WWE.com
Blood.
The word alone adds a certain power to its circumstance. Deliberately opening one’s self up, otherwise known as ‘blading’ has been a staple of professional wrestling for decades now. Done to add story and drama to an intense battle between two hated rivals, blading is a child of the classic generation of pro wrestling, when protecting Kayfabe was everything. Anything to maintain the illusion that the battle in the ring was real.
The blood these men spilled was real.
In various times, blading has either been encouraged or outright banned depending on the image the given promotion was portraying. For example, in the late 1980s, blood was banned in the Jim Crockett hemmed WCW, a rule that cost Dusty Rhodes and booker Mike Graham their jobs when Dusty bladed in one particular match. Eric Bischoff’s attempts to pitch WCW to adult males in the mid 90s saw this rule revoked.
Blood.
The word alone adds a certain power to its circumstance. Deliberately opening one’s self up, otherwise known as ‘blading’ has been a staple of professional wrestling for decades now. Done to add story and drama to an intense battle between two hated rivals, blading is a child of the classic generation of pro wrestling, when protecting Kayfabe was everything. Anything to maintain the illusion that the battle in the ring was real.
The blood these men spilled was real.
In various times, blading has either been encouraged or outright banned depending on the image the given promotion was portraying. For example, in the late 1980s, blood was banned in the Jim Crockett hemmed WCW, a rule that cost Dusty Rhodes and booker Mike Graham their jobs when Dusty bladed in one particular match. Eric Bischoff’s attempts to pitch WCW to adult males in the mid 90s saw this rule revoked.
- 11/11/2014
- by Liam Johnson
- Obsessed with Film
WWE.com
I’ve heard it said that somewhere between science and superstition, there is another world. A world of darkness.
It’s a world that haunted my dreams as a child, from the first time I saw Kevin Sullivan and his Army of Darkness spreading their eerily twisted messages across the Nwa.
“Our cause is not for evil,” said Sullivan during an interview for Championship Wrestling from Florida in 1982. “Because all we’re looking for is refuge from this cold, cruel world.”
Ring a bell?
Sullivan’s dark mystique, his messianic charisma, his penchant for dark riddles — they all seem to have been resurrected in the form of Bray Wyatt.
Take, for instance, these words recently delivered by the leader of the Wyatt Family to nemesis John Cena:
“This is a terrible world,” Wyatt drawled. “A cold, cold dark and lonely place. You stand for these illusions. But...
I’ve heard it said that somewhere between science and superstition, there is another world. A world of darkness.
It’s a world that haunted my dreams as a child, from the first time I saw Kevin Sullivan and his Army of Darkness spreading their eerily twisted messages across the Nwa.
“Our cause is not for evil,” said Sullivan during an interview for Championship Wrestling from Florida in 1982. “Because all we’re looking for is refuge from this cold, cruel world.”
Ring a bell?
Sullivan’s dark mystique, his messianic charisma, his penchant for dark riddles — they all seem to have been resurrected in the form of Bray Wyatt.
Take, for instance, these words recently delivered by the leader of the Wyatt Family to nemesis John Cena:
“This is a terrible world,” Wyatt drawled. “A cold, cold dark and lonely place. You stand for these illusions. But...
- 3/6/2014
- by Marshall Ward
- Obsessed with Film
Welcome back to Unreality TV’s live coverage of Dancing On Ice. We’re coming to Dancing On Ice late tonight (thanks to Got To Dance on Sky One), so here we go with the first performance. We’ll drool about Holly Willoughby later…
Kieron Richardson
Arghhhh, my eyes my eyes! What the feck is Kieron Richardson wearing? Dayglo Seventies awfulness. His wee partner looks small enough to fit in your pocket, doesn’t she? They’re doing a disco-flavoured routine to Play That Funky Music by Wild Cherry. A shaky routine to say the least, ended particularly badly when he almost dropped Brianne on her head!
Points: 15. Robin: Every week is different. You were on the button with the music. Tough when you’re working with a partner who has the presence Brianne has. Not as good as last week. Jason: A lot of your movement, there’s no end to them.
Kieron Richardson
Arghhhh, my eyes my eyes! What the feck is Kieron Richardson wearing? Dayglo Seventies awfulness. His wee partner looks small enough to fit in your pocket, doesn’t she? They’re doing a disco-flavoured routine to Play That Funky Music by Wild Cherry. A shaky routine to say the least, ended particularly badly when he almost dropped Brianne on her head!
Points: 15. Robin: Every week is different. You were on the button with the music. Tough when you’re working with a partner who has the presence Brianne has. Not as good as last week. Jason: A lot of your movement, there’s no end to them.
- 1/31/2010
- by Gerard McGarry
- Unreality
SANTA BARBARA, Calif. -- The Saltemeir family and the viewer go through a very rough time in "Silent Lies", a dark and uncompromising look at incest and child abuse. The low-budget debut project of director Peter Kiwitt and writer Samuel Bernstein screened this month at the Santa Barbara Film Festival, and it's solid enough to achieve moderate success on cable and video.
