Chilean editor-turned-filmmaker Diego Figueroa (“Los Vecinos”) is set to unveil his debut feature “Patio de Chacales”(“A Yard Of Jackals”) at Sanfic Industria’s prestige Works In Progress strand, offering a suspense-addled mindbender that pivots and retreats through the depths of its protagonists’ minds as atrocities unfurl close-to-home.
Produced by Alejandro Ugarte at Santiago-based Infractor, which co-produced the Juan Cáceres Malaga-winning title “Perro Bomba” alongside Chile’s Pejeperro Films and France’s Promenades Films, “Patio de Chacales” toys with the medium to present a singular take on clandestine crime networks.
“When Diego contacted me and proposed this subject, I found it very interesting. It’s a common and recursive theme in Chilean cinematography, but his point of view was fresh, interesting, something different from what was being done,” Ugarte told Variety. “To deal with these themes from this genre with an auteur’s vision, it’s very engaging, I think...
Produced by Alejandro Ugarte at Santiago-based Infractor, which co-produced the Juan Cáceres Malaga-winning title “Perro Bomba” alongside Chile’s Pejeperro Films and France’s Promenades Films, “Patio de Chacales” toys with the medium to present a singular take on clandestine crime networks.
“When Diego contacted me and proposed this subject, I found it very interesting. It’s a common and recursive theme in Chilean cinematography, but his point of view was fresh, interesting, something different from what was being done,” Ugarte told Variety. “To deal with these themes from this genre with an auteur’s vision, it’s very engaging, I think...
- 8/18/2023
- by Holly Jones
- Variety Film + TV
Tenerife-based Bendita Film Sales, headed by Luis Renart, has acquired Matías Bize’s “The Punishment,”, ahead of its international premiere at the Tallinn Black Nights Film Festival this Saturday.
Produced by Ceneca Producciones and Leyenda Films, it is the second film to see the light in 2022 for the multi-prized director of “In the Bed,” “The Life of Fish,” and “The Memory of Water,” having won at Malaga with lockdown inspired “Private Messages.” Bendita’s buy signifies confidence in this latest title, which heads to Ventana Sur for its market premiere on Dec 1.
In the film, a couple’s seven year old son is missing, having been left momentarily by the side of the road as punishment. Set in a forest and played out in real time, the boy’s parents search for him. Helmer Matias Bize dissects the subtle shifts in the couple’s reactions to this crisis as questions...
Produced by Ceneca Producciones and Leyenda Films, it is the second film to see the light in 2022 for the multi-prized director of “In the Bed,” “The Life of Fish,” and “The Memory of Water,” having won at Malaga with lockdown inspired “Private Messages.” Bendita’s buy signifies confidence in this latest title, which heads to Ventana Sur for its market premiere on Dec 1.
In the film, a couple’s seven year old son is missing, having been left momentarily by the side of the road as punishment. Set in a forest and played out in real time, the boy’s parents search for him. Helmer Matias Bize dissects the subtle shifts in the couple’s reactions to this crisis as questions...
- 11/17/2022
- by Callum McLennan
- Variety Film + TV
Click here to read the full article.
Julianne Moore and Oscar Isaac will voice star in the English adaptation of the Spotify original podcast Caso 63.
Renamed Case 63, the adaptation features Moore as the psychiatrist Eliza Knight and Isaac as her patient, registered as Case 63, who claims to be a time traveler. In the original version of Caso 63, each episode of the first season centers on a session between the psychiatrist and patient, who says he is on a mission to save the world. The series grapples with concepts of time and space, as well as the impact of a deadly virus (sound familiar?).
Shortly after its debut, Caso 63 — created and written by Julio Rojas — became a quick success for Spotify in Spanish-speaking regions in Latin America, rising to the top slot on Spotify’s Argentina and Mexico charts for several weeks. Following the show’s success, which voice stars Antonia Zegers and Nestor Cantillana,...
Julianne Moore and Oscar Isaac will voice star in the English adaptation of the Spotify original podcast Caso 63.
Renamed Case 63, the adaptation features Moore as the psychiatrist Eliza Knight and Isaac as her patient, registered as Case 63, who claims to be a time traveler. In the original version of Caso 63, each episode of the first season centers on a session between the psychiatrist and patient, who says he is on a mission to save the world. The series grapples with concepts of time and space, as well as the impact of a deadly virus (sound familiar?).
Shortly after its debut, Caso 63 — created and written by Julio Rojas — became a quick success for Spotify in Spanish-speaking regions in Latin America, rising to the top slot on Spotify’s Argentina and Mexico charts for several weeks. Following the show’s success, which voice stars Antonia Zegers and Nestor Cantillana,...
