Prime Video is gearing up for a strong Emmy push with Lulu Wang’s emotionally charged and intricately crafted miniseries “Expats.”
It was revealed exclusively to Variety that stars Nicole Kidman and Ji-young Yoo will be submitted for lead acting accolades, while Sarayu Blue and Ruby Ruiz will aim for supporting roles. Altogether, “Expats” will vie for 24 Primetime Emmy nominations, including outstanding limited or anthology series.
Set against the vibrant backdrop of Hong Kong, and adapted from the novel by Janice Y.K. Lee, “Expats” delves into the lives of a close-knit group of expatriates, navigating their affluent, yet complex world. The narrative centers around the mysterious disappearance of Margaret’s (Kidman) son during a market visit, intertwining the lives of three American women amidst the 2014 Umbrella Movement protests.
Read: All Primetime Emmy predictions in every category on Variety’s Awards Circuit.
Lulu Wang, the creator, writer and director of the...
It was revealed exclusively to Variety that stars Nicole Kidman and Ji-young Yoo will be submitted for lead acting accolades, while Sarayu Blue and Ruby Ruiz will aim for supporting roles. Altogether, “Expats” will vie for 24 Primetime Emmy nominations, including outstanding limited or anthology series.
Set against the vibrant backdrop of Hong Kong, and adapted from the novel by Janice Y.K. Lee, “Expats” delves into the lives of a close-knit group of expatriates, navigating their affluent, yet complex world. The narrative centers around the mysterious disappearance of Margaret’s (Kidman) son during a market visit, intertwining the lives of three American women amidst the 2014 Umbrella Movement protests.
Read: All Primetime Emmy predictions in every category on Variety’s Awards Circuit.
Lulu Wang, the creator, writer and director of the...
- 4/11/2024
- by Clayton Davis
- Variety Film + TV
Howard Stern has been one of the most controversial – and revered – figures in the history of modern media. With a passion for the field as a child, Stern’s climb to the top of the radio world truly began in the ‘80s. And he did it off of his unique, button-pressing, FCC-clashing brand and humor: the boobs, the prank calls, the Wack Pack, all of it all made Howard Stern one of the most recognizable figures in all of media. And so as his markets grew and his written word topped the charts – but long before his first $500 million contract with Sirius – it was time for Stern to enter the movie business…with something a little more commercially viable than Butt Bongo Fiesta.
So how did the guy who mocked his wife’s miscarriage on the air and flipped the bird to nearly every boss he’s ever had...
So how did the guy who mocked his wife’s miscarriage on the air and flipped the bird to nearly every boss he’s ever had...
- 2/7/2024
- by Mathew Plale
- JoBlo.com
Exclusive: Executive Producer Dani Melia describes how “a scrappy team” that made filmmaker Lulu Wang’s acclaimed low-budget feature The Farewell joined forces with Blossom Films’ Nicole Kidman and Per Saari to make “this big international production” Expats for Prime Video.
Melia tells me how she and Wang had “long talked about wanting to continue working together” after making The Farewell.
Then, while they were promoting the movie in Australia, Kidman approached Wang about directing an adaptation of Janice Y.K. Lee’s book The Expatriates.
Wang was excited, and Melia recalls the director telling her: ”I need to find a way to do this with you and the rest of the crew who did The Farewell. I want my creative team onboard, and I think this should be our next thing.”
Melia says that quite a few creatives from The Farewell ended up making the leap with them.
They include Melia herself,...
Melia tells me how she and Wang had “long talked about wanting to continue working together” after making The Farewell.
Then, while they were promoting the movie in Australia, Kidman approached Wang about directing an adaptation of Janice Y.K. Lee’s book The Expatriates.
Wang was excited, and Melia recalls the director telling her: ”I need to find a way to do this with you and the rest of the crew who did The Farewell. I want my creative team onboard, and I think this should be our next thing.”
Melia says that quite a few creatives from The Farewell ended up making the leap with them.
They include Melia herself,...
- 10/3/2023
- by Baz Bamigboye
- Deadline Film + TV
The Trial of the Chicago 7 editor Alan Baumgarten topped the dramatic feature editing category of American Cinema Editors’s 71st Ace Eddie Awards, while Palm Springs’s Matthew Friedman and Andrew Dickler won the category for best edited comedic feature, during Saturday’s virtual ceremony.
This is the third Ace Award for Baumgarten, who also accepted Eddies for American Hustle in 2014 and Recount in 2009. It was the first Eddie and second Ace nomination for Friedman, who was also nominated a year ago for The Farewell; and the first Eddie and first nomination for Dickler.
Trial — Aaron Sorkin’s Netflix courtroom drama about events ...
