3rd Floor Visualization Coord: Olivia Eichenseer
3rd Floor Visualization Prod Manager: Emily Unruh
3rd Floor Visualization Exec Producer: Dane Allan Smith
DNEG Stereo Show Sup: Ben Breckenridge
DNEG Stereo Supervisors: Tim Chou, Jim Philip
DNEG Stereo Global Head of Prod: Rohan Desai
DNEG Stereo Executive Producer: Paul Becker
DNEG Stereo Producer: Cassius Vaz
DNEG Stereo Line Producer: Reshma Jhangimal
DNEG Stereo Editorial Sup: Debajit Barman
DNEG Stereo Head of Pipeline: Isaac Guenard
DNEG Stereo Senior Tech Sup: Charlie Luce
EC3 Dailies Engineer: Stephen Regnier
EC3 Dailies Post-Prod Producer: Alexis Ross
EC3 Dailies Post-Prod Manager: Leeza Diott
EC3 Dailies Senior Colorist: Rich Flores
EC3 Dailies Post-Prod Colorist: Kath Raisch
EC3 Dailies Operator: Tom Klane
CO3 Executive Finishing Producer/Supervising Colorist: Stefan Sonnenfeld ASC
CO3 Add'l Finishing Colorist: Adam Nazarenko
CO3 Add'l 3D Finishing Colorist: Jared Pecht
CO3 Senior Finishing Producer: Laura Geucherian
CO3 Associate Finishing Producer: Philip Marvin
CO3 Senior Finishing Editor: Joe Ken
CO3 Finishing Technologist: Mike Chiado
CO3 Color Finishing Assistants: Zach Korpi, John Tripp
CO3 Data I/O Supervisor: Angella Szynkowski
CO3 Digital Restoration Supervisor: Megan Shepherd
CO3 DI Finishing Executive: Jackie Lee
CO3 Finishing Accountant: Ian Sullivan
CO3 Head of Production: Nick Monton
Special Thanks: Jordan Vogt-Roberts, Gareth Edwards
Filming Dates: 12 November 2018 - April 2019
Cameras: Alexa 65 & Mini (3.4K/6.5K ARRIRAW)
Lenses: Panavision Ultra Speed Z-Series MKII Spherical Primes, Cooke Speed Panchro Primes, Hasselblad DNA Primes & 65-S Primes
AR: 2.39:1 (Arri 765)(Open-Gate Super 35mm: Some Scenes)
Budget: 155-200 Million USD
Sound Editorial Provided by: E²
Visual Effects, Animation & Post-Visualization Provided by: Scanline VFX, Weta Digital, Moving Picture Company & Luma Pictures
Visualization Provided by: The Third Floor
Stereo Conversion Provided by: Double Negative
Color & Finish Provided by: Company 3
Attribute: Filmed in Panavision/Arri - DirectorSimon McQuoidStarsLewis TanJessica McNameeJosh LawsonMMA fighter Cole Young seeks out Earth's greatest champions in order to stand against the enemies of Outworld in a high stakes battle for the universe.Director: Simon McQuoid
Composer: Benjamin Wallfisch
Cinematographer: Germain McMicking ACS
Cinematographer (Add'l Photography): Simon Duggan ACS
Film Editors: Dan Lebenthal ACE, Scott Gray ASE
Production Designer: Naaman Marshall
Supervising Art Director: Tom Nursey
Costume Designer: Cappi Ireland
Producer/Unit Production Manager: E. Bennett Walsh
1st Assistant Director: PJ Voeten
Stunt Coordinator/2nd Unit Director: Kyle Gardiner
Senior SFX Supervisor: Peter Stubbs
Senior VFX Supervisor: Chris Godfrey
Senior VFX Producer: Naomi Mitchell
VFX Executive Producer: Gill Howe
Fight Choreographer: Chan Griffin
A-Camera/Steadicam Operator: Jason Ellson
B-Camera Operator: Florian Emmerich
C-Camera Operator: Maxx Corkindale
2nd Unit DP: peter McCaffrey
2nd Unit A-Camera Operator: Saba Mazloum
2nd Unit B-Camera/Steadicam Operator: Tim Walsh
Senior Colorist: Olivier Fontenay
Colorist: Keiran Lee
Filming Dates: September 16, 2019 - December 13, 2019, November 2020 (Add'l Photography)
Cameras: Alexa LF & Mini LF (4.5K ARRIRAW)
Lenses: Panavision Primo Spherical 11:1 Zoom, Ultra Vista Anamorphic Primes, Ultra Panatar Anamorphic Primes, H-Series Spherical Primes, Super Speed MKII Spherical Primes & Anamorphic Telephoto Zoom
AR: 1.90:1 (IMAX Version: Some Scenes), 2.39:1 (Anamorphic)
Budget: 55 Million USD
Attribute: Filmed in Panavision - DirectorTaylor SheridanStarsAngelina JolieNicholas HoultFinn LittleA teenage murder witness finds himself pursued by twin assassins in the Montana wilderness with a survival expert tasked with protecting him -- and a forest fire threatening to consume them all.Director-Screenwriter-Producer: Taylor Sheridan
Screenwriter: Charles Leavitt
Co-Writer: Michael Koryta
Producer: Steven Zaillian
Executive Producer/BRON CSO: Ashley Levinson
Cinematographer: Ben Richardson ASC
Production Designer: Neil Spisak
Film Editor: Chad Galster ACE
Costume Designer: Kari Perkins
Composer/Orchestra Conductor/Score Mixer & Producer: Brian Tyler
Score Producer/Supervising Music Editor: Joe Lisanti
Score Arrangers: John Carey, Max Lombardo, Josh Zimmerman, Sarah Trevino, Nathan Alexander