Set in a small Texas town, "Silent Lies" features Elizabeth Anne Allen as college-bound 17-year-old Shelly, daughter of the monstrous Carl (Michael Harris), a domineering con man with a socially reprehensible attitude toward his own children. These two talented performers lead the viewer through co-producer Bernstein's wrenching scenario of a victim's growing desire for an end to her misery.
The independent production is not without awkward moments and the filmmaking is a bit raw, but the subject matter is guaranteed to arouse the viewer. Apart from the violent ending, the story line is unsettling like a psychological horror film and all too believable.
Bright and pretty, Shelly is an academic wonder but her only close friend is Raymond (Cedrick Terrell), a shy and caring classmate. Her father has been away for two years hiding from the law as the film opens. Shelly and younger sister Tanya (Dana Daurey) live with their trashy stepmother Ruby (Bonnie Burroughs).
One day Carl comes home and the bad dreams haunting Shelly take a concrete form. At first he's on relatively good behavior and gives her a classic Mustang convertible as a gift. Soon, however, the unrepentant misogynist and pedophile has beaten up Ruby and makes Shelly uncomfortable with his presence and blunt talk about sex.
Some of the most difficult material in the film is alluded to in flashbacks, wherein it's clear that Shelly endured unmentionable abuses as a child.
But she has grown since then and can no longer tolerate her father's sexual advances. When she refuses, Carl moves on to 14-year-old Tanya, who is already flirting shamelessly with boys. Unable to tell anyone of her own situation, Shelly panics when she sees Tanya encouraging Carl. Shelly does something drastic and then starts to plan retribution for the evil, manipulative Carl.
The climax in an abandoned ranch house, which involves Raymond, is the film's one major concession to audience expectations, but there are no winners in this sad story, only survivors.
Terrell (ABC's "Dangerous Minds") is a quiet, strong presence and Daurey is vital as the emotionally explosive and heartbreakingly naive Tanya. But the film belongs to Allen ("Crimes of the Heart") and Harris (UPN's "The Burning Zone"). The latter is riveting and repellent as the "monster" of "Silent Lies", while Allen is never less than convincing as the heroine torn apart by her pain and shame.
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"Daylight", Universal Pictures, Richard Anderson and David Whittaker
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"The English Patient", Miramax Films, Robert Randles
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"Jerry Maguire", TriStar Pictures, Christopher Jargo
Animated Television Specials: Sound Editing
"The Simpsons" ("Tree House of Horrors VII"), 20th Century Fox Television, Robert Mackston and Travis Powers
Animated Television Series: Sound Editing
"The Lion King's Timon & Pumbaa" ("Palm Beached/Jamaica Mistake"), Walt Disney Television Animation, William Griggs and Jennifer Mertens
Animated Television Series: Music Editing
"The Really Mighty Ducks" ("Buzz Blitsman, Duck Ranger"), Buena Vista Television, Nicolas Carr
Television Miniseries: Sound Editing
"Ruby Ridge: An American Tragedy" (Part II), Edgar J. Scherick Associates, G. Michael Graham and Mark Friedgen
Television Miniseries: ADR editing
"Samson and Delilah", Lube Productions, Kristi Johns
Animated Motion Picture Feature Films: Sound Editing
"The Hunchback of Notre Dame", Walt Disney Pictures, Laurence Kemp and Lon Bender
Animated Motion Picture Feature Films: Music Editing
"The Hunchback of Notre Dame", Walt Disney Pictures, Kathleen Fogarty Bennett
Verna Fields Award for Student Filmmakers in Sound Editing
"Jester", National Film and Television School (United Kingdom), Stuart Hilliker
Television Movies of the Week, Pilots and Specials: Sound Editing
"Gotti", HBO, Dane Davis
Television Movies of the Week, Pilots and Specials: ADR Editing
"Crazy Horse", von Zerneck/Sertner Films, Tally Paulos
Television Movies of the Week, Pilots and Specials: Music Editing
"Crazy Horse", von Zerneck/Sertner Films, Virginia Ellsworth
Lifetime Achievement Award
Jack Donovan Foley
Motion Picture Foreign Feature Films: Sound Editing
"The Horseman on the Roof", Miramax, Jerome Levy
Television One-Hour Series: Sound Editing
"Xena: Warrior Princess" ("Girls Just Wanna Have Fun"), MCA Television, Jason Schmid
Television Series: Music Editing
"The Big Easy" ("Don't Shoot the Piano Player"), USA Network, Fernand Bos.
One -Half-Hour/One-Hour Series: ADR Editing
"America's Dream" ("Long Black Song"), Time Warner Entertainment Co., Mace Matiosian
Television One-Half-Hour Series: Sound Editing
"America's Dream" ("Long Black Song"), Time Warner Entertainment, Mace Matiosian...