This is the third Ace Award for Baumgarten, who also accepted Eddies for American Hustle in 2014 and Recount in 2009. It was the first Eddie and second Ace nomination for Friedman, who was also nominated a year ago for The Farewell; and the first Eddie and first nomination for Dickler.
Trial — Aaron Sorkin’s Netflix courtroom drama about events ...
- 4/17/2021
- The Hollywood Reporter - Film + TV
When it comes to predicting the Oscar winner for Best Film Editing, you can’t go wrong by looking for the movie with the most cuts. Past winners “The Bourne Ultimatum” (2008), “Mad Max: Fury Road” (2016) and “Ford v Ferrari” (2020) included high-octane action sequences with frenetic cutting. And a slew of other champs — including “Saving Private Ryan” in 1999, “Black Hawk Down” (2002), “The Hurt Locker” (2010), “Hacksaw Ridge” (2017) and “Dunkirk” (2018) — have been war pictures. (Scroll down for the most up-to-date 2021 Oscar predictions for Best Film Editing.)
Oscar voters also embrace film editors who skillfully juggle multiple storylines, as was the case with “Traffic” (2001) and “Crash” (2006). And they like films that expertly inter-cut music with images, such as “Cabaret” (1973), “Chicago” (2003), “Whiplash” (2015) and “Bohemian Rhapsody” (2019). Special effects extravaganzas like “The Lord of the Rings: The Return of the King” (2004) and “Gravity” (2014) won by deftly blurring the lines between the real and the fantastic.
Historically, a...
Oscar voters also embrace film editors who skillfully juggle multiple storylines, as was the case with “Traffic” (2001) and “Crash” (2006). And they like films that expertly inter-cut music with images, such as “Cabaret” (1973), “Chicago” (2003), “Whiplash” (2015) and “Bohemian Rhapsody” (2019). Special effects extravaganzas like “The Lord of the Rings: The Return of the King” (2004) and “Gravity” (2014) won by deftly blurring the lines between the real and the fantastic.
Historically, a...
- 3/4/2021
- by Paul Sheehan
- Gold Derby
Max Barbakow’s feature debut, Palm Springs, centers around a destination wedding and a reluctant maid of honor, Sarah (Cristin Milioti), whose younger sister is the bride to be. She finds a fellow nihilist, Nyles (Andy Samberg), who is being strung along as the date of one of the bridesmaids. Their bond grows stronger as the events surrounding the wedding become increasingly more surreal. Editor Matt Friedman talks about his part in the process of making Palm Springs, from preserving the strength of the script to the necessity of VFX for small budget indie films. Filmmaker: How and why did you […]...
- 2/3/2020
- by Filmmaker Staff
- Filmmaker Magazine - Blog
Max Barbakow’s feature debut, Palm Springs, centers around a destination wedding and a reluctant maid of honor, Sarah (Cristin Milioti), whose younger sister is the bride to be. She finds a fellow nihilist, Nyles (Andy Samberg), who is being strung along as the date of one of the bridesmaids. Their bond grows stronger as the events surrounding the wedding become increasingly more surreal. Editor Matt Friedman talks about his part in the process of making Palm Springs, from preserving the strength of the script to the necessity of VFX for small budget indie films. Filmmaker: How and why did you […]...
- 2/3/2020
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
The influential Ace Eddie Awards nominees for editing include the prestige dramas “Ford v Ferrari, ” “The Irishman,” “Joker,” “Marriage Story,” and “Parasite,” Left out was Sam Mendes’ late-breaking bold, single-cut “1917” from Oscar-winner Lee Smith (“Dunkirk”), which does not bode well for an Academy Award nomination. Best Picture contender “Once Upon a Time in Hollywood” made the cut as a comedy nominee along with “Dolemite Is My Name,” “The Farewell,” “Jojo Rabbit,” and “Knives Out.”
This makes for a competitive Oscar race, with three-time Academy Award-winner Thelma Schoonmaker as the frontrunner for “The Irishman,” Martin Scorsese’s deeply personal, character-driven, non-linear ode to mob life, complicated by Ilm’s experimental VFX de-aging of Robert De Niro, Al Pacino, and Joe Pesci. “Once Upon a Time in Hollywood,” Quentin Tarantino’s complex love letter to Tinseltown, should earn a nomination for Fred Raskin; Todd Phillips’ bending of reality and fantasy around...
This makes for a competitive Oscar race, with three-time Academy Award-winner Thelma Schoonmaker as the frontrunner for “The Irishman,” Martin Scorsese’s deeply personal, character-driven, non-linear ode to mob life, complicated by Ilm’s experimental VFX de-aging of Robert De Niro, Al Pacino, and Joe Pesci. “Once Upon a Time in Hollywood,” Quentin Tarantino’s complex love letter to Tinseltown, should earn a nomination for Fred Raskin; Todd Phillips’ bending of reality and fantasy around...
