2024 marks 40 years since experimental filmmaker Lynne Sachs took her first video class at Dctv, and in celebration, Dctv’s Firehouse Cinema in NYC will be presenting an extensive retrospective. Taking place June 7-11, the series features 24 of her films plus a sound-collage world premiere associated with her latest film, Contractions, which was a selection at True/False, Prismatic Ground, and DC/Dox 2024). The upcoming New York Times Op-Docs release, which takes us to Memphis, Tennessee where we contemplate the discontinuation of abortion services at a women’s health clinic, will premiere at the Nyt timed to the 2nd anniversary of Roe v Wade being overturned.
Titled Lynne Sachs: From the Outside In, the retrospective traverses Sachs’ documentary films, defiant of traditional genre or style. The program notes continue, “From peering out, collecting others’ experiences and world events, to looking inward, reflecting on familial histories and entanglements, Sachs weaves the political with the personal.
Titled Lynne Sachs: From the Outside In, the retrospective traverses Sachs’ documentary films, defiant of traditional genre or style. The program notes continue, “From peering out, collecting others’ experiences and world events, to looking inward, reflecting on familial histories and entanglements, Sachs weaves the political with the personal.
- 5/6/2024
- by Jordan Raup
- The Film Stage
The 60th Cinema Audio Society Awards named Universal’s Oppenheimer the winner of its marquee Live Action Motion Picture category Saturday at its annual ceremony honoring the year’s best in feature film and TV sound mixing.
The victory gives the Christopher Nolan epic about the creator of the atomic bomb a leg up leading into the Oscars; it is nominated in Sound category among its leading 13 overall nominations.
This year’s marquee Cas Live Action Motion Picture category featured sound artisans from two of the five of this year’s Best Sound Oscar nominees in Oppenheimer and Netflix’s Maestro. They were joined in tonight’s race by Warner Bros’ Barbie, Neon’s Ferrari and Apple’s Killers of the Flower Moon.
Last year, Paramount’s Top Gun: Maverick won in the category. It went on to repeat the feat at the Oscars.
In addition to Oppenheimer and Maestro,...
The victory gives the Christopher Nolan epic about the creator of the atomic bomb a leg up leading into the Oscars; it is nominated in Sound category among its leading 13 overall nominations.
This year’s marquee Cas Live Action Motion Picture category featured sound artisans from two of the five of this year’s Best Sound Oscar nominees in Oppenheimer and Netflix’s Maestro. They were joined in tonight’s race by Warner Bros’ Barbie, Neon’s Ferrari and Apple’s Killers of the Flower Moon.
Last year, Paramount’s Top Gun: Maverick won in the category. It went on to repeat the feat at the Oscars.
In addition to Oppenheimer and Maestro,...
- 3/3/2024
- by Patrick Hipes
- Deadline Film + TV
Editor’s note: Following the publishing of our review, we received word from Brenden Dawes, who developed the generative system used by the filmmakers of Eno, that while the film teases the possibilities of AI and generative technology in an art practice, the film itself consists entirely of filmed new and archival materials with no AI-generated content.
A film of infinite possibilities thanks in part to a generative AI hook, Gary Hustwit’s Eno is partially a straightforward biopic featuring interviews and archival footage with composer Brian Eno, the experiential musician and artist whose credits include playing the synthesizer in Roxy Music to creating the start-up sound for Windows PCs. The film is assembled at random, with a set beginning and ending, inspired seemingly by a deck of “Oblique Strategies” cards that Eno and David Bowie used to create tension and contractions within their collaborations.
Of course, Eno is not...
A film of infinite possibilities thanks in part to a generative AI hook, Gary Hustwit’s Eno is partially a straightforward biopic featuring interviews and archival footage with composer Brian Eno, the experiential musician and artist whose credits include playing the synthesizer in Roxy Music to creating the start-up sound for Windows PCs. The film is assembled at random, with a set beginning and ending, inspired seemingly by a deck of “Oblique Strategies” cards that Eno and David Bowie used to create tension and contractions within their collaborations.
Of course, Eno is not...
- 1/25/2024
- by John Fink
- The Film Stage
Sam Green‘s 32 Sounds took the top honor of Best Feature at the 2024 Cinema Eye Honors Awards. Will this acknowledgement help raise the film’s profile for next week’s Oscar voting? The doc which premiered at the 2022 edition of the Sundance Film Festival beat out Mstyslav Chernov’s 20 Days in Mariupol, Joe Brewster and Michèle Stephenson’s Going to Mars: The Nikki Giovanni Project, Davis Guggenheim’s Still: A Michael J. Fox Movie, Maite Alberdi’s The Eternal Memory, Kaouther Ben Hania’s Four Daughters and D. Smith’s Kokomo City which had the most noms of all docs with six.…...
- 1/13/2024
- by Eric Lavallée
- IONCINEMA.com
32 Sounds, the innovative documentary that explores the power of sonic experience, pulled off a shocker at the Cinema Eye Honors Friday night, winning Outstanding Nonfiction Feature over Still: A Michael J. Fox Movie and other prominent nominees.
The film directed by Sam Green won two other awards: Outstanding Sound Design, recognizing the work of Mark Mangini, and Outstanding Original Score, which went to composer J.D. Samson.
32 Sounds is one of 15 documentaries shortlisted for the Academy Awards, along with Still, Four Daughters, The Eternal Memory, and 20 Days in Mariupol, all of which took home prizes at the Cinema Eye Honors.
