This year, acclaimed British filmmaker Christopher Nolan has finally received his first Oscar for his work on Oppenheimer and everyone agreed that it was deserved, but also that it should not have been his first Oscar, seeing how many masterful movies Nolan had made before Oppenheimer. In that aspect, the filmmaker officially became a part of history and it shouldn’t come as a surprise that many of his colleagues speak very highly of him and his achievements over the years.
Although modern cinema is much more diverse than it was decades ago, and there are several equally innovative and important approaches to filmmaking, we cannot deny that Nolan definitely changed cinema. His visionary approach, as well as his unshakeable stance in defending his own approach to his craft, make Nolan one of the most important filmmakers in history.
This is also something that many other filmmakers have noticed, as...
Although modern cinema is much more diverse than it was decades ago, and there are several equally innovative and important approaches to filmmaking, we cannot deny that Nolan definitely changed cinema. His visionary approach, as well as his unshakeable stance in defending his own approach to his craft, make Nolan one of the most important filmmakers in history.
This is also something that many other filmmakers have noticed, as...
- 5/26/2024
- by Arthur S. Poe
- Fiction Horizon
Christopher Nolan and The Dark Knight Trilogy are two peas in a pod, and people know it quite well. Finding fame and love for giving the world Christian Bale’s Batman alongside Heath Ledger’s Joker, Nolan created a unique version of Batman that the world didn’t expect.
Christian Bale in The Dark Knight. Credits: Warner Bros. Entertainment Inc.
With iconic and intriguing storylines across the trilogy and some heavenly music by Hans Zimmer, The Dark Knight Trilogy solidified Chris Nolan as a visionary director. Despite the praise that the film received, people seem to think that the fight sequences in the film… aren’t that great.
The Fight Scenes In Batman Begins Were Not That Great!
It was the year 2005 when veteran director Christopher Nolan released the first film of his iconic franchise titled Batman Begins. Starring Christian Bale as Bruce Wayne aka Batman and Liam Neeson as Ras-al Ghul,...
Christian Bale in The Dark Knight. Credits: Warner Bros. Entertainment Inc.
With iconic and intriguing storylines across the trilogy and some heavenly music by Hans Zimmer, The Dark Knight Trilogy solidified Chris Nolan as a visionary director. Despite the praise that the film received, people seem to think that the fight sequences in the film… aren’t that great.
The Fight Scenes In Batman Begins Were Not That Great!
It was the year 2005 when veteran director Christopher Nolan released the first film of his iconic franchise titled Batman Begins. Starring Christian Bale as Bruce Wayne aka Batman and Liam Neeson as Ras-al Ghul,...
- 5/26/2024
- by Visarg Acharya
- FandomWire
If Chris Marker and Preston Sturges ever made a film together, it might have looked something like Grand Tour, a sweeping tale that moves from Rangoon to Manila, via Bangkok, Saigon and Osaka, as it weaves the stories of two disparate lovers towards a fateful reunion. The stowaways could scarcely be more Sturgian: he the urbane man on the run, she the intrepid woman trying to track him down. Their scenes are set in 1917 and shot in a classical studio style, yet they’re delivered within a contemporary travelogue––as if we are not only following their epic romance but a director’s own wanderings.
Grand Tour, which delivered much-needed magic to this year’s Cannes Film Festival lineup, is directed by the one and only Miguel Gomes, the Portuguese filmmaker behind The Tsugua Diaries (an entertaining Covid joint from 2021), Arabian Nights (his epic 2015 triptych), and Tabu (a breakout from...
Grand Tour, which delivered much-needed magic to this year’s Cannes Film Festival lineup, is directed by the one and only Miguel Gomes, the Portuguese filmmaker behind The Tsugua Diaries (an entertaining Covid joint from 2021), Arabian Nights (his epic 2015 triptych), and Tabu (a breakout from...
- 5/24/2024
- by Rory O'Connor
- The Film Stage
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film Forum
Films by Scorsese, De Palma, Woody Allen, Coppola, Jarmusch, and the Coen Brothers play in “Out of the 80s,“ which includes Cutter’s Way on 35mm; Le Samouraï continues in a new 4K restoration; Raiders of the Lost Ark plays on Sunday.
Museum of Modern Art
A massive overview of Bulle Ogier continues with films by Rivette, Duras, and Oliveira.
Museum of the Moving Image
The Thin Red Line, Mars Attacks, and Princess Mononoke all play on 35mm as part of “See It Big at the ’90s Multiplex“; The Right Stuff shows on 35mm this Saturday.
Roxy Cinema
Roger Corman’s A Bucket of Blood and Dunston Checks In both play on 35mm this Saturday; The Sisterhood of the Traveling Pants and The Runner screen on Sunday.
Anthology Film Archives
Med Hondo’s West Indies has encore showings.
Film Forum
Films by Scorsese, De Palma, Woody Allen, Coppola, Jarmusch, and the Coen Brothers play in “Out of the 80s,“ which includes Cutter’s Way on 35mm; Le Samouraï continues in a new 4K restoration; Raiders of the Lost Ark plays on Sunday.
Museum of Modern Art
A massive overview of Bulle Ogier continues with films by Rivette, Duras, and Oliveira.
Museum of the Moving Image
The Thin Red Line, Mars Attacks, and Princess Mononoke all play on 35mm as part of “See It Big at the ’90s Multiplex“; The Right Stuff shows on 35mm this Saturday.
Roxy Cinema
Roger Corman’s A Bucket of Blood and Dunston Checks In both play on 35mm this Saturday; The Sisterhood of the Traveling Pants and The Runner screen on Sunday.
Anthology Film Archives
Med Hondo’s West Indies has encore showings.
- 5/24/2024
- by Nick Newman
- The Film Stage
Denis Villeneuve has flown through the ranks of Hollywood very quickly. Although he has been making massively successful and critically acclaimed projects for years, his name has only recently entered the mainstream media after he started working on the Dune series. Since then, his filmmaking has been appreciated for the gift that it is, and respect has been put in his name.
Bene Gesserit in Denis Villeneuve’s Dune: Part Two [Credit: Warner Bros.]Several other directors have experienced similar treatment in Hollywood, and it would seem that Villeneuve has a special place in his heart for one of them. Recently, the director was asked about his favorite director, and his answer might shock many.
Who is Denis Villeneuve’s Favorite Director?
When it comes to Hollywood, there are several directors who are frequently talked about as some of the greatest. Among them, Martin Scorsese has been given the highest regard.
Bene Gesserit in Denis Villeneuve’s Dune: Part Two [Credit: Warner Bros.]Several other directors have experienced similar treatment in Hollywood, and it would seem that Villeneuve has a special place in his heart for one of them. Recently, the director was asked about his favorite director, and his answer might shock many.
Who is Denis Villeneuve’s Favorite Director?
When it comes to Hollywood, there are several directors who are frequently talked about as some of the greatest. Among them, Martin Scorsese has been given the highest regard.
- 5/23/2024
- by Ananya Godboley
- FandomWire
Over the course of his career, Christopher Nolan has become more than just a director – he’s practically a genre within himself. Whether he’s making historical dramas or mind-bending thrillers, or superhero crime sagas, all of his works are… well, Nolan-esque. And if there’s a filmmaker who feels like a true contemporary of Nolan, who’s risen to similarly cerebral blockbusterdom in recent years, whose films sometimes contain noticeably Nolan-esque touches, it’s Denis Villeneuve. Like Nolan, Villeneuve began with ambitious indie fare, before entering the studio system and conjuring seismic cinematic feats like Dune.
Now, in Empire’s Christopher Nolan Special Collector’s Edition, Villeneuve has paid tribute to his fellow filmmaker – writing exclusively for Empire on his trailblazing friend. And, in his own words, Villeneuve likens Nolan to some of the all-time greats. “Chris Marker, Rod Serling, Tarkovsky, Kubrick… Christopher Nolan belongs to this group of artists: the time explorers,...