- 12/11/2019
- by Bill Desowitz and Libby Hill
- Indiewire
The American Cinema Editors nominations for the Eddie Awards announced on Wednesday (December 11) include our Oscar frontrunner for Best Film Editing, “The Irishman,” along with three of the other four films we’re predicting to reap bids in that race: “Ford v Ferrari,” “Once Upon a Time in Hollywood” and “Parasite.” While the WWI epic “1917,” which is made to look like one continuous shot, was snubbed by the guild we expect it to be the fifth Academy Awards contender.
The Ace Eddie Awards divide their prizes for editing between dramas and comedies/musicals. “Ford v Ferrari,” “The Irishman” and “Parasite” contend here in the drama race, which is rounded out by “Joker” and “Marriage Story.” Facing off against “Once Upon a Time in Hollywood” on the comedy side are “Dolemite is My Name,” “The Farewell,” “Jojo Rabbit” and “Knives Out.”
In 1992, the Eddies went from three to five nominees...
The Ace Eddie Awards divide their prizes for editing between dramas and comedies/musicals. “Ford v Ferrari,” “The Irishman” and “Parasite” contend here in the drama race, which is rounded out by “Joker” and “Marriage Story.” Facing off against “Once Upon a Time in Hollywood” on the comedy side are “Dolemite is My Name,” “The Farewell,” “Jojo Rabbit” and “Knives Out.”
In 1992, the Eddies went from three to five nominees...
- 12/11/2019
- by Paul Sheehan
- Gold Derby
The American Cinema Editors has nominated “Ford v Ferrari,” “Joker,” “The Irishman,” “Marriage Story” and “Parasite” for its Ace Eddie top feature film drama award.
“Dolemite Is My Name,” “The Farewell,” “Jojo Rabbit,” “Knives Out” and “Once Upon a Time in Hollywood” received nominations in the feature comedy category. Nominated animated films include “Frozen 2,” “I Lost My Body” and “Toy Story 4.”
For the first time in Ace’s 70-year history, three foreign language films are among the nominees — “The Farewell,” which is partly in Mandarin, French animated film “I Lost My Body” and Korean-language “Parasite.”
On the television side, the spy thriller “Killing Eve” scored Ace nominations for Dan Crinnion for the “Desperate Times” episode and the “Smell Ya Later” episode for Al Morrow.
Winners will be revealed during Ace’s annual black-tie awards ceremony on Jan. 17 at the Beverly Hilton Hotel and will be presided over by Ace president Stephen Rivkin.
“Dolemite Is My Name,” “The Farewell,” “Jojo Rabbit,” “Knives Out” and “Once Upon a Time in Hollywood” received nominations in the feature comedy category. Nominated animated films include “Frozen 2,” “I Lost My Body” and “Toy Story 4.”
For the first time in Ace’s 70-year history, three foreign language films are among the nominees — “The Farewell,” which is partly in Mandarin, French animated film “I Lost My Body” and Korean-language “Parasite.”
On the television side, the spy thriller “Killing Eve” scored Ace nominations for Dan Crinnion for the “Desperate Times” episode and the “Smell Ya Later” episode for Al Morrow.
Winners will be revealed during Ace’s annual black-tie awards ceremony on Jan. 17 at the Beverly Hilton Hotel and will be presided over by Ace president Stephen Rivkin.
- 12/11/2019
- by Dave McNary
- Variety Film + TV
American Cinema Editors has spliced together its nominations for the 70th annual Ace Eddie Awards, which recognize outstanding editing in 11 categories of film, television and documentaries. The honorary society will dole out its hardware during the January 17 ceremony at the Beverly Hilton.
Final balloting opens December 16 and closes January 6. Check out the list below.
For the first time, three foreign-language films are among the Eddie Awards nominees — The Farewell, I Lost My Body and Parasite — despite there not being a specific category for films predominantly in a foreign language.
Last year’s big winner on the feature side was Bohemian Rhapsody, which went on to score the Oscar for John Ottman.
Here are the nominees for the 70th annual Ace Eddie Awards:
Best Edited Feature Film (Drama)
Ford v Ferrari
Michael McCusker, Ace & Andrew Buckland
The Irishman
Thelma Schoonmaker, Ace
Joker
Jeff Groth
Marriage Story
Jennifer Lame, Ace
Parasite
Jinmo Yang...
Final balloting opens December 16 and closes January 6. Check out the list below.