‘Four Daughters’
Outstanding Direction resulted in a tie between two filmmakers, Kaouther Ben Hania of Four Daughters, and Maite Alberdi, director of The Eternal Memory. Alberdi’s film explores the love story of two of Chile’s most prominent figures in the arts and media, Paulina Urrutia and Augusto Góngora,...
The film directed by Sam Green won two other awards: Outstanding Sound Design, recognizing the work of Mark Mangini, and Outstanding Original Score, which went to composer J.D. Samson.
32 Sounds is one of 15 documentaries shortlisted for the Academy Awards, along with Still, Four Daughters, The Eternal Memory, and 20 Days in Mariupol, all of which took home prizes at the Cinema Eye Honors.
‘Four Daughters’
Outstanding Direction resulted in a tie between two filmmakers, Kaouther Ben Hania of Four Daughters, and Maite Alberdi, director of The Eternal Memory. Alberdi’s film explores the love story of two of Chile’s most prominent figures in the arts and media, Paulina Urrutia and Augusto Góngora,...
- 1/13/2024
- by Matthew Carey
- Deadline Film + TV
The Cinema Eye Honors announced the winners for its documentary films and series competition Friday in Manhattan, with “32 Sounds” taking the honor for outstanding nonfiction feature. Maite Alberdi won outstanding direction for “The Eternal Memory” together with Kaouther Ben Hania for “Four Daughters,” while “Paul T. Goldman” won outstanding nonfiction series.
See all the winners below:
—Outstanding Nonfiction Feature
32 Sounds
Directed by Sam Green
Produced by Josh Penn and Thomas O. Kriegsmann
—Outstanding Direction
Maite Alberdi
The Eternal Memory
Kaouther Ben Hania
Four Daughters
—Outstanding Editing
Michael Harte
Still: A Michael J. Fox Movie
—Outstanding Production
Mstyslav Chernov, Michelle Mizner, Raney Aronson Rath, Derl McCrudden and Vasilisa Stepanenko
20 Days in Mariupol
—Outstanding Cinematography
Ants Tammik
Smoke Sauna Sisterhood
—Outstanding Original Score
Jd Samson
32 Sounds
—Outstanding Sound Design
Mark Mangini
32 Sounds
—Outstanding Visual Design
Thomas Curtis and Sean Pierce
Going to Mars: The Nikki Giovanni Project
—Outstanding Debut
Kokomo...
See all the winners below:
—Outstanding Nonfiction Feature
32 Sounds
Directed by Sam Green
Produced by Josh Penn and Thomas O. Kriegsmann
—Outstanding Direction
Maite Alberdi
The Eternal Memory
Kaouther Ben Hania
Four Daughters
—Outstanding Editing
Michael Harte
Still: A Michael J. Fox Movie
—Outstanding Production
Mstyslav Chernov, Michelle Mizner, Raney Aronson Rath, Derl McCrudden and Vasilisa Stepanenko
20 Days in Mariupol
—Outstanding Cinematography
Ants Tammik
Smoke Sauna Sisterhood
—Outstanding Original Score
Jd Samson
32 Sounds
—Outstanding Sound Design
Mark Mangini
32 Sounds
—Outstanding Visual Design
Thomas Curtis and Sean Pierce
Going to Mars: The Nikki Giovanni Project
—Outstanding Debut
Kokomo...
- 1/13/2024
- by Jazz Tangcay, Caroline Brew, Jaden Thompson and Diego Ramos Bechara
- Variety Film + TV
Sam Green’s last film “A Thousand Thoughts” was a documentary about the Kronos Quartet, but his challenge was getting people to “hear” the film because everything about the medium is visual.
When it came to his next project, “32 Sounds,” the documentary feature shortlisted for Oscar, he set out tell a story specifically about sound and the aural experience. Green assemblies 32 different scenarios in an attempt to challenge how audiences think about sound.
In one scene, foley artist Joanna Fang is in a studio drumming her feet and tugging on ropes as she imagines what a falling pine tree landing in snow would sound like. Elsewhere, sound pioneer Annea Lockwood shares decades-old recordings of underwater sounds of a river. In another scenario, a man blasts the Phil Collins hit “In the Air Tonight” as he drives through Brooklyn.
In many of the scenes, sound designer Mark Mangini worked with...
When it came to his next project, “32 Sounds,” the documentary feature shortlisted for Oscar, he set out tell a story specifically about sound and the aural experience. Green assemblies 32 different scenarios in an attempt to challenge how audiences think about sound.
In one scene, foley artist Joanna Fang is in a studio drumming her feet and tugging on ropes as she imagines what a falling pine tree landing in snow would sound like. Elsewhere, sound pioneer Annea Lockwood shares decades-old recordings of underwater sounds of a river. In another scenario, a man blasts the Phil Collins hit “In the Air Tonight” as he drives through Brooklyn.
In many of the scenes, sound designer Mark Mangini worked with...
- 1/12/2024
- by Jazz Tangcay
- Variety Film + TV
Going deep inside the human body, rethinking a Thelonious Monk interview, solitary island life, capturing one of the finest restaurants in the world, exploring the trans experience, and examining how we listen to movies—just a few of the subjects and stories this year’s documentaries brought us. With 2023 wrapping up, we’ve selected the non-fiction features that left us most impressed. If you’re looking for where to stream them, check out our handy guide here.
32 Sounds (Sam Green)
Filmmaker Sam Green captures something so specific here: he makes audio the star of a motion picture. It’s a lovely inclination and a worthwhile escapade. There are funny moments, clever moments, plenty that are heartfelt. Sound can do so many different things! This is an exceedingly well-produced work, its perfect length and the audible narrative it designs building succinctly to a lovely finale. Toss on those headphones and get...
