Italian auteur Marco Tullio Giordana, best known internationally for sweeping terrorism-themed epic “The Best of Youth” (2003) is set to soon return behind the camera on “La Vita Accanto” a psychological drama about a talented young woman contending with profound rejection due to her looks.
Shooting is set to start on June 5 in Vicenza, Northern Italy, on “Vita Accanto,” (the title can be translated as “the life beside”) which is co-written and produced by Marco Bellocchio – the Italian master who is currently competing for a Cannes Palm d’Or with “Kidnapped.”
Italy’s Intramovies has started launching pre-sales on “Vita Accanto” in Cannes.
Giordana’s new project is based on an eponymous prizewinning novel by Italian writer Mariapia Veladiano about a girl named Rebecca who from the very moment of birth becomes ostracized by her family and the world around her “because she does not conform to aesthetic canons [of beauty],” Giordana told Variety.
Shooting is set to start on June 5 in Vicenza, Northern Italy, on “Vita Accanto,” (the title can be translated as “the life beside”) which is co-written and produced by Marco Bellocchio – the Italian master who is currently competing for a Cannes Palm d’Or with “Kidnapped.”
Italy’s Intramovies has started launching pre-sales on “Vita Accanto” in Cannes.
Giordana’s new project is based on an eponymous prizewinning novel by Italian writer Mariapia Veladiano about a girl named Rebecca who from the very moment of birth becomes ostracized by her family and the world around her “because she does not conform to aesthetic canons [of beauty],” Giordana told Variety.
- 5/25/2023
- by Nick Vivarelli
- Variety Film + TV
Unhappy Together: Bertolucci’s Muted Return to the Director’s Seat
Seemingly against the odds, wheelchair bound Bernardo Bertolucci arrives with his first directorial effort, Me and You, in a decade, his last being the controversial 2003 film, The Dreamers. Also of note, it’s the first Italian language film Bertolucci’s made in thirty years, adding additional significance to this late work from the master provocateur. Yet, as arresting as its visuals are, paired with an odd mix of youthful soundtrack selections, the film never elevates beyond a sometimes ungainly and trifling exploration of themes and relationships exhibited more daringly and memorably in other works. Creative child artists recovering from years of drug abuse and the specter of incest amongst families of the privileged class promise a thickening soup, yet never congeal into anything more than a basic broth of domestic bonds.
Lorenzo (Jacopo Olmo Antinori) is an introverted 14 year...
Seemingly against the odds, wheelchair bound Bernardo Bertolucci arrives with his first directorial effort, Me and You, in a decade, his last being the controversial 2003 film, The Dreamers. Also of note, it’s the first Italian language film Bertolucci’s made in thirty years, adding additional significance to this late work from the master provocateur. Yet, as arresting as its visuals are, paired with an odd mix of youthful soundtrack selections, the film never elevates beyond a sometimes ungainly and trifling exploration of themes and relationships exhibited more daringly and memorably in other works. Creative child artists recovering from years of drug abuse and the specter of incest amongst families of the privileged class promise a thickening soup, yet never congeal into anything more than a basic broth of domestic bonds.
Lorenzo (Jacopo Olmo Antinori) is an introverted 14 year...
- 7/2/2014
- by Nicholas Bell
- IONCINEMA.com
Title: Me & You (Io e Te) Director: Bernardo Bertolucci Starring: Jacopo Olmo Antinori, Tea Falco, Sonia Bergamasco, Veronica Lazar, Tommaso Ragno, Pippo Delbono. When it comes to Bernardo Bertolucci, undoubtably the expectations are very high: he shocked with ‘Last Tango In Paris,’ enchanted with ‘The Last Emperor’ and had a great come back with ‘The Dreamers’ in 2003. Now the Italian Maestro returns with a story on borderline siblings. Lorenzo (Jacopo Olmo Antinori), a quirky 14-year-old loner who has difficult relationships with his parents and peers, decides to take a break from it all by hiding in his building’s neglected basement, when everyone thinks he’s skiing with his classmates [ Read More ]
The post Me & You (Io e Te) Movie Review appeared first on Shockya.com.
The post Me & You (Io e Te) Movie Review appeared first on Shockya.com.