- 6/16/2022
- by J. Clara Chan
- The Hollywood Reporter - Movie News
Santiago, Chile — Dissatisfied with the way that females are represented in horror films, a group of filmmakers from Latin America and Spain have teamed up to create a new narrative of five short stories – each playing on a common theme, and each with a unique cast of actors and directors attached – in “28,” an in-development project presented as part of this week’s Santiago Lab at the Santiago Intl. Film Festival (Sanfic).
Created with participation from five countries – Chile, Mexico, Argentina, Brazil and Spain – with an eye on picking up a sixth contributor from the U.S., the stories in “28” will play off the themes of the 28-day female cycle, paralleled with the four-week lunar cycle.
The segments will range from classic slasher-thriller to sci-fi musical to psychological drama, and each story feature a female lead meant to break the mold of the “damsel in distress” trope so common in the horror genre.
Created with participation from five countries – Chile, Mexico, Argentina, Brazil and Spain – with an eye on picking up a sixth contributor from the U.S., the stories in “28” will play off the themes of the 28-day female cycle, paralleled with the four-week lunar cycle.
The segments will range from classic slasher-thriller to sci-fi musical to psychological drama, and each story feature a female lead meant to break the mold of the “damsel in distress” trope so common in the horror genre.
- 8/22/2018
- by Jamie Lang
- Variety Film + TV
Chicago – The controversy swirling around Pablo Larraín’s Oscar-nominee “No” is typical of the outrage garnered by many a historical drama. Since the film focuses solely on one crucial segment of the activism that ousted Chilean dictator Pinochet during the 1988 plebiscite, some viewers will complain that not every hero in the tale is represented. Of course, that’s what encyclopedias are for.
Rating: 4.0/5.0
Just as Spielberg’s “Lincoln” brilliantly explored the complicated, occasionally deceptive efforts that were vital in achieving slavery’s abolishment with the passage of the 13th Amendment, Larraín’s “No” focuses on the marketing campaign that built support for the anti-Pinochet movement. Both films are invaluable portraits of tenacious trailblazers who were able to win over the hearts and minds of timid voters. Yet whereas “Lincoln” was shot in widescreen, painterly compositions, “No” adopts the exact style of the game-changing ads its film celebrates.
Read Matt Fagerholm...
Rating: 4.0/5.0
Just as Spielberg’s “Lincoln” brilliantly explored the complicated, occasionally deceptive efforts that were vital in achieving slavery’s abolishment with the passage of the 13th Amendment, Larraín’s “No” focuses on the marketing campaign that built support for the anti-Pinochet movement. Both films are invaluable portraits of tenacious trailblazers who were able to win over the hearts and minds of timid voters. Yet whereas “Lincoln” was shot in widescreen, painterly compositions, “No” adopts the exact style of the game-changing ads its film celebrates.
Read Matt Fagerholm...
- 3/8/2013
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Title: No Director: Pablo Larraín Starring: Gael García Bernal, Alfredo Castro, Antonia Zegers, Luis Gnecco, Marcial Tagle, Néstor Cantillana One of this year’s Oscar nominees for Best Foreign Film is among the Spotlight features presented at the 2013 Sundance Film Festival. A short title – No – refers to the ad campaign launched by the opposition to General Augusto Pinochet’s quest to remain in power in Chile in 1988. In an effort to encourage democracy, the government approved fifteen minutes of ad time for “Yes” and fifteen minutes of ad time for “No.” As the film’s opening titles explain, this is the story of the “No” side, led by the [ Read More ]
The post No Movie Review appeared first on Shockya.com.
The post No Movie Review appeared first on Shockya.com.
- 1/21/2013
- by abe
- ShockYa
Pablo Larrain‘s latest project No, which won the top prize at Cannes 44th Directors’ Fortnight, finally opens this February, and today we’re here to share the latest trailer for the whole thing. In other words – make sure you check out Gael Garcia Bernal who stars as a young advertising executive aka the man who encouraged the Chilean public to vote no to Pinochet leading the nation for another eight years.
Larrain directed the movie from a script written by Pedro Peirano which is based on Antonio Skarmeta‘s play El Plebiscito.
Based on true events, film centers on an ad man named Rene Saavedra who, when Chilean dictator Augusto Pinochet staged a referendum in 1988 to gain a further eight-year term in office, launched a brilliantly upbeat ad campaign which, against all odds, ousted Pinochet from power.
Beside Garcia Bernal, No also stars Alfredo Castro, Antónia Zegers, Marcial Tagle,...
Larrain directed the movie from a script written by Pedro Peirano which is based on Antonio Skarmeta‘s play El Plebiscito.
Based on true events, film centers on an ad man named Rene Saavedra who, when Chilean dictator Augusto Pinochet staged a referendum in 1988 to gain a further eight-year term in office, launched a brilliantly upbeat ad campaign which, against all odds, ousted Pinochet from power.
Beside Garcia Bernal, No also stars Alfredo Castro, Antónia Zegers, Marcial Tagle,...