32 Sounds (Sam Green)
Filmmaker Sam Green captures something so specific here: he makes audio the star of a motion picture. It’s a lovely inclination and a worthwhile escapade. There are funny moments, clever moments, plenty that are heartfelt. Sound can do so many different things! This is an exceedingly well-produced work, its perfect length and the audible narrative it designs building succinctly to a lovely finale. Toss on those headphones and get...
- 12/4/2023
- by The Film Stage
- The Film Stage
One may think filmmaker Sam Green’s 32 Sounds is aimed at the sound community, but with his immersive exploration of the noises we hear, Green says he hopes to reach general audiences and inspire them to “hear the world in a different way.”
Sound designer Mark Mangini feels the same way, pointing to the narrative power of sound — for instance, the voice of Green’s late brother, preserved on an old answering machine. “That’s a very powerful moment in the movie for us,” says Mangini of the emotional segment during which Green listens to this recording. “We think that helps audiences connect with a vital aspect of their lives that they aren’t really aware of.”
32 Sounds begins with Green and composer Jd Samson speaking directly to viewers before proceeding on a journey through the auditory world, from the aforementioned answering machine recording to the work of...
Sound designer Mark Mangini feels the same way, pointing to the narrative power of sound — for instance, the voice of Green’s late brother, preserved on an old answering machine. “That’s a very powerful moment in the movie for us,” says Mangini of the emotional segment during which Green listens to this recording. “We think that helps audiences connect with a vital aspect of their lives that they aren’t really aware of.”
32 Sounds begins with Green and composer Jd Samson speaking directly to viewers before proceeding on a journey through the auditory world, from the aforementioned answering machine recording to the work of...
- 11/30/2023
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
Cinema Eye Honors, a group the recognizes excellence in the artistry and craft of nonfiction filmmaking, announced the nominees for its 17th annual awards on Thursday, November 16th. The seven films nominated for Outstanding Nonfiction Feature are “20 Days in Mariupol,” “32 Sounds,” “The Eternal Memory,” “Four Daughters,” “Going to Mars: The Nikki Giovanni Project,” “Kokomo City,” and “Still: A Michael J. Fox Movie.” Ceh will present the winners at the annual awards ceremony to be held on January 12, 2024.
Leading the pack with six overall nominations is “Kokomo City,” a debut film from director D. Smith about the lives of four black trans sex workers. Smith was nominated for Outstanding Debut and Outstanding Direction. The film’s other three nominations were for Cinematography and Sound Design, as well as among The Unforgettables selection.
See Key dates for Best Documentary Feature contenders
Also earning nominations for their debut film was Mstyslav Chernov...
Leading the pack with six overall nominations is “Kokomo City,” a debut film from director D. Smith about the lives of four black trans sex workers. Smith was nominated for Outstanding Debut and Outstanding Direction. The film’s other three nominations were for Cinematography and Sound Design, as well as among The Unforgettables selection.
See Key dates for Best Documentary Feature contenders
Also earning nominations for their debut film was Mstyslav Chernov...
- 11/17/2023
- by John Benutty
- Gold Derby
The 2024 Cinema Eye Honors has officially announced its full list of nominees, with D. Smith’s debut feature “Kokomo City” topping the awards contenders.
The Sundance breakout film about Black trans sex workers has six nominations for the 17th annual awards ceremony which spotlights achievements in nonfiction and documentary films and series. The 2024 Cinema Eye Honors will take place January 12 at the New York Academy of Medicine in East Harlem, New York.
Following “Kokomo City” are Mstyslav Chernov’s “20 Days in Mariupol,” Sam Green’s “32 Sounds,” and Maite Alberdi’s “The Eternal Memory,” each with five nominations. All four films are nominated for Outstanding Nonfiction Feature with the respective directors all nominated for Outstanding Direction.
This year’s Cinema Eye Honors also marks a history-making first with directors Joe Brewster and Michèle Stephenson being the first filmmakers to be nominated for Nonfiction Feature and Nonfiction Short in the same year,...
The Sundance breakout film about Black trans sex workers has six nominations for the 17th annual awards ceremony which spotlights achievements in nonfiction and documentary films and series. The 2024 Cinema Eye Honors will take place January 12 at the New York Academy of Medicine in East Harlem, New York.
Following “Kokomo City” are Mstyslav Chernov’s “20 Days in Mariupol,” Sam Green’s “32 Sounds,” and Maite Alberdi’s “The Eternal Memory,” each with five nominations. All four films are nominated for Outstanding Nonfiction Feature with the respective directors all nominated for Outstanding Direction.
This year’s Cinema Eye Honors also marks a history-making first with directors Joe Brewster and Michèle Stephenson being the first filmmakers to be nominated for Nonfiction Feature and Nonfiction Short in the same year,...
- 11/16/2023
- by Samantha Bergeson
- Indiewire
“Kokomo City,” D. Smith’s documentary about four trans Black women in New York and Georgia, led all films in nominations for the 17th annual Cinema Eye Honors, the New York-based awards designed to spotlight all facets of nonfiction filmmaking.
The film received six nominations, including Outstanding Nonfiction Feature and Outstanding Direction. Mstyslav Chernov’s “20 Days in Mariupol,” Maite Alberdi’s “The Eternal Memory” and Sam Green’s “32 Sounds” followed with five nominations each.
