In Reinas, director Klaudia Reynicke (Love Me Tender) returns to her childhood home of Lima to tell the story of a mother and her two daughters attempt to reconcile with the estranged father before seeking greener pastures in the United States. Below, editor Paola Freddi, whose previous credits include the Venice premieres A Espera (2015) and Monica (2022), discusses her collaboration with Reynicke and how she approaches her craft. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your […]
The post “A Fundamental Quality for the Editor is to Investigate the Director’s Unconscious”: Editor Paola Freddi on Reinas first appeared on Filmmaker Magazine.
The post “A Fundamental Quality for the Editor is to Investigate the Director’s Unconscious”: Editor Paola Freddi on Reinas first appeared on Filmmaker Magazine.
- 1/22/2024
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
In Reinas, director Klaudia Reynicke (Love Me Tender) returns to her childhood home of Lima to tell the story of a mother and her two daughters attempt to reconcile with the estranged father before seeking greener pastures in the United States. Below, editor Paola Freddi, whose previous credits include the Venice premieres A Espera (2015) and Monica (2022), discusses her collaboration with Reynicke and how she approaches her craft. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your […]
The post “A Fundamental Quality for the Editor is to Investigate the Director’s Unconscious”: Editor Paola Freddi on Reinas first appeared on Filmmaker Magazine.
The post “A Fundamental Quality for the Editor is to Investigate the Director’s Unconscious”: Editor Paola Freddi on Reinas first appeared on Filmmaker Magazine.
- 1/22/2024
- by Filmmaker Staff
- Filmmaker Magazine - Blog
New York-based Film Movement has acquired North American rights to Italian director Laura Luchetti’s “Twin Flower,” a dark tale of two teen runaways that launched last year from Toronto’s Discovery section and has since screened at a number of festivals, including London, Busan and Seattle.
The film was sold to Film Movement by Italy’s Fandango Sales, headed by Raffaella Di Giulio.
Set in Sardinia, Luchetti’s standout sophomore work pairs two 16-year-olds: Anna, whose father reluctantly works for an immigrants trafficker, and Basim who has arrived illegally on the Italian island from the Ivory Coast. They meet and hit the road together across Sardinia’s sun-scorched countryside, escaping from a menacing pursuer.
“With this timely drama, Laura Luchetti not only solidifies her reputation as one of the top Italian filmmakers to watch, but also as a director who can elicit incredibly moving, naturalistic performances from young acting talent,...
The film was sold to Film Movement by Italy’s Fandango Sales, headed by Raffaella Di Giulio.
Set in Sardinia, Luchetti’s standout sophomore work pairs two 16-year-olds: Anna, whose father reluctantly works for an immigrants trafficker, and Basim who has arrived illegally on the Italian island from the Ivory Coast. They meet and hit the road together across Sardinia’s sun-scorched countryside, escaping from a menacing pursuer.
“With this timely drama, Laura Luchetti not only solidifies her reputation as one of the top Italian filmmakers to watch, but also as a director who can elicit incredibly moving, naturalistic performances from young acting talent,...
- 6/12/2019
- by Nick Vivarelli
- Variety Film + TV
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