- 6/25/2014
- by Chiara Spagnoli Gabardi
- ShockYa
Rebellion | Promised Land | Evil Dead | Olympus Has Fallen | Love Is All You Need | Me And You | F*ck For Forest | Bait | The Words
Rebellion (15)
(Mathieu Kassovitz, 2011, Fra) Mathieu Kassovitz, Iabe Lapacas, Malik Zidi. 135 mins
Working with a real-life 1980s incident in New Caledonia (not dissimilar to a French Falklands), Kassovitz crafts a thoughtful thriller with no heroes, only good intentions compromised by colonialist mistrust and distant politics. His negotiator is set between a hair-triggered French military and separatist rebels, but with an election back home, not everyone wants a peaceful outcome.
Promised Land (15)
(Gus Van Sant, 2012, Us/UAE) Matt Damon, John Krasinski, Frances McDormand. 107 mins
With fracking as the central concern, this finds it hard to avoid being an "issue movie", but there's some human drama to it. Damon's gas agent comes to an archetypal small town with a buyout in mind, but the locals and their country ways get to him.
Rebellion (15)
(Mathieu Kassovitz, 2011, Fra) Mathieu Kassovitz, Iabe Lapacas, Malik Zidi. 135 mins
Working with a real-life 1980s incident in New Caledonia (not dissimilar to a French Falklands), Kassovitz crafts a thoughtful thriller with no heroes, only good intentions compromised by colonialist mistrust and distant politics. His negotiator is set between a hair-triggered French military and separatist rebels, but with an election back home, not everyone wants a peaceful outcome.
Promised Land (15)
(Gus Van Sant, 2012, Us/UAE) Matt Damon, John Krasinski, Frances McDormand. 107 mins
With fracking as the central concern, this finds it hard to avoid being an "issue movie", but there's some human drama to it. Damon's gas agent comes to an archetypal small town with a buyout in mind, but the locals and their country ways get to him.
- 4/20/2013
- by Steve Rose
- The Guardian - Film News
Bernardo Bertolucci‘s latest, Me and You, is the director’s first Italian language film for 30 years, seeking to show that the Italian has never lost touch with his ability to translate adolescent concerns on screen after an enforced absence from the industry, and while the film is tonally quite impressive, it lacks engagement and feels like little more than an over-stretched short story concept, imbued with the kind of self-importance that dilutes any kind of enduring message. The spartan, surprisingly high-concept story focuses on Lorenzo (Jacopo Olmo Antinori), a troubled 14-year-old who lives on the outskirts of his school’s social cliques and prefers his own company, who spends a week living hidden in the basement of his home, having told his concerned mother (Sonia Bergamasco) that he is going on a school skiing trip. His holiday away from the horrors of normal life is spoiled somewhat when his half-sister Olivia (Tea Falco) turns up out...
- 5/27/2012
- by Simon Gallagher
- FilmSchoolRejects.com
Bernardo Bertolucci shows Cannes he's still a force to be reckoned with via this slight but intimate and charged two-hander
The spirit of the new wave is revived (albeit in apolitical form) by the 72-year-old Bernardo Bertolucci in his new film, a slight but engaging two-hander showing out of competition in Cannes. It's an intimate, disorientating and highly charged encounter between a young man and an older woman, who find themselves having to share a cramped basement flat which they cannot leave for one week. There are resonances with the director's The Dreamers, his adaptation of Gilbert Adair's novel, and perhaps even with Last Tango In Paris.
Lorenzo, played by Jacopo Olmo Antinori, is a disturbed 14-year-old boy who hates school, and whose mother Arianna (Sonia Bergamasco) sends him to a psychotherapist. Mother and son lunch together at restaurants, where Lorenzo speculates, inappropriately, as to whether other people there think they are a couple,...
The spirit of the new wave is revived (albeit in apolitical form) by the 72-year-old Bernardo Bertolucci in his new film, a slight but engaging two-hander showing out of competition in Cannes. It's an intimate, disorientating and highly charged encounter between a young man and an older woman, who find themselves having to share a cramped basement flat which they cannot leave for one week. There are resonances with the director's The Dreamers, his adaptation of Gilbert Adair's novel, and perhaps even with Last Tango In Paris.
Lorenzo, played by Jacopo Olmo Antinori, is a disturbed 14-year-old boy who hates school, and whose mother Arianna (Sonia Bergamasco) sends him to a psychotherapist. Mother and son lunch together at restaurants, where Lorenzo speculates, inappropriately, as to whether other people there think they are a couple,...