In the Outstanding Nonfiction Feature category, “Kokomo City,” “The Eternal Memory,” “20 Days in Mariupol” and “32 Sounds” were joined by “Four Daughters,” “Going to Mars: The Nikki Giovanni Project” and “Still: A Michael J. Fox Movie.”
Matthew Heineman’s “American Symphony” received nominations for Outstanding Production and Outstanding Score, making Heineman the third-most-nominated filmmaker in Cinema Eye history. With 12 nominations overall, he now trails Steve James and Laura Poitras by one.
While many...
The film received six nominations, including Outstanding Nonfiction Feature and Outstanding Direction. Mstyslav Chernov’s “20 Days in Mariupol,” Maite Alberdi’s “The Eternal Memory” and Sam Green’s “32 Sounds” followed with five nominations each.
In the Outstanding Nonfiction Feature category, “Kokomo City,” “The Eternal Memory,” “20 Days in Mariupol” and “32 Sounds” were joined by “Four Daughters,” “Going to Mars: The Nikki Giovanni Project” and “Still: A Michael J. Fox Movie.”
Matthew Heineman’s “American Symphony” received nominations for Outstanding Production and Outstanding Score, making Heineman the third-most-nominated filmmaker in Cinema Eye history. With 12 nominations overall, he now trails Steve James and Laura Poitras by one.
While many...
- 11/16/2023
- by Steve Pond
- The Wrap
The Cinema Eye Honors for achievement in nonfiction and documentary films and series has announced nominees for the 17th awards ceremony. “Kokomo City” from D. Smith led the nominees with six. “20 Days in Mariupol,” “32 Sounds” and “The Eternal Memory” each received five nominations. The nominees for outstanding fiction feature also include “Four Daughters,” “Going to Mars: The Nikki Giovanni Project” and “Still: A Michael J. Fox Movie.”
Outstanding direction nominees include Maite Alberdi for “The Eternal Memory,” Sam Green for “32 Sounds,” Kaouther Ben Hania for “Four Daughters,” Smith for “Kokomo City,” Claire Simon for “Our Body” and Wim Wenders for “Anselm.”
The Cinema Eye 2024 Awards Ceremony takes place on Jan. 12 at the New York Academy of Medicine in East Harlem.
Full list of nominees follows.
2024 Cinema Eye Honors Nominations
Outstanding Nonfiction Feature
20 Days in Mariupol
Directed by Mstyslav Chernov
Produced by Mstyslav Chernov, Michelle Mizner, Raney Aronson Rath...
Outstanding direction nominees include Maite Alberdi for “The Eternal Memory,” Sam Green for “32 Sounds,” Kaouther Ben Hania for “Four Daughters,” Smith for “Kokomo City,” Claire Simon for “Our Body” and Wim Wenders for “Anselm.”
The Cinema Eye 2024 Awards Ceremony takes place on Jan. 12 at the New York Academy of Medicine in East Harlem.
Full list of nominees follows.
2024 Cinema Eye Honors Nominations
Outstanding Nonfiction Feature
20 Days in Mariupol
Directed by Mstyslav Chernov
Produced by Mstyslav Chernov, Michelle Mizner, Raney Aronson Rath...
- 11/16/2023
- by Pat Saperstein
- Variety Film + TV
Cinema Eye Honors announced its nominations today for the 17th annual awards ceremony, to be held on January 12, 2024 at the New York Academy of Medicine. As the press release notes, “Kokomo City, the debut feature from D. Smith led all nominees with six nominations. Mstyslav Chernov’s 20 Days in Mariupol, Sam Green’s 32 Sounds and Maite Alberdi’s The Eternal Memory each received five nominations. All four films are nominated for Outstanding Nonfiction Feature, where they are joined by Kaouther Ben Hania’s Four Daughters, Joe Brewster and Michèle Stephenson’s Going to Mars: The Nikki Giovanni Project and Davis Guggenheim’s […]
The post Cinema Eye Honors Announces 2024 Nominations first appeared on Filmmaker Magazine.
The post Cinema Eye Honors Announces 2024 Nominations first appeared on Filmmaker Magazine.
- 11/16/2023
- by Filmmaker Staff
- Filmmaker Magazine - Blog
Cinema Eye Honors announced its nominations today for the 17th annual awards ceremony, to be held on January 12, 2024 at the New York Academy of Medicine. As the press release notes, “Kokomo City, the debut feature from D. Smith led all nominees with six nominations. Mstyslav Chernov’s 20 Days in Mariupol, Sam Green’s 32 Sounds and Maite Alberdi’s The Eternal Memory each received five nominations. All four films are nominated for Outstanding Nonfiction Feature, where they are joined by Kaouther Ben Hania’s Four Daughters, Joe Brewster and Michèle Stephenson’s Going to Mars: The Nikki Giovanni Project and Davis Guggenheim’s […]
The post Cinema Eye Honors Announces 2024 Nominations first appeared on Filmmaker Magazine.
The post Cinema Eye Honors Announces 2024 Nominations first appeared on Filmmaker Magazine.
- 11/16/2023
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Distribution platform Gathr and documentary distribution agency Roco Films have teamed to create Roco Voices, a new speakers bureau.
Roco Voices, launching Nov. 14, will offer live speaking engagements with filmmakers and subject matter experts from Roco Film’s docu film catalog. The initial cohort of filmmakers to debut with Roco Voices include Academy Award winners and nominees Oliver Stone (“Nuclear Now”), Ross Kauffman (“Born Into Brothels”), Justine Shapiro (“Promises”), Sam Green (“The Weather Underground”), David France (“How to Survive a Plague”), Geralyn Dreyfous (“The Square”), and Roger Weisberg (“Sound and Fury”). (All Roco clients have the opportunity to opt-in.)