Now, in Empire’s Christopher Nolan Special Collector’s Edition, Villeneuve has paid tribute to his fellow filmmaker – writing exclusively for Empire on his trailblazing friend. And, in his own words, Villeneuve likens Nolan to some of the all-time greats. “Chris Marker, Rod Serling, Tarkovsky, Kubrick… Christopher Nolan belongs to this group of artists: the time explorers,...
- 5/23/2024
- by Ben Travis
- Empire - Movies
The spirit of “Sans Soleil” casts a long shadow over Miguel Gomes’ beguiling “Grand Tour,” a less essayistic but similarly atemporal travelogue that sometimes feels almost as indebted to Chris Marker as Gomes’ “Tabu” was to F.W. Murnau. Much like Marker’s 1983 masterpiece, Gomes’ film is propelled by the mysterious frisson that it creates between “exotic” documentary footage and disembodied narration. And much like “Sans Soleil,” “Grand Tour” uses that non-stop voiceover to shape its accompanying images into an abstract story about the elusive relationship between time and memory.
In this case, that story is a love story (of sorts), one that again finds Gomes harkening back to the kind of blinkered colonial romances that were so prevalent in the silent era and the early days of Hollywood. And since a love story requires a tactile anchor for its yearning, Gomes — in stark contrast to Marker — cast a pair of...
In this case, that story is a love story (of sorts), one that again finds Gomes harkening back to the kind of blinkered colonial romances that were so prevalent in the silent era and the early days of Hollywood. And since a love story requires a tactile anchor for its yearning, Gomes — in stark contrast to Marker — cast a pair of...
- 5/22/2024
- by David Ehrlich
- Indiewire
Based on Chris Marker's 1962 short film "La Jetée," Terry Gilliam's 1995 film "12 Monkeys" begins in a futuristic, post-apocalyptic wasteland ravaged by a deadly virus. Cities are already being reclaimed by plants and animals, and humans have moved into cage-like, nightmarish structures underground. Despite the dire circumstances, humans still adhere to a frustrating bureaucracy, forcing mentally detached people to attend meetings and make plans. Luckily, humans also have access to a time machine, and they have selected James Cole (Bruce Willis) to go back in time to 1990 -- and then again to 1996 -- to find out more about the virus and help find a cure. Because it's a Terry Gilliam film, the picture doesn't exactly end on a note of hope.
Terry Gilliam's films tend to be fraught affairs, usually wracked with production problems, delays, and other things that are out of the filmmaker's control; he seems to be very unlucky.
Terry Gilliam's films tend to be fraught affairs, usually wracked with production problems, delays, and other things that are out of the filmmaker's control; he seems to be very unlucky.
- 5/21/2024
- by Witney Seibold
- Slash Film
“As of 2023, the world's top 81 billionaires, the rulers of the corporatocracy control more wealth than 50% of the world combined and wealth inequality continues to rise today. The empire controls the Internet, thereby manipulating global perceptions through various channels. Influenced by these pervasive control technologies”.
Worn Away is screening at Taiwan International Documentary Film Festival
As you can see, we find ourselves amidst the purest Sci-fi dystopia. Don't we? “Worn Away” unquestionably falls into the category of Unidentified Filmed Objects. Chen Chieh-jen employs a diverse arsenal of tools: choral voice-over, choreography, “slow cinema” tracking shots, and a brilliant, relevant soundtrack to convey his message. Clearly, we're not delving into conventional narrative entertainment here, unmistakably drawing inspiration from Chris Marker's pioneering work with “La Jetée”.
“After humanity enters the new, superficially resplendent dark age, the unemployed and uncreditworthy will have no choice but to apply for the Optimization of Biological Function...
Worn Away is screening at Taiwan International Documentary Film Festival
As you can see, we find ourselves amidst the purest Sci-fi dystopia. Don't we? “Worn Away” unquestionably falls into the category of Unidentified Filmed Objects. Chen Chieh-jen employs a diverse arsenal of tools: choral voice-over, choreography, “slow cinema” tracking shots, and a brilliant, relevant soundtrack to convey his message. Clearly, we're not delving into conventional narrative entertainment here, unmistakably drawing inspiration from Chris Marker's pioneering work with “La Jetée”.
“After humanity enters the new, superficially resplendent dark age, the unemployed and uncreditworthy will have no choice but to apply for the Optimization of Biological Function...
- 5/13/2024
- by Jean Claude
- AsianMoviePulse
Floating Clouds.In the opening scene of Mikio Naruse’s Floating Clouds (1956), a group of repatriated Japanese civilians disembarks from a shabby boat. After two brief wide shots, Naruse cuts to a medium shot to introduce the film’s protagonist, Yukiko, singling her out from what is otherwise a crowd of anonymous faces. But the film’s screenplay elaborates on those who walk alongside Yukiko: Returnees from South Asia are getting off the ship. Among the crowd of women, which consists only of comfort women, geishas, nurses, typists, clerks and the like, there is also Kõda Yukiko, who is not outfitted with proper winter attire.“Comfort women” is a name given to women and girls forced into sexual slavery at the hands of the Japanese Imperial Army. According to Yoko Mizuki’s screenplay, some are present in the crowd, but it is impossible for the viewer to discern them. The...
- 4/25/2024
- MUBI
The Visions du Réel film festival’s greatest singularity is two-fold: its lack of pretense and judicious curatorial eye. The first is, of course, directly related to the other. In centering the festival on the quality, even radicalness, of film praxes, instead of a locus for glamour and business, VdR makes room for cinematic pearls to emerge. Those pearls may not be programmed at any other film festival, and in the quiet Swiss town of Nyon, a 15-minute train ride from Geneva, they amounted to a stunningly consistent lineup.
One of the most sparkling pearls in that lineup was the unclassifiable The Documentary Journey of Madame Anita Conti. Director Louise Hémon’s medium-length film relies on narration from a text by French explorer and photographer Anita Conti’s travel diary from her time on a fishing boat in open sea in 1952—along with an audio interview with Conti, 16mm footage from the expedition,...
One of the most sparkling pearls in that lineup was the unclassifiable The Documentary Journey of Madame Anita Conti. Director Louise Hémon’s medium-length film relies on narration from a text by French explorer and photographer Anita Conti’s travel diary from her time on a fishing boat in open sea in 1952—along with an audio interview with Conti, 16mm footage from the expedition,...
- 4/19/2024
- by Diego Semerene
- Slant Magazine
When Victoria Villegas learned how her cousin had fled the Dominican Republic, and was gay like her, she was moved to chart his life
There have been experimental, freestyling essay films and memoiristic documentaries around for years, going back to Chris Marker’s Sans Soleil or Agnès Varda’s The Gleaners and I. But just lately it feels like the sprawling poetic-realist subgenre is flourishing, especially in the sunny uplands of film festivals. Like an extension of the creative-writing exhortation to “write about what you know” young documentary-makers are increasingly shooting movies about not just who they are but also their family history. Sometimes family members are even corralled into play themselves or others, like some cinematic family drama-therapy experiment.
If you want a few recent examples, check out Miryam Charles’s recent Cette Maison, or Moroccan director Asmae el Moudir’s The Mother of All Lies, both of which...
There have been experimental, freestyling essay films and memoiristic documentaries around for years, going back to Chris Marker’s Sans Soleil or Agnès Varda’s The Gleaners and I. But just lately it feels like the sprawling poetic-realist subgenre is flourishing, especially in the sunny uplands of film festivals. Like an extension of the creative-writing exhortation to “write about what you know” young documentary-makers are increasingly shooting movies about not just who they are but also their family history. Sometimes family members are even corralled into play themselves or others, like some cinematic family drama-therapy experiment.
If you want a few recent examples, check out Miryam Charles’s recent Cette Maison, or Moroccan director Asmae el Moudir’s The Mother of All Lies, both of which...
