Film Movement has acquired U.S. rights to Maciek Hamela’s In the Rearview, winner of well over a dozen awards at film festivals around the world, including the top prize at Sheffield DocFest.
The film, a visceral account of Ukrainian families trying to make it to safety across the Polish border after Russia’s invasion of Ukraine, will get a U.S. theatrical release and an Oscar push for Best Documentary Film.
Hamela and producer Piotr Grawender are currently in Amsterdam for the Dutch premiere of In the Rearview at IDFA. The film is playing in the Best of Fests section, which is reserved for what the festival considers to be the best documentaries of the year. In the Rearview also has made the IDA shortlist of the 2023’s best nonfiction films.
When we spoke with Hamela at the Cannes Film Festival, he explained that much of Polish society...
The film, a visceral account of Ukrainian families trying to make it to safety across the Polish border after Russia’s invasion of Ukraine, will get a U.S. theatrical release and an Oscar push for Best Documentary Film.
Hamela and producer Piotr Grawender are currently in Amsterdam for the Dutch premiere of In the Rearview at IDFA. The film is playing in the Best of Fests section, which is reserved for what the festival considers to be the best documentaries of the year. In the Rearview also has made the IDA shortlist of the 2023’s best nonfiction films.
When we spoke with Hamela at the Cannes Film Festival, he explained that much of Polish society...
- 11/14/2023
- by Matthew Carey
- Deadline Film + TV
Film Movement has acquired the U.S. rights to Maciek Hamela’s “In the Rearview,” following its Cannes Film Festival and Toronto International Film Festival premieres. Film Movement has a theatrical release and awards campaign planned with the documentary’s producers and Polish Film Institute, which co-financed the film. “In the Rearview” won the Grand Jury Award at the Sheffield DocFest and will next play in Doc NYC as a Winner’s Circle selection as well as the International Documentary Film Festival Amsterdam.
“We are proud to bring this intimate, yet powerful and devastating film to U.S. audiences, reminding us all of the human perspective of a war which continues to rage,” Film Movement president Michael Rosenberg said in a statement.
The award-winning documentary offers an intimate observation of the Russia-Ukraine war while it unfolds, following multiple generations of Ukrainian civilians forced to abandon their homes and rely on...
“We are proud to bring this intimate, yet powerful and devastating film to U.S. audiences, reminding us all of the human perspective of a war which continues to rage,” Film Movement president Michael Rosenberg said in a statement.
The award-winning documentary offers an intimate observation of the Russia-Ukraine war while it unfolds, following multiple generations of Ukrainian civilians forced to abandon their homes and rely on...
- 11/13/2023
- by Caroline Brew
- Variety Film + TV
With Jonathan Glazer’s Auschwitz-set Holocaust drama “The Zone of Interest” competing for the Palme d’Or and a host of Polish producers bringing buzzy upcoming projects to the Marché du Film, the Polish industry should again have Cannes talking. Here’s a rundown of some of the highlights:
The Zone of Interest
(Competition)
Director: Jonathan Glazer
Producers: James Wilson, Ewa Puszczyńska
Sales: A24
The veteran British filmmaker’s first film in nearly a decade, which will compete for the Palme d’Or, is a Holocaust drama loosely based on the novel by Martin Amis that’s sure to be among the festival’s most talked-about films.
In the Rearview
(Acid)
Director: Maciek Hamela
Producers: Piotr Grawender, Maciek Hamela, Jean-Marie Gigon
Sales: N/A
Filmed in the first days of the Russian invasion of Ukraine, Hamela’s documentary is a collective portrait of Ukrainians searching for a safe haven...
The Zone of Interest
(Competition)
Director: Jonathan Glazer
Producers: James Wilson, Ewa Puszczyńska
Sales: A24
The veteran British filmmaker’s first film in nearly a decade, which will compete for the Palme d’Or, is a Holocaust drama loosely based on the novel by Martin Amis that’s sure to be among the festival’s most talked-about films.
In the Rearview
(Acid)
Director: Maciek Hamela
Producers: Piotr Grawender, Maciek Hamela, Jean-Marie Gigon
Sales: N/A
Filmed in the first days of the Russian invasion of Ukraine, Hamela’s documentary is a collective portrait of Ukrainians searching for a safe haven...
- 5/20/2023
- by Christopher Vourlias
- Variety Film + TV
Exclusive: Cinephil has come aboard to represent worldwide sales rights to Polish director Maciek Hamela’s In The Rearview, which will make its debut in the Cannes Film Festival next week as part of the Acid (Association for the Diffusion of Independent Cinema) program.