Music Supervisor: Andrea Von Foerster
Unit Production Manager: Kate Dean
1st Assistant Director: Jason Altieri
Key 2nd Ass't Director: Peter McGrew
Co-Executive Producers: Brenda Gilbert, Adam Davies
Co-Producer: Harrison Kriess
Associate Producer: Grace Morton
Stunt Coordinator/2nd Unit Director: Wade Allen
Stunts Lead Rigger: Randy Haynie
Stunts/2nd Unit Stunt Coordinator: Ed Duran
Aerial Unit Parachute Coordinator: Tim Rigby
Aerial Unit Stunt Coordinator: Travis Fienhage
Angelina Jolie Stunt Double: Renae Moneymaker
Finn Little Stunt Double: Kara Peterson
Aerial Unit Coordinator: Craig Hosking
Aerial Unit DoPs: Ryan Hosking, Craig O'Brien
Aerial Unit Helicopter Pilot: Rick Shuster
Aerial Unit Drone Cam Op: Daniel Luke Fitch
Aerial Unit Add'l Drone Pilot: Justin Chien
Aerial Unit Add'l Drone Tech: Josue Esquardo
A-Camera/Steadicam Op: Colin Hudson SOC
B-Camera/Steadicam Operator: Alex Kornreich
2nd Unit Add'l Camera Operator: Nolan Rudi
1st Assistant A-Camera: Danna Rogers
1st Assistant B-Camera: Matt La Roche
2nd Assistant A-Camera: Elver Hernandez
2nd Assistant B-Camera: Artu Arin
2nd Unit 1st Ass't A-Camera: Lou DeMarco
2nd Unit 1st Ass't B-Camera: Shaun Mayor, Trevor Murphy
2nd Unit 2nd Ass't A-Camera: Arlen Cooke
Camera Loaders: Matthew Ewing, Courtney Marie Miller
2nd Unit DoP: Steven Finestone
Crane Operators: David Jaxx Nagro, Evan Nelson
Underwater Unit Cam Op/Tech: Sean P. Gilbert
Aerial Unit Camera Technician: Dane Bjerno
Scorpio Head Technician: Ben La Marca
Remote Head Technician: Tom Shaughnessy
Technocrane Technician: Devon Stinson
Supervising Art Director: Dawn Swiderski
Art Directors: Greg Papalia, Sandra D. Carmola
Graphic Designer: Alan Chad
Storyboard Artist: Cameron K. Lewis
Set Designers: Taura CC Rivera, Emma Sparer
Model Maker: Bill Boes
Set Decorator: Jay Hart
On-Set Dresser: Colin Zaug
Prop Master: Ian Rowlance
Ass't Prop Master: Alanna Rowlance
Special Makeup FX Designer: Jon Shroyer
Prosthetics Designer: Arjen Tuttien
Production SFX Supervisor: Daniel Holt
Production SFX Foremen: Michael Prawitz, Ray L. Wilkerson
SFX Rigging Foreman: Kenneth Vanorder
SFX Pyro Foreman: Doug Passarelli
Production SFX Gang Boss: Larz Anderson
Production SFX Fabricators: Brett Cole, Scott Hastings
SFX Office Coordinator: Nelle Parker
Production Supervisor: Anita Sum
Production Coordinator: Chance Romero
Ass't Prod Coordinators: Bryan Benning, Shea Sylvester
2nd Assistant Director: Ava Amundsen
2nd 2nd Ass't Director: Trevor M. Jones
Add'l 2nd Ass't Director: Colin Garza
Add'l Production Supervisor: Maria K. Chavez
Add'l Location Manager: Leah Sokolowsky
Add'l Production Assistant: Luis Ettorre
Add'l COVID Manager: Matt Rubino
Key Production Assistant: Tara Hunter
Chief Lighting Technician: Corrin Hodgson
Key Rigging Gaffer: Theodore Bott
Key Grip: Dwight Dollins
Key Rigging Grip: Eric Paulik
Supervising Location Manager: Len Murach
Location Managers (NM): Ariel Lopez, Deborah Wakshull
Location Consultant: Benjamin A. Stern
Location Coordinator: Rosemary Finney
Picture Car Coordinator: Michael B. Russell
Production Safety Consultants: Richard Brandt, George Gjersvold
Aerial Unit Ground Safety Coordinator: Zach Storer
Post-Production Supervisor: Timothy Pedegana
Post-Production Coordinator: Quinn Katawa
1st Assistant Editors: Brooke Rupe, Martin Zaharinov
Post-Production Assistants: Amy Pedegana, John Murphy
Dailies Technician: James Lockhart
Dailies Producer: Alexis Ross
Dailies Engineers: Stephen Regnier, Tom Klane
Dailies Account Executive: Marc Ross
Dailies Manager: Leeza Diott
Supervising Digital Finishing Colorist: Mitch Paulson ASC
Finishing Producer: Vanessa Galvez-Morez
Finishing Editor: Jennifer Raymond
Color Assistant & Add'l Finishing Colorist: Joel McWilliams
CO3 Sales Executive: Sheryl Goodhead
CO3 President: Stefan Sonnenfeld ASC
CO3 Post Finishing Editor: Joy Lin
CO3 Post Project Manager: Candice Kim
CO3 Data I/O Ass't Supervisor: Raoul Crosby
CO3 Data I/O Supervisor: Marc Wang
CO3 Head of Post-Production: Caroline Simpson
CO3 VP of Sales: Lindsey A. Donovan
Supervising Sound Editor: Alan Robert Murray
Re-Recording Mixer/Sound Designer: Thomas Ozanich
Re-Recording Mixer: Dean Zupancic
Add'l Re-Recording Mixer: Matthew Iadarola
Filmograph Title Designers: Aaron Becker, Alphonse Swinehart
Filmograph Title Exec Producer: Seth Kleinberg
Filmograph Title Producer: Troy James Miller
Production VFX Supervisors: Mark Stetson VES, Jason Chen