- 4/15/2024
- by Leslie Felperin
- The Guardian - Film News
Get in touch to send in cinephile news and discoveries. To keep up with our latest features, sign up for the Weekly Edit newsletter and follow us @mubinotebook on Twitter and Instagram.NEWSOrlando.The Cinema for Gaza Auction has raised over $100,000 so far for Medical Aid for Palestinians (Map). The auction, which features such donations as a bedtime story read by Tilda Swinton and Mubi’s entire catalog of Blu-rays, closes April 12. As SAG-AFTRA lobbies for legal limits on digital replicas of actors, IATSE negotiates for “some of the spoils of artificial intelligence” as part of their next contract. Across the US, historic cinemas are being restored (and sometimes repurposed) by celebrities, foundations, and unlikely corporations.CANNESFrancis Ford Coppola’s self-funded, much-ballyhooed Megalopolis (2024) will premiere in competition at Cannes, while the first part of Kevin Costner’s Horizon: An American Saga (2024) will premiere out of competition.Andrea Arnold will...
- 4/10/2024
- MUBI
From Eternal Current Events, a collection of writings by Chris Marker, edited and translated by Jackson B. Smith, and published by Inpatient Press.A Grin without a Cat.In 1946, a 24-year-old Chris Marker—or, as he was briefly known then, Chris Mayor—began writing for the Paris-based magazine Esprit. He remained a regular contributor to the leftist monthly until the early 1950s, around which time he made his first films. Marker’s writings for the magazine traverse genres and forms—stories, poems, essays, and reviews—consistently blurring the lines between fact and fiction while maintaining the distinctive blend of humor and political engagement that viewers of his films know well. Marker’s writing most often appeared in the section of the magazine called the “Journal of Many Voices”: an assemblage of political, social, and cultural commentary in which the musings of many contributors—among them the film critic André Bazin,...
- 4/9/2024
- MUBI
In 1953, Alain Resnais, Chris Marker, and Ghislain Cloquet produced Statues Also Die, one of the fiercest and most lucid indictments of white imperialism ever captured on film. Commissioned by the magazine Présence Africaine, it sought to dissect Western attitudes toward African art. The 30-minute short did not begin as an anti-colonial project but became one along the way, informed by the belittling treatment that antiquities from the continent had received across French cultural institutions since their plundering under colonial rule. Why, for a start, was African art routinely confined at the Musée de l’Homme in Paris––an ethnographic museum––while Greek or Assyrian pieces found their place at the Louvre? An arresting montage of statues and their visitors swelled into a much larger critique of the systematic oppression of Black culture and Black bodies, with a third act considering the exploitation of Black athletes and musicians in the States.
- 2/26/2024
- by Leonardo Goi
- The Film Stage
When Europe’s great powers raced to colonize a continent in the so-called “Scramble for Africa” just before the First World War, the tiny coastal Kingdom of Dahomey in the south of modern-day Benin, west Africa, was high on France’s shopping list. Only 85 French soldiers were killed when it was taken in 1894, while as many as 4,000 Dahomeans lost their lives. Nearly three hundred years of culture and history were extinguished, and thousands of the nation’s most valuable treasures shipped to Paris.
Mati Diop’s 67-minute documentary isn’t about the theft but rather the return in late 2021 of 26 Dahomean treasures to Benin from the Musée du Quai Branly in Paris. We’re told before the movie starts that their “captivity” in France is finally coming to an end. That feels a little dramatic, but Diop means what she says. The most famous of the items, including a defiant...
Mati Diop’s 67-minute documentary isn’t about the theft but rather the return in late 2021 of 26 Dahomean treasures to Benin from the Musée du Quai Branly in Paris. We’re told before the movie starts that their “captivity” in France is finally coming to an end. That feels a little dramatic, but Diop means what she says. The most famous of the items, including a defiant...
- 2/18/2024
- by Adam Solomons
- Indiewire
With her mesmerizing 2019 debut feature, the lyrical Senegalese ghost story Atlantics, as well as the nonfiction project that preceded it, A Thousand Suns, Mati Diop jumped to the forefront of diasporic Black European directors reclaiming their ancestral African roots. The director’s own path as a cultural revenant continues to be inextricably woven through her work, alongside a contemplative consideration of repatriation and reparations, in her multifaceted medium-length docu-fictional essay Dahomey.
The film is both a response to Alain Resnais and Chris Marker’s 1953 inquiry into African art and colonialism, Statues Also Die, and an ongoing debate on the significance of returned artifacts and the responsibility of new generations to continue the vital work of conservation and cultural reclamation.
Running just over an hour but loaded with thematic weight and aesthetic beauty, Dahomey sprang from the French government’s return, in 2021, of 26 royal treasures from the Kingdom of Dahomey to...
The film is both a response to Alain Resnais and Chris Marker’s 1953 inquiry into African art and colonialism, Statues Also Die, and an ongoing debate on the significance of returned artifacts and the responsibility of new generations to continue the vital work of conservation and cultural reclamation.
Running just over an hour but loaded with thematic weight and aesthetic beauty, Dahomey sprang from the French government’s return, in 2021, of 26 royal treasures from the Kingdom of Dahomey to...
- 2/18/2024
- by David Rooney
- The Hollywood Reporter - Movie News
Quebec’s recent domestic box office charmers “One Summer” and “Ru” lead Canada’s diverse acquisition slate of 17 features — many coming off strong, award-speckled festival runs — screening for buyers at the Berlinale’s European Film Market.
More than half the 20 Canadian titles screening across the EFM and festival are Quebec productions, a ratio that reflects the resilience of the province’s film industry, not to mention the next wave of filmmaking talent and the return of Quebec audiences to cinemas.
“Ru,” an adaptation of Vietnamese-born Canadian novelist Kim Thúy’s prize-winning, widely translated 2009 novel, is nearing the $2 million mark in Canada and is the latest in a string of Quebec films to earn more than $1 million at the domestic box office in 2023.
“Local success doesn’t necessarily mean international distribution, but I have the feeling that it’s possible with ‘Ru,’ which is a universal story, very faithful to the book,...
More than half the 20 Canadian titles screening across the EFM and festival are Quebec productions, a ratio that reflects the resilience of the province’s film industry, not to mention the next wave of filmmaking talent and the return of Quebec audiences to cinemas.
“Ru,” an adaptation of Vietnamese-born Canadian novelist Kim Thúy’s prize-winning, widely translated 2009 novel, is nearing the $2 million mark in Canada and is the latest in a string of Quebec films to earn more than $1 million at the domestic box office in 2023.
“Local success doesn’t necessarily mean international distribution, but I have the feeling that it’s possible with ‘Ru,’ which is a universal story, very faithful to the book,...
- 2/15/2024
- by Jennie Punter
- Variety Film + TV
Following part one of our 2024 preview, we’re counting down our 50 most-anticipated films of the year.
50. The Actor (Duke Johnson)
Duke Johnson, one half of the directing duo behind Anomalisa, makes his solo directorial (and live-action) debut with The Actor. For being based on the posthumously published novel from Donald E. Westlake, a synopsis points towards an amnesia thriller with André Holland as a New York City actor beaten and stranded in 1950s Ohio. Gemma Chan and Toby Jones co-star. As a state native I’m intrigued how they shot Budapest for small-town Ohio––the two don’t exactly scream perfect matches, but I won’t doubt the movie magic before I see it. Anomalisa was a wholly original stop-motion feature; we’re intrigued how Johnson continues that creativity in the live-action realm. – Caleb H.
49. Presence (Steven Soderbergh)
Steven Soderbergh has flirted with horror before––2018’s Unsane in particular nearly...
50. The Actor (Duke Johnson)
Duke Johnson, one half of the directing duo behind Anomalisa, makes his solo directorial (and live-action) debut with The Actor. For being based on the posthumously published novel from Donald E. Westlake, a synopsis points towards an amnesia thriller with André Holland as a New York City actor beaten and stranded in 1950s Ohio. Gemma Chan and Toby Jones co-star. As a state native I’m intrigued how they shot Budapest for small-town Ohio––the two don’t exactly scream perfect matches, but I won’t doubt the movie magic before I see it. Anomalisa was a wholly original stop-motion feature; we’re intrigued how Johnson continues that creativity in the live-action realm. – Caleb H.