- 5/22/2012
- by Peter Bradshaw
- The Guardian - Film News
Toronto International Film Festival
Spanning four decades in late 20th century Italy, Marco Tullio Giordana's "The Best of Youth" (La Meglio Gioventu) focuses on the intimate lives of two brothers who take divergent paths, as well as those of friends, lovers and children whose ideals are challenged by events and tragedies in their lives.
Sandro Petraglia and Stefano Rulli approach their screenplay in a novelistic manner, using a six-hour-plus running time to layer in the details of these lives. This recent Miramax acquisition was originally filmed for Italian television, which explains the length of a movie presented theatrically in two parts. The film proved a major theatrical hit in Italy, but its length limits North American boxoffice to dedicated cineastes and festivalgoers. They will be amply rewarded.
The film begins in 1966, the year of the flood in Florence that brought out legions of young people determined to save that city's heritage of art and literature. It ends in the present day, which contains the film's only hint of magic realism. These years encompass the political upheaval of 1968 in Western Europe, where young people felt they could change the world
the tragedy of terrorism in the 1970s
the ups and downs of the economy
the Falcone assassination in 1992
and diversion of many characters' energies into family life and coming to terms with feelings of alienation and regret.
Of the brothers we meet in 1966, Matteo (Alessio Boni) is the more withdrawn and sullen, a man sensitive to the wrongs of society but one prone to fits of temper and frustration when things don't go his way. Nicola Luigi Lo Cascio) is more open and loving, at ease with women but reserved, engaged with the world and a seeker of love.
At a job in a mental hospital, Matteo meets Giorgia (Jasmine Trinca), a severely disturbed young woman who is being given electroshock therapy, the barbarity of which outrages him. When he, his brother and two pals take off on a summer trip to Norway, Matteo kidnaps Giorgia with the vague idea of rescuing her and returning her to her family. Only the family doesn't want her, and police pick her up at a train station.
Discouraged, Matteo abandons Nicola to return to Rome and impulsively joins the army rather than continuing with his studies. Nicola makes his way to Norway, where, out of money, he takes work in a lumber mill. He returns home to help in the flood in Florence, where he meets Giulia (Sonia Bergamasco), a free-spirited woman who becomes his lover and mother of his child, Sara.
Perhaps inspired by his encounter with Giorgia, Nicola pursues a career in psychiatry in Turin. Meanwhile, Matteo's career in the army and police -- jobs he seeks because they have "rules" -- is often jeopardized by a rebellious streak and violent behavior.
While on duty in Sicily in the late '70s, Matteo meets Mirella (Maya Sansa), a young photographer he will later encounter in Rome. They have a brief affair before tragedy overtakes Matteo. Meanwhile, Giulia becomes increasingly radicalized and deserts Nicola and Sara to enter the shadowy world of terrorism. Eventually, Nicola is faced with the decision of whether to aid police in capturing his ex-lover before she kills someone.
Perhaps the strongest influence here is Francois Truffaut in his early "Jules et Jim" period. For Giordana is less interested in social and political history than in how people fall in and out of love, how families operate and the role friendships play in the characters' lives. Giordana moves beyond psychology, viewing characters' behavior without trying to fully understand or explain them.
Lo Cascio and Boni inhabit their roles with keen intellectual and emotional vigor. Bergamasco and Sansa deliver sensitive portraits of conflicted women who struggle to bridge the gap between personal desires and responsibilities to others.
Production designer Franco Ceraolo and cinematographer Roberto Forza, shooting in Super 16mm, ably convey the changing landscape of Italy. The film's soundtrack consists in large measure of terrific pop songs from different eras.
THE BEST OF YOUTH
Miramax Films
Rai Radiotelevisione Italiana presents a Rai Fiction production
Credits:
Director: Marco Tullio Giordana
Screenwriters: Sandro Petraglia, Stefano Rulli
Producer: Angelo Barbagallo
Director of photography: Roberto Forza
Production designer: Franco Ceraolo
Costume designer: Elisabetta Montaldo
Editor: Roberto Missiroli
Cast:
Nicola: Luigi Lo Cascio
Matteo: Alessio Boni
Giulia: Sonia Bergamasco
Carlo: Fabrizio
Mirella: Maya Sansa
Francesca: Valentina Carnelutti
Giorgia: Jasmine Trinca
Angelo: Andrea Tidona
Running time -- 373 minutes
No MPAA rating...