Production VFX Supervisors: Mark Stetson VES, Jason Chen
Production VFX Producer: Beverly Abbott
VFX Plate Unit DoP: Dino Parks
VFX Production Supervisor: Justin Goldsen
Production VFX Coordinators: James Osborne, Melanie McDaniel
Production VFX Editor: Scott Anderson
Production VFX Compositors: Kenneth Quinn Brown, John Bowers, Jason Richardson, Joe Di Valerio
Production VFX Data Wrangler: Bryce Colquitt
2nd Unit VFX Data Wrangler: Shawn Wayman
Luma VFX Executive Producer: Shauna Bryan
Luma Senior VFX Supervisor: Vincent Cirelli
Luma Senior VFX Producer: Michael Perdew
Luma VFX Producer: Linda Luong
Luma Associate VFX Producer: Catherine Hughes
Luma VFX Supervisor: Brandan Seals
Luma Associate VFX Supervisor: Jared Simeth
Luma CG Supervisors: Andrew Zink, Alex Khan
Luma Animation Supervisor: Raphael A. Pimentel
Luma FX Supervisor: Adam Gailey
Luma 2D Supervisor: Glenn Morris
Luma Assoc. Bidding Producer: Katryna Shattuck
Luma Digital Production Manager: Timothy Bond
Luma Lead Digital VFX Coordinator: Sheldon Neill
Luma Senior VFX Coordinator: Jennifer Alavez
Luma Digital Production Coordinator: Sharon Das
Luma VFX Editor: Matthew Pickering
Luma Matchmove Lead: Dominic Francis
Luma Lead Compositor: Eddie Porter
Luma Look Dev Comp Lead: Joe Censoplano
Luma Lead Roto/Paint Artist: Michael North
Luma Lead Lighting Artist: Michael Yates
Rodeo FX Senior VFX Supervisor: Tom Montminy Broduer
Rodeo FX Senior VFX Producer: Nairye Apelian
Rodeo FX Senior DFX Supervisors: Dominic Daigle, Felix Vallieres
Rodeo FX VFX Project Man.: Marie-Joelle Clément
Rodeo FX VFX Coordinators: Louis Esposto, Marion Jardin
Rodeo FX VFX Editor: Michael Soppit
Rodeo FX VFX Prod Assistants: Camille Michaud, Laurent Poliquin
Rodeo FX Leads: Etienne Poulin St-Laurent, Matthew Rouleau, Nathan Arbuckle, Yvon Jardel, Marion Mahu, Dawid Borkiewicz, Carlos Guillen
Mavericks VFX Supervisor: Brendan Taylor
Mavericks VFX Executive Producer: Daryl Sharl
Mavericks VFX Producer: Jasmine Scott
Mavericks VFX Prod Manager: Natasha Daly
Mavericks VFX CG Supervisor: Ethan Lee
Mavericks VFX Comp Supervisor: Brannek Gaudet
Mavericks VFX Coordinators: Rajbir Sunny Oberoi, Dayna Pearce
Mavericks VFX Lead VFX Editor: Eva Zemaitis
Mavericks VFX Editor: Nathan Winspear
Mavericks VFX IO Coordinator: Philip Walsh
Mavericks VFX FX Artist: Stephen Wagner
Mavericks VFX Environ/DMP Artist: Bojan Zoric
Mavericks VFX Lead Compositor: Ralph Reinle
Mavericks VFX Comp Artists: Marlis Coto, MJ Cortez, Shemy Chung, Xi Lou
Mavericks VFX Pipeline Sup: Michael Hatton
Mavericks VFX Render Wrangler: Jeffrey Klug
Mavericks VFX Systems & Render Man.: Gage Shindler
Mavericks VFX Line Producer: Stuart Wall
Mavericks VFX Tech Director: Adrian Williams
Lola VFX Sr VFX Supervisor: Jeremiah Sweeney
Lola VFX Supervisor: Dan Bartolucci
Lola VFX Matte Painter: Sun Lee
Lola VFX Comp Supervisor: Edson Williams
Lola VFX Executive Producer: Allison Glennon
Lola VFX Producer: Thomas Nittmann
Lola VFX Coordinator: Katherine Meadows
Lola VFX Pipeline Dev Engineer: Scott Jepson
Lola VFX Pipeline Dev Supervisor: Jason Gandhi
Lola VFX Editor: John Polyson
Music Editor: Kyle Clausen
Orchestra Contractor: Peter Rotter
Music Preparationist: Eric Stonebrook
Score Recordist: Greg hayes
Score Mixer: Brian Tyler
Digital Score Mixer: Larry Mah
Scoring Stage Recordist: Tim Lauber
Scoring Stage Managers: Damon Tedesco, Hoss Yekband
Scoring Stage Engineer: Erin Rettig
Score Coordinator: Stephanie Bryant
Filming Dates: May 2019 - July 2019
Cameras: Alexa Mini & Red Gemini (3.4K ARRIRAW & 5K Redcode RAW)
Lenses: Panavision G- & T-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 20 Million USD
Dailies, Post Services Color & Finish Provided by: Company 3
Main & End Titles Designed & Produced By: Filmograph
Visual Effects Provided by: Luma Pictures, Rodeo FX, Mavericks VFX & Lola VFX
Attribute: Filmed in Panavision - DirectorBartlett SherStarsRuth WilsonJeff WilbuschAndrew ScottRecounts the true-life, previously secret, back-channel negotiations in the development of the pivotal 1990s Oslo Peace Accords between Israel and the Palestinian Liberation Organization.Director: Bartlett Sher
Composers: Zoe Keating, Jeff Russo
Cinematographer: Janusz Kaminski ASC
Film Editor: Jay Rabinowitz ACE
Production Designer: Michael Carlin
Supervising Art Director: Guy Bradley
Croatia Unit Art Director: Katja Soltes