49. Presence (Steven Soderbergh)
Steven Soderbergh has flirted with horror before––2018’s Unsane in particular nearly...
- 1/8/2024
- by The Film Stage
- The Film Stage
Uri Marantz graduated from the Film School in Tel Aviv in mid- 1990s. He directed a number of short films, and was involved in several television projects, both as a writer and creator. He is best known for the hit series “Daddy” that aired on Hot. “Since filmmaking is more or less a hobby in Israel, I had to compromise a lot”, explains the Israeli helmer why it took him that long to direct a feature length movie, adding that he always had a project here and there happening, but that he ended up working in the advertising industry as a copy- and content writer. “My dream of filmmaking was somehow ebbing away”, he says.
When we met in the hotel lobby of Nordic before the world premiere of his debut feature “King Khat” which competes in the Rebels With A Cause program of Tallinn Black Nights film festival, Marantz...
When we met in the hotel lobby of Nordic before the world premiere of his debut feature “King Khat” which competes in the Rebels With A Cause program of Tallinn Black Nights film festival, Marantz...
- 11/18/2023
- by Marina D. Richter
- AsianMoviePulse
NYC Weekend Watch is our weekly round-up of repertory offerings.
Museum of the Moving Image
Reverse Shot celebrates its 20th anniversary with a months-long programming run, continuing this weekend with The Tree of Life, Everyone Else, and 35 Shots on Rum on 35mm, while A Hidden Life also screens; James and the Giant Peach plays in a Roald Dahl series with Matilda; a print of Bringing Up Baby shows on 35mm this Friday and Sunday.
Film Forum
“50 from the ’50s” continues with films by Welles, Kazan, Kubrick, and many more, while “Hitchcock’s ’50s” runs through arguably the director’s greatest decade.
Bam
“Cinema, Surrealism, Marxism” offers films from Buñuel, Glauber Rocha, Chris Marker, and more.
Anthology Film Archives
Yugoslav Black Wave icon Želimir Žilnik is subject of a new retrospective.
IFC Center
An extensive William Friedkin series continues, while The Holy Mountain, Gamer, and Exorcist III play late; Oldboy screens in a new restoration.
Museum of the Moving Image
Reverse Shot celebrates its 20th anniversary with a months-long programming run, continuing this weekend with The Tree of Life, Everyone Else, and 35 Shots on Rum on 35mm, while A Hidden Life also screens; James and the Giant Peach plays in a Roald Dahl series with Matilda; a print of Bringing Up Baby shows on 35mm this Friday and Sunday.
Film Forum
“50 from the ’50s” continues with films by Welles, Kazan, Kubrick, and many more, while “Hitchcock’s ’50s” runs through arguably the director’s greatest decade.
Bam
“Cinema, Surrealism, Marxism” offers films from Buñuel, Glauber Rocha, Chris Marker, and more.
Anthology Film Archives
Yugoslav Black Wave icon Želimir Žilnik is subject of a new retrospective.
IFC Center
An extensive William Friedkin series continues, while The Holy Mountain, Gamer, and Exorcist III play late; Oldboy screens in a new restoration.
- 11/9/2023
- by Nick Newman
- The Film Stage
Netflix’s latest time-travel mystery thriller, Bodies, has already become quite a rage. You’d have finished binge-watching it, most likely through one sleepless night. And now you are in the very familiar state of void again, which always hits after completing a series as engrossing as this one. You are now here, in need of something that can fill the void and make life meaningful again. Well, you have come to the right place after all. Although I have always maintained that no two shows are ever quite the similar, the ones that you are going to find in this list are going to work for you if you have loved Bodies. Some of the entries are going to be quite predictable, but there’s also going to be some surprises here. Here we go.
Spoilers Ahead
10. 11.22.63
In 2016, an adaptation of Stephen King’s 11/22/63 arrived with a lot of...
Spoilers Ahead
10. 11.22.63
In 2016, an adaptation of Stephen King’s 11/22/63 arrived with a lot of...
- 10/21/2023
- by Rohitavra Majumdar
- Film Fugitives
Above: first US teaser poster for Poor Things. Design by Vasilis Marmatakis.I don’t know whether it’s because of the power of Yorgos Lanthimos, or the popularity of Emma Stone, or the sheer genius of designer Vasilis Marmatakis, or a combination of all of them, but three out of the four most liked posters on my Movie Poster of the Day Instagram over the past six months have all been posters for Lanthimos’s latest, Poor Things. The teaser above is now the most liked poster ever on my feed.Breaking up the Poor Things monopoly at number two is Polish designer Maks Bereski’s fan-art design for Ridley Scott’s yet-to-be-released Napoleon, which also went through the roof with over 4,000 likes when I posted it in June in conjunction with my article on Bereski and his favorite movie posters. Instagram likes are a fickle thing but it...
- 10/12/2023
- MUBI
After living undocumented in the US for 26 years, in Nowhere Near (2023), director Miko Revereza journeys back to the Philippines in an attempt to trace the source of the colonial ghosts causing his parents’ amnesia. Through an abstract odyssey into personal history à la Chris Marker’s Sans Soleil, Revereza works in a range of mediums to express the borderless aesthetic of statelessness. What results is an investigative documentary layered with the narration of his own novel, floating into the mysteries of psychogeographical disconnect with superimposed images and submerged family portraits. On the day of the film’s US premiere, Revereza […]
The post Exorcising the Curse of the US: Miko Revereza on Nowhere Near first appeared on Filmmaker Magazine.
The post Exorcising the Curse of the US: Miko Revereza on Nowhere Near first appeared on Filmmaker Magazine.
- 10/10/2023
- by Dylan Foley
- Filmmaker Magazine-Director Interviews
After living undocumented in the US for 26 years, in Nowhere Near (2023), director Miko Revereza journeys back to the Philippines in an attempt to trace the source of the colonial ghosts causing his parents’ amnesia. Through an abstract odyssey into personal history à la Chris Marker’s Sans Soleil, Revereza works in a range of mediums to express the borderless aesthetic of statelessness. What results is an investigative documentary layered with the narration of his own novel, floating into the mysteries of psychogeographical disconnect with superimposed images and submerged family portraits. On the day of the film’s US premiere, Revereza […]
The post Exorcising the Curse of the US: Miko Revereza on Nowhere Near first appeared on Filmmaker Magazine.
The post Exorcising the Curse of the US: Miko Revereza on Nowhere Near first appeared on Filmmaker Magazine.
- 10/10/2023
- by Dylan Foley
- Filmmaker Magazine - Blog
Time loops are a cinematic commonplace now, thanks to the likes of “Groundhog Day,” “13 Monkeys,” “Palm Springs,” “Source Code,” “Edge Of Tomorrow,” “Happy Death Day,” and “Russian Doll” (with Chris Marker‘s “La Jetée” the ur-text to them all). But 20th Digital Studios has a new, intimate twist for that kind of narrative in “Jagged Mind,” set to premiere on Hulu later this month.
Continue reading ‘Jagged Mind’ Trailer: A Woman Gets Caught In A Series Of Time Loop In Thriller Coming To Hulu On June 15 at The Playlist.
Continue reading ‘Jagged Mind’ Trailer: A Woman Gets Caught In A Series Of Time Loop In Thriller Coming To Hulu On June 15 at The Playlist.
