ASCAP raises the curtain on its second virtual celebration of annual award winners today through June 25, recognizing its top film, television and video game composers as recipients of 2020 ASCAP Screen Music Awards.
The accolades will take place with the hashtag #ASCAPAwards on ASCAP’s Facebook, Twitter, and on Instagram @ASCAP and @ASCAPScreen. Each winner will be honored in a post that enables fans, friends and peers to join in congratulating the music creators that bring their favorite onscreen entertainment to life. ASCAP will share exclusive photos and videos from the winning composers — and special celebrity guests — as part of the event.
Top Box Office Film goes to Hans Zimmer for The Lion King.
Other Top Box Office winners include Pinar Toprak (Captain Marvel), who will appear on video on ASCAP social media providing a tour of her home studio, and Lorne Balfe (Gemini Man), who created a special video documenting the receipt of his award.
The accolades will take place with the hashtag #ASCAPAwards on ASCAP’s Facebook, Twitter, and on Instagram @ASCAP and @ASCAPScreen. Each winner will be honored in a post that enables fans, friends and peers to join in congratulating the music creators that bring their favorite onscreen entertainment to life. ASCAP will share exclusive photos and videos from the winning composers — and special celebrity guests — as part of the event.
Top Box Office Film goes to Hans Zimmer for The Lion King.
Other Top Box Office winners include Pinar Toprak (Captain Marvel), who will appear on video on ASCAP social media providing a tour of her home studio, and Lorne Balfe (Gemini Man), who created a special video documenting the receipt of his award.
- 6/24/2020
- by Michelle Hannett
- WeAreMovieGeeks.com
A week after ASCAP gave out its pop awards, the performing rights organization rolled out another round of kudos with the ASCAP Screen Music Awards for composers, announced online Tuesday morning as the kickoff to a two-day online event taking place in lieu of the org’s usual black-tie dinner in Beverly Hills as a result of ongoing quarantining.
Hans Zimmer won the trophy for top box office film for scoring the blockbuster remake of “The Lion King.” In television, the award for most performed themes and underscore went to David Vanacore, whose most-heard work of the year included “Survivor” and “Deal or No Deal.” Siddhartha Khosla, of “This Is Us” fame, won for top network television series.
Although those awards represent acclaim represented in sheer commercial numbers, ASCAP also polls its composer and songwriter members to give out three peer-voted awards. In the Composer’s Choice categories, John Powell...
Hans Zimmer won the trophy for top box office film for scoring the blockbuster remake of “The Lion King.” In television, the award for most performed themes and underscore went to David Vanacore, whose most-heard work of the year included “Survivor” and “Deal or No Deal.” Siddhartha Khosla, of “This Is Us” fame, won for top network television series.
Although those awards represent acclaim represented in sheer commercial numbers, ASCAP also polls its composer and songwriter members to give out three peer-voted awards. In the Composer’s Choice categories, John Powell...
- 6/23/2020
- by Chris Willman
- Variety Film + TV
Icelandic composer Hildur Guðnadóttir continued her winning streak, claiming top honors for both her “Joker” and “Chernobyl” scores at Tuesday night’s inaugural awards of the Society of Composers & Lyricists at Los Angeles’ Skirball Cultural Center.
Her music for “Joker” was named outstanding original score for a studio film and her score for HBO’s “Chernobyl” was cited as outstanding original score for a television or streaming production. They followed her Golden Globe win Sunday night for “Joker” and BAFTA nomination earlier Tuesday. She won the Emmy in September for her score to the HBO miniseries “Chernobyl.”
Guðnadóttir is among the most talked-about newcomers in film music, first for her “Chernobyl” score (built largely on sounds she recorded while visiting the nuclear power plant where it was shot) and more recently her “Joker” music (her electro-acoustic cello providing the accompaniment for star Joaquin Phoenix’s on-screen dancing). She...
Her music for “Joker” was named outstanding original score for a studio film and her score for HBO’s “Chernobyl” was cited as outstanding original score for a television or streaming production. They followed her Golden Globe win Sunday night for “Joker” and BAFTA nomination earlier Tuesday. She won the Emmy in September for her score to the HBO miniseries “Chernobyl.”
Guðnadóttir is among the most talked-about newcomers in film music, first for her “Chernobyl” score (built largely on sounds she recorded while visiting the nuclear power plant where it was shot) and more recently her “Joker” music (her electro-acoustic cello providing the accompaniment for star Joaquin Phoenix’s on-screen dancing). She...