Powering Roco Voices is Gathr’s talent booking technology. (The company started beta-testing earlier this year.) The collaboration is a one-stop shop for Roco Films’ customers to search, discover, negotiate, and book filmmakers, doc talent and subject matter experts while also licensing impact-driven and educational film screenings.
“The shared experience of...
Roco Voices, launching Nov. 14, will offer live speaking engagements with filmmakers and subject matter experts from Roco Film’s docu film catalog. The initial cohort of filmmakers to debut with Roco Voices include Academy Award winners and nominees Oliver Stone (“Nuclear Now”), Ross Kauffman (“Born Into Brothels”), Justine Shapiro (“Promises”), Sam Green (“The Weather Underground”), David France (“How to Survive a Plague”), Geralyn Dreyfous (“The Square”), and Roger Weisberg (“Sound and Fury”). (All Roco clients have the opportunity to opt-in.)
Powering Roco Voices is Gathr’s talent booking technology. (The company started beta-testing earlier this year.) The collaboration is a one-stop shop for Roco Films’ customers to search, discover, negotiate, and book filmmakers, doc talent and subject matter experts while also licensing impact-driven and educational film screenings.
“The shared experience of...
- 11/14/2023
- by Addie Morfoot
- Variety Film + TV
Still: A Michael J. Fox Movie was the top winner at the 2023 Critics Choice Documentary Awards, which were handed out Sunday night.
Among the other prizes the film collected was the best narration award for Michael J. Fox. It also won best biographical documentary, best direction for Davis Guggenheim and best editing for Michael Harte for a total of five awards overall.
Elsewhere, Jon Batiste won best score for American Symphony on the heels of his five Grammy noms, including album of the year. American Symphony also was named best music doc.
20 Days in Mariupol won two awards, for best first documentary feature and best political doc.
The eighth annual edition of the awards show, hosted by Wyatt Cenac, took place at New York’s Edison Ballroom.
Winners were announced in 18 categories spanning theatrical film, TV and digital platforms. Also this year, the Critics Choice Association honored Ross McElwee with its Pennebaker Award,...
Among the other prizes the film collected was the best narration award for Michael J. Fox. It also won best biographical documentary, best direction for Davis Guggenheim and best editing for Michael Harte for a total of five awards overall.
Elsewhere, Jon Batiste won best score for American Symphony on the heels of his five Grammy noms, including album of the year. American Symphony also was named best music doc.
20 Days in Mariupol won two awards, for best first documentary feature and best political doc.
The eighth annual edition of the awards show, hosted by Wyatt Cenac, took place at New York’s Edison Ballroom.
Winners were announced in 18 categories spanning theatrical film, TV and digital platforms. Also this year, the Critics Choice Association honored Ross McElwee with its Pennebaker Award,...
- 11/13/2023
- by Kimberly Nordyke
- The Hollywood Reporter - Movie News
‘Still: A Michael J. Fox Movie’ Sweeps the Critics Choice Documentary Awards (Complete Winners List)
One of the first big nights of the 2023 award season took place tonight at Manhattan’s Edison Ballroom when the best nonfiction filmmakers competed for the Critics Choice Documentary Awards. The show, which is hosted by Wyatt Cenac, honors the most acclaimed documentaries of the year in one of the biggest early contests before the Academy Awards.
Netflix’s Jon Batiste documentary “American Symphony” led the pack with six nominations, while “20 Days in Mariupol,” “Kokomo City,” and “Still: A Michael J. Fox Movie” were each honored with five nominations a piece. Other contenders for Best Documentary Feature include “Beyond Utopia,” “The Deepest Breath,” “The Mission,” “The Eternal Memory,” “Judy Blume Forever,” and “Stamped from the Beginning.”
“Still: A Michael J. Fox Story” had the strongest story of the night. In addition to taking home Best Documentary Feature, the film won Best Biographical Documentary, Best Director, Best Editing, and Best Narration for Fox himself.
Netflix’s Jon Batiste documentary “American Symphony” led the pack with six nominations, while “20 Days in Mariupol,” “Kokomo City,” and “Still: A Michael J. Fox Movie” were each honored with five nominations a piece. Other contenders for Best Documentary Feature include “Beyond Utopia,” “The Deepest Breath,” “The Mission,” “The Eternal Memory,” “Judy Blume Forever,” and “Stamped from the Beginning.”
“Still: A Michael J. Fox Story” had the strongest story of the night. In addition to taking home Best Documentary Feature, the film won Best Biographical Documentary, Best Director, Best Editing, and Best Narration for Fox himself.
- 11/13/2023
- by Christian Zilko
- Indiewire
The Critics Choice Association just unveiled the nominees for its 8th annual documentary awards. Topping the list is “American Symphony” with six bids, including Best Documentary, Best Director for Matthew Heineman, and notices in Cinematography, Editing, and Music Documentary. Heineman is the Oscar nominated director of “Cartel Land” from 2015. The sixth nomination for “American Symphony” is for Best Score thanks to 2022’s Grammy Award recipient for Album of the Year, Jon Batiste. You may recognize another Aoty winner in the Ccda’s lineup — Taylor Swift‘s record breaking concert movie “Taylor Swift: The Eras Tour” is also nominated for Music Documentary.