- 12/18/2012
- by Jeanne Standal
- Filmofilia
Sony Pictures Classics has released, via Yahoo! Movies , the trailer for Pablo Larraín's No , set to hit theaters in a limited release on February 15, 2013. Written by Pedro Peirano, No stars Gael García Bernal, Alfredo Castro, Antónia Zegers, Marcial Tagle, Néstor Cantillana, Jaime Vadell and Pascal Montero. When Chilean military dictator Augusto Pinochet, facing international pressure, calls for a referendum on his presidency in 1988, opposition leaders persuade a brash young advertising executive, Rene Saavedra (Bernal), to spearhead their campaign. With scant resources and constant scrutiny by the despot.s watchmen, Saavedra and his team devise an audacious plan to win the election and free their country from oppression.
- 12/17/2012
- Comingsoon.net
Glad you asked. Now that the entire programming slate has been announced for the 2013 edition of the Sundance Film Festival, let’s take a look at the representation of Latinos in the broadest, most diverse sense, because that is what that ill-defined lump category encompasses. {Full disclosure: I work as a Programming Associate for the Festival. These are not reviews but an insider breaking-it-down preview}
At first glance the Latino representation may not seem obvious. Nor may it seem as strong as the films and filmmakers from the African-American and Lgbt community representing, or the record breaking number of female directors’ – each group highly visible by their nature. We may not have a Mosquita y Mari or Filly Brown, two fiction films, which broke out of the festival this past year, but we do have two hugely relevant and urgent documentaries, Narco Cultura which explores the phenomenal music and social culture being shaped and perpetuated by the influence of Mexico’s violent drug cartels, and Who Is Dayani Cristal? an innovative doc-fiction hybrid produced by Gael Garcia Bernal that will hopefully re-divert much needed attention back to the Us/Mexico border. By the way, Who is Dayani Cristal? screens in the high profile Day One slot.
What’s Latino anyway?
I personally embrace the responsibility of changing the conversation as to what constitutes representing American Latinos. First, by focusing on both the above-the- line-talent (filmmaker or actor) And storyline/subject. The second part is highlighting the second, third, fourth and so-on generations of filmmakers. What about the filmmakers in the festival like Kyle Patrick Alvarez (C.O.G), Liz W. Garcia (The Lifeguard) and Eduardo Sanchez (S-vhs horror anthology and co-director of the infamous Blair Witch Project)? I don’t know these filmmakers personally so I can’t speak to how they might view their cultural identities and how it informs their work, if at all. But I do believe it is worth pointing out and feeling good about these last names being out there as part of the mainstream fabric. It is similar to how Robert Rodriguez does not identify himself as a Mexican-American yet his last name has been key to driving the younger Latino generation in feeling a proud connection as an American and not just “dash” American.
Chile is still hot
There are three films from Chilean filmmakers. In unprecedented fashion – because that’s how Sundance likes to roll- there is a repeat of last year with two in competition, El Futuro by Alicia Scherson (mostly taking place in Italy) and Magic Fairy by Sebastian Silva, an alumnus who broke out in 2009 with La Nana. In the section Spotlight aka “Movies we love and don’t care if they’ve traveled the festival circuit”, is Pablo Larrain’s No starring Gael Garcia Bernal. Chilean cinema is hot and king of engrossing character-driven fare. What we are seeing is a boom on two fronts; an invigorating new generation of provocateurs (Marialy Rivas’s Young & Wild comes to mind) and a slightly older generation of equally exciting filmmakers who continue to sustain their careers with their distinct voice (like Pablo Larrain along with Andres Wood).
So now lets dive in and look at the list. Loglines copied from official press release – Bold Italics are my comments.
Us Dramatic Competition
Fruitvale / U.S.A. (Director and screenwriter: Ryan Coogler) — The true story of Oscar, a 22-year-old Bay Area resident who crosses paths with friends, enemies, family and strangers on the last day of 2008. Cast: Michael B. Jordan, Octavia Spencer, Melonie Diaz, Ahna O’Reilly, Kevin Durand, Chad Michael Murray.
Puerto-Rican Diaz delivers a fiercely moving performance embodying the girlfriend of Oscar Grant who was with him that fateful day. Diaz is no stranger to the festival. She’s previously been at the festival with four films including seminal indie American Latino story, Raising Victor Vargas 2002 and comedies like Hamlet 2 20008. Why homegirl hasn’t gotten more props for her mad acting skills I don’t know, but this girl is wildly talented and Fruitvale showcases her dramatic chops.
Us Documentary Competition
Narco Cultura / U.S.A. (Director: Shaul Schwarz) — An examination of Mexican drug cartels’ influence in pop culture on both sides of the border as experienced by an La narcocorrido singer dreaming of stardom and a Juarez crime scene investigator on the front line of Mexico’s Drug War.