Spanning four decades in late 20th century Italy, Marco Tullio Giordana's "The Best of Youth" (La Meglio Gioventu) focuses on the intimate lives of two brothers who take divergent paths, as well as those of friends, lovers and children whose ideals are challenged by events and tragedies in their lives.
Sandro Petraglia and Stefano Rulli approach their screenplay in a novelistic manner, using a six-hour-plus running time to layer in the details of these lives. This recent Miramax acquisition was originally filmed for Italian television, which explains the length of a movie presented theatrically in two parts. The film proved a major theatrical hit in Italy, but its length limits North American boxoffice to dedicated cineastes and festivalgoers. They will be amply rewarded.
The film begins in 1966, the year of the flood in Florence that brought out legions of young people determined to save that city's heritage of art and literature. It ends in the present day, which contains the film's only hint of magic realism. These years encompass the political upheaval of 1968 in Western Europe, where young people felt they could change the world
the tragedy of terrorism in the 1970s
the ups and downs of the economy
the Falcone assassination in 1992
and diversion of many characters' energies into family life and coming to terms with feelings of alienation and regret.
Of the brothers we meet in 1966, Matteo (Alessio Boni) is the more withdrawn and sullen, a man sensitive to the wrongs of society but one prone to fits of temper and frustration when things don't go his way. Nicola Luigi Lo Cascio) is more open and loving, at ease with women but reserved, engaged with the world and a seeker of love.
At a job in a mental hospital, Matteo meets Giorgia (Jasmine Trinca), a severely disturbed young woman who is being given electroshock therapy, the barbarity of which outrages him. When he, his brother and two pals take off on a summer trip to Norway, Matteo kidnaps Giorgia with the vague idea of rescuing her and returning her to her family. Only the family doesn't want her, and police pick her up at a train station.
Discouraged, Matteo abandons Nicola to return to Rome and impulsively joins the army rather than continuing with his studies. Nicola makes his way to Norway, where, out of money, he takes work in a lumber mill. He returns home to help in the flood in Florence, where he meets Giulia (Sonia Bergamasco), a free-spirited woman who becomes his lover and mother of his child, Sara.
Perhaps inspired by his encounter with Giorgia, Nicola pursues a career in psychiatry in Turin. Meanwhile, Matteo's career in the army and police -- jobs he seeks because they have "rules" -- is often jeopardized by a rebellious streak and violent behavior.
While on duty in Sicily in the late '70s, Matteo meets Mirella (Maya Sansa), a young photographer he will later encounter in Rome. They have a brief affair before tragedy overtakes Matteo. Meanwhile, Giulia becomes increasingly radicalized and deserts Nicola and Sara to enter the shadowy world of terrorism. Eventually, Nicola is faced with the decision of whether to aid police in capturing his ex-lover before she kills someone.
Perhaps the strongest influence here is Francois Truffaut in his early "Jules et Jim" period. For Giordana is less interested in social and political history than in how people fall in and out of love, how families operate and the role friendships play in the characters' lives. Giordana moves beyond psychology, viewing characters' behavior without trying to fully understand or explain them.
Lo Cascio and Boni inhabit their roles with keen intellectual and emotional vigor. Bergamasco and Sansa deliver sensitive portraits of conflicted women who struggle to bridge the gap between personal desires and responsibilities to others.
Production designer Franco Ceraolo and cinematographer Roberto Forza, shooting in Super 16mm, ably convey the changing landscape of Italy. The film's soundtrack consists in large measure of terrific pop songs from different eras.
THE BEST OF YOUTH
Miramax Films
Rai Radiotelevisione Italiana presents a Rai Fiction production
Credits:
Director: Marco Tullio Giordana
Screenwriters: Sandro Petraglia, Stefano Rulli
Producer: Angelo Barbagallo
Director of photography: Roberto Forza
Production designer: Franco Ceraolo
Costume designer: Elisabetta Montaldo
Editor: Roberto Missiroli
Cast:
Nicola: Luigi Lo Cascio
Matteo: Alessio Boni
Giulia: Sonia Bergamasco
Carlo: Fabrizio
Mirella: Maya Sansa
Francesca: Valentina Carnelutti
Giorgia: Jasmine Trinca
Angelo: Andrea Tidona
Running time -- 373 minutes
No MPAA rating...