Costume Designer: Catherine Zuber
Stunt Coordinator: Matous Brichcin
Croatia Unit B-Camera/Steadicam Operator: Ales Belak
DI Colorist: Martin Sova
Cameras: Alexa LF & Mini LF (4.5K ARRIRAW)
Lenses: Arri Signature Primes
AR: 2.00:1 (4-Perf Super 35mm)
Attribute: Camera Equipment Provided by: Arri Rental - DirectorMichael ChavesStarsPatrick WilsonVera FarmigaRuairi O'ConnorArne Cheyenne Johnson stabs and murders his landlord, claiming to be under demonic possession while Ed and Lorraine Warren investigate the case and try to prove his innocence.Director: Michael Chaves
Composer: Joseph Bishara
Cinematographer: Michael Burgess
Editors: Peter Gvozdas ACE, Christian Wagner
Production Designer: Jennifer Spence
Supervising Art Director: Peter Borck
Costume Designer: Leah Butler
Senior SFX Supervisor: JD Schwalm
Effects Supervisor: Alex Halstead
Senior VFX Supervisor: Robert Nederhorst
On-Set VFX Supervisor/Additional Unit VFX Supervisor: Robert Bock
Senior VFX Producer: Eric Bruneau
Executive VP of Visual Effects: Mark Brown
Stunt Coordinator: Glenn Foster
A-Camera/Steadicam Operator: BJ McDonnell
B-Camera Operator: Brian Rosso
B-Camera Operator/Splinter Unit 2nd Unit DP: Jesse Roth SOC
C-Camera Operator: Cooper Dunn
2nd Unit DP: Eric Leach
Insert Unit DP: Tristan Nyby
Add'l Film Editor: Doobie White
Senior DI Colorist: Mark Griffith
Filming Dates: 3 June 2019 - Late-2019
Cameras: Alexa Mini & SXT (2.8K ARRIRAW)
Lenses: Panavision Primo Spherical Primes, PVintage Spherical Primes, Super Speed MKII Spherical Primes & Ultra Speed MKII Spherical Primes
AR: 2.39:1 (Super 35mm)
Budget: 39 Million USD
Attribute: Filmed in Panavision - DirectorJon M. ChuStarsAnthony RamosCorey HawkinsLeslie GraceIn Washington Heights, a sympathetic New York bodega owner saves every penny every day as he imagines and sings about a better life.Director: Jon M. Chu
Composers: Lin-Manuel Miranda, Alex Lacamoire, Bill Sherman
Music Consultant: Sandra Park
Cinematographer: Alice Brooks ASC
Production Designer: Nelson Coates
Film Editor: Myron Kerstein ACE
Supervising Art Director: Chris Shriver
Art Director (Add'l Photography): Deb Jensen
Costume Designer: Mitchell Travers
1st Assistant Director: Joseph P. Reidy
Production VFX Supervisor/Aerial Unit 2nd Unit Director: Mark Russell
A-Camera/Steadicam Operator: Mark Schmidt
B-Camera Operator: Peter Agliata
C-Camera Operator/VFX Unit DoP: Denise Bailie
Choreographer: Christopher Scott
Production SFX Designer: Dave Lieber
Production SFX Coordinator: Jeff Brink
VFX Supervisors: Osvaldo Andreaus, Artur Elson, Erin W. Nash, Dave Zeevalk
MPC VFX Supervisor: Vadim Turchin
MPC VFX Producer: Nicole Melius
MPC VFX Associate Producer: James McEvitt
Powerhouse Senior VFX Supervisor: Ed Mendez
Phosphene VFX Supervisors: John Bair, Aaron Raff
Phosphene VFX Producer: Matt Griffin
Phosphene CG Supervisor: Vance Miller
Senior VFX Producer: Marian Golden
VFX Executive Producer: Bob Lowery
Stunt Coordinator: Scott Burik
Aerial Unit DoP: Brian Heller
Underwater Unit Camera Operator: Sean P. Gilbert
A-Camera Operator (Add'l Photography): Stanley Fernandez Jr
B-Camera/Steadicam Operator (Add'l Photography): John S. Moyer
DI Supervising Finishing Colorist: Stephen Nakamura
Company 3 Head of Production: Margaret Lewis
Company 3 CEO: Stefan Sonnenfeld ASC
Filming Dates: June 3, 2019 - Late-2019
Camera: Millennium DXL2 (7K Redcode RAW)
Lenses: Panavision G-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 55 Million USD
Digital Intermediate Finishing & Dailies Provided by: Company 3
Attribute: Filmed in Panavision - DirectorSteven SoderberghStarsDon CheadleBenicio Del ToroDavid HarbourA group of criminals are brought together under mysterious circumstances and have to work together to uncover what's really going on when their simple job goes completely sideways.Director/Cinematographer/Film Editor: Steven Soderbergh
Composer: David Holmes
Music Consultants: Michael Harris, Michael Patterson
Production Designer: Hannah Beachler
Supervising Art Director: Priscilla Elliott
Set Decorator: Merissa Lombardo
Costume Designer: Marci Rodgers
Production SFX Coordinator: Jason Trosky
Production VFX Supervisor: Vico Sharabani
VFX Supervisor/Compositing Supervisor: John J. Budion
VFX Coordinator: Rachel Evans
Lead Senior VFX Producer: Amber Kirsch
Senior VFX Producer: Deborah Sullivan
VFX Producer: Ruben Gloria
Associate VFX Producer: Thurman Martin Jr.