For the first time, three foreign-language films are among the Eddie Awards nominees — The Farewell, I Lost My Body and Parasite — despite there not being a specific category for films predominantly in a foreign language.
Last year’s big winner on the feature side was Bohemian Rhapsody, which went on to score the Oscar for John Ottman.
Here are the nominees for the 70th annual Ace Eddie Awards:
Best Edited Feature Film (Drama)
Ford v Ferrari
Michael McCusker, Ace & Andrew Buckland
The Irishman
Thelma Schoonmaker, Ace
Joker
Jeff Groth
Marriage Story
Jennifer Lame, Ace
Parasite
Jinmo Yang...
- 12/11/2019
- by Erik Pedersen
- Deadline Film + TV
“Ford v Ferrari,” “The Irishman,” “Joker,” “Marriage Story” and “Parasite” have been nominated in the dramatic-film category at the American Cinema Editors’ Ace Eddie Awards, which honor the best in film editing.
In the comedy category, the nominees were “Dolemite Is My Name,” “The Farewell,” “Jojo Rabbit,” “Knives Out” and “Once Upon a Time … in Hollywood.”
The most notable omission was “1917,” which contains dozens of cuts but was designed to look as if it was filmed in one continuous, unbroken shot.
Also Read: Golden Globes 2020: The Complete List of Nominees
In recent years, more than 90 percent of the Oscar nominees in the Best Film Editing category have first been recognized by the American Cinema Editors. The majority of Oscar nominees have come from the Ace Eddie dramatic category – though for the last two years, the Academy has taken three nominees from the Ace Eddies’ comedy category and only two from the drama category.
In the comedy category, the nominees were “Dolemite Is My Name,” “The Farewell,” “Jojo Rabbit,” “Knives Out” and “Once Upon a Time … in Hollywood.”
The most notable omission was “1917,” which contains dozens of cuts but was designed to look as if it was filmed in one continuous, unbroken shot.
Also Read: Golden Globes 2020: The Complete List of Nominees
In recent years, more than 90 percent of the Oscar nominees in the Best Film Editing category have first been recognized by the American Cinema Editors. The majority of Oscar nominees have come from the Ace Eddie dramatic category – though for the last two years, the Academy has taken three nominees from the Ace Eddies’ comedy category and only two from the drama category.
- 12/11/2019
- by Steve Pond
- The Wrap
Awards ceremony takes place in Los Angeles on January 17, 2020.
Parasite, The Farewell and I Lost My Body have earned nominations from the America Cinema Editors (Ace), marking the first time three foreign-language films have garnered nods in the group’s 70-year history.
Bong Joon Ho’s South Korean dark comedy Parasite is nominated in the best edited feature film (drama) category, while Us-Chinese The Farewell is in best edited feature film (comedy), and France’s I Lost My Body is in best edited animated feature film.
The Ace awards ceremony will take place in Los Angeles on January 17, 2020. Final ballots...
Parasite, The Farewell and I Lost My Body have earned nominations from the America Cinema Editors (Ace), marking the first time three foreign-language films have garnered nods in the group’s 70-year history.
Bong Joon Ho’s South Korean dark comedy Parasite is nominated in the best edited feature film (drama) category, while Us-Chinese The Farewell is in best edited feature film (comedy), and France’s I Lost My Body is in best edited animated feature film.
The Ace awards ceremony will take place in Los Angeles on January 17, 2020. Final ballots...
- 12/11/2019
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
Chicago – The kids in “Step Up” are hardly the children of a revolution. They stand up for nothing of consequence besides the right to dance wherever they please, even if it means blocking several lanes of traffic. There’s no brand of narcissism worse than the self-righteous variety, and these shiny-faced brats have it in spades.
Of course, this fourth installment is in the well-worn tradition of Frankie and Annette beach movies where the hip kids faced off against their elderly conformists. The script by Amanda Brody is so groan-inducing in its contrivances that it’s a wonder why a film like this needs a plot at all. A sturdy clothesline upon which to hang spectacular dance sequences would be more than good enough.
Blu-ray Rating: 1.5/5.0
Unfortunately, a generously large portion of the running time in director Scott Speer’s “Step Up Revolution” is devoted to dialogue written entirely in clichés.
Of course, this fourth installment is in the well-worn tradition of Frankie and Annette beach movies where the hip kids faced off against their elderly conformists. The script by Amanda Brody is so groan-inducing in its contrivances that it’s a wonder why a film like this needs a plot at all. A sturdy clothesline upon which to hang spectacular dance sequences would be more than good enough.
Blu-ray Rating: 1.5/5.0
Unfortunately, a generously large portion of the running time in director Scott Speer’s “Step Up Revolution” is devoted to dialogue written entirely in clichés.
- 12/7/2012
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
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