Toronto International Film Festival
Spanning four decades in late 20th century Italy, Marco Tullio Giordana's "The Best of Youth" (La Meglio Gioventu) focuses on the intimate lives of two brothers who take divergent paths, as well as those of friends, lovers and children whose ideals are challenged by events and tragedies in their lives.
Sandro Petraglia and Stefano Rulli approach their screenplay in a novelistic manner, using a six-hour-plus running time to layer in the details of these lives. This recent Miramax acquisition was originally filmed for Italian television, which explains the length of a movie presented theatrically in two parts. The film proved a major theatrical hit in Italy, but its length limits North American boxoffice to dedicated cineastes and festivalgoers. They will be amply rewarded.
The film begins in 1966, the year of the flood in Florence that brought out legions of young people determined to save that city's heritage of art and literature. It ends in the present day, which contains the film's only hint of magic realism. These years encompass the political upheaval of 1968 in Western Europe, where young people felt they could change the world
the tragedy of terrorism in the 1970s
the ups and downs of the economy
the Falcone assassination in 1992
and diversion of many characters' energies into family life and coming to terms with feelings of alienation and regret.
Of the brothers we meet in 1966, Matteo (Alessio Boni) is the more withdrawn and sullen, a man sensitive to the wrongs of society but one prone to fits of temper and frustration when things don't go his way. Nicola Luigi Lo Cascio) is more open and loving, at ease with women but reserved, engaged with the world and a seeker of love.
At a job in a mental hospital, Matteo meets Giorgia (Jasmine Trinca), a severely disturbed young woman who is being given electroshock therapy, the barbarity of which outrages him. When he, his brother and two pals take off on a summer trip to Norway, Matteo kidnaps Giorgia with the vague idea of rescuing her and returning her to her family. Only the family doesn't want her, and police pick her up at a train station.
Discouraged, Matteo abandons Nicola to return to Rome and impulsively joins the army rather than continuing with his studies. Nicola makes his way to Norway, where, out of money, he takes work in a lumber mill. He returns home to help in the flood in Florence, where he meets Giulia (Sonia Bergamasco), a free-spirited woman who becomes his lover and mother of his child, Sara.
Perhaps inspired by his encounter with Giorgia, Nicola pursues a career in psychiatry in Turin. Meanwhile, Matteo's career in the army and police -- jobs he seeks because they have "rules" -- is often jeopardized by a rebellious streak and violent behavior.
While on duty in Sicily in the late '70s, Matteo meets Mirella (Maya Sansa), a young photographer he will later encounter in Rome. They have a brief affair before tragedy overtakes Matteo. Meanwhile, Giulia becomes increasingly radicalized and deserts Nicola and Sara to enter the shadowy world of terrorism. Eventually, Nicola is faced with the decision of whether to aid police in capturing his ex-lover before she kills someone.
Perhaps the strongest influence here is Francois Truffaut in his early "Jules et Jim" period. For Giordana is less interested in social and political history than in how people fall in and out of love, how families operate and the role friendships play in the characters' lives. Giordana moves beyond psychology, viewing characters' behavior without trying to fully understand or explain them.
Lo Cascio and Boni inhabit their roles with keen intellectual and emotional vigor. Bergamasco and Sansa deliver sensitive portraits of conflicted women who struggle to bridge the gap between personal desires and responsibilities to others.
Production designer Franco Ceraolo and cinematographer Roberto Forza, shooting in Super 16mm, ably convey the changing landscape of Italy. The film's soundtrack consists in large measure of terrific pop songs from different eras.
THE BEST OF YOUTH
Miramax Films
Rai Radiotelevisione Italiana presents a Rai Fiction production
Credits:
Director: Marco Tullio Giordana
Screenwriters: Sandro Petraglia, Stefano Rulli
Producer: Angelo Barbagallo
Director of photography: Roberto Forza
Production designer: Franco Ceraolo
Costume designer: Elisabetta Montaldo
Editor: Roberto Missiroli
Cast:
Nicola: Luigi Lo Cascio
Matteo: Alessio Boni
Giulia: Sonia Bergamasco
Carlo: Fabrizio
Mirella: Maya Sansa
Francesca: Valentina Carnelutti
Giorgia: Jasmine Trinca
Angelo: Andrea Tidona
Running time -- 373 minutes
No MPAA rating...