- 6/1/2023
- by Ned Booth
- The Playlist
Loïc Phil’s Connection is an emotive love letter to that potent and all-consuming rush that comes with a powerful first romantic encounter. The French director comes from a background in documentary making and music production and Connection marks his first narrative short and exhibits his strong pull to balance sound and image to create a unique rhythm in his work. The intense dialogue free three minute runtime follows a young couple as they race through those delicious and passionate first moments together before an abrupt departure that could tear them apart. Each meticulously planned and skilfully framed scene seems to encapsulate a much more extended and weighty moment in their meeting due to Loïc’s rigorous planning in order to capture everything he needed over an intense two day shoot. As Connection premieres on the pages of Dn we spoke to Loïc about taking a step away from the comfort offered by digital production,...
- 5/31/2023
- by Sarah Smith
- Directors Notes
Tales from Planet Kolkata.The essay film has always been a shapeshifting entity. It is an offshoot of the documentary mode that fully employs the potential of montage, with various texts and personal reflections interfacing and proposing new ideas, much like written counterparts. It’s a genre that defies immediate and digestible definition in most cases, with Dziga Vertov, Chris Marker, Harun Farocki, Agnès Varda, Thom Andersen, and Orson Welles employing different strategies in their respective canonical examples. In the United Kingdom, the yearly Essay Film Festival champions and explores the form, often incorporating study days and seminars. This year, the festival presented three densely structured and unique films by Ruchir Joshi, an Indian cultural writer and novelist. In the early 1990s, Joshi produced two short essay films focused on the Indian cities of Ahmedabad and his hometown of Calcutta, and an expansive feature concerning the nomadic Baul musicians in West Bengal.
- 5/19/2023
- MUBI
Hardly presumptuous to claim cinema is in a post-Godard era; perhaps only inaccurate to suggest we’ll ever be post-Godard. Case in point the rumors that Godard’s long-developing Funny Wars had at least been partially shot, if not outright completed, and today Indiewire informs us (for no discernible reason in some thinkpiece about The Weeknd) that the work––20 minutes––will premiere at this year’s Cannes Film Festival, running May 16 to May 27.
Word is scant, of course: Indiewire (before opining why The Weeknd should rethink his film career or whatever) have heard Funny Wars is “a collage-like approach that blended fragments of images and text.” To what extent or means is our guess, now and probably after it’s seen. More substantial was a conversation Fabrice Aragno, Godard’s cinematographer and by all means right-hand man, had with Variety in 2021. During which he revealed recorded on 35mm, 16mm, and Super 8––the first black-and-white,...
Word is scant, of course: Indiewire (before opining why The Weeknd should rethink his film career or whatever) have heard Funny Wars is “a collage-like approach that blended fragments of images and text.” To what extent or means is our guess, now and probably after it’s seen. More substantial was a conversation Fabrice Aragno, Godard’s cinematographer and by all means right-hand man, had with Variety in 2021. During which he revealed recorded on 35mm, 16mm, and Super 8––the first black-and-white,...
- 3/5/2023
- by Nick Newman
- The Film Stage
Tom Luddy, the understated co-founder and artistic director of the Telluride Film Festival who championed world cinema, spotlighted overlooked gems and saluted legends during his near half-century run with the event, has died. He was 79.
Luddy died peacefully Monday in Berkeley, California, after a long illness, Telluride senior vp public relations Shannon Mitchell told The Hollywood Reporter.
“The world has lost a rare ingredient that we’ll all be searching for, for some time,” Telluride executive director Julie Huntsinger said in a statement. “I would sometimes find myself feeling sad for those who didn’t get to know Tom Luddy properly. He had a sphinx-like quality that took a little time to get around, for some.
“But once you knew him, you were welcomed into a kingdom of art, history, intelligence, humor and joie de vivre that you knew you couldn’t be without. He made life richer. Magical. He...
Luddy died peacefully Monday in Berkeley, California, after a long illness, Telluride senior vp public relations Shannon Mitchell told The Hollywood Reporter.
“The world has lost a rare ingredient that we’ll all be searching for, for some time,” Telluride executive director Julie Huntsinger said in a statement. “I would sometimes find myself feeling sad for those who didn’t get to know Tom Luddy properly. He had a sphinx-like quality that took a little time to get around, for some.
“But once you knew him, you were welcomed into a kingdom of art, history, intelligence, humor and joie de vivre that you knew you couldn’t be without. He made life richer. Magical. He...
- 2/14/2023
- by Mike Barnes
- The Hollywood Reporter - Movie News
Scénario
He left us on September 13th of last year and what remains are some possible gifts. Word is that Scénario could indeed be a final feature length essay film along the lines of Chris Marker’s La Jetée. Details on the film will likely be provided when it actually premieres – most likely at the Cannes Film Festival. His editor mentioned “I need to glue these images to scripts”. It’ll undeniably be a beautiful Jean-Luc Godard post-script.
Gist: Unknown.
Release Date/Prediction: Cannes Film Festival – not in competition.
…...
He left us on September 13th of last year and what remains are some possible gifts. Word is that Scénario could indeed be a final feature length essay film along the lines of Chris Marker’s La Jetée. Details on the film will likely be provided when it actually premieres – most likely at the Cannes Film Festival. His editor mentioned “I need to glue these images to scripts”. It’ll undeniably be a beautiful Jean-Luc Godard post-script.
Gist: Unknown.
Release Date/Prediction: Cannes Film Festival – not in competition.
…...
- 1/11/2023
- by Eric Lavallée
- IONCINEMA.com
In a major shift one of the nation’s premier arthouses, Karen Cooper will be exiting as director on June 30 after 50 years running the Film Forum in New York City. Deputy Director Sonya Chung will assume the role.
Cooper has led the nonprofit cinema since its first iteration in 1972 as a 50-seat loft space on the Upper West Side open only weekends, to a multi-million dollar operation with four screens and 500 seats in lower Manhattan. She’ll remain an advisor to Chung with a focus on programming premieres and fundraising
“To say this is a transitional moment would be a vast understatement – for virtually all of its history, Film Forum has been energetically and most ably guided by Karen, not least during the very challenging pandemic period from which we are emerging. My board colleagues and I are extremely grateful for her tenure, and excited that in Sonya we have...
Cooper has led the nonprofit cinema since its first iteration in 1972 as a 50-seat loft space on the Upper West Side open only weekends, to a multi-million dollar operation with four screens and 500 seats in lower Manhattan. She’ll remain an advisor to Chung with a focus on programming premieres and fundraising
“To say this is a transitional moment would be a vast understatement – for virtually all of its history, Film Forum has been energetically and most ably guided by Karen, not least during the very challenging pandemic period from which we are emerging. My board colleagues and I are extremely grateful for her tenure, and excited that in Sonya we have...
- 1/9/2023
- by Jill Goldsmith
- Deadline Film + TV
With the New Year upon us, it’s time for our annual tradition of looking at the cinematic horizon. Having highlighted 30 films we guarantee are worth seeing this year and films we hope get U.S. distribution, we now venture into the unknown. We dug deep to chart the 100 films we’re most looking forward to, from debuts to documentaries to the return of some of our most-beloved auteurs, along with a small batch of studio films worth giving attention.
Though the majority lack a set release—let alone confirmed festival premiere—most have wrapped production and will likely debut at some point in 2023. Be sure to check back for updates over the next twelve months (and beyond).
100. El Conde (Pablo Larraín)
Politicians are vampires in El Conde, from Jackie and Spencer director Pablo Larraín. While the plot, in which Chilean dictator Augusto Pinochet is revealed as a literal bloodsucker,...
Though the majority lack a set release—let alone confirmed festival premiere—most have wrapped production and will likely debut at some point in 2023. Be sure to check back for updates over the next twelve months (and beyond).
100. El Conde (Pablo Larraín)
Politicians are vampires in El Conde, from Jackie and Spencer director Pablo Larraín. While the plot, in which Chilean dictator Augusto Pinochet is revealed as a literal bloodsucker,...
- 1/6/2023
- by The Film Stage
- The Film Stage
For our most comprehensive year-end feature we’re providing a cumulative look at The Film Stage’s favorite films of 2022. We’ve asked contributors to compile ten-best lists with five honorable mentions—a selection of those personal lists will be shared in coming days—and from tallied votes has a top 50 been assembled.
