Carnivals and amusement parks are a prime setting for horror stories. We’ve had a handful of prominent, frightening tales take advantage of the unique aesthetic and eerie unreality an amusement park can offer over the years.
What makes a carnival such a fertile place to set your horror tale in? Maybe it’s the thin veneer of joy and cheer that raises our hackles. The bright, multicolored lights, the dizzying swirl of calliope music and cacophonous rattling of the rides, the stench of popcorn, funnel cakes, and oiled machinery all merging and wafting through the air…it’s all artifice. As fun as it may be to take the family or a date out for a fun night at the carnival, you always get the sense it’s not necessarily a wholesome place. The games are rigged and the rides are huge, clanking things of oil and metal. When...
What makes a carnival such a fertile place to set your horror tale in? Maybe it’s the thin veneer of joy and cheer that raises our hackles. The bright, multicolored lights, the dizzying swirl of calliope music and cacophonous rattling of the rides, the stench of popcorn, funnel cakes, and oiled machinery all merging and wafting through the air…it’s all artifice. As fun as it may be to take the family or a date out for a fun night at the carnival, you always get the sense it’s not necessarily a wholesome place. The games are rigged and the rides are huge, clanking things of oil and metal. When...
- 6/14/2023
- by Tyler Eschberger
- bloody-disgusting.com
As the golden age of high-def horror continues, we aren’t just getting bells-and-whistles Blu-rays of films we never expected to receive such treatment—titles like The Mutilator and Squirm—but also of films some of us barely new existed. American Horror Project Vol. 1, the new Blu-ray box set from Arrow Video, collects three such films: low-budget independent horror movies from the 1970s that have either been forgotten or are in danger of being lost forever.
In attempting to find obscure titles that are still in good enough condition to be restored in high-def, the curators of American Horror Project Vol. 1 (among them Stephen Thrower, author of Nightmare USA, as well as books on both Lucio Fulci and Jess Franco) could easily have found esoteric films that fit the criteria but were, for lack of a more diplomatic way of saying it, better off staying lost. But that couldn’t be further from the case.
In attempting to find obscure titles that are still in good enough condition to be restored in high-def, the curators of American Horror Project Vol. 1 (among them Stephen Thrower, author of Nightmare USA, as well as books on both Lucio Fulci and Jess Franco) could easily have found esoteric films that fit the criteria but were, for lack of a more diplomatic way of saying it, better off staying lost. But that couldn’t be further from the case.
- 4/6/2016
- by Patrick Bromley
- DailyDead
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