Marc Turtletaub (with producer Wren Arthur) on Catholicism in Puzzle and an Alfonso Cuarón film: "I want it to be in the background, much like when you watch Y Tu Mamá También." Photo: Anne-Katrin Titze
Puzzle, co-written by Oren Moverman and Polly Mann, stars Kelly Macdonald (Joe Wright's Anna Karenina), Irrfan Khan (Ang Lee's Life Of Pi), and David Denman with Bubba Weiler, Austin Abrams, and Liv Hewson. Based on an Argentinian film, Natalia Smirnoff's Rompecabezas, starring María Onetto (Damián Szifron's Wild Tales), first-time director and long-time producer Marc Turtletaub, sets up his protagonist's life with an elegant and surprising opening sequence that makes us understand in a flash the dynamics between Agnes (Kelly Macdonald) and her nearest and dearest and propels us into the personal riddles to be explored.
Puzzle co-screenwriter Oren Moverman with his The Dinner and Time Out of Mind star Richard Gere Photo:...
Puzzle, co-written by Oren Moverman and Polly Mann, stars Kelly Macdonald (Joe Wright's Anna Karenina), Irrfan Khan (Ang Lee's Life Of Pi), and David Denman with Bubba Weiler, Austin Abrams, and Liv Hewson. Based on an Argentinian film, Natalia Smirnoff's Rompecabezas, starring María Onetto (Damián Szifron's Wild Tales), first-time director and long-time producer Marc Turtletaub, sets up his protagonist's life with an elegant and surprising opening sequence that makes us understand in a flash the dynamics between Agnes (Kelly Macdonald) and her nearest and dearest and propels us into the personal riddles to be explored.
Puzzle co-screenwriter Oren Moverman with his The Dinner and Time Out of Mind star Richard Gere Photo:...
- 7/24/2018
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Every week, IndieWire asks a select handful of TV critics two questions and publishes the results on Tuesday. (The answer to the second, “What is the best show currently on TV?” can be found at the end of this post.)
This week’s question: What is one of the best shows of the year that you think will be snubbed/overlooked when it comes to the Top 10 Best-of lists for 2016?
Ben Travers (@BenTTravers), IndieWire
As much as I’d like to point to an early year entry like “Bloodline” Season 2 (far better than Season 1, thanks to the improved structure) or “The Path” (Hulu’s most complete offering to date), I’m going to make the case for “Divorce.” I feel the HBO drama — “black comedy” could fit, too, but the show’s highest merits lie within its emotional substance — may be overlooked simply because too many critics (and viewers) find it hard to return to,...
This week’s question: What is one of the best shows of the year that you think will be snubbed/overlooked when it comes to the Top 10 Best-of lists for 2016?
Ben Travers (@BenTTravers), IndieWire
As much as I’d like to point to an early year entry like “Bloodline” Season 2 (far better than Season 1, thanks to the improved structure) or “The Path” (Hulu’s most complete offering to date), I’m going to make the case for “Divorce.” I feel the HBO drama — “black comedy” could fit, too, but the show’s highest merits lie within its emotional substance — may be overlooked simply because too many critics (and viewers) find it hard to return to,...
- 11/29/2016
- by Hanh Nguyen
- Indiewire
By Terence Johnson
Managing Editor
Not all of the films at the Sundance Film Festival can be winners. God’s Pocket, the feature film directorial debut of Mad Men‘s John Slattery, is a mildly competent film that outside of a few visual gags and famous actors, doesn’t manage to do anything of note or really impresses at any turn.
God’s Pocket is a movie about a blue-collar town filled with crazy characters whose lives can’t help but intersect after Leon Scarpato (Caleb Landry Jones) is killed in a construction “accident.” Mickey (Phillip Seymour Hoffman) just wants to bury his son, but financial troubles and his wife’s (Christina Hendricks) insistence that the death wasn’t an accident force him to address much of his circumstance and deal with his crumbling life. In addition to this, he has to deal with a friend (John Turturro) who has...
Managing Editor
Not all of the films at the Sundance Film Festival can be winners. God’s Pocket, the feature film directorial debut of Mad Men‘s John Slattery, is a mildly competent film that outside of a few visual gags and famous actors, doesn’t manage to do anything of note or really impresses at any turn.
God’s Pocket is a movie about a blue-collar town filled with crazy characters whose lives can’t help but intersect after Leon Scarpato (Caleb Landry Jones) is killed in a construction “accident.” Mickey (Phillip Seymour Hoffman) just wants to bury his son, but financial troubles and his wife’s (Christina Hendricks) insistence that the death wasn’t an accident force him to address much of his circumstance and deal with his crumbling life. In addition to this, he has to deal with a friend (John Turturro) who has...
- 1/18/2014
- by Terence Johnson
- Scott Feinberg
By Matt Singer
"I wanted to do something completely original and different that I hadn't seen before," said Carlos Brooks of his feature directorial debut. Though grounded in the traditions of detective fiction and film noir, Brooks' "Quid Pro Quo" is indeed something wholly its own; a film that lives inside those genres' boundaries while carving its own unique place outside them. In the film, Nick Stahl plays Isaac, a paraplegic public radio host who gets an anonymous tip about a guy who tried to bribe a doctor into amputating his leg. Researching the story introduces him to an underground (and evidently authentic) community of "wannabes" who desperately wish to be paralyzed, and to a mysterious blonde named Fiona (Vera Farmiga).
Before the thriller elements begin to congeal, "Quid Pro Quo" is particularly appealing in its detailed view of Isaac's day-to-day existence; the way in which, for instance, he can't...
"I wanted to do something completely original and different that I hadn't seen before," said Carlos Brooks of his feature directorial debut. Though grounded in the traditions of detective fiction and film noir, Brooks' "Quid Pro Quo" is indeed something wholly its own; a film that lives inside those genres' boundaries while carving its own unique place outside them. In the film, Nick Stahl plays Isaac, a paraplegic public radio host who gets an anonymous tip about a guy who tried to bribe a doctor into amputating his leg. Researching the story introduces him to an underground (and evidently authentic) community of "wannabes" who desperately wish to be paralyzed, and to a mysterious blonde named Fiona (Vera Farmiga).
Before the thriller elements begin to congeal, "Quid Pro Quo" is particularly appealing in its detailed view of Isaac's day-to-day existence; the way in which, for instance, he can't...
- 6/13/2008
- by Matt Singer
- ifc.com
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