Just behind “American Symphony” are three films that received five nominations each: “20 Days in Mariupol” from Mstyslav Chernov, “Kokomo City” from D. Smith, and “Still: A Michael J. Fox Movie” from Davis Guggenheim, who is also nominated for Director. The other directors that were heralded for their films...
Just behind “American Symphony” are three films that received five nominations each: “20 Days in Mariupol” from Mstyslav Chernov, “Kokomo City” from D. Smith, and “Still: A Michael J. Fox Movie” from Davis Guggenheim, who is also nominated for Director. The other directors that were heralded for their films...
- 10/24/2023
- by John Benutty
- Gold Derby
The 2023 Cinema Eye Honors have unveiled the 20 titles for its Audience Choice Prize Long List, with voting now open.
The 17th annual awards ceremony also recognized the best nonfiction and documentary films and series across five Broadcast categories and a Shorts List with 10 of the year’s top documentary short films, as well as the 20 films in the running for the Audience Choice Prize Long List.
This year’s list includes films from Cinema Eye Honors alumni including “The Eternal Memory,” “American Symphony,” “Still: A Michael J. Fox Movie,” “Stamped from the Beginning,” “32 Sounds,” “A Compassionate Spy,” “Confessions of a Good Samaritan,” “The Mission,” “The Pigeon Tunnel,” and “Stephen Curry: Underrated.”
Hulu series “The 1619 Project” and Showtime’s “Nothing Lasts Forever” lead the Broadcast Film and Series nominations with three nods each. The “1619 Project,” adapted from Pulitzer Prize winning journalist Nikole Hannah-Jones’s work with The New...
The 17th annual awards ceremony also recognized the best nonfiction and documentary films and series across five Broadcast categories and a Shorts List with 10 of the year’s top documentary short films, as well as the 20 films in the running for the Audience Choice Prize Long List.
This year’s list includes films from Cinema Eye Honors alumni including “The Eternal Memory,” “American Symphony,” “Still: A Michael J. Fox Movie,” “Stamped from the Beginning,” “32 Sounds,” “A Compassionate Spy,” “Confessions of a Good Samaritan,” “The Mission,” “The Pigeon Tunnel,” and “Stephen Curry: Underrated.”
Hulu series “The 1619 Project” and Showtime’s “Nothing Lasts Forever” lead the Broadcast Film and Series nominations with three nods each. The “1619 Project,” adapted from Pulitzer Prize winning journalist Nikole Hannah-Jones’s work with The New...
- 10/19/2023
- by Samantha Bergeson
- Indiewire
Jon Batiste in ‘American Symphony’
American Symphony earned six nominations, topping the list of 2023 Critics Choice Documentary Awards (Ccda) nominees. American Symphony, which focuses on Jon Batiste and his wife, Suleika Jaouad, picked up nominations in categories including Best Documentary Feature, Best Director (Matthew Heineman), Best Cinematography, Best Editing, Best Score (Jon Batiste), and Best Music Documentary.
Three documentaries – 20 Days in Mariupol, Kokomo City, and Still: A Michael J. Fox Movie – followed with five nominations each. Documentarian Ross McElwee has been chosen to receive The Pennebaker Award (the Ccda’s lifetime achievement honor).
Winners will be announced during the Eighth Annual Critics Choice Documentary Awards to be held at The Edison Ballroom in Manhattan on Sunday, November 12, 2023. Actor and standup comedian Wyatt Cenac (Wyatt Cenac’s Problem Areas) will host the awards for the second consecutive year.
The Ccda will live-stream on Facebook, YouTube, and X (formerly Twitter...
American Symphony earned six nominations, topping the list of 2023 Critics Choice Documentary Awards (Ccda) nominees. American Symphony, which focuses on Jon Batiste and his wife, Suleika Jaouad, picked up nominations in categories including Best Documentary Feature, Best Director (Matthew Heineman), Best Cinematography, Best Editing, Best Score (Jon Batiste), and Best Music Documentary.
Three documentaries – 20 Days in Mariupol, Kokomo City, and Still: A Michael J. Fox Movie – followed with five nominations each. Documentarian Ross McElwee has been chosen to receive The Pennebaker Award (the Ccda’s lifetime achievement honor).
Winners will be announced during the Eighth Annual Critics Choice Documentary Awards to be held at The Edison Ballroom in Manhattan on Sunday, November 12, 2023. Actor and standup comedian Wyatt Cenac (Wyatt Cenac’s Problem Areas) will host the awards for the second consecutive year.
The Ccda will live-stream on Facebook, YouTube, and X (formerly Twitter...
- 10/16/2023
- by Rebecca Murray
- Showbiz Junkies
The eighth annual Critics Choice Documentary Awards nominations are often an early bellwether for the Best Documentary Feature Oscar race, mainly because they signal to Oscar voters many of the key films they should not miss. Last year’s winner, “Good Night Oppy,” did not make it to the documentary Oscar shortlist, but the year before, “Summer of Soul” went on to win the Oscar.
This year’s nominations were led by fall festival favorite “American Symphony,” Matthew Heineman’s moving portrait of musician Jon Batiste as he juggles work demands and his wife’s recurring leukemia, with six nods. It was followed by Mstyslav Chernov’s Ukraine international Oscar submission “20 Days in Mariupol,” D. Smith’s black-and-white portrait of Black trans sex workers “Kokomo City,” and Davis Guggenheim’s editing feat “Still: A Michael J. Fox Movie,” with five each.
The gala to honor the winners, hosted by comedian Wyatt Cenac,...
