Spanish satire starring Javier Bardem one of the big winners at the Ibero-American film awards held in Madrid.
The Good Boss, produced by The Mediapro Studio and Reposado PC. took home four prizes at the Platino Awards, the ninth edition of the Ibero-American ceremony that took place in Madrid, on Sunday (May 1).
This satire about the petty boss of an industrial scales factory won best film, best director and screenplay for Fernando León de Aranoa, and best actor for Javier Bardem following its success t the Goyas in February when it won six prizes.
Blanca Portillo won the best actress...
The Good Boss, produced by The Mediapro Studio and Reposado PC. took home four prizes at the Platino Awards, the ninth edition of the Ibero-American ceremony that took place in Madrid, on Sunday (May 1).
This satire about the petty boss of an industrial scales factory won best film, best director and screenplay for Fernando León de Aranoa, and best actor for Javier Bardem following its success t the Goyas in February when it won six prizes.
Blanca Portillo won the best actress...
- 5/2/2022
- by Elisabet Cabeza
- ScreenDaily
Spanish satire starring Javier Bardem one of the big winners at the Ibero-American film awards held in Madrid.
The Good Boss produced by The Mediapro Studio and Reposado PC took home four prizes at the Platino Awards on Sunday (May 1), the Ibero-American equivalent to the Oscars which took place in Madrid.
This satire about the petty boss of an industrial scales factory won best film, best director and screenplay for Fernando León de Aranoa, and best actor for Javier Bardem following its success at Spanish Film Academy awards the Goyas in February when it won six prizes.
Blanca Portillo won...
The Good Boss produced by The Mediapro Studio and Reposado PC took home four prizes at the Platino Awards on Sunday (May 1), the Ibero-American equivalent to the Oscars which took place in Madrid.
This satire about the petty boss of an industrial scales factory won best film, best director and screenplay for Fernando León de Aranoa, and best actor for Javier Bardem following its success at Spanish Film Academy awards the Goyas in February when it won six prizes.
Blanca Portillo won...
- 5/2/2022
- by Elisabet Cabeza
- ScreenDaily
Spanish satire starring Javier Bardem one of the big winners at the Ibero-American film awards held in Madrid.
The Good Boss produced by The Mediapro Studio and Reposado PC took home four prizes at the Platino Awards on Sunday (May 1), the Ibero-American equivalent to the Oscars which took place in Madrid.
This satire about the petty boss of an industrial scales factory won best film, best director and screenplay for Fernando León de Aranoa, and best actor for Javier Bardem following its success at Spanish Film Academy awards the Goyas in February when it won six prizes.
Blanca Portillo won...
The Good Boss produced by The Mediapro Studio and Reposado PC took home four prizes at the Platino Awards on Sunday (May 1), the Ibero-American equivalent to the Oscars which took place in Madrid.
This satire about the petty boss of an industrial scales factory won best film, best director and screenplay for Fernando León de Aranoa, and best actor for Javier Bardem following its success at Spanish Film Academy awards the Goyas in February when it won six prizes.
Blanca Portillo won...
- 5/2/2022
- by Elisabet Cabeza
- ScreenDaily
“We use ambience to tell the story. It’s more important than music. Ambience.” —Akritchalerm KalayanamitrApichatpong Weerasethakul’s Memoria starts with a sonic sensation, a “bang” that wakes up Tilda Swinton’s Jessica Holland. The noise propels her body and thus the narrative, inasmuch as it sets the viewer’s trajectory onto the realms of sound. In other words, the film becomes all about sound; about hearing, listening and feeling; about the whole notions of the smallest details the sound can produce, which we, the viewers-listeners, microdose along with the screening. To talk about the sonic sphere of Apichatpong’s works, I met with Akritchalerm Kalayanamitr, one of the most active sound designers in South East Asia, who worked with the Thai director on most of his films and art installations, including the latest one, Memoria.The conversation started about a vinyl compilation, “Metaphors.” “A happy customer!”, said Akritchalerm (also...
- 4/19/2022
- MUBI
Audrey Diwan’s “Happening,” Jane Campion’s “The Power of the Dog,” Ryûsuke Hamaguchi’s “Drive My Car” and Terence Davies’s “Benediction” won top prizes at the 2022 Ics Awards, which are handed out by the International Cinephile Society.
This 19th edition marked a milestone with female talents winning best picture, director, animated film, documentary, debut feature, breakthrough performance and cinematography.
“Happening,” a timely abortion drama set in 1960s France, took home best picture, while its star, Anamaria Vartolomei, won best breakthrough performance.
“Remarkable in its combination of artistic delicacy and brutal realism, yet resisting any hint of didacticism, the film quietly builds tension to a gut-wrenching emotional pitch,” stated the Ics.