Stunt Coordinator: Stephen A. Pope
B-Camera Operator: Henry Cline
Colorist: Nat Jencks
Conform Artist/Ass't Colorist: Tom Younghans
Historical Consultant: Jamon Jordan
Artistic Consultant: Laura Shapiro
Police Consultant: Emanuel Martinez
Consultant to Benicio Del Toro: Matt Daniel
Research Consultant to Benicio Del Toro: Zack Stoff
Athletic Performance Consultant to Benicio Del Toro: Joe Horrigan
Health & Safety Manager: Madilyn Christensen
Health & Safety Supervisor: Phil Levy
Ass't Health & Safety Supervisor: Ronald Moore
Filming Dates: 28 September 2020 - 12 November 2020
Camera: Red Monstro (8K Redcode RAW)
Lenses: Kowa Prominar Anamorphic Primes
AR: 2.20:1 (Anamorphic)
Attribute: Camera Equipment Provided by Technological Cinevideo Services - DirectorMalcolm D. LeeStarsLeBron JamesDon CheadleCedric JoeA rogue artificial intelligence kidnaps the son of famed basketball player LeBron James, who then has to work with Bugs Bunny to win a basketball game.Director: Malcolm D. Lee
Producer: Ryan Coogler
Executive Producer/Co-Writer: Terrence Nance
Executive Producers: Justin Lin, Ivan Reitman, Zinzi Coogler
Composer/Score Producer: Kris Bowers
Production VFX Supervisor: Grady Cofer
Co-Producer/Production VFX Producer: Kimberly Nelson
Production Digital Animation Supervisor: Kevin Martel
Production Animation Supervisor: Spike Brandt
Costume Designer: Melissa Bruning
Film Editor: Bob Ducsay ACE
Production Designer/Supervising Art Director: Clint Wallace
Production Designers: Kevin Ishioka, Akin McKenzie
Cinematographer: Salvatore Totino ASC AIC
Visual Consultant: Bradford Young ASC
Art Director (Add'l Photography)/Ass't Art Director: Jamie Hall
Production Animation Producer: Troy Nethercott
Head of Layout: Lorenzo Martinez
Co-Producer: Kelley Robins Hicks
Co-Producer/Co-Writer: Keenan Coogler
Co-Producer/Unit Production Manager: RJ Mino
1st Assistant Director: Michael J. Moore
Key 2nd Ass't Director: Rhys Summerhays
Animation Production Designer/Co-Animation Supervisor: Devin Crane
Animation Digital Art Director: Scott Johnston
Stunt Coordinators: Doug Coleman, Rene Paul Mousseux, Michael J. Fisher
Movement Choreographer: Terry Notary
A-Camera Operator: Kristen Correll
A-Cam/B-Cam/Steadicam Op: Colin Anderson SOC
B-Camera/Steadicam Operator: James Goldman
C-Camera/Antigravity/Ronin Operator: Jason Robbins
1st Assistant B-Camera: Sergius Nafa Nofield
Senior VFX Associate Producers: Keith O’Hara, Sarah Stiteler
VFX Production Supervisor: Annalisa Torina
Mechanical Designer: Thomas Homsher
Supervising SFX Coordinator: Mark Hawker
On-Set SFX Coordinator: Eric Rylander
SFX Buyer: Leslie Hawker
2nd 2nd Ass't Director: Nadeem Ashayer
Add'l 2nd Ass't Directors: Frances Stafford, Ken C. Wu
Animation Art Director: Brian Woods
Character Designers: Borja Montoro, Tony Siruno
Senior Visual Development Artists: Amos Sussigan, Joel Parod, Stephen Nicodemus, Sergio Mancinelli, Jaycee Borcar
Add'l Visual Development Artists: Eric Clark, Jason Norton
Animation Editor: Lawrence Gan
Add'l Animator: Tom Bancroft
Animation EFX Supervisors: Mary Sheridan, Phillip Vigil
EFX Animators: Allen Blythe, Masa Oshiro
Proximity Media Executive Music Producers: Ludwig Goransson, Archie Davis
DI Colorist: John Daro
ILM Senior Visual Effects Supervising Producer: Erin Dusseault O’Connor
ILM Visual Effects Producer: Marissa Gomes
ILM VFX Supervisor: Alex Prichard
ILM Associate Visual Effects Supervisor: Victor Schutz IV
ILM VFX CG Supervisors: Jeremy Bloch, Ebrahim Jahromi, Barry Kane, Gary Wu
ILM Animation Supervisors: Steve Nichols, Kim Ooi
ILM Associate Animation Supervisors: Shawn Kelly, Alexander Poei
ILM Pre-Visualization Supervisor: Kyle Winkelman
ILM VFX Art Director: Tania Richards
ILM On-Set VFX Supervisor: Russell Earl
ILM Effects Supervisor: Roman Schmidt
ILM VFX Associate Producers: Alice Kahn, Maggie Leung, Shawn Smolensky
ILM VFX Supervising Producer: Laurence Berkani
ILM VFX Production Executive Staff: Rob Bredow, Gretchen Libby, Jessica Teach, Luke O'Byrne, Jeff White, Janet Lewin, Nigel Sumner, Amber Wong
ILM Lead Concept Artist: Tyler Scarlet
ILM Concept Artist: Aaron McBride
Luma Senior VFX Supervisors: Andrew Zink, Alex Cancado, Vincent Cirelli
Luma VFX Producers: Michael Perdew, Linda Luong, Adam Goins
CO3 Creative Supervisor: Michael Lahay
CO3 Animation Producer: Leslie Barker
CO3 EFX Supervisor: Dan McNaughton
CO3 2D EFX Designer & Animator: Michel Gagne
CO3 Executive Producer: Stefan Sonnenfeld ASC
Tonic DNA Supervising Producers: Howard Huxham, Bernard Lajoie
Tonic DNA Animation Supervisor: Todd Shaffer
Tonic DNA Effects Supervisor: Genevieve Letourneau
Tonic DNA Pipiline Supervisor: Marc-Andre Bourgoin
VFX Producer: Martina Silharova
Gaffer (Add'l Photography): Michael Ambrose
Filming Dates: June 24, 2019 – September 16, 2019
Cameras: Alexa LF, Mini LF, Arricam LT, ST & Phantom Flex4K (35mm Kodak Vision3 500T 5219, 4K Phantom RAW & 4.5K ARRIRAW)
