Wes Anderson recommends Warner Bros.’ early Barbara Stanwyck vehicle Baby Face, made in 1933 during pre-Production Code Hollywood, for top viewing as part of the November 2023 Turner Classic Movies lineup in the Asteroid City director’s own TCM Picks video that dropped on Wednesday.
The Hollywood studio made the infamous melodrama from director Alfred E. Green during the height of the Depression and before the official censors got their scissors into studio movies after Hollywood’s attempts at self-censorship, including with the Hays Code, failed to keep critics and the authorities at bay.
“There’s a period there where there’s nobody stopping them. Baby Face follows into that time, very, very strongly. It’s one of the most pre-code, pre-codes I can think of,” Anderson says of the breakout movie for a young Stanwyck.
The legendary Hollywood actress early in her career plays a character aptly named Lily Powers, a...
The Hollywood studio made the infamous melodrama from director Alfred E. Green during the height of the Depression and before the official censors got their scissors into studio movies after Hollywood’s attempts at self-censorship, including with the Hays Code, failed to keep critics and the authorities at bay.
“There’s a period there where there’s nobody stopping them. Baby Face follows into that time, very, very strongly. It’s one of the most pre-code, pre-codes I can think of,” Anderson says of the breakout movie for a young Stanwyck.
The legendary Hollywood actress early in her career plays a character aptly named Lily Powers, a...
- 11/1/2023
- by Etan Vlessing
- The Hollywood Reporter - Movie News
The Wade Williams Collection yields another ’50s sci-fi notable, Monogram Pictures’ ambitious space travel movie filmed in glorious green-challenged Cinecolor. Cameron Mitchell and Arthur Franz sign up for a semi-suicidal space expedition, but instead of murderous Bat-Rat-Spider-Crabs, waiting for them on Mars is the glamorous, mini-skirted Marguerite Chapman. It’s core sci-fi fun from early in the Golden Era. The Film Detective adds a commentary, two new featurettes and an insert booklet; the film itself is lovingly restored to its original Cinecolor brilliance.
Flight to Mars
Blu-ray
The Film Detective
1951 / Color / 1:37 Academy / 72 min. / Street Date July 20, 2021 / Available from The Film Detective / 24.95
Starring: Marguerite Chapman, Cameron Mitchell, Arthur Franz, Virginia Huston, John Litel, Morris Ankrum, Richard Gaines, Lucille Barkley, Robert Barrat, Russ Conway, Edward Earle, Everett Glass.
Cinematography: Harry Neumann
Production Designer: Ted Haworth
Film Editor, Associate Producer: Richard Heermance
Special Effects: Jack Cosgrove, Irving Block, Jack Rabin
Original Music:...
Flight to Mars
Blu-ray
The Film Detective
1951 / Color / 1:37 Academy / 72 min. / Street Date July 20, 2021 / Available from The Film Detective / 24.95
Starring: Marguerite Chapman, Cameron Mitchell, Arthur Franz, Virginia Huston, John Litel, Morris Ankrum, Richard Gaines, Lucille Barkley, Robert Barrat, Russ Conway, Edward Earle, Everett Glass.
Cinematography: Harry Neumann
Production Designer: Ted Haworth
Film Editor, Associate Producer: Richard Heermance
Special Effects: Jack Cosgrove, Irving Block, Jack Rabin
Original Music:...
- 7/17/2021
- by Glenn Erickson
- Trailers from Hell
Randolph Scott fights to let the railroad go through in this old-fashioned rip-snorting action adventure movie, the kind where shooting bad guys means never having to say you're sorry. Jane Wyatt gets top billing but the big burner on this prairie is newcomer Nancy Olson, who puts more sex appeal into her homegrown heroine than all of her later roles combined. Canadian Pacific Blu-ray Kl Studio Classics 1949 / Color /1:37 flat Academy / 95 min. / Street Date August 9, 2016 / available through Kino Lorber / 29.95 Starring Randolph Scott, Jane Wyatt, J. Carrol Nash, Victor Jory, Nancy Olson, Robert Barrat, Walter Sande, Don Haggerty, Grandon Rhodes, John Hamilton, George Chandler, Holmes Herbert, Norman Jewison, Chief Yowlachie. Cinematography Fred Jackman, Jr., Film Editor Philip Martin Art Direction Ernst Fegeé Original Music Dimitri Tiomkin Written by Jack DeWitt, Kenneth Gamet story by Jack DeWitt Produced by Nat Holt Directed by Edwin L. Marin Reviewed by Glenn Erickson All Randolph Scott movies aren't created equal,...
- 9/25/2016
- by Glenn Erickson
- Trailers from Hell
It’s easy to see an anti-feminist “Just look what happens to women who break the rules” underneath what is most obviously simply straight-up salaciousness.
Baby Face is a 1933 Hollywood film from the moment just before the so-called Hays Code, which had been created in 1929 but hadn’t had much in the way of teeth, began to be seriously enforced… and it’s pretty clear that outrage over this movie helped contribute to the push for the Code to claim its power to censor. This movie may represent the pinnacle of cinematic “offenses” that pre-Code films committed that had conservatives and self-appointed morality police up in arms: Baby Face is blatantly, openly about sex in a way that few movies ever are, even today. Even “worse,” it’s about a woman using the power of sex to get ahead in the world.