Campion, meanwhile, won best director with her Western family drama “The Power of the Dog.” Runner-up for top film was Hamaguchi with “Drive My Car,” a road drama based on Haruki Murakami’s short story about guilt and grief.
This 19th edition marked a milestone with female talents winning best picture, director, animated film, documentary, debut feature, breakthrough performance and cinematography.
“Happening,” a timely abortion drama set in 1960s France, took home best picture, while its star, Anamaria Vartolomei, won best breakthrough performance.
“Remarkable in its combination of artistic delicacy and brutal realism, yet resisting any hint of didacticism, the film quietly builds tension to a gut-wrenching emotional pitch,” stated the Ics.
Campion, meanwhile, won best director with her Western family drama “The Power of the Dog.” Runner-up for top film was Hamaguchi with “Drive My Car,” a road drama based on Haruki Murakami’s short story about guilt and grief.
- 2/7/2022
- by Elsa Keslassy
- Variety Film + TV
Filmmaker‘s current print edition contains our annual section devoted to the below-the-line artists that excited us through this Fall’s awards season. Read below profiles by Abby Bender, Scott Macaulay, Matt Mulcahey, Vikram Murthri and Vadim Rizov, and, if you haven’t checked out these films, we recommend you do! Cinematography: Passing‘s Edu Grau, by Matt Mulcahey. Costume Design: Belfast‘s Charlotte Walter. Editing: Licorice Pizza‘s Andy Jorgenson, by Vikram Murthri. Original Score: The Power of the Dog‘s Jonny Greenwood, by Scott Macaulay Production Design: The Tragedy of Macbeth‘s Stefan Dechant, by Erik Luers Sound: The Memoria Sound Team of Akritchalerm Kalayanamitr, Richard […]
The post Sound and Visionaries ’22: Our Picks for Awards Season’s Most Exciting Below-the-Line Artists first appeared on Filmmaker Magazine.
The post Sound and Visionaries ’22: Our Picks for Awards Season’s Most Exciting Below-the-Line Artists first appeared on Filmmaker Magazine.
- 1/30/2022
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Filmmaker‘s current print edition contains our annual section devoted to the below-the-line artists that excited us through this Fall’s awards season. Read below profiles by Abby Bender, Scott Macaulay, Matt Mulcahey, Vikram Murthri and Vadim Rizov, and, if you haven’t checked out these films, we recommend you do! Cinematography: Passing‘s Edu Grau, by Matt Mulcahey. Costume Design: Belfast‘s Charlotte Walter. Editing: Licorice Pizza‘s Andy Jorgenson, by Vikram Murthri. Original Score: The Power of the Dog‘s Jonny Greenwood, by Scott Macaulay Production Design: The Tragedy of Macbeth‘s Stefan Dechant, by Erik Luers Sound: The Memoria Sound Team of Akritchalerm Kalayanamitr, Richard […]
The post Sound and Visionaries ’22: Our Picks for Awards Season’s Most Exciting Below-the-Line Artists first appeared on Filmmaker Magazine.
The post Sound and Visionaries ’22: Our Picks for Awards Season’s Most Exciting Below-the-Line Artists first appeared on Filmmaker Magazine.
- 1/30/2022
- by Filmmaker Staff
- Filmmaker Magazine - Blog
If one would have to describe the atmosphere of Taiki Sakpisit’s feature debut “The Edge of Daybreak” in one word, “unheimlich” would definitely come to mind. This film combines stunning images, an unsettling narrative and sinister sounds to submerge the viewer in a troubled family history. As such it is a perfect blend of the two aspects of his career as both a visual artist and a filmmaker.
“The Edge of Daybreak” is screening at the Across Asia Film Festival
The story of “The Edge of Daybreak” is inspired by true events from Thai history, namely the oppression of the student uprisings in the 1970s and the 2006 military coup. However, Taiki Sakpisit uses them rather to refer to certain emotions than to visualize the events themselves. What interests him is the impact of a political crisis and the violence and separation that follow, on the family life of those involved.
“The Edge of Daybreak” is screening at the Across Asia Film Festival
The story of “The Edge of Daybreak” is inspired by true events from Thai history, namely the oppression of the student uprisings in the 1970s and the 2006 military coup. However, Taiki Sakpisit uses them rather to refer to certain emotions than to visualize the events themselves. What interests him is the impact of a political crisis and the violence and separation that follow, on the family life of those involved.