Lenses: Arri Master Primes & Zeiss Supreme Primes
AR: 1.33:1 (Some Scenes), 1.85:1 (4-Perf Super 35mm), 2.39:1 (Some Scenes)
Budget: 150-161.9 Million USD
Special Visual Effects, Animation & Conceptual Development Provided by: Industrial Light & Magic + Company 3 Animation
Visual Effects & Animation Provided by: Luma Pictures & Tonic DNA
Attribute: Cameras & Lenses by CamTec - DirectorJames GunnStarsMargot RobbieIdris ElbaJohn CenaSupervillains Harley Quinn, Bloodsport, Peacemaker, and a collection of nutty cons at Belle Reve prison join the super-secret, super-shady Task Force X as they are dropped off at the remote, enemy-infused island of Corto Maltese.Director: James Gunn
Costume Designer: Judianna Makovsky
Composer: John Murphy
Production VFX Supervisor: Kelvin McIlwain
Co-Producer: Simon Hatt
Co-Producer/1st Ass't Director: Lars P. Winther
Film Editors: Fred Raskin ACE, Christian Wagner
Production Designer: Beth Mickle
Cinematographer/A-Camera Operator: Henry Braham BSC
Executive Producers: Zack Snyder, Deborah Snyder
Executive Producer/Unit Production Manager: Nikolas Korda
Unit Production Manager: Robin Le Chanu
2nd Assistant Director: Katy Galow
Supervising Stunt Coordinator/2nd Unit Director: Guy Norris
Production VFX Producer: Fiona Campbell Westgate
On-Set King Shark: Steve Agee
Stunts: Eric Linden
Add'l Film Editors: Craig Alpert ACE, Chris Tonick
Supervising Art Directors: Alan Hook, Desma Murphy
Art Director: Domenic Silvestri
Set Decorator: Lisa Sessions Morgan
A-Camera Operator: Brian Rosso
B-Camera/Steadicam Operator: Christopher TJ McGuire
C-Camera Operator: Thomas Lappin
1st Assistant A-Camera: Taylor Matheson
2nd Assistant A-Camera: Alexandra Matheson
Underwater Unit DoP: Ian Takahashi SOC
Add'l VFX Supervisor: Nick Davis
VFX Consulting Producer: Emma Norton
VFX Production Supervisor: Tamar Shaham
DFX Production Supervisors: Nicholas Bernardi, Simon Bennett-Leyh, Sofia Portantino
Senior VFX Coordinator: Patrick O'Rourke
Ass't VFX Coordinator: Sirrynthia Anderson
Legacy Effects Project Supervisors: Shane Patrick Mahan, Lindsay MacGowan
Chief Lighting Technician: Dan Cornwall
Ass't Chief Lighting Technician: Dale Fowler
Drone Unit Camera Operator: Scott Montgomery
Production SFX Supervisor: Daniel Sudick
Production SFX Designers: Ethan Carney, Peter Carney, Bailey Seller
Production SFX Modeler: James Denton
SFX Paint Supervisor: Ben Woodworth
Casting Associate: Kim Winther
Picture Car Coordinator: Donnie Moore
SVP of Visual Effects: Lori J. Nelson
2nd Unit DoP: Patrick Loungway
2nd Unit Edge DoP: Brooks P. Guyer
2nd Unit A-Camera Operator: Ian Clampett
2nd Unit B-Camera Operator: Mick Froehlich SOC
2nd Unit C-Camera Operator: Jeff Crumbley SOC
2nd Unit Chief Lighting Technician: Joshua Stern
2nd Unit Ass't Chief Lighting Technician: Michael Collins
Panama Unit Line Producer: Arianne Benedetti
Panama Unit Production Manager: Victor Barriga
Panama Unit Art Directors: Mafe Muñoz, Jay Pelissier
Panama Unit Graphic Designer: Carla Lachman
Panama Unit Picture Car Coordinator: Joaquin Morales
Panama Unit Chief Lighting Technician: Warren Mitchell
Panama Unit Ass't Chief Lighting Technician: Justo Nieto
Panama Unit D-Camera Operator: Kent Harvey
Panama Unit SFX Coordinator: Heriberto Martinez
Panama Unit VFX Coordinator: Nico Janson
Senior Supervising Finishing Colorist: Stefan Sonnenfeld ASC
Add'l Finishing Colorist: Adam Nazarenko
Senior Finishing Producer: Erik Rogers
Senior Finishing Editor: Joe Ken
Finishing Editor: Matthew Johnson
Framestore VFX Supervisors: Jonathan Fawkner, Adrien Saint Girons
Framestore VFX CG Supervisors: Laurie Brugger, Scott Palleiko
Framestore VFX Producers: Natasha Anne Francis, James Turner, Amy Tinker
Weta Senior VFX Supervisor: Joe Letteri
Weta VFX Supervisor: Guy Williams
Weta Add'l VFX Supervisors: Mark Gee, Daniel Macarin
Weta VFX Effects Supervisor: David R. Davies
Weta Animation Supervisor: Michael Cozens
Weta VFX CG Supervisor: Jason Galeon
Weta VFX Compositing Supervisor: Scott Chambers
Weta VFX Layout Coordinator: Kayla E. Miller
Weta VFX Supervising Producers: David Conley, Lucy Appleby, Steven McKendry
Weta Senior VFX Producer: Danielle Immerman
Weta VFX Producer: Matthew Dravitzki
Weta VFX Line Producer: Matteo Veglia
Scanline VFX Supervisor: Bryan Hirota
Scanline VFX Add'l VFX Supervisor: Mathew Giampa
Scanline VFX CG Supervisor: Chris Mulcaster
Scanline VFX Producer: Alain Lalanne
Scanline VFX Associate Producer: Syed Arafath Aspar
3rd Floor VFX Executive Producer: Dane Allan Smith
RED Cameras Designer: Jarred Land
Special Thanks: John Ostrander, Al Milgrom & Frank Miller
Filming Dates: September 20, 2019 - February 28, 2020
Cameras: Red Komodo IMAX, Ranger VV IMAX, Monstro VV IMAX & Weapon Monstro VV IMAX (6K/8K Redcode RAW)