Absolutely arresting photography that works in giving weight to the violent images the public has become numb from seeing. I predict some of my hard core brown and proud friends might focus and hence diminish this film based on the fact that this bi-cultural, Mexican-American subject is made by non-Latino filmmakers. It could be argued as a valid point. When it comes to documentaries a legit question to make when evaluating is “What makes This person the right one to tackle This subject? What is their connection?” Let’s watch it to find out, then give consideration to what other docs are currently out there on this same timely topic made by Latinos, and without bias regard their depth and artistic merit.
World Cinema Dramatic Competition
Crystal Fairy / Chile (Director and screenwriter: Sebastián Silva) — Jamie invites a stranger to join a road trip to Chile. The woman’s free and esoteric nature clashes with Jamie’s acidic, self-absorbed personality as they head into the desert for a Mescaline-fueled psychedelic trip. Cast: Michael Cera, Gabby Hoffmann, Juan Andrés Silva, José Miguel Silva, Agustín Silva. World Premiere. Day One Film
This marks Sebastian’s third appearance at the festival following La Nana and Gatos Viejos. Remember what I said about character driven? Silva excels at getting at spilling out the insides of his protagonists.
The Future / Chile, Germany, Italy, Spain (Director and screenwriter: Alicia Scherson) — When their parents die, Bianca starts to smoke and Tomas is still a virgin. The orphans explore the dangerous streets of adulthood until Bianca finds Maciste, a retired Mr. Universe, and enters his dark mansion in search of a future. Cast: Manuela Martelli, Rutger Hauer, Luigi Ciardo, Nicolas Vaporidis, Alessandro Giallocosta. World Premiere
Scherson’s last film, Turistas screened at various film festivals including the Los Angeles Film Festival in 2009. Shot in another country and in a different language, The Future continues the filmmaker’s incisive capturing of the strong female led journey.
World Cinema Documentary Competition
Who is Dayani Cristal? / United Kingdom (Director: Marc Silver) — An anonymous body in the Arizona desert sparks the beginning of a real-life human drama. The search for its identity leads us across a continent to seek out the people left behind and the meaning of a mysterious tattoo. World Premiere. Day One Film
An extraordinary cinematic and symbolic approach to the border crossing genre, this meta reflexive journey retraced by none other than Gael Garcia Bernal imagines the grueling experience of a migrant and who he might have been. Bernal has been lending his star power to the social justice causes that move him and you can tell its genuine.
New Frontier
Halley / Mexico (Director: Sebastian Hofmann, Screenwriters: Sebastian Hofmann, Julio Chavezmontes) — Alberto is dead and can no longer hide it. Before surrendering to his living death, he forms an unusual friendship with Luly, the manager of the 24-hour gym where he works as a night guard. Cast: Alberto Trujillo, Lourdes Trueba, Hugo Albores
As unsettling it is watch, its as deep to ponder, this incredibly-shot first feature had its world premiere at the Morelia Film Festival and its inclusion in the most daring section of the festival speaks to the highly diverse and radical new cinema coming from Mexico.
Spotlight
No / Chile, U.S.A. (Director: Pablo Larraín, Screenwriter: Pedro Peirano) — When Chilean military dictator Augusto Pinochet calls for a referendum to decide his permanence in power, the opposition persuades a young advertising executive to head its campaign. With limited resources and under scrutiny, he conceives a plan to win the election. Cast: Gael García Bernal, Alfredo Castro, Antonia Zegers, Luis Gnecco, Marcial Tagle, Néstor Cantillana.
There have been many films about the Pinochet regime and its wide-reaching after effects. But none have had as unique an entry point as No. Trust.
Midnight
We Are What We Are / U.S.A. (Director: Jim Mickle, Screenwriters: Nick Damici, Jim Mickle) — A devastating storm washes up clues that lead authorities closer and closer to the cannibalistic Parker family. Cast: Bill Sage, Ambyr Childers, Julia Garner, Michael Parks, Wyatt Russell, Kelly McGillis.
Okay, I only include this because this is based on the Mexican cult hit, Somos Lo que Hay by Jorge Michel Grau. Jim Mickle of Stakeland has promised to “Not Fuck it Up per Twitch interview
To cap off the features; Stalwart Spanish actor Alfred Molina is in Emanuel and the Truth About Fishes by Francesca Gregorini in Us Dramatic Competition, and we have a strong acting splash by Marcus DeAnda, a co-lead in Pit Stop directed by Yen Tan and co-written by David Lowery. The film about two gay working class lovers in small town Texas is in the Next section.
And lets not forget about shorts!
Short Film Competition
Broken Night / U.S.A. (Director and screenwriter: Guillermo Arriaga) — A young woman and her four-year-old daughter drive across desolated hills. Everything looks fine and they seem to enjoy the ride, until an accident sends them into the nightmare of darkness.
Ever since writing and directing team Arriga and Innaritu broke up (Amores Perros, Babel) Arriaga has been trying to make his stamp directing his own material.
The Companion / Peru (Director and screenwriter: Alvaro Delgado-Aparicio) — On the outskirts of Lima, a young prostitute tends to his father, a fallen-from-grace artisan. However, the young man feels that his efforts are never enough. He tries to break free, but his father’s dependence is stronger than his son’s will.
Intriguing and highly atmospheric gem from Peru!
Chicago? Check. Mexicans check! No, but really this intimate glimpse is poetic and moving.
A Story for the Modlins / Spain (Director: Sergio Oksman, Screenwriter: Sergio Oksman) —The tale of Elmer Modlin, who, after appearing in Rosemary’s Baby, fled with his family to a far-off country and shut himself away in a dark apartment for 30 years.
Must see. Fascinating and inventive ‘Found family photos’ yarn.
#PostModem / U.S.A. (Directors and screenwriters: Jillian Mayer, Lucas Leyva) — A comedic, satirical, sci-fi pop musical based on the theories of Ray Kurzweil and other futurists, #PostModem is the story of two Miami girls and how they deal with technological singularity, as told through a series of cinematic tweets.
My favorite locos from Miami. After making the rounds with Life & Freaky Times of Uncle Luke, which played last year, these rump-shakers have been busy with their work in and out of their funky audiovisual collective Borscht Corp.
If you are heading to Park City I highly recommend you register to purchase Advance tickets here. See you on the mountain!
At first glance the Latino representation may not seem obvious. Nor may it seem as strong as the films and filmmakers from the African-American and Lgbt community representing, or the record breaking number of female directors’ – each group highly visible by their nature. We may not have a Mosquita y Mari or Filly Brown, two fiction films, which broke out of the festival this past year, but we do have two hugely relevant and urgent documentaries, Narco Cultura which explores the phenomenal music and social culture being shaped and perpetuated by the influence of Mexico’s violent drug cartels, and Who Is Dayani Cristal? an innovative doc-fiction hybrid produced by Gael Garcia Bernal that will hopefully re-divert much needed attention back to the Us/Mexico border. By the way, Who is Dayani Cristal? screens in the high profile Day One slot.
What’s Latino anyway?
I personally embrace the responsibility of changing the conversation as to what constitutes representing American Latinos. First, by focusing on both the above-the- line-talent (filmmaker or actor) And storyline/subject. The second part is highlighting the second, third, fourth and so-on generations of filmmakers. What about the filmmakers in the festival like Kyle Patrick Alvarez (C.O.G), Liz W. Garcia (The Lifeguard) and Eduardo Sanchez (S-vhs horror anthology and co-director of the infamous Blair Witch Project)? I don’t know these filmmakers personally so I can’t speak to how they might view their cultural identities and how it informs their work, if at all. But I do believe it is worth pointing out and feeling good about these last names being out there as part of the mainstream fabric. It is similar to how Robert Rodriguez does not identify himself as a Mexican-American yet his last name has been key to driving the younger Latino generation in feeling a proud connection as an American and not just “dash” American.
Chile is still hot
There are three films from Chilean filmmakers. In unprecedented fashion – because that’s how Sundance likes to roll- there is a repeat of last year with two in competition, El Futuro by Alicia Scherson (mostly taking place in Italy) and Magic Fairy by Sebastian Silva, an alumnus who broke out in 2009 with La Nana. In the section Spotlight aka “Movies we love and don’t care if they’ve traveled the festival circuit”, is Pablo Larrain’s No starring Gael Garcia Bernal. Chilean cinema is hot and king of engrossing character-driven fare. What we are seeing is a boom on two fronts; an invigorating new generation of provocateurs (Marialy Rivas’s Young & Wild comes to mind) and a slightly older generation of equally exciting filmmakers who continue to sustain their careers with their distinct voice (like Pablo Larrain along with Andres Wood).
So now lets dive in and look at the list. Loglines copied from official press release – Bold Italics are my comments.
Us Dramatic Competition
Fruitvale / U.S.A. (Director and screenwriter: Ryan Coogler) — The true story of Oscar, a 22-year-old Bay Area resident who crosses paths with friends, enemies, family and strangers on the last day of 2008. Cast: Michael B. Jordan, Octavia Spencer, Melonie Diaz, Ahna O’Reilly, Kevin Durand, Chad Michael Murray.
Puerto-Rican Diaz delivers a fiercely moving performance embodying the girlfriend of Oscar Grant who was with him that fateful day. Diaz is no stranger to the festival. She’s previously been at the festival with four films including seminal indie American Latino story, Raising Victor Vargas 2002 and comedies like Hamlet 2 20008. Why homegirl hasn’t gotten more props for her mad acting skills I don’t know, but this girl is wildly talented and Fruitvale showcases her dramatic chops.
Us Documentary Competition
Narco Cultura / U.S.A. (Director: Shaul Schwarz) — An examination of Mexican drug cartels’ influence in pop culture on both sides of the border as experienced by an La narcocorrido singer dreaming of stardom and a Juarez crime scene investigator on the front line of Mexico’s Drug War.
Absolutely arresting photography that works in giving weight to the violent images the public has become numb from seeing. I predict some of my hard core brown and proud friends might focus and hence diminish this film based on the fact that this bi-cultural, Mexican-American subject is made by non-Latino filmmakers. It could be argued as a valid point. When it comes to documentaries a legit question to make when evaluating is “What makes This person the right one to tackle This subject? What is their connection?” Let’s watch it to find out, then give consideration to what other docs are currently out there on this same timely topic made by Latinos, and without bias regard their depth and artistic merit.
World Cinema Dramatic Competition
Crystal Fairy / Chile (Director and screenwriter: Sebastián Silva) — Jamie invites a stranger to join a road trip to Chile. The woman’s free and esoteric nature clashes with Jamie’s acidic, self-absorbed personality as they head into the desert for a Mescaline-fueled psychedelic trip. Cast: Michael Cera, Gabby Hoffmann, Juan Andrés Silva, José Miguel Silva, Agustín Silva. World Premiere. Day One Film
This marks Sebastian’s third appearance at the festival following La Nana and Gatos Viejos. Remember what I said about character driven? Silva excels at getting at spilling out the insides of his protagonists.
The Future / Chile, Germany, Italy, Spain (Director and screenwriter: Alicia Scherson) — When their parents die, Bianca starts to smoke and Tomas is still a virgin. The orphans explore the dangerous streets of adulthood until Bianca finds Maciste, a retired Mr. Universe, and enters his dark mansion in search of a future. Cast: Manuela Martelli, Rutger Hauer, Luigi Ciardo, Nicolas Vaporidis, Alessandro Giallocosta. World Premiere
Scherson’s last film, Turistas screened at various film festivals including the Los Angeles Film Festival in 2009. Shot in another country and in a different language, The Future continues the filmmaker’s incisive capturing of the strong female led journey.
World Cinema Documentary Competition
Who is Dayani Cristal? / United Kingdom (Director: Marc Silver) — An anonymous body in the Arizona desert sparks the beginning of a real-life human drama. The search for its identity leads us across a continent to seek out the people left behind and the meaning of a mysterious tattoo. World Premiere. Day One Film
An extraordinary cinematic and symbolic approach to the border crossing genre, this meta reflexive journey retraced by none other than Gael Garcia Bernal imagines the grueling experience of a migrant and who he might have been. Bernal has been lending his star power to the social justice causes that move him and you can tell its genuine.
New Frontier
Halley / Mexico (Director: Sebastian Hofmann, Screenwriters: Sebastian Hofmann, Julio Chavezmontes) — Alberto is dead and can no longer hide it. Before surrendering to his living death, he forms an unusual friendship with Luly, the manager of the 24-hour gym where he works as a night guard. Cast: Alberto Trujillo, Lourdes Trueba, Hugo Albores
As unsettling it is watch, its as deep to ponder, this incredibly-shot first feature had its world premiere at the Morelia Film Festival and its inclusion in the most daring section of the festival speaks to the highly diverse and radical new cinema coming from Mexico.
Spotlight
No / Chile, U.S.A. (Director: Pablo Larraín, Screenwriter: Pedro Peirano) — When Chilean military dictator Augusto Pinochet calls for a referendum to decide his permanence in power, the opposition persuades a young advertising executive to head its campaign. With limited resources and under scrutiny, he conceives a plan to win the election. Cast: Gael García Bernal, Alfredo Castro, Antonia Zegers, Luis Gnecco, Marcial Tagle, Néstor Cantillana.
There have been many films about the Pinochet regime and its wide-reaching after effects. But none have had as unique an entry point as No. Trust.
Midnight
We Are What We Are / U.S.A. (Director: Jim Mickle, Screenwriters: Nick Damici, Jim Mickle) — A devastating storm washes up clues that lead authorities closer and closer to the cannibalistic Parker family. Cast: Bill Sage, Ambyr Childers, Julia Garner, Michael Parks, Wyatt Russell, Kelly McGillis.
Okay, I only include this because this is based on the Mexican cult hit, Somos Lo que Hay by Jorge Michel Grau. Jim Mickle of Stakeland has promised to “Not Fuck it Up per Twitch interview
To cap off the features; Stalwart Spanish actor Alfred Molina is in Emanuel and the Truth About Fishes by Francesca Gregorini in Us Dramatic Competition, and we have a strong acting splash by Marcus DeAnda, a co-lead in Pit Stop directed by Yen Tan and co-written by David Lowery. The film about two gay working class lovers in small town Texas is in the Next section.
And lets not forget about shorts!
Short Film Competition
Broken Night / U.S.A. (Director and screenwriter: Guillermo Arriaga) — A young woman and her four-year-old daughter drive across desolated hills. Everything looks fine and they seem to enjoy the ride, until an accident sends them into the nightmare of darkness.
Ever since writing and directing team Arriga and Innaritu broke up (Amores Perros, Babel) Arriaga has been trying to make his stamp directing his own material.
The Companion / Peru (Director and screenwriter: Alvaro Delgado-Aparicio) — On the outskirts of Lima, a young prostitute tends to his father, a fallen-from-grace artisan. However, the young man feels that his efforts are never enough. He tries to break free, but his father’s dependence is stronger than his son’s will.
Intriguing and highly atmospheric gem from Peru!
Chicago? Check. Mexicans check! No, but really this intimate glimpse is poetic and moving.
A Story for the Modlins / Spain (Director: Sergio Oksman, Screenwriter: Sergio Oksman) —The tale of Elmer Modlin, who, after appearing in Rosemary’s Baby, fled with his family to a far-off country and shut himself away in a dark apartment for 30 years.
Must see. Fascinating and inventive ‘Found family photos’ yarn.
#PostModem / U.S.A. (Directors and screenwriters: Jillian Mayer, Lucas Leyva) — A comedic, satirical, sci-fi pop musical based on the theories of Ray Kurzweil and other futurists, #PostModem is the story of two Miami girls and how they deal with technological singularity, as told through a series of cinematic tweets.
My favorite locos from Miami. After making the rounds with Life & Freaky Times of Uncle Luke, which played last year, these rump-shakers have been busy with their work in and out of their funky audiovisual collective Borscht Corp.
If you are heading to Park City I highly recommend you register to purchase Advance tickets here. See you on the mountain!
- 12/5/2012
- by Christine Davila
- Sydney's Buzz
One of my favorite parts of the Sundance Film Festival is the Park City at Midnight movie line-up. This is where they put on a lot of the horror, sci-fi, comedy and other genre type films. They've also announced the movies that will be a part of the Spotlight and New Frontier sections.
Once again it looks like we've got a lot of solid films to look forward to. Of course there's going to be a few duds in the mix, but for the most part this looks like it's going to be an exciting year at Sundance. I can't wait to watch these movies!
Look over the list, read about the films, and let us know which movies sound interesting to you that you'd like to more know about!
Sundance Institute announced today the films selected to screen in the 2013 Sundance Film Festival out-of-competition sections Spotlight, Park City at Midnight and New Frontier,...
Once again it looks like we've got a lot of solid films to look forward to. Of course there's going to be a few duds in the mix, but for the most part this looks like it's going to be an exciting year at Sundance. I can't wait to watch these movies!
Look over the list, read about the films, and let us know which movies sound interesting to you that you'd like to more know about!
Sundance Institute announced today the films selected to screen in the 2013 Sundance Film Festival out-of-competition sections Spotlight, Park City at Midnight and New Frontier,...
- 11/30/2012
- by Joey Paur
- GeekTyrant
Sundance announced it’s Spotlight program selections today, which consists of plum titles that have enjoyed prestigious premieres at other festivals from the year before. Last year, Sundance nabbed Andrea Arnold’s Wuthering Heights, Phillippe Falardeau’s Monsieur Lazhar, and Lynn Shelton’s Your Sister’s Sister, to name a few. This year, Sundance has amassed a well chosen selection for Spotlight, rolling out Israel’s submission for Best Foreign Language Film, the New York Film Fest premiered Fill the Void (which was just nominated for Independent Spirit Awards for Best First Film and Best First Screenplay), followed by several high profile Cannes titles, like Pablo Larrain’s No, Ben Wheatley’s Sightseers, Anurag Kashrap’s five hour plus epic Gangs of Wasseypur, and Jeff Nichols’ latest, Mud (which avoided screening at the heavyweight Fall festivals, like Toronto and Venice – and which we accurately predicted). Then, from Tiff and Venice...
- 11/30/2012
- by Nicholas Bell
- IONCINEMA.com
Sundance Film Festival 2013 announced its initial line-up last night, with a very promising slew of films competing in the Us and World Dramatic and Documentary categories, as always.
Tonight, we have more news from Park City, Ut, with the announcement of the films that will be screening in the Spotlight, Park City at Midnight, and New Frontier categories.
Rising young star, Alice Englert (Ginger & Rosa, Beautiful Creatures), will be heading to the festival in the Park City at Midnight category with Jeremy Lovering’s horror, In Fear, which has a very tense and promising synopsis.
Ben Wheatley’s Sightseers will be getting its long-awaited Us premiere, having debuted at Cannes earlier this year, and been earning critics’ praise ever since. Steve Oram and Alice Lowe co-wrote the film and star in the leads, and with the ever-brilliant Edgar Wright (Shaun of the Dead, Scott Pilgrim vs. the World), there’s...
Tonight, we have more news from Park City, Ut, with the announcement of the films that will be screening in the Spotlight, Park City at Midnight, and New Frontier categories.
Rising young star, Alice Englert (Ginger & Rosa, Beautiful Creatures), will be heading to the festival in the Park City at Midnight category with Jeremy Lovering’s horror, In Fear, which has a very tense and promising synopsis.
Ben Wheatley’s Sightseers will be getting its long-awaited Us premiere, having debuted at Cannes earlier this year, and been earning critics’ praise ever since. Steve Oram and Alice Lowe co-wrote the film and star in the leads, and with the ever-brilliant Edgar Wright (Shaun of the Dead, Scott Pilgrim vs. the World), there’s...
- 11/29/2012
- by Kenji Lloyd
- HeyUGuys.co.uk
See Gael Garcia Bernal in a new clip called No Mas and some images from Pablo Larraín's No movie distributed by Sony Pictures Classics. The film which also stars Alfredo Castro, Antonia Zegers, Diego Muñoz and Néstor Cantillana, is helmed and scripted by Larrain, who also produces alongside Juan de Drios Larrain. In 1988, Chilean military dictator Augusto Pinochet, due to international pressure, is forced to call a plebiscite on his presidency. The country will vote Yes or No to Pinochet extending his rule for another eight years. Opposition leaders for the No persuade a brash young advertising executive, Rene Saavedra (Gael Garcia Bernal), to spearhead their campaign. Against all odds, with scant resources and under scrutiny by the despot’s minions, Saavedra and his team devise an audacious plan to win the election and set Chile free.
- 9/14/2012
- Upcoming-Movies.com
See Gael Garcia Bernal in a new clip called No Mas and some images from Pablo Larraín's No movie distributed by Sony Pictures Classics. The film which also stars Alfredo Castro, Antonia Zegers, Diego Muñoz and Néstor Cantillana, is helmed and scripted by Larrain, who also produces alongside Juan de Drios Larrain. In 1988, Chilean military dictator Augusto Pinochet, due to international pressure, is forced to call a plebiscite on his presidency. The country will vote Yes or No to Pinochet extending his rule for another eight years. Opposition leaders for the No persuade a brash young advertising executive, Rene Saavedra (Gael Garcia Bernal), to spearhead their campaign. Against all odds, with scant resources and under scrutiny by the despot’s minions, Saavedra and his team devise an audacious plan to win the election and set Chile free.
- 9/14/2012
- Upcoming-Movies.com
Sony Pictures Classics announced that the distributor has acquired North American rights to Pablo Larraín's No , which stars Gael García Bernal. Here's the full press release: Sony Pictures Classics has acquired all North American rights to Pablo Larraín.s Cannes Directors. Fortnight sensation, No from financier Participant Media in association with Funny Balloons and Fabula. No stars Gael García Bernal (Babel, The Motorcycle Diaries), Alfredo Castro, Antónia Zegers, Marcial Tagle, Néstor Cantillana, Jaime Vadell and Pascal Montero. The film is one of the best received films in Cannes with raves from critics following the first screening in Director's Fortnight. Directed by Pablo Larraín (Post Mortem, Tony Manero) from a screenplay by Pedro Peirano (TheMaid), No is produced by...
- 5/22/2012
- Comingsoon.net
Sony Pictures Classics has acquired all North American rights to Pablo Larraín.s Cannes Directors. Fortnight sensation, No from financier Participant Media in association with Funny Balloons and Fabula. No stars Gael García Bernal (Babel, The Motorcycle Diaries), Alfredo Castro, Antónia Zegers, Marcial Tagle, Néstor Cantillana, Jaime Vadell and Pascal Montero. The film is one of the best-received films in Cannes with raves from critics following the first screening in Director’s Fortnight.
Directed by Pablo Larraín (Post Mortem, Tony Manero) from a screenplay by Pedro Peirano (TheMaid), No is produced by Juan de Diós Larraín and Daniel Dreifuss and executive produced by Participant.s Jeff Skoll and Jonathan King.
Based on a true story, when Chilean military dictator Augusto Pinochet, facing international pressure, calls for a referendum on his presidency in 1988, opposition leaders persuade a brash young advertising executive, Rene Saavedra (Gael García Bernal), to spearhead their campaign. With...
Directed by Pablo Larraín (Post Mortem, Tony Manero) from a screenplay by Pedro Peirano (TheMaid), No is produced by Juan de Diós Larraín and Daniel Dreifuss and executive produced by Participant.s Jeff Skoll and Jonathan King.
Based on a true story, when Chilean military dictator Augusto Pinochet, facing international pressure, calls for a referendum on his presidency in 1988, opposition leaders persuade a brash young advertising executive, Rene Saavedra (Gael García Bernal), to spearhead their campaign. With...
- 5/22/2012
- by Michelle McCue
- WeAreMovieGeeks.com
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