- 12/19/2021
- by Nancy Fornoville
- AsianMoviePulse
Above: Edwin. Photo ©Erieknjuragan.Opening on two motorcyclists playing a reckless game of chicken for petty cash in an unfashionable outskirt of Bandung in 1989, Indonesian writer-director Edwin’s sixth feature, the Golden Leopard-winning Vengeance Is Mine, All Others Pay Cash, is intent on challenging any and all expectations its punchy title might evoke from the very start. As the winner of the contest, rat-tailed protagonist Ajo Kawir (Marthino Lio), sets off on a victory lap, he passes a painted advertising board, which promptly comes alive and offers the audience a glimpse beneath the veneer of Ajo’s masculine swagger: “Only a man who can’t get it up can face death without fear.” Our hero, for all his readiness to take on multiple people in any kind of fight, is impotent. But this perceived sexual inadequacy is not the fatal flaw that will come to haunt Ajo on his hero’s journey.
- 8/22/2021
- MUBI
If one would have to describe the atmosphere of Taiki Sakpisit’s feature debut “The Edge of Daybreak” in one word, “unheimlich” would definitely come to mind. This film combines stunning images, an unsettling narrative and sinister sounds to submerge the viewer in a troubled family history. As such it is a perfect blend of the two aspects of his career as both a visual artist and a filmmaker.
The Edge of Daybreak screened at International Film Festival Rotterdam
The story of “The Edge of Daybreak” is inspired by true events from Thai history, namely the oppression of the student uprisings in the 1970s and the 2006 military coup. However, Taiki Sakpisit uses them rather to refer to certain emotions than to visualize the events themselves. What interests him is the impact of a political crisis and the violence and separation that follow, on the family life of those involved. He...
The Edge of Daybreak screened at International Film Festival Rotterdam
The story of “The Edge of Daybreak” is inspired by true events from Thai history, namely the oppression of the student uprisings in the 1970s and the 2006 military coup. However, Taiki Sakpisit uses them rather to refer to certain emotions than to visualize the events themselves. What interests him is the impact of a political crisis and the violence and separation that follow, on the family life of those involved. He...
- 2/6/2021
- by Nancy Fornoville
- AsianMoviePulse
HBO Asia’s “Folklore” is a six-episode, hour-long series that takes place across six Asian countries – Indonesia, Japan, Korea, Malaysia, Singapore and Thailand. Each episode is based on a country’s deeply-rooted myths and folklore, featuring supernatural beings and occult beliefs. The respective episodes are helmed by a director from that country and filmed locally in the country’s primary language. In the particular segment, Pen-Ek Ratanaruang deals with the myth of the Pob, a ghost that feeds on human intestines and has featured in a number of Thai horror films
Folklore is available to Us subscribers on HBO Now®, HBO Go®, HBO On Demand and partners’ streaming platforms
A wealthy neighborhood is shaken by a murder. John Conrad, an American who recently moved to Thailand to take over as the new head of an international corporation, is found with his stomach ripped open, his guts missing, and a piece of cheese in his mouth.
Folklore is available to Us subscribers on HBO Now®, HBO Go®, HBO On Demand and partners’ streaming platforms
A wealthy neighborhood is shaken by a murder. John Conrad, an American who recently moved to Thailand to take over as the new head of an international corporation, is found with his stomach ripped open, his guts missing, and a piece of cheese in his mouth.
- 2/3/2019
- by Panos Kotzathanasis
- AsianMoviePulse
Tina Mabry's "Mississippi Damned," an independent American production, won the Gold Hugo as the best film in the 2009 Chicago International Film Festival, and added Gold Plaques for best supporting actress (Jossie Thacker) and best screenplay (Mabry). It tells the harrowing story of three black children growing up in rural Mississippi in circumstances of violence and addiction. The film's trailer and an interview with Mabry are linked at the bottom.
Kylee Russell in "Mississippi Damned"
The win came over a crowed field of competitors from all over the world, many of them with much larger budgets. The other big winner at the Pump Room of the Ambassador East awards ceremony Saturday evening was by veteran master Marco Bellocchio of Italy, who won the Silver Hugo as best director for "Vincere," the story of Mussolini's younger brother. Giovanna Mezzogiorno and Filippo Timi won Silver Hugos as best actress and actor,...
Kylee Russell in "Mississippi Damned"
The win came over a crowed field of competitors from all over the world, many of them with much larger budgets. The other big winner at the Pump Room of the Ambassador East awards ceremony Saturday evening was by veteran master Marco Bellocchio of Italy, who won the Silver Hugo as best director for "Vincere," the story of Mussolini's younger brother. Giovanna Mezzogiorno and Filippo Timi won Silver Hugos as best actress and actor,...
- 10/23/2009
- by Roger Ebert
- blogs.suntimes.com/ebert
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