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“Hate Is A Loaded Gun”
By Raymond Benson
The years of the 1940s following World War II exhibited a striking change in Hollywood movies. The moods and world outlooks of post-war GIs and the people they had left behind and to whom they returned were more reflective and serious. Awareness of societal ills that had always been with us were now at the forefront… and Hollywood stepped up to address this new American angst in the form of a) what film historians call “social problem films” that tackled issues such as alcoholism, drug addiction, anti-Semitism, racism, government corruption, and other hitherto taboos of motion pictures, and b) film noir, the gritty crime dramas that never sugar-coated anything and portrayed both men and women—the femmes fatale—as hard-boiled, cynical, and paranoid.
Two pictures were released in 1947 that tackled anti-Semitism with frank, hard-hitting realism.
“Hate Is A Loaded Gun”
By Raymond Benson
The years of the 1940s following World War II exhibited a striking change in Hollywood movies. The moods and world outlooks of post-war GIs and the people they had left behind and to whom they returned were more reflective and serious. Awareness of societal ills that had always been with us were now at the forefront… and Hollywood stepped up to address this new American angst in the form of a) what film historians call “social problem films” that tackled issues such as alcoholism, drug addiction, anti-Semitism, racism, government corruption, and other hitherto taboos of motion pictures, and b) film noir, the gritty crime dramas that never sugar-coated anything and portrayed both men and women—the femmes fatale—as hard-boiled, cynical, and paranoid.
Two pictures were released in 1947 that tackled anti-Semitism with frank, hard-hitting realism.
- 3/23/2021
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Hollywood learns to imbed a social message into a crime thriller. John Paxton’s adaptation of Richard Brooks’ neat murder tale is solid noir because it sheds light on the malaise of returning soldiers. No parades and confetti here: Robert Ryan is the hateful bigot but the other characters live amid equally shadowy values — laid-back Robert Mitchum, unhappy bar girl Gloria Grahame. Edward Dmytryk puts a polish on a fine screenplay with a fresh viewpoint, that avoids thriller clichés.
Crossfire
Blu-ray
Warner Archive Collection
1947 / B&w / 1:37 Academy / 86 min. / Street Date , 2021 / available through the WBshop / 21.99
Starring: Robert Young, Robert Mitchum, Robert Ryan, Gloria Grahame, Paul Kelly,
Sam Levene, George Cooper, Jacqueline White, Steve Brodie, William Phipps, Lex Barker, Marlo Dwyer.
Cinematography: J. Roy Hunt
Film Editor: Harry Gerstad
Art Direction: Albert S. D’Agostino, Alfred Herman
Original Music: Roy Webb
Written by John Paxton from the novel The Brick Foxhole by...
Crossfire
Blu-ray
Warner Archive Collection
1947 / B&w / 1:37 Academy / 86 min. / Street Date , 2021 / available through the WBshop / 21.99
Starring: Robert Young, Robert Mitchum, Robert Ryan, Gloria Grahame, Paul Kelly,
Sam Levene, George Cooper, Jacqueline White, Steve Brodie, William Phipps, Lex Barker, Marlo Dwyer.
Cinematography: J. Roy Hunt
Film Editor: Harry Gerstad
Art Direction: Albert S. D’Agostino, Alfred Herman
Original Music: Roy Webb
Written by John Paxton from the novel The Brick Foxhole by...
- 3/20/2021
- by Glenn Erickson
- Trailers from Hell
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