- 1/8/2020
- by Jon Burlingame
- Variety Film + TV
In our second part of this summer’s roundup of television scores, we’re taking a look at the new and returning shows on FX, ABC Family and Starz. Also visit our previous article featuring shows on ABC, NBC, CBS, USA and Showtime.
FX:
The only new show this summer on FX is the comedy Wilfred. The show stars Elijah Wood as a depressed and unemployed worker who imagines seeing a man in a dog costume. Jason Gann and Fiona Gubelmann are co-starring and guest stars include Ed Helms, Chris Klein and Rashida Jones. Jim Dooley (Pushing Daisies, Obsessed) is providing the score for the show. Wilfred is based on an Australian series with the same title and is adapted by David Zuckerman (Family Guy, American Dad). Randall Einhorn (The Office, It’s Always Sunny in Philadelphia) directed the pilot. The show’s first season of 13 episodes is currently airing every Thursday night on FX.
FX:
The only new show this summer on FX is the comedy Wilfred. The show stars Elijah Wood as a depressed and unemployed worker who imagines seeing a man in a dog costume. Jason Gann and Fiona Gubelmann are co-starring and guest stars include Ed Helms, Chris Klein and Rashida Jones. Jim Dooley (Pushing Daisies, Obsessed) is providing the score for the show. Wilfred is based on an Australian series with the same title and is adapted by David Zuckerman (Family Guy, American Dad). Randall Einhorn (The Office, It’s Always Sunny in Philadelphia) directed the pilot. The show’s first season of 13 episodes is currently airing every Thursday night on FX.
- 7/24/2011
- by filmmusicreporter
- Film Music Reporter
I'm sure you've had this experience: you go to a party, a meeting or seminar, or maybe just an informal gathering of people — friends, work colleagues, folks out in the world. Inevitably there is one person there who stands out, the center of attention, clearly the most confident, smartest, most successful. How did this person get to be that way? Blessed with talent, charisma, and brains, they go through life winning every game they play, it seems.
If you are one of those people, congratulations. But what about the rest of us? How can we hope to compete and succeed in their world, maybe even become a bit like that someday? Let's take a look at a few charismatic successful people I've had the pleasure of meeting and working with over the years, and then talk a bit about what we can learn from them.
The first composer I ever...
If you are one of those people, congratulations. But what about the rest of us? How can we hope to compete and succeed in their world, maybe even become a bit like that someday? Let's take a look at a few charismatic successful people I've had the pleasure of meeting and working with over the years, and then talk a bit about what we can learn from them.
The first composer I ever...
- 1/26/2010
- by noreply@blogger.com (Les Brockmann)
- SCOREcastOnline.com
I'm sure you've had this experience: you go to a party, a meeting or seminar, or maybe just an informal gathering of people — friends, work colleagues, folks out in the world. Inevitably there is one person there who stands out, the center of attention, clearly the most confident, smartest, most successful. How did this person get to be that way? Blessed with talent, charisma, and brains, they go through life winning every game they play... it seems.
If you are one of those people, congratulations. But what about the rest of us? How can we hope to compete and succeed in their world, maybe even become a bit like that someday? Let's take a look at a few charismatic successful people I've had the pleasure of meeting and working with over the years, and then talk a bit about what we can learn from them.
The first composer I ever...
If you are one of those people, congratulations. But what about the rest of us? How can we hope to compete and succeed in their world, maybe even become a bit like that someday? Let's take a look at a few charismatic successful people I've had the pleasure of meeting and working with over the years, and then talk a bit about what we can learn from them.
The first composer I ever...
- 1/25/2010
- by noreply@blogger.com (Les Brockmann)
- SCOREcastOnline.com
I got my start recording score music for episodic television a couple of decades ago, when the personal studio trend was just getting going in a big way. Among many others, I engineered music for the ABC series thirtysomething with composers Stewart Levin and Snuffy Walden, and then Northern Exposure with composer David Schwartz. Both started out in fairly modest home studio settings with simple gear, and as the shows and composers gained more success, their studios became more sophisticated. They wrote some of the coolest music I've had the pleasure of working on, and I still remember those experiences fondly.
So, I am way familiar with the "standard" model of how most television scoring is done these days, based on multitrack production techniques, using Midi and audio tracks. Each part is carefully crafted and laid in, one at a time, until it sounds complete. Mixing might be done right...
So, I am way familiar with the "standard" model of how most television scoring is done these days, based on multitrack production techniques, using Midi and audio tracks. Each part is carefully crafted and laid in, one at a time, until it sounds complete. Mixing might be done right...
- 8/25/2009
- by noreply@blogger.com (Les Brockmann)
- SCOREcastOnline.com
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