Whether or not Baby Face was seen in...
Baby Face is a 1933 Hollywood film from the moment just before the so-called Hays Code, which had been created in 1929 but hadn’t had much in the way of teeth, began to be seriously enforced… and it’s pretty clear that outrage over this movie helped contribute to the push for the Code to claim its power to censor. This movie may represent the pinnacle of cinematic “offenses” that pre-Code films committed that had conservatives and self-appointed morality police up in arms: Baby Face is blatantly, openly about sex in a way that few movies ever are, even today. Even “worse,” it’s about a woman using the power of sex to get ahead in the world.
Whether or not Baby Face was seen in...
- 8/8/2016
- by MaryAnn Johanson
- www.flickfilosopher.com
Norma Shearer films Note: This article is being revised and expanded. Please check back later. Turner Classic Movies' Norma Shearer month comes to a close this evening, Nov. 24, '15, with the presentation of the last six films of Shearer's two-decade-plus career. Two of these are remarkably good; one is schizophrenic, a confused mix of high comedy and low drama; while the other three aren't the greatest. Yet all six are worth a look even if only because of Norma Shearer herself – though, really, they all have more to offer than just their top star. Directed by W.S. Van Dyke, the no-expense-spared Marie Antoinette (1938) – $2.9 million, making it one of the most expensive movies ever made up to that time – stars the Canadian-born Queen of MGM as the Austrian-born Queen of France. This was Shearer's first film in two years (following Romeo and Juliet) and her first release following husband Irving G.
- 11/25/2015
- by Andre Soares
- Alt Film Guide
Norma Shearer films Note: This article is being revised and expanded. Please check back later. Turner Classic Movies' Norma Shearer month comes to a close this evening, Nov. 24, '15, with the presentation of the last six films of Shearer's two-decade-plus career. Two of these are remarkably good; one is schizophrenic, a confused mix of high comedy and low drama; while the other three aren't the greatest. Yet all six are worth a look even if only because of Norma Shearer herself – though, really, they all have more to offer than just their top star. Directed by W.S. Van Dyke, the no-expense-spared Marie Antoinette (1938) – $2.9 million, making it one of the most expensive movies ever made up to that time – stars the Canadian-born Queen of MGM as the Austrian-born Queen of France. This was Shearer's first film in two years (following Romeo and Juliet) and her first release following husband Irving G.
- 11/25/2015
- by Andre Soares
- Alt Film Guide
Loretta Young films as TCM celebrates her 102nd birthday (photo: Loretta Young ca. 1935) Loretta Young would have turned 102 years old today. Turner Classic Movies is celebrating the birthday of the Salt Lake City-born, Academy Award-winning actress today, January 6, 2015, with no less than ten Loretta Young films, most of them released by Warner Bros. in the early '30s. Young, who began her film career in a bit part in the 1927 Colleen Moore star vehicle Her Wild Oat, remained a Warners contract player from the late '20s up until 1933. (See also: "Loretta Young Movies.") Now, ten Loretta Young films on one day may sound like a lot, but one should remember that most Warner Bros. -- in fact, most Hollywood -- releases of the late '20s and early '30s were either B Movies or programmers. The latter were relatively short (usually 60 to 75 minutes) feature films starring A (or B+) performers,...
- 1/6/2015
- by Andre Soares
- Alt Film Guide
By Fred Blosser
Many books have been written about Hollywood Westerns. After 45 years, the late William K. Everson’s “A Pictorial History of the Western Film” (The Citadel Press, 1969) remains one of the best: a coffee-table book with substance. Everson appropriately tips his sombrero to John Ford, John Wayne, Henry Hathaway, and Howard Hawks (with measured praise for “Red River”), and his comments on films spanning the history of the genre up to the end of the 1960s, from “The Great Train Robbery” (1903) to “The Wild Bunch” (1969), are incisive and thought-provoking. As a film scholar and preservationist, Everson was particularly knowledgeable about older and often obscure movies from the silent and early sound eras. Three of the classic titles he highlights are worthy of his approval and deserve to be better known than they are.
King Vidor’s “Billy the Kid” (1930) is slow going at times, particularly if you’re...
Many books have been written about Hollywood Westerns. After 45 years, the late William K. Everson’s “A Pictorial History of the Western Film” (The Citadel Press, 1969) remains one of the best: a coffee-table book with substance. Everson appropriately tips his sombrero to John Ford, John Wayne, Henry Hathaway, and Howard Hawks (with measured praise for “Red River”), and his comments on films spanning the history of the genre up to the end of the 1960s, from “The Great Train Robbery” (1903) to “The Wild Bunch” (1969), are incisive and thought-provoking. As a film scholar and preservationist, Everson was particularly knowledgeable about older and often obscure movies from the silent and early sound eras. Three of the classic titles he highlights are worthy of his approval and deserve to be better known than they are.
King Vidor’s “Billy the Kid” (1930) is slow going at times, particularly if you’re...
- 9/13/2014
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.