Without further ado, check out our rundown of 2022 below, our ongoing year-end coverage here (including where to stream many of the below picks), and return in the coming weeks as we look towards 2023.
50. A Night of Knowing Nothing (Payal Kapadia)
Payal Kapadia’s breakthrough work is a quasi-documentary with something of Chris Marker’s postmodern essay films, following a young film school student, “L,” who experiences a romantic and political coming-of-age amidst the anti-democratic changes wrought in Modi’s India. Yet it boldly eschews the informational and concrete approach of many political documentaries, allowing us a filmic...
Without further ado, check out our rundown of 2022 below, our ongoing year-end coverage here (including where to stream many of the below picks), and return in the coming weeks as we look towards 2023.
50. A Night of Knowing Nothing (Payal Kapadia)
Payal Kapadia’s breakthrough work is a quasi-documentary with something of Chris Marker’s postmodern essay films, following a young film school student, “L,” who experiences a romantic and political coming-of-age amidst the anti-democratic changes wrought in Modi’s India. Yet it boldly eschews the informational and concrete approach of many political documentaries, allowing us a filmic...
- 12/22/2022
- by The Film Stage
- The Film Stage
Aaron Stewart-Ahn, writer of Mandy (yes… That Mandy), discusses a few of his favorite films with hosts Josh Olson and Joe Dante.
Show Notes: Movies Referenced In This Episode
Mandy (2018)
The ’Burbs (1989) – Ti West’s trailer commentary, Tfh’s ’Burbs Mania
Explorers (1985)
The Sword and the Sorcerer (1982)
Cyborg (1990)
Masters Of The Universe (1987) – Josh Olson’s trailer commentary
Down Twisted (1987)
Rumble In The Bronx (1996)
Green Book (2018)
Hellraiser (1987)
Nemesis (1992)
Heat (1995)
Nausicaä of the Valley of the Wind a.k.a. Warriors of the Wind (1984)
Princess Mononoke (1997)
Star Wars (1977)
The Lord of the Rings: The Fellowship of the Ring (2001)
Dune (1984)
Blue Velvet (1986) – Josh Olson’s trailer commentary, Charlie Largent’s Criterion Blu-ray review
Waterworld (1995)
Super Mario Bros. (1993)
Gremlins (1984) – Glenn Erickson’s 4K Blu-ray review, Tfh’s 30th anniversary celebration
Gremlins 2: The New Batch (1990)
Do The Right Thing (1989) – Allan Arkush’s trailer commentary
Minari (2020)
Terminator 2: Judgment Day (1991) – Glenn Erickson’s Blu-ray review...
Show Notes: Movies Referenced In This Episode
Mandy (2018)
The ’Burbs (1989) – Ti West’s trailer commentary, Tfh’s ’Burbs Mania
Explorers (1985)
The Sword and the Sorcerer (1982)
Cyborg (1990)
Masters Of The Universe (1987) – Josh Olson’s trailer commentary
Down Twisted (1987)
Rumble In The Bronx (1996)
Green Book (2018)
Hellraiser (1987)
Nemesis (1992)
Heat (1995)
Nausicaä of the Valley of the Wind a.k.a. Warriors of the Wind (1984)
Princess Mononoke (1997)
Star Wars (1977)
The Lord of the Rings: The Fellowship of the Ring (2001)
Dune (1984)
Blue Velvet (1986) – Josh Olson’s trailer commentary, Charlie Largent’s Criterion Blu-ray review
Waterworld (1995)
Super Mario Bros. (1993)
Gremlins (1984) – Glenn Erickson’s 4K Blu-ray review, Tfh’s 30th anniversary celebration
Gremlins 2: The New Batch (1990)
Do The Right Thing (1989) – Allan Arkush’s trailer commentary
Minari (2020)
Terminator 2: Judgment Day (1991) – Glenn Erickson’s Blu-ray review...
- 11/29/2022
- by Kris Millsap
- Trailers from Hell
With the upcoming release of Rian Johnson's "Glass Onion: A Knives Out Mystery," there's no better time to discuss Daniel Craig's acting career. He was so magnetic in "Knives Out" that fans all but demanded a sequel -- leading Netflix to greenlight two Knives Out films for 400 million. Even before he (arguably) became the 21st century's preeminent James Bond, Craig had several impressive performances. Despite taking on the daunting role of 007, he escaped typecasting by continuously working with great material, directors, and castmates.
Craig's work -- especially post-"Casino Royale" -- generally falls into two categories: stoic and livewire. Over the years, he's played complicated heroes, despicable villains, and the occasional comic relief role. He's also been kicking around longer than you may think. Do you remember him as an evil German solider in "The Young Indiana Jones Chronicles" or as Master Kane alongside a young Kate Winslet...
Craig's work -- especially post-"Casino Royale" -- generally falls into two categories: stoic and livewire. Over the years, he's played complicated heroes, despicable villains, and the occasional comic relief role. He's also been kicking around longer than you may think. Do you remember him as an evil German solider in "The Young Indiana Jones Chronicles" or as Master Kane alongside a young Kate Winslet...
- 11/21/2022
- by Jason Baxter
- Slash Film
“It means the work is causing some discomfort.”
Laura Poitras, the Oscar and Golden Lion-winning director of documentaries including Risk, Citizenfour and this year’s All The Beauty And The Bloodshed, revealed the calculated risks she takes and the extraordinary lengths to which she goes to protect her footage at a masterclass at the International Documentary Film Festival Amsterdam (IDFA) this weekend where she is this year’s guest of honour.
She used the masterclass to voice her fears about what she believes will be an increased threat to filmmakers and journalists from governments if Wikileaks founder Julian Assange is extradited to the US.
Laura Poitras, the Oscar and Golden Lion-winning director of documentaries including Risk, Citizenfour and this year’s All The Beauty And The Bloodshed, revealed the calculated risks she takes and the extraordinary lengths to which she goes to protect her footage at a masterclass at the International Documentary Film Festival Amsterdam (IDFA) this weekend where she is this year’s guest of honour.
She used the masterclass to voice her fears about what she believes will be an increased threat to filmmakers and journalists from governments if Wikileaks founder Julian Assange is extradited to the US.
- 11/13/2022
- by Geoffrey Macnab
- ScreenDaily
The narrative of a culture, nation or ideology has been shaped by many media, with film being perhaps one of the most important, given its blend of several other media within itself. The outcome of these endeavors can be observed in history classes and books, showing the extent of footage dedicated to promote a certain perspective on the past, thus shaping the present and a possible future. Many artists thus have made been highly critical of the medium and these dangers, while ironically using the language of the medium to express their thoughts on these matters, which resulted in features and documentaries being a criticism of the medium as a whole. One of the most well-known examples might just be Chris Marker, whose works make use of cultural narratives and artifacts, putting them in a new or different context, thus revealing the hidden ideology behind it. During her career, filmmaker and writer Trinh T.
- 11/8/2022
- by Rouven Linnarz
- AsianMoviePulse
Actor / Filmmaker Alex Winter joins Josh Olson and Joe Dante to discuss movies featuring a cog in the machine – the individual struggling to exist within the system.
Show Notes: Movies Referenced In This Episode
Bill And Ted’s Excellent Adventure (1989) – Alex Kirschenbaum’s Bill and Ted character power rankings
Bill And Ted’s Bogus Journey (1991)
Bill And Ted Face The Music (2020)
The Game (1997)
Showbiz Kids (2020)
The Panama Papers (2018)
Zappa (2020)
200 Motels (1971)
Modern Times (1936)
Metropolis (1927) – Glenn Erickson’s Blu-ray review
Avatar (2009)
Things To Come (1936) – Jesus Trevino’s trailer commentary
M (1931)
M (1951)
The Last Laugh (1924) – Glenn Erickson’s Blu-ray review
Brazil (1985)
Gremlins (1984) – Glenn Erickson’s Blu-ray review, Tfh’s Mogwai Madness
City Lights (1931)
Goin’ Down The Road (1970)
The Discreet Charm of the Bourgeoisie (1972) – Glenn Erickson’s Blu-ray review
The Young And The Damned (1950)
Shock Corridor (1963) – Katt Shea’s trailer commentary
The Naked Kiss (1964)
Stroszek (1977)
Even Dwarves Started Small (1970)
Ikiru (1952) – Glenn Erickson’s trailer...