Lenses: Leitz Thalia Spherical Primes, M 0.8 Spherical Primes & Angenieux Optimo Ultra 12x Zoom
AR: 1.90:1 (IMAX)
Budget: 185-200 Million USD
Main Visual Effects & Animation Provided by: Weta Digital, Scanline VFX & Framestore
Special Prosthetic Makeups, Suits & Live-Action Effects Provided by: Stan Winston Studio/Legacy Effects
Color & Finish Provided by: Company 3
Attribute: Filmed in IMAX - DirectorLisa JoyStarsHugh JackmanRebecca FergusonThandiwe NewtonNick Bannister, a private investigator of the mind, navigates the alluring world of the past when his life is changed by new client Mae. A simple case becomes an obsession after she disappears and he fights to learn the truth about her.Director/Writer: Lisa Joy
Producer: Jonathan Nolan
Executive Producer/Unit Production Manager: D. Scott Lumpkin
Cinematographer: Paul Cameron ASC
Production Designer: Howard Cummings
Film Editor: Mark Yoshikawa ACE
Composer: Ramin Djawadi
Production VFX Supervisor: Bruce Jones
Costume Designer: Jennifer Starzyk
1st Assistant Director: Brandon W. Lambdin
Key 2nd Ass't Director: Kevin Lum
Stunt Coordinators: Brian Machleit, Buster Reeves, Frank Torres, Bobby Talbert
Associate Producer: Sam Gilberg
Supervising Art Director: Scott Plauche
Graphic Artist: Logan Ledford
A-Camera/Steadicam Operator: Chris Haarhoff SOC
B-Camera Operator: Robert 'Soup' Campbell
C-Camera/2nd Unit B-Camera Operator: Patrick McGinley
C-Camera Operator: Greg Morris
Aerial Unit Camera Operator: Nick Ramey
Production VFX Producer: Arian Nikjeh
VFX Production Supervisor: Jessica Wilson-Silas
VFX CG Supervisor: Jason Howey
Production VFX Coordinator: Jake Heggen
Ass't VFX Coordinator: Conrad Carriere
Video Graphics Supervisor: Chris Kieffer
Production VFX Consultant: Jay Worth
Set Decorator: Leonard Spears
2nd 2nd Ass't Director: Zack L. Smith
Production SFX Supervisor: Peter Chesney Sr
Production SFX Coordinator: Peter Chesney Jr
Picture Car Coordinator: David Urich
2nd Unit A-Cam Op/DoP/Miami 2nd Unit C-Cam Op: Joseph V. Cicio
2nd Unit Underwater DoP: Peter Zuccarini
2nd Unit Key 2nd AD: Zack Edwards
2nd Unit DoP (Miami Unit): Roberto Schaefer ASC AIC
Miami Unit Key 2nd AD: Kenny Hanson
Miami Unit Art Director: Paul Hendricks
Miami Unit B-Camera/Add'l Steadicam Operator: Osvaldo Silvera Jr. SOC
Miami Unit 2nd 2nd AD: Ryan McInerney
Scanline VFX Supervisor: Adam Balentine
Scanline Add'l VFX Supervisor: Nick Crew
Scanline Digital Colorist: Gabriel Dedic
Scanline VFX Producer: Robert Schajer
VFX Executive Producer: Neha Hooda
VFX Bidding Producer: Suncica Predojevic
Colorist: Shane Harris
Camera: Sony CineAlta Venice (6K AXS-R7)
Lenses: Cooke Anamorphic/I SF Primes, Leitz Summicron-C Primes & Summilux-C Primes
AR: 2.39:1 (Anamorphic)(Super 35mm: Some Scenes)
Budget: 68 Million USD
Main Visual Effects Provided by: Scanline VFX
Attribute: Camera Equipment Provided by Keslow Camera - DirectorJames WanStarsAnnabelle WallisMaddie HassonGeorge YoungMadison is paralyzed by shocking visions of grisly murders, and her torment worsens as she discovers that these waking dreams are in fact terrifying realities.Director: James Wan
Cinematographer: Michael Burgess
Production Designer: Desma Murphy
Composer: Joseph Bishara
Film Editor: Kirk M. Morri
Supervising Art Director: David Scott
Costume Designer: Lisa Norsia
Production VFX Supervisor: Ivan Busquets
VFX Producer: Brian Shows
Stunt Coordinator: Glenn Foster
Ass't Stunt Coordinator/Fight Coordinator: Loyd Bateman
A-Camera/Steadicam Operator: Colin Anderson SOC
B-Camera Operator: Craig Bauer
C-Camera Operator: BJ McDonnell
Aerial Unit DoP: John Trapman
Production SFX Supervisor: Michael Meinardus
2nd Unit DoP: Eric Leach
Stunt Coordinator (Add'l Photography): Mark Norby
Additional DPs: David O'Brien, Jeff Porter
Senior DI Colorist: Mark Griffith
ILM Effects Supervisor: Mihai Cioroba
ILM Animation Supervisor: Cedric Lo
Filming Dates: September 24, 2019 - December 8, 2019
Camera: Alexa SXT (Digital)
Lenses: Panavision® Primo SL Primes, PVintage SL Primes, Super & Ultra Speed MKII SL Primes
AR: 2.39:1 (Super 35mm)
Visual Effects & Animation by: Industrial Light & Magic
Attribute: Filmed in Panavision® - DirectorClint EastwoodStarsClint EastwoodDwight YoakamDaniel V. GraulauA one-time rodeo star and washed-up horse breeder takes a job to bring a man's young son home and away from his alcoholic mom. On their journey, the horseman finds redemption through teaching the boy what it means to be a good man.Director, Producer & Composer: Clint Eastwood ACE
Screenwriter: Nick Schenk
Co-Writer: N. Richard Nash
Producer: Albert S. Ruddy
Producer & UPM: Timothy Allan Moore
Exec Producer-1st AD: David M. Bernstein
Cinematographer: Ben Davis BSC
Production Designer: Ronald R. Reiss
Film Editors: Joel Cox ACE, David Cox
Composer: Mark Mancina
Composer (Add'l Music)-Score Production Supervisor: Marlon E. Espino
Costume Designer: Deborah Hopper