This year’s nominations were led by fall festival favorite “American Symphony,” Matthew Heineman’s moving portrait of musician Jon Batiste as he juggles work demands and his wife’s recurring leukemia, with six nods. It was followed by Mstyslav Chernov’s Ukraine international Oscar submission “20 Days in Mariupol,” D. Smith’s black-and-white portrait of Black trans sex workers “Kokomo City,” and Davis Guggenheim’s editing feat “Still: A Michael J. Fox Movie,” with five each.
The gala to honor the winners, hosted by comedian Wyatt Cenac,...
- 10/16/2023
- by Anne Thompson
- Indiewire
Documentary producer Lauren Haber has joined Amplify Pictures as its head of documentary, a newly created role at the studio.
Amplify is an independent television studio founded back in 2018 by “Fleabag” producer Joe Lewis. The studio recently released Season 2 of HBO’s docuseries “100 Foot Wave” which follows surf legend Garrett McNamara, who broke the record for the largest wave ever surfed. The series earned six Emmy nods this season including a nomination for outstanding documentary or nonfiction series.
“I was immediately struck by the ambition, integrity and collaborative spirit that Joe, Rachel and Colin radiate and bring into everything they do at Amplify Pictures,” Haber said in a statement. “The company’s fresh perspective and focus on innovation in the documentary space is absolutely thrilling for me to step into. I’m honored and excited to build Amplify Pictures’ global documentary slate, working with visionary filmmakers to tell stories that surprise and entertain,...
Amplify is an independent television studio founded back in 2018 by “Fleabag” producer Joe Lewis. The studio recently released Season 2 of HBO’s docuseries “100 Foot Wave” which follows surf legend Garrett McNamara, who broke the record for the largest wave ever surfed. The series earned six Emmy nods this season including a nomination for outstanding documentary or nonfiction series.
“I was immediately struck by the ambition, integrity and collaborative spirit that Joe, Rachel and Colin radiate and bring into everything they do at Amplify Pictures,” Haber said in a statement. “The company’s fresh perspective and focus on innovation in the documentary space is absolutely thrilling for me to step into. I’m honored and excited to build Amplify Pictures’ global documentary slate, working with visionary filmmakers to tell stories that surprise and entertain,...
- 9/20/2023
- by Sophia Scorziello
- Variety Film + TV
Veteran documentary producer Lauren Haber has been appointed to the newly created role of Head of Documentary at Amplify Pictures, the award-winning studio announced on Wednesday.
In her new position, Haber will be responsible for overseeing the company’s current slate of documentary projects and expanding its doc portfolio of globally commercial, filmmaker-driven projects with an emphasis on ongoing series and IP creation. The hiring comes at a dynamic time for Amplify, which has continued to build out its team and slate of global content following an infusion of private equity capital.
Haber comes to the company after serving as VP of Production at Impact Partners, where she curated and supported their slate of independent documentary projects including 32 Sounds directed by Sam Green, Another Body directed by Sophie Compton and Reuben Hamlyn, Peabody winner Aftershock directed by Paula Eiselt & Tonya Lewis Lee, Paper & Glue directed by Jr, and the three-part HBO series Nuclear Family,...
In her new position, Haber will be responsible for overseeing the company’s current slate of documentary projects and expanding its doc portfolio of globally commercial, filmmaker-driven projects with an emphasis on ongoing series and IP creation. The hiring comes at a dynamic time for Amplify, which has continued to build out its team and slate of global content following an infusion of private equity capital.
Haber comes to the company after serving as VP of Production at Impact Partners, where she curated and supported their slate of independent documentary projects including 32 Sounds directed by Sam Green, Another Body directed by Sophie Compton and Reuben Hamlyn, Peabody winner Aftershock directed by Paula Eiselt & Tonya Lewis Lee, Paper & Glue directed by Jr, and the three-part HBO series Nuclear Family,...
- 9/20/2023
- by Matt Grobar
- Deadline Film + TV
Some cliche somewhere said that ‘a picture is worth a thousand words.’ This has proven to be the case for me and especially when it comes to fan art. I have always sought out great fan art and have wanted to share it with as many people as possible. “Awesome Art We’ve Found Around The Net” is the outlet for that passion. In this column, I will showcase the kick-ass artwork of some great artists, with the hopes that these artists get the attention they deserve. That’s the aim. If you have any questions or comments, or even suggestions of art or other great artists, feel free to contact me at any time at theodorebond@joblo.com.
Akira by David Velásquez
Digimon by kentaropjj
The Exorcist by Nuno Sarnadas
Gamera by Matt Frank
Invasion of the Body Snatchers by Ted Hammond
Kickboxer by Forsaken Folklore
Ryu by Stanley...
Akira by David Velásquez
Digimon by kentaropjj
The Exorcist by Nuno Sarnadas
Gamera by Matt Frank
Invasion of the Body Snatchers by Ted Hammond
Kickboxer by Forsaken Folklore
Ryu by Stanley...
- 9/9/2023
- by Theodore Bond
- JoBlo.com
Carrie Lozano was named Itvs president and CEO Wednesday to succeed Sally Jo Fifer, who had held the position for 22 years.
Lozano joins from the Sundance Institute, where she previously served as director of documentary film and artist programs. At Itvs, she will continue to protect independent artists’ voices, editorial control and copyright, while elevating nonfiction storytelling as an essential strategy for public media to reach new and diverse audiences.
