- (July 2002) Designed costumes for "Miss Julie" play by August Strindberg, English adaptation by Craig Lucas, based on a literal translation by Anders Cato (The Unicorn Theater, Stockbridge, Massachussets, USA).
- (February 2003) Costumes for "One Million Butterflies" play by Stephen Belber (Primary Stages, New York City, New York, USA).
- (May 2005) Designed costumes for "Miss Julie" play by August Strindberg adapted by Craig Lucas (Rattlestick Playwrights Theater, New York City, New York, USA).
- (November 29 to December 31, 2006) He was costume designer for David Sedaris' play, "The Santaland Diaries," at the Long Wharf Theatre (Stage II) in New Haven, Connecticut. Joe Mantello was adapter. Kim Rubinstein was director. Jessica Ford was scenic designer. Josh Epstein was lighting designer. Daniel Baker was sound designer.
- (December 4 to 23, 2007) He was costume designer for David Sedaris' play, "The Santaland Diaries," at the Long Wharf Theatre (Stage II) in New Haven, Connecticut. Joe Mantello was adapter. Kim Rubinstein was director. Jessica Ford was set designer. Josh Epstein was lighting designer. Daniel Baker was sound designer.
- (2011 to 2012 season) He was costume designer for Bruce Norris' play, "Clybourne Park," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Brian Mertes was director. Eugene Lee was set designer. Dan Scully was lighting designer. Peter Sasha Hurowitz was sound designer.
- (2011 to 2012 season) He was costume designer for William Shakespeare's play, "The Merchant of Venice," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Curt Columbus was director. Eugene Lee was set designer. Keith Parham was lighting designer. Benji Inniger was sound designer. Sharon Jenkins was choreographer.
- (2012 to 2013 season) He was costume designer for Sarah Treem's play, "The How and the Why," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Shana Gozansky was director. Tilly Grimes was set designer. Driscoll Otto was lighting designer. Peter Sasha Hurowitz was sound designer.
- (2012 to 2013 season) He was costume designer for Marilyn Campbell and Curt Columbus' adaptation of Fyodor Dostoyevsky's novel, "Crime and Punishment," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Brian Mertes was director. Eugene Lee was set designer. Dan Scully was lighting designer. Broken Chord was sound designer. Peter Sasha Hurowitz was projections designer.
- (2012 to 2013 season) He was costume designer for Jackie Sibblies Drury's play, "Social Creatures," in a world premiere production at the Trinity Repertory Company Theatre in Providence, Rhode Island. Curt Columbus was director. Eugene Lee was set designer. Josh Epstein was lighting designer. Peter Sasha Hurowitz was sound designer.
- (2014 to 2015 season) He was costume designer for Christopher Durang's play, "Vanya and Sasha and Masha and Spike," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Curt Columbus was director. Michael McGarty was set designer. Josh Epstein was lighting designer. Peter Sasha Hurowitz was sound designer.
- (2014 to 2015 season) He was costume designer for Stephen Thorne's play, "Veronica Meadows," in a world premiere production at the Trinity Repertory Company Theatre in Providence, Rhode Island. Michael Perlman was director. Patrick Lynch was set designer. Scott Bolman was lighting designer. Peter Sasha Hurowitz was sound designer.
- (2013 to 2014 season) He was costume designer for Will Eno's play, "Middletown," in a Brown University/Trinity Repertory Masters of Arts Project production at the Trinity Repertory Company Theatre in Providence, Rhode Island. Heidi Handelsman was director. Patrick Lynch was set designer. Scott Bolman was lighting designer. Broken Chord was sound designer.
- (2013 to 2014 season) He was costume designer for Thornton Wilder's play, "The Skin of Our Teeth," in a Brown University/Trinity Repertory Masters of Arts Project production at the Trinity Repertory Company Theatre in Providence, Rhode Island. Heidi Handelsman was director. Patrick Lynch was set designer. Scott Bolman was lighting designer. Brandon Walcott was sound designer. Zdenko Martin and Brandon Walcott were composers. Jason Eckenroth was video designer.
- (2013 to 2014 season) He was costume designer for Thornton Wilder's play, "The Skin of Our Teeth," in a Brown University/Trinity Repertory Masters of Arts Project production at the Trinity Repertory Company Theatre in Providence, Rhode Island. Taibi Magar was director. Patrick Lynch was set designer. Scott Bolman was lighting designer. Brandon Walcott was sound designer. Zdenko Martin and Brandon Walcott were composers. Jason Eckenroth was video designer.
- (2014 to 2015 season) He was costume designer for Adrian Hall and Richard Cumming's adaptation of Charles Dickens' novel, "A Christmas Carol," at the Trinity Repertory Company Theatre in Providence, Rhode island. Patrick Lynch was set designer. Keith Parham was lighting designer. Daniel Knechtges was choreographer. Peter Sasha Hurowitz was sound designer. Michael Rice was music director. Taibi Magar was director.
- (2014 to 2015 season) He was costume designer for Curt Columbus' translation of Georges Feydeau's play, "A Flea in Her Ear," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Tyler Dobrowsky was director. Patrick Lynch was set designer. Dan Scully was lighting designer. Peter Hurowitz was sound designer. Andrew Smithson was music director. Christopher Windom was choreographer.
- (2015 to 2016 season) He was costume designer for William Shakespeare's play, "Julius Caesar," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Tyler Dobrowsky was director. Michael McGarty was set designer. John Ambrose was lighting designer. Peter Sasha Hurowitz was sound designer. Craig Handel was fight choreographer.
- (2015 to 2016 season) He was costume designer for Charise Castro Smith's play, "The Hunchback of Seville," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Taibi Magar was director. Marsha Ginsberg was set designer. Dan Scully was lighting designer. Peter Sasha Hurowitz was sound designer.
- (2015 to 2016 season) He was costume designer for Katie Pearl's play, "Arnie Louis and Bob," in a world premiere production at the Trinity Repertory Company Theatre in Providence, Rhode Island. Melissa Kievman was director. Michael McGarty was set designer. Barbara Samuels was lighting designer. Brendan Connelly was sound designer.
- (2016 to 2017 season) He was costume designer for the musical, "Beowulf: A Thousand Years of Baggage," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Curt Columbus was artistic director and director. Jason Craig was writer and lyricist. Dave Malloy was composer. MIchael McGarty was set designer. Dan Scully was lighting designer. Peter Sasha Hurowitz was sound designer. Jude Sandy was choreographer. Michael Rice was music director. Shoshanna Utchenik was puppet designer.
- (2016 to 2017 season) He was costume designer for Branden Jacobs-Jenkins' play, "Appropriate," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Brian Mertes was director. Sara Brown was set designer. Dan Scully was lighting designer. Broken Chord were composers and sound designers. Rick Sordelet was fight director.
- (2016 to 2017 season) He was costume designer for William Shakespeare's play, "A Midsummer's Night Dream," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Tyler Dobrowsky was director. Michael McGarty was set designer. Dan Scully was lighting designer. Peter Sasha Hurowitz was sound designer. Esther Zabinski was music director. Jude Sandy was choreographer.
- (2016 to 2017 season) He was costume designer for Deborah Salem Smith's play, "Faithful Cheaters," in a world premiere production at the Trinity Repertory Company Theatre in Providence, Rhode Island. Melia Bensussen was director. Christine Todesco was set designer. Daniel Kotlowitz was lighting designer. David Remedios was sound designer.
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