‘Point of No Return.’
Vincent Monton is understandably chuffed that Australians have the chance to discover – or rediscover – his telemovie Point of No Return 25 years after it premiered on Network 10.
Umbrella Entertainment released a digitally restored version of the drama written and directed by Monton, which starred Marcus Graham and Nikki Coghill, on DVD and VOD this month.
Graham played the dual roles of Grady, a former soldier who is traumatized by his experiences in war and prison, and his murdered brother Kristian.
Grady escapes from custody after attending Kristian’s funeral. Coghill is Kate, the girlfriend of the protagonist who later hooked up with his brother.
The producer, the late Phillip Emanuel, had raised the budget to make a telemovie about a prison break but was not happy with the script so he approached Monton. The offer was to write a screenplay in three weeks, which he could...
Vincent Monton is understandably chuffed that Australians have the chance to discover – or rediscover – his telemovie Point of No Return 25 years after it premiered on Network 10.
Umbrella Entertainment released a digitally restored version of the drama written and directed by Monton, which starred Marcus Graham and Nikki Coghill, on DVD and VOD this month.
Graham played the dual roles of Grady, a former soldier who is traumatized by his experiences in war and prison, and his murdered brother Kristian.
Grady escapes from custody after attending Kristian’s funeral. Coghill is Kate, the girlfriend of the protagonist who later hooked up with his brother.
The producer, the late Phillip Emanuel, had raised the budget to make a telemovie about a prison break but was not happy with the script so he approached Monton. The offer was to write a screenplay in three weeks, which he could...
- 9/10/2020
- by The IF Team
- IF.com.au
The National Film and Sound Archive and the Australian Film Television and Radio School have not escaped unscathed from the federal Budget cuts.
Meanwhile, the lack of transparency in a pending restructure of the Nfsa has been criticised by producers, directors, writers, actors, academics and journalists.
The Nfsa received $27.07 million from the government in the current financial year. That falls to $25.9 million for each of the next two fiscal years. The allocations beyond that are $25.74 million and $26.01 million.
It is not clear how the government.s announcement that $2.4 million will be saved over four years by consolidating the back office functions of a number of Canberra-based collection agencies including the Nfsa, National Gallery of Australia, National Library of Australia and Old Parliament House will affect the Archive.
In April, Nfsa CEO Michael Loebenstein announced a restructuring entailing shedding jobs and reducing its touring program and the number of events at its Arc cinema in Canberra,...
Meanwhile, the lack of transparency in a pending restructure of the Nfsa has been criticised by producers, directors, writers, actors, academics and journalists.
The Nfsa received $27.07 million from the government in the current financial year. That falls to $25.9 million for each of the next two fiscal years. The allocations beyond that are $25.74 million and $26.01 million.
It is not clear how the government.s announcement that $2.4 million will be saved over four years by consolidating the back office functions of a number of Canberra-based collection agencies including the Nfsa, National Gallery of Australia, National Library of Australia and Old Parliament House will affect the Archive.
In April, Nfsa CEO Michael Loebenstein announced a restructuring entailing shedding jobs and reducing its touring program and the number of events at its Arc cinema in Canberra,...
- 5/14/2014
- by Don Groves
- IF.com.au
Now entering its third year, Packed to the Rafters has become the Seven Network’s flagship drama. Its creators told Eleeza Hooker that making a hit TV show might be difficult, but maintaining it over the years is even harder.
The series, about a couple whose adult children come back to live at the family home, has been a hit with audiences, averaging 1.9m viewers in 2008 and 2009 – with a peak of 2.07m for Episode 41, a number surpassed only by Nine’s Underbelly.
The concept was developed by series creator and network script executive Bevan Lee, producer Jo Porter and script producer Anthony Ellis. Together, they’re in charge of keeping the series going.
“It’s a nice problem to have to maintain a hit show. As you keep going through stories, it becomes harder and harder,” said Porter.
According to Porter, Rafters is a valuable property for the network, and...
The series, about a couple whose adult children come back to live at the family home, has been a hit with audiences, averaging 1.9m viewers in 2008 and 2009 – with a peak of 2.07m for Episode 41, a number surpassed only by Nine’s Underbelly.
The concept was developed by series creator and network script executive Bevan Lee, producer Jo Porter and script producer Anthony Ellis. Together, they’re in charge of keeping the series going.
“It’s a nice problem to have to maintain a hit show. As you keep going through stories, it becomes harder and harder,” said Porter.
According to Porter, Rafters is a valuable property for the network, and...
- 8/4/2010
- by Miguel Gonzalez
- Encore Magazine
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