“Carrie’s integrity as an investigative journalist, her leadership experience, and her fierce commitment to filmmakers and democracy will lift our field, partners and incredible staff for many years to come,” said Itvs board chair Garry Denny. “The board is thrilled to welcome her to our team and to public media.”
While at Sundance, beginning in October 2020, Lozano and her team created programs to supply funding, creative labs, fellowships and support. She helped forge partnerships with Gucci, the Asian American...
Lozano joins from the Sundance Institute, where she previously served as director of documentary film and artist programs. At Itvs, she will continue to protect independent artists’ voices, editorial control and copyright, while elevating nonfiction storytelling as an essential strategy for public media to reach new and diverse audiences.
“Carrie’s integrity as an investigative journalist, her leadership experience, and her fierce commitment to filmmakers and democracy will lift our field, partners and incredible staff for many years to come,” said Itvs board chair Garry Denny. “The board is thrilled to welcome her to our team and to public media.”
While at Sundance, beginning in October 2020, Lozano and her team created programs to supply funding, creative labs, fellowships and support. She helped forge partnerships with Gucci, the Asian American...
- 6/7/2023
- by Scott Mendelson
- The Wrap
A full Free Movie of the Day is posted on the JoBlo Horror Movies YouTube channel every other day during the week – but on Fridays things get even freakier and a little more fun. Get your weekend started the right way by indulging in Friday Fright Nights! Every Friday, we’ll be taking a look at another genre movie you can watch in its entirety, free of charge, either on the YouTube channel linked above or in the video embed here.
The Friday Fright Night feature we have for you this week is director Andrew Robertson’s suspense thriller American Apocalypse, which takes place after a pandemic that went even worse than the one that shut down the world in 2020. And given that it tells a story set in a wasteland where society has crumbled, this is a film that takes me back to my childhood.
That may seem odd to say,...
The Friday Fright Night feature we have for you this week is director Andrew Robertson’s suspense thriller American Apocalypse, which takes place after a pandemic that went even worse than the one that shut down the world in 2020. And given that it tells a story set in a wasteland where society has crumbled, this is a film that takes me back to my childhood.
That may seem odd to say,...
- 5/12/2023
- by Cody Hamman
- JoBlo.com
Sam Green wants you to stop and listen for a second. Like, really listen.
The Bay Area documentarian wants you take in the world around you, one curated noise at a time. It might be church bells, cicadas, wind chimes, or rushing currents. He may throw a few sonic curveballs your way as well — violins could quickly turn into explosions, or Philip Glass gently noodling on a piano might suddenly give way to the extremely loud buzzing of a fly. Occasionally, Green will ask you to close your eyes, the...
The Bay Area documentarian wants you take in the world around you, one curated noise at a time. It might be church bells, cicadas, wind chimes, or rushing currents. He may throw a few sonic curveballs your way as well — violins could quickly turn into explosions, or Philip Glass gently noodling on a piano might suddenly give way to the extremely loud buzzing of a fly. Occasionally, Green will ask you to close your eyes, the...
- 5/2/2023
- by David Fear
- Rollingstone.com
A few years ago, “true crime” became a marketable trope, and the documentary market has been in slow-motion decline ever since. The millions that streamers invested in non-fiction overinflated expectations for the form, stretched it thin, and the bubble burst earlier this year. In January, few documentaries generated much buyer interest out of Sundance. In this column, I proposed that filmmakers might be best-served by killing the word “documentary” to avoid getting rejected outright.
Sam Green has taken a more pragmatic approach. His delightful, immersive essay film “32 Sounds,” which opens in New York’s Film Forum this week more than a year after its debut as a live performance at Sundance’s virtual 2022 edition, has a malleable form and modest scale that lets it thrive without the unreasonable expectations of success. The project’s long-term viability provides a valuable case study for how unconventional, smaller-scale non-fiction filmmaking can remain sustainable.
Sam Green has taken a more pragmatic approach. His delightful, immersive essay film “32 Sounds,” which opens in New York’s Film Forum this week more than a year after its debut as a live performance at Sundance’s virtual 2022 edition, has a malleable form and modest scale that lets it thrive without the unreasonable expectations of success. The project’s long-term viability provides a valuable case study for how unconventional, smaller-scale non-fiction filmmaking can remain sustainable.
- 4/29/2023
- by Eric Kohn
- Indiewire
As engaging and impressive a documentary as you’re going to see, 32 Sounds starts with a kind of obvious––yet eminently under-asked––question: why do most of us take sound for granted? Director Sam Green quickly reminds us of Thomas Edison’s invention of the phonograph. He tell us a newspaper at the time “predicted the machine would actually stop death.” Only moments later there’s a playful investigation into how we hear, spurned by a digression about the Whoopee cushion. Which is to say this is not only a documentary of interest, but entertainment. Consider a cute moment in which we watch a tree fall in the woods, though we hear nothing. The press notes acknowledge the clear inspiration, from the title on down: the masterpiece Thirty Two Short Films About Glenn Gould by François Girard.
Green collaborates with composer Jd Samson to examine sound through 32 different “specific sonic experiences.
Green collaborates with composer Jd Samson to examine sound through 32 different “specific sonic experiences.
- 4/29/2023
- by Dan Mecca
- The Film Stage
Focus Features’ Sundance-premiering Polite Society opens on 927 screens, the feature debut of writer/director Nida Manzoor, creator of We Are Lady Parts, the Peacock comedy about the eponymous British punk rock band.
This comedic mash-up of sisterly affection, parental disappointment and bold action, where martial artist-in-training Ria Khan tryies to save her older sister from an impending