Spanning four decades in late 20th century Italy, Marco Tullio Giordana's "The Best of Youth" (La Meglio Gioventu) focuses on the intimate lives of two brothers who take divergent paths, as well as those of friends, lovers and children whose ideals are challenged by events and tragedies in their lives.
Sandro Petraglia and Stefano Rulli approach their screenplay in a novelistic manner, using a six-hour-plus running time to layer in the details of these lives. This recent Miramax acquisition was originally filmed for Italian television, which explains the length of a movie presented theatrically in two parts. The film proved a major theatrical hit in Italy, but its length limits North American boxoffice to dedicated cineastes and festivalgoers. They will be amply rewarded.
The film begins in 1966, the year of the flood in Florence that brought out legions of young people determined to save that city's heritage of art and literature. It ends in the present day, which contains the film's only hint of magic realism. These years encompass the political upheaval of 1968 in Western Europe, where young people felt they could change the world
the tragedy of terrorism in the 1970s
the ups and downs of the economy
the Falcone assassination in 1992
and diversion of many characters' energies into family life and coming to terms with feelings of alienation and regret.
Of the brothers we meet in 1966, Matteo (Alessio Boni) is the more withdrawn and sullen, a man sensitive to the wrongs of society but one prone to fits of temper and frustration when things don't go his way. Nicola Luigi Lo Cascio) is more open and loving, at ease with women but reserved, engaged with the world and a seeker of love.
At a job in a mental hospital, Matteo meets Giorgia (Jasmine Trinca), a severely disturbed young woman who is being given electroshock therapy, the barbarity of which outrages him. When he, his brother and two pals take off on a summer trip to Norway, Matteo kidnaps Giorgia with the vague idea of rescuing her and returning her to her family. Only the family doesn't want her, and police pick her up at a train station.
Discouraged, Matteo abandons Nicola to return to Rome and impulsively joins the army rather than continuing with his studies. Nicola makes his way to Norway, where, out of money, he takes work in a lumber mill. He returns home to help in the flood in Florence, where he meets Giulia (Sonia Bergamasco), a free-spirited woman who becomes his lover and mother of his child, Sara.
Perhaps inspired by his encounter with Giorgia, Nicola pursues a career in psychiatry in Turin. Meanwhile, Matteo's career in the army and police -- jobs he seeks because they have "rules" -- is often jeopardized by a rebellious streak and violent behavior.
While on duty in Sicily in the late '70s, Matteo meets Mirella (Maya Sansa), a young photographer he will later encounter in Rome. They have a brief affair before tragedy overtakes Matteo. Meanwhile, Giulia becomes increasingly radicalized and deserts Nicola and Sara to enter the shadowy world of terrorism. Eventually, Nicola is faced with the decision of whether to aid police in capturing his ex-lover before she kills someone.
Perhaps the strongest influence here is Francois Truffaut in his early "Jules et Jim" period. For Giordana is less interested in social and political history than in how people fall in and out of love, how families operate and the role friendships play in the characters' lives. Giordana moves beyond psychology, viewing characters' behavior without trying to fully understand or explain them.
Lo Cascio and Boni inhabit their roles with keen intellectual and emotional vigor. Bergamasco and Sansa deliver sensitive portraits of conflicted women who struggle to bridge the gap between personal desires and responsibilities to others.
Production designer Franco Ceraolo and cinematographer Roberto Forza, shooting in Super 16mm, ably convey the changing landscape of Italy. The film's soundtrack consists in large measure of terrific pop songs from different eras.
THE BEST OF YOUTH
Miramax Films
Rai Radiotelevisione Italiana presents a Rai Fiction production
Credits:
Director: Marco Tullio Giordana
Screenwriters: Sandro Petraglia, Stefano Rulli
Producer: Angelo Barbagallo
Director of photography: Roberto Forza
Production designer: Franco Ceraolo
Costume designer: Elisabetta Montaldo
Editor: Roberto Missiroli
Cast:
Nicola: Luigi Lo Cascio
Matteo: Alessio Boni
Giulia: Sonia Bergamasco
Carlo: Fabrizio
Mirella: Maya Sansa
Francesca: Valentina Carnelutti
Giorgia: Jasmine Trinca
Angelo: Andrea Tidona
Running time -- 373 minutes
No MPAA rating...
- 9/18/2003
- The Hollywood Reporter - Movie News
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.