Gabe Hilfer is now a two-time Emmy nominee in the relatively new category of Best Music Supervision, earning his first last year for Netflix’s “Ozark” and his second this year for HBO’s “The White Lotus.” “I’m super humbled and flattered to be nominated for two totally different projects,” Hilfer tells me. “Literally it could not have been more different episodes to be nominated for.” Watch the exclusive video interview above.
“A lot of the source music, the license music, the on-camera performances — all of that stuff is really what this category is about,” Hilfer explains about Best Music Supervision, which was first handed out at the 2017 Emmys. He adds that a music supervisor works on a project “from the script level and figures out how to get the showrunner’s vision up on the screen through songs, through performances, through pre-records, and all of what goes into that.
“A lot of the source music, the license music, the on-camera performances — all of that stuff is really what this category is about,” Hilfer explains about Best Music Supervision, which was first handed out at the 2017 Emmys. He adds that a music supervisor works on a project “from the script level and figures out how to get the showrunner’s vision up on the screen through songs, through performances, through pre-records, and all of what goes into that.
- 8/2/2023
- by Marcus James Dixon
- Gold Derby
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