Show Notes: Movies Referenced In This Episode
Bill And Ted’s Excellent Adventure (1989) – Alex Kirschenbaum’s Bill and Ted character power rankings
Bill And Ted’s Bogus Journey (1991)
Bill And Ted Face The Music (2020)
The Game (1997)
Showbiz Kids (2020)
The Panama Papers (2018)
Zappa (2020)
200 Motels (1971)
Modern Times (1936)
Metropolis (1927) – Glenn Erickson’s Blu-ray review
Avatar (2009)
Things To Come (1936) – Jesus Trevino’s trailer commentary
M (1931)
M (1951)
The Last Laugh (1924) – Glenn Erickson’s Blu-ray review
Brazil (1985)
Gremlins (1984) – Glenn Erickson’s Blu-ray review, Tfh’s Mogwai Madness
City Lights (1931)
Goin’ Down The Road (1970)
The Discreet Charm of the Bourgeoisie (1972) – Glenn Erickson’s Blu-ray review
The Young And The Damned (1950)
Shock Corridor (1963) – Katt Shea’s trailer commentary
The Naked Kiss (1964)
Stroszek (1977)
Even Dwarves Started Small (1970)
Ikiru (1952) – Glenn Erickson’s trailer...
- 10/11/2022
- by Kris Millsap
- Trailers from Hell
We here at Bloody Disgusting are huge fans of Zachary Donohue‘s The Den, which is undoubtedly one of the scariest movies to come out of the 2010s. So it brings us great pleasure to announce that the trailer for Donohue’s next project has been released and it’s for a horror web series called The Unknowable, which will be premiering exclusively on Jackalope Studio‘s YouTube Channel on October 25.
The official synopsis reads: In 1948, World War II veteran Thaddeus Wilcox left in the middle of the night from his idyllic San Francisco home with his wife Fanny and her sister Mabel to a remote property in the Mojave Desert known as Silent Creek. Compelled by visions of a strange alien species, The Wilcox family spent the year attempting to make contact — but in that time, they would draw the unwanted attention of other more malevolent and unspeakable forces,...
The official synopsis reads: In 1948, World War II veteran Thaddeus Wilcox left in the middle of the night from his idyllic San Francisco home with his wife Fanny and her sister Mabel to a remote property in the Mojave Desert known as Silent Creek. Compelled by visions of a strange alien species, The Wilcox family spent the year attempting to make contact — but in that time, they would draw the unwanted attention of other more malevolent and unspeakable forces,...
- 9/28/2022
- by Trace Thurman
- bloody-disgusting.com
"Cowboy Bebop" may be the most classically cinematic anime out there. The gun-toting, cigarette-smoking main character resembles hard-boiled noir stars like Humphrey Bogart and Western icons like John Wayne. But those weren't the only classic film genres that inspired the creators of "Cowboy Bebop." The 20th episode of the series, "Pierrot le Fou," was named after the 1965 film from French New Wave director Jean-luc Godard. The episode also pays tribute to the films of Jean-Pierre Melville, specifically "Le Samouraï" and "Le Cercle Rouge," among other French New Wave classics.
Episode 20 was always my favorite "Bebop" episode. The villain is a superhuman assassin that has regressed to a child-like mental state. He is impossible to kill but, once wounded, devolves into hysterics. "Episode 20 is a weird one to like," the series director Shinichiro Watanabe admitted (via SakuraBlog). "I guess French people live up to their reputation of being odd." Watanabe concedes...
Episode 20 was always my favorite "Bebop" episode. The villain is a superhuman assassin that has regressed to a child-like mental state. He is impossible to kill but, once wounded, devolves into hysterics. "Episode 20 is a weird one to like," the series director Shinichiro Watanabe admitted (via SakuraBlog). "I guess French people live up to their reputation of being odd." Watanabe concedes...
- 9/26/2022
- by Shae Sennett
- Slash Film
Earlier this year we learned that following up his five-film anthology Small Axe, Steve McQueen’s next narrative feature is Blitz, which will tell the story of Londoners during WWII in 1940 as they endure the German bombing campaign known as The Blitz, which lasted for eight months. With production set to kick off this fall from Apple, Deadline now reports that Saoirse Ronan will lead the film.
After being in development for a few years, a new Cloverfield film is now moving forward and a director has been found. The fourth film in the franchise, following the better-left-forgotten The Cloverfield Paradox, will be helmed by Under the Shadow and Wounds director Babak Anvari, Deadline reports. Scripted by Joe Barton and produced by J.J. Abrams, of course no details have been unveiled quite yet, but with Anvari’s genre skills, expect this one to pack some terror and thrills.
Senna and...
After being in development for a few years, a new Cloverfield film is now moving forward and a director has been found. The fourth film in the franchise, following the better-left-forgotten The Cloverfield Paradox, will be helmed by Under the Shadow and Wounds director Babak Anvari, Deadline reports. Scripted by Joe Barton and produced by J.J. Abrams, of course no details have been unveiled quite yet, but with Anvari’s genre skills, expect this one to pack some terror and thrills.
Senna and...
- 9/24/2022
- by Jordan Raup
- The Film Stage
Back in May, Moonage Daydream – the hypnotic, experimental documentary abstraction that encapsulates David Bowie’s life, art, and philosophy – blew the top off of an already buzzing Cannes Film Festival. Brett Morgen, the film’s veteran director, writer, editor, and producer, has made a career out of expressive, atypical documentaries, like The Kid Stays in the Picture and Cobain: Montage of Heck.
A student of Brechtian philosophy, he is a searcher (or debunker) of truth as much as a filmmaker, the former through the latter, the latter simply a medium of choice. And if you know anything about Bowie, you know how wildly and wonderfully subjective truth can be, a perfect challenge for Morgen to capture the infinite artist post-mortem.
On the day of its nationwide IMAX release, I sat down with him to talk Moonage Daydream – style, history, approach, and where it all began.
—
Brett Morgen: It was 2007. I...
A student of Brechtian philosophy, he is a searcher (or debunker) of truth as much as a filmmaker, the former through the latter, the latter simply a medium of choice. And if you know anything about Bowie, you know how wildly and wonderfully subjective truth can be, a perfect challenge for Morgen to capture the infinite artist post-mortem.
On the day of its nationwide IMAX release, I sat down with him to talk Moonage Daydream – style, history, approach, and where it all began.
—
Brett Morgen: It was 2007. I...
- 9/21/2022
- by Luke Hicks
- The Film Stage
Asif Kapadia, the Oscar-winning director of “Amy” and “Senna,” is set to direct a new documentary film called “2073” that will look to the future and the challenges that will face the world 50 years from now.
Inspired by “La Jetée,” the classic, experimental science fiction film from 1962 directed by Chris Marker, Kapadia’s movie is a thriller looking at a dystopian future set in 2073. “La Jetée” was about a time traveler who tries to change history after an apocalyptic and nuclear World War III. The film was constructed entirely of black and white still photos and served as much of the premise for Terry Gilliam’s sci-fi “12 Monkeys.”
“I want to make an epic about the state of the world, using elements of science fiction as a lens through which to examine the huge questions we are facing as a species and hopefully find solutions, before it’s too late,...
Inspired by “La Jetée,” the classic, experimental science fiction film from 1962 directed by Chris Marker, Kapadia’s movie is a thriller looking at a dystopian future set in 2073. “La Jetée” was about a time traveler who tries to change history after an apocalyptic and nuclear World War III. The film was constructed entirely of black and white still photos and served as much of the premise for Terry Gilliam’s sci-fi “12 Monkeys.”