The project is a collective portrait composed of an array of experienes of Ukrainians who share a single goal: finding a safe haven in the throes of conflict. It follows multiple generations of Ukrainian civilians as they abandon their homes and rely on the help of Hamela’s volunteer aid van to escape the life-threatening conflict. As he steers through minefields to leave Ukraine and tries to get through numerous military checkpoints, Hamela guides the documentary from behind the wheel and behind the camera, crisscrossing the roads of Ukraine to transport uprooted refugees safely to Poland.
In the Rearview is a Polish production, with co-producers from France and Ukraine.
The project is a collective portrait composed of an array of experienes of Ukrainians who share a single goal: finding a safe haven in the throes of conflict. It follows multiple generations of Ukrainian civilians as they abandon their homes and rely on the help of Hamela’s volunteer aid van to escape the life-threatening conflict. As he steers through minefields to leave Ukraine and tries to get through numerous military checkpoints, Hamela guides the documentary from behind the wheel and behind the camera, crisscrossing the roads of Ukraine to transport uprooted refugees safely to Poland.
In the Rearview is a Polish production, with co-producers from France and Ukraine.
- 5/12/2023
- by Diana Lodderhose
- Deadline Film + TV
Circle Women Doc Accelerator, an exclusive training program for female-identifying documentary filmmakers, has selected the projects that will take part in its showcase as part of the Cannes Docs program of the Marché du Film 2023.
For the fourth consecutive year, four alumnae of the program have the opportunity to present their works-in-progress during the Cannes Film Market.
Previous winners include “Twice Colonized” by Lin Alluna, which won the Docs-In-Progress award in Cannes last year before premiering in Sundance and opening both Cph:dox and Hot Docs; Ágnes Horváth-Szabó and Anna Nemet’s “Beauty of the Beast” (Nordisk Panorama Award 2020); and “Cent’anni” by Maja Prelog (Iefta Docs-In-Progress Award 2021).
“Ever Since I Knew Myself” by Maka Gogaladze, developed through Circle 2020, follows Maka, the daughter of a strict maths teacher and high-maintenance mother, on her journey around post-Soviet Georgia to observe children in the process of education. This quest is accompanied by...
For the fourth consecutive year, four alumnae of the program have the opportunity to present their works-in-progress during the Cannes Film Market.
Previous winners include “Twice Colonized” by Lin Alluna, which won the Docs-In-Progress award in Cannes last year before premiering in Sundance and opening both Cph:dox and Hot Docs; Ágnes Horváth-Szabó and Anna Nemet’s “Beauty of the Beast” (Nordisk Panorama Award 2020); and “Cent’anni” by Maja Prelog (Iefta Docs-In-Progress Award 2021).
“Ever Since I Knew Myself” by Maka Gogaladze, developed through Circle 2020, follows Maka, the daughter of a strict maths teacher and high-maintenance mother, on her journey around post-Soviet Georgia to observe children in the process of education. This quest is accompanied by...
- 4/20/2023
- by Naman Ramachandran
- Variety Film + TV
Five-time Oscar winner Francis Ford Coppola has joined Freda — the Haitian Oscar entry marking the narrative feature debut of actor, singer and documentarian Gessica Généus — as an executive producer. He will spearhead an awards-season push for the pic, which is only the second Haitian film to be submitted to the Academy Awards’ International Feature category.
“Freda is the kind of cinematic experience I value most: a journey into a way of life not normally accessible to me, providing insight about the real people who live in it. Gessica Généus’ film is an unforgettable jewel told with simple eloquence, beautifully memorable performances, and genuine feeling that few films ever achieve,” said Coppola. “This glimpse of contemporary life in Haiti shows a people who refuse to be defined by their tragic moments and who thrive with good hearts and best intentions. It is my humble honor to serve as the executive producer...
“Freda is the kind of cinematic experience I value most: a journey into a way of life not normally accessible to me, providing insight about the real people who live in it. Gessica Généus’ film is an unforgettable jewel told with simple eloquence, beautifully memorable performances, and genuine feeling that few films ever achieve,” said Coppola. “This glimpse of contemporary life in Haiti shows a people who refuse to be defined by their tragic moments and who thrive with good hearts and best intentions. It is my humble honor to serve as the executive producer...
- 12/7/2021
- by Matt Grobar
- Deadline Film + TV
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