Key 2nd Assistant Director: Jeff Hubbard
A Cam-Steadicam Op & 2nd Unit Director: Stephen S. Campanelli SOC
Assoc. Producer & Prod Supervisor: Holly Hagy
Supervising Art Director: Greg Sandoval
Set Decorator: Christopher Carlson
1st Assistant Editor: Maureen Ross
2nd Assistant Editor: Nathan Godley
Sup. Sound Editor: Alan Robert Murray
Production Visual FX Producer: Adam Ohl
A Camera 1st Assistant: James Apted
A Camera 2nd Assistant: Jeremiah Kent
B Camera 1st Assistant: Rob Salviottoi
B Camera 2nd Assistant: John Hamilton
A Camera Loader: Miranda Rivera
Digital Imaging Technic.: Michael Kellogg
Utility-A Camera Assistant: Val Sklar
Score Orchestrator: Larry Rench
Music Editor: Chris McGeary
Ass't Costume Designer: Dan M. Landman
Costume Supervisor: Nanrose Buchman
Chief Lighting Technician: James Crawford
Assistant Chief Lighting Tech: David Elwell
Rigging Chief Lighting Tech: Vince Young
Rigging Assistant CLT & Gaffer: Lou Nelson
Key Grip: Charles Saldaña III
A Dolly Grip: Mike Wahl
B Dolly Grip: Pat Daily
Techno Crane Technician: Hilton Garrett
Hydro Scope Technician: Craig Rice
Key Rigging Grip: Kevin Miller
Production Coordinator: Rebecca Hilliard
Ass't Prod Coordinator: Brendan Shepherd
Art Dept. Coordinator: Corina Sugarman
2nd 2nd Assistant Director: Nate Galesic
Add'l 2nd 2nd Assist Director: Beatriz Lorea
Supervising Prop Master: Mike Sexton
1st Assistant Prop Master: Jeff Angelo
2nd Prop Assistant: Aaron Aragon
3rd Prop Assistant: Joshua Aragon
Sup. Location Manager: Patrick O. Mignano
Production Loc. Manager: Shani Orona
Key Assist Loc. Manager: Eric Maldonado
2nd Assistant Location Manager: Ben Roe
3rd Assist Loc. Manager: Thomas Milsom
4th Assist Location Manager: Robert Fettig
Location Coordinator: Rosemary Finnery
Production OSA (LA): Abhinav Kalavar
Video & CG Supervisor: Liz Radley
Production Special FX Coordinator: Eric Thelander
Picture Car Coordinator: Larry Stelling
Set Designer: Jimmy Hendrix
Graph Designers: Melissa Shepard, Jacob Blow
Sup. Dialogue Editor: Cameron Steenhagen
Supervising ADR Editor: Thomas Jones
Supervising Foley Editor: Willard Overstreet
Production Foley Editor: Mark Pappas
Score Mixer: Kevin Harp
Head Animal Wrangler: Lisa Brown
Rooster Trainer: Jesus Aguilar
Horse Wrangler: Lucas Hodge
Snake Removal Technician: Brendon Kehoe
Spanish Translator: Jessica Montoya
Sign Language Interpreter: Adam Romero
Covid Compliance Officer: Isaac Rodriguez
Covid Coordinator: Karin Aragon
Health Safety Officer: Danielle Melendez
Covid Manager: Alejandro Rodriguez
Covid Monitors: Johnathan Mitchell, Ellen Rugeroni
Crafty Apes VFX Supervisors: Tim LeDoux, John Brubaker
Crafty Apes VFX Producer: Jason Sanford
Crafty Apes VFX Associate Producer: Zach Hamelton
ReDefine VFX Supervisor: Serkan Zelzele
Dailies Producer: Denise Woodgerd
Dailies Supervising Colorist: Brent Greer
Dailies Colorist: Cristobal Cheng
Dailies Assistant: Jordan Fox
Dailies Operations Lead: Chris Van Duyn
Technicolor Project Manager: Ladd Lanford
Sr Supervising Colorist: Maxine Gervais
Associate Finishing Colorist: Jeff Pantaleo
Senior Finishing Editor: Eric Kaufmann
Senior DI Finishing Producer: Nancy Fuller
Main & End Titles Designers: Darin Millett, Bruce Schluter
Supervising Stunt Coordinator: Bob Brown
Horse Stunt Coord.: Rusty Hendrickson
Filming Dates: 4 November 2020 - 15 December 2020
Cameras: Alexa Mini & SXT Plus (3.4K ARRIRAW)
Lenses: Panavision C- & T-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)(S35mm: Some Shots)
Budget: 33 Million USD
Visual Effects Provided by: ReDefine & Crafty Apes
Acknowledgement: Filmed on Location in the State of New Mexico
Edited on the: Avid Media Composer
Attribute: Filmed in Panavision - DirectorAlan TaylorStarsAlessandro NivolaLeslie Odom Jr.Jon BernthalWitness the making of Tony Soprano. The story that reveals the humanity behind Tony's struggles and the influence his family - especially his uncle, Dickie Moltisanti - had over him becoming the most iconic mob boss of all time.Director: Alan Taylor
Cinematographer: Kramer Morgenthau ASC
Production Designer: Bob Shaw
Stunt Coordinator/2nd Unit Director: GA Aguilar
VFX Plate Unit DP: Stanley Fernandez Jr
Camera Operator: Julian Delacruz
A-Camera/Steadicam Operator: Michael Heathcote
Drone Unit Camera Operator: Joe Graham
VFX Supervisors: Dan Schrecker, Dave Zeevalk
Film Editor: Christopher Tellefsen ACE
Supervising Digital Colorist: Peter Doyle ASC
Costume Designer: Amy Wescott
Unit Production Manager: Samantha Dyer
Supervising Art Director: Laura Ballinger
Senior SFX Supervisor: Johann Kunz
Filming Dates: April 3, 2019 - June 2019, September 2020 (Reshoots)
Camera: Alexa LF (4.5K ARRIRAW)
Lenses: Panavision C-, T-Series Anamorphic Primes, Anamorphic Wide-Angle 2:1 Zoom & Sigma 75-210mm Zoom
AR: 2.39:1 (Anamorphic)
Digital Intermediate Provided by: EFilm Company 3
Attribute: Filmed in Panavision