Set in a small Texas town, "Silent Lies" features Elizabeth Anne Allen as college-bound 17-year-old Shelly, daughter of the monstrous Carl (Michael Harris), a domineering con man with a socially reprehensible attitude toward his own children. These two talented performers lead the viewer through co-producer Bernstein's wrenching scenario of a victim's growing desire for an end to her misery.
The independent production is not without awkward moments and the filmmaking is a bit raw, but the subject matter is guaranteed to arouse the viewer. Apart from the violent ending, the story line is unsettling like a psychological horror film and all too believable.
Bright and pretty, Shelly is an academic wonder but her only close friend is Raymond (Cedrick Terrell), a shy and caring classmate. Her father has been away for two years hiding from the law as the film opens. Shelly and younger sister Tanya (Dana Daurey) live with their trashy stepmother Ruby (Bonnie Burroughs).
One day Carl comes home and the bad dreams haunting Shelly take a concrete form. At first he's on relatively good behavior and gives her a classic Mustang convertible as a gift. Soon, however, the unrepentant misogynist and pedophile has beaten up Ruby and makes Shelly uncomfortable with his presence and blunt talk about sex.
Some of the most difficult material in the film is alluded to in flashbacks, wherein it's clear that Shelly endured unmentionable abuses as a child.
But she has grown since then and can no longer tolerate her father's sexual advances. When she refuses, Carl moves on to 14-year-old Tanya, who is already flirting shamelessly with boys. Unable to tell anyone of her own situation, Shelly panics when she sees Tanya encouraging Carl. Shelly does something drastic and then starts to plan retribution for the evil, manipulative Carl.
The climax in an abandoned ranch house, which involves Raymond, is the film's one major concession to audience expectations, but there are no winners in this sad story, only survivors.
Terrell (ABC's "Dangerous Minds") is a quiet, strong presence and Daurey is vital as the emotionally explosive and heartbreakingly naive Tanya. But the film belongs to Allen ("Crimes of the Heart") and Harris (UPN's "The Burning Zone"). The latter is riveting and repellent as the "monster" of "Silent Lies", while Allen is never less than convincing as the heroine torn apart by her pain and shame.
Motion Picture Feature Films: Sound Editing
"Daylight", Universal Pictures, Richard Anderson and David Whittaker
Motion Picture Feature Films: Music Editing
"The English Patient", Miramax Films, Robert Randles
Motion Picture Feature Films: Automated Dialogue Replacement Editing
"Jerry Maguire", TriStar Pictures, Christopher Jargo
Animated Television Specials: Sound Editing
"The Simpsons" ("Tree House of Horrors VII"), 20th Century Fox Television, Robert Mackston and Travis Powers
Animated Television Series: Sound Editing
"The Lion King's Timon & Pumbaa" ("Palm Beached/Jamaica Mistake"), Walt Disney Television Animation, William Griggs and Jennifer Mertens
Animated Television Series: Music Editing
"The Really Mighty Ducks" ("Buzz Blitsman, Duck Ranger"), Buena Vista Television, Nicolas Carr
Television Miniseries: Sound Editing
"Ruby Ridge: An American Tragedy" (Part II), Edgar J. Scherick Associates, G. Michael Graham and Mark Friedgen
Television Miniseries: ADR editing
"Samson and Delilah", Lube Productions, Kristi Johns
Animated Motion Picture Feature Films: Sound Editing
"The Hunchback of Notre Dame", Walt Disney Pictures, Laurence Kemp and Lon Bender
Animated Motion Picture Feature Films: Music Editing
"The Hunchback of Notre Dame", Walt Disney Pictures, Kathleen Fogarty Bennett
Verna Fields Award for Student Filmmakers in Sound Editing
"Jester", National Film and Television School (United Kingdom), Stuart Hilliker
Television Movies of the Week, Pilots and Specials: Sound Editing
"Gotti", HBO, Dane Davis
Television Movies of the Week, Pilots and Specials: ADR Editing
"Crazy Horse", von Zerneck/Sertner Films, Tally Paulos
Television Movies of the Week, Pilots and Specials: Music Editing
"Crazy Horse", von Zerneck/Sertner Films, Virginia Ellsworth
Lifetime Achievement Award
Jack Donovan Foley
Motion Picture Foreign Feature Films: Sound Editing
"The Horseman on the Roof", Miramax, Jerome Levy
Television One-Hour Series: Sound Editing
"Xena: Warrior Princess" ("Girls Just Wanna Have Fun"), MCA Television, Jason Schmid
Television Series: Music Editing
"The Big Easy" ("Don't Shoot the Piano Player"), USA Network, Fernand Bos.
One -Half-Hour/One-Hour Series: ADR Editing
"America's Dream" ("Long Black Song"), Time Warner Entertainment Co., Mace Matiosian
Television One-Half-Hour Series: Sound Editing
"America's Dream" ("Long Black Song"), Time Warner Entertainment, Mace Matiosian...
- 3/24/1997
- The Hollywood Reporter - Movie News
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