“I want to make an epic about the state of the world, using elements of science fiction as a lens through which to examine the huge questions we are facing as a species and hopefully find solutions, before it’s too late,...
- 9/12/2022
- by Brian Welk
- The Wrap
Neon, Double Agent and the U.K.’s Film4 are partnering on the documentary “2073,” from “Amy” director Asif Kapadia.
A vague description of the film indicates that it will “tackle some of the biggest challenges imperiling our future.” The synopsis continues: “Kapadia’s decision to create a genre-bending thriller set in a dystopian future was inspired by Chris Marker’s iconic 1962 featurette ‘La Jetée’ about a time traveler who risks his life to change the course of history and save the future of humanity.”
The companies will co-finance and executive produce the project with Kapadia and George Chignell producing. Davis Guggenheim, Nicole Stott, and Jonathan Silberberg will act as executive producers for Concordia Studio alongside Riz Ahmed’s Left Handed Films.
Kapadia said: “I want to make an epic about the state of the world, using elements of science fiction as a lens through which to examine the huge questions we...
A vague description of the film indicates that it will “tackle some of the biggest challenges imperiling our future.” The synopsis continues: “Kapadia’s decision to create a genre-bending thriller set in a dystopian future was inspired by Chris Marker’s iconic 1962 featurette ‘La Jetée’ about a time traveler who risks his life to change the course of history and save the future of humanity.”
The companies will co-finance and executive produce the project with Kapadia and George Chignell producing. Davis Guggenheim, Nicole Stott, and Jonathan Silberberg will act as executive producers for Concordia Studio alongside Riz Ahmed’s Left Handed Films.
Kapadia said: “I want to make an epic about the state of the world, using elements of science fiction as a lens through which to examine the huge questions we...
- 9/12/2022
- by Manori Ravindran
- Variety Film + TV
Neon, Double Agent and Film4 are partnering to co-finance and exec produce 2073, a new documentary from Academy Award and BAFTA-winning director Asif Kapadia (Amy).
2073 is billed as a genre-bending thriller set in a dystopian future, which will tackle some of the biggest challenges imperiling our future. The project is inspired by Chris Marker’s iconic 1962 featurette La Jetée — about a time traveler who risks his life to change the course of history and save the future of humanity — which previously served as the basis for Terry Gilliam’s sci-fi pic 12 Monkeys, with Bruce Willis and Brad Pitt.
Kapadia and George Chignell are producing. Davis Guggenheim, Nicole Stott and Jonathan Silberberg will exec produce on behalf of Concordia Studio, alongside Riz Ahmed’s Left Handed Films.
Said Kapadia: “I want to make an epic about the state of the world, using elements of science fiction as a lens through which...
2073 is billed as a genre-bending thriller set in a dystopian future, which will tackle some of the biggest challenges imperiling our future. The project is inspired by Chris Marker’s iconic 1962 featurette La Jetée — about a time traveler who risks his life to change the course of history and save the future of humanity — which previously served as the basis for Terry Gilliam’s sci-fi pic 12 Monkeys, with Bruce Willis and Brad Pitt.
Kapadia and George Chignell are producing. Davis Guggenheim, Nicole Stott and Jonathan Silberberg will exec produce on behalf of Concordia Studio, alongside Riz Ahmed’s Left Handed Films.
Said Kapadia: “I want to make an epic about the state of the world, using elements of science fiction as a lens through which...
- 9/12/2022
- by Matt Grobar
- Deadline Film + TV
Click here to read the full article.
Oscar-winning director Asif Kapadia is set to direct 2073, a documentary thriller set in a dystopian future.
Neon, Double Agent and Film4 will co-finance and executive produce the project. 2073 will tackle challenges the world faces and is inspired by Chris Marker’s iconic 1962 featurette La Jetée, about a time traveler who risks his life to change the course of history and save the future of humanity.
“I want to make an epic about the state of the world, using elements of science fiction as a lens through which to examine the huge questions we are facing as a species and hopefully find solutions, before it’s too late,” said Kapadia in a statement.
Kapadia and George Chignell are producing. Davis Guggenheim, Nicole Stott, and Jonathan Silberberg will share executive producer credits for Concordia Studio, alongside Riz Ahmed’s Left Handed Films.
Kapadia is best known for documentaries like Amy,...
Oscar-winning director Asif Kapadia is set to direct 2073, a documentary thriller set in a dystopian future.
Neon, Double Agent and Film4 will co-finance and executive produce the project. 2073 will tackle challenges the world faces and is inspired by Chris Marker’s iconic 1962 featurette La Jetée, about a time traveler who risks his life to change the course of history and save the future of humanity.
“I want to make an epic about the state of the world, using elements of science fiction as a lens through which to examine the huge questions we are facing as a species and hopefully find solutions, before it’s too late,” said Kapadia in a statement.
Kapadia and George Chignell are producing. Davis Guggenheim, Nicole Stott, and Jonathan Silberberg will share executive producer credits for Concordia Studio, alongside Riz Ahmed’s Left Handed Films.
Kapadia is best known for documentaries like Amy,...
- 9/12/2022
- by Etan Vlessing
- The Hollywood Reporter - Movie News
Concordia Studio and Ahmed’s Left Handed Films on board genre-bending thriller set in dystopian future.
Neon, Double Agent and Film4 are partnering with Asif Kapaida on the upcoming documentary 2073.
The film is described as a “genre-bending thriller set in a dystopian future” that will tackle some of the biggest challenges threatening our future. It is inspired by Chris Marker’s 1962 featurette La Jetée, about a time traveller who risks his life to change the course of history and save the future of humanity.
Double Agent – the joint venture from Black Bear Pictures and New Regency – Neon and Film4 will...
Neon, Double Agent and Film4 are partnering with Asif Kapaida on the upcoming documentary 2073.
The film is described as a “genre-bending thriller set in a dystopian future” that will tackle some of the biggest challenges threatening our future. It is inspired by Chris Marker’s 1962 featurette La Jetée, about a time traveller who risks his life to change the course of history and save the future of humanity.
Double Agent – the joint venture from Black Bear Pictures and New Regency – Neon and Film4 will...
- 9/12/2022
- by Jeremy Kay
- ScreenDaily
The Hong Kong protests have been front and center of the city’s films of recent years, save for one — “We Don’t Dance for Nothing.” This feature started making its rounds with its May premiere, and has recently played online at the 45th Asian American Film Festival. Its origins are just as multinational too – the production took place across the US, Canada, Hong Kong, and the Philippines, all under the eye of first-time Chinese-Greek-American filmmaker Stefanos Tai. He uses the protests as a mere backdrop the city’s 400,000 Filipino domestic workers. While calls for democracy rages on in the streets, domestic workers like the fictional H (Miles Sible) remain locked up at home. A complex emotional compound of endearment and estrangement bubbles up within the home — tempting some domestic workers, like the film’s fictional H (Miles Sible), to ultimately escape.
“We Don’t...
“We Don’t...
- 8/24/2022
- by Grace Han
- AsianMoviePulse
The Hong Kong protests have been front and center of the city’s films of recent years, save for one — “We Don’t Dance for Nothing.” This feature started making its rounds with its May premiere, and has recently played online at the 45th Asian American International Film Festival. Its origins are just as multinational too – the production took place across the US, Canada, Hong Kong, and the Philippines, all under the eye of first-time Chinese-Greek-American filmmaker Stefanos Tai. He uses the protests as a mere backdrop of the city’s 400,000 Filipino domestic workers. While calls for democracy rages on in the streets, domestic workers like the fictional H (Miles Sible) remain locked up at home. A complex emotional compound of endearment and estrangement bubbles up within the home — tempting some domestic workers, including H, to ultimately escape.
“We Don’t Dance for Nothing” played at...
“We Don’t Dance for Nothing” played at...
- 8/24/2022
- by Grace Han
- AsianMoviePulse
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