The Hand Of God won four prizes including best film, best director and best supporting actress.
Paolo Sorrentino’s The Hand Of God won four prizes at the 67th David di Donatello awards, including best film (the first Netflix title to do so), best director and best supporting actress for Teresa Saponangelo.
The Oscar-nominated coming-of-age drama also shared the cinematography prize with Gabriele Mainetti’s Venice competition title Freaks Out, which won six awards in total, including prizes for the producers, production design, hairdressing, make-up and VFX.
The two films both had the highest number of nominations with 16.
The in-person...
Paolo Sorrentino’s The Hand Of God won four prizes at the 67th David di Donatello awards, including best film (the first Netflix title to do so), best director and best supporting actress for Teresa Saponangelo.
The Oscar-nominated coming-of-age drama also shared the cinematography prize with Gabriele Mainetti’s Venice competition title Freaks Out, which won six awards in total, including prizes for the producers, production design, hairdressing, make-up and VFX.
The two films both had the highest number of nominations with 16.
The in-person...
- 5/4/2022
- by Gabriele Niola
- ScreenDaily
The Hand of God Netflix Reviewed for Shockya.com by Abe Friedtanzer Director: Paolo Sorrentino Writer: Paolo Sorrentino Cast: Filippo Scotti, Toni Servillo, Teresa Saponangelo, Marlon Joubert, Luisa Ranieri, Renato Carpentieri, Massimiliano Gallo, Betti Pedrazzi, Biagio Manna, Ciro Capano, Enzo Decaro, Lino Musella, Sofya Gershevich Screened at: Netflix, LA, 12/15/21 Opened: December 15th, 2021 Teenagers are […]
The post The Hand of God Movie Review appeared first on Shockya.com.
The post The Hand of God Movie Review appeared first on Shockya.com.
- 12/27/2021
- by Abe Friedtanzer
- ShockYa
Given the titular allusion to footballing royalty Diego Maradona, it is fitting that The Hand of God plays out as a tale of two halves. Paolo Sorrentino’s latest – a deeply personal coming-of-age tale played out against a gorgeous Neapolitan canvas – pivots from a carefree opening hour into an altogether deeper, insular second half.
The set-up is fairly well trodden. Fabietto (Filippo Scotti) is grappling with teen angst; unsure of who he is, and what he could be. Sorrentino’s avatar therefore clings to his hometown football team, Napoli, for a sense of purpose. The talk of the city is that Diego Maradona may soon join the club, something which Fabietto takes hugely seriously.
Throw in some adolescent lusting over beguiling but troubled Aunt Patrizia (Luisa Ranieri) and the opening hour is layered with inter-familiar humour and a warmly comic script. When asked why the family doesn’t have a television remote,...
The set-up is fairly well trodden. Fabietto (Filippo Scotti) is grappling with teen angst; unsure of who he is, and what he could be. Sorrentino’s avatar therefore clings to his hometown football team, Napoli, for a sense of purpose. The talk of the city is that Diego Maradona may soon join the club, something which Fabietto takes hugely seriously.
Throw in some adolescent lusting over beguiling but troubled Aunt Patrizia (Luisa Ranieri) and the opening hour is layered with inter-familiar humour and a warmly comic script. When asked why the family doesn’t have a television remote,...
- 12/13/2021
- by Luke Walpole
- HeyUGuys.co.uk
In movies as disparate and vividly imagined as Il Divo, Loro, the Oscar winning The Great Beauty, as well as English language efforts like This Must Be The Place, Youth, and his TV miniseries The Young Pope and The New Pope Paolo Sorrentino has always seemed to be a director with a large brush and even more of a Fellini influence in some cases. That is why his latest, a largely autobiographical coming of age film called The Hand Of God which just had its World Premiere at the Venice Film Festival, and is next headed this weekend to Telluride, is such a departure, one absent the usual flourish the director often favors. Instead is an enormously effective and touching personal memoir of growing up in Naples circa the 1980’s. In many ways this is Sorrentino’s Amarcord, Day For Night, Cinema Paradiso,Pain And Glory, but first and foremost...
- 9/2/2021
- by Pete Hammond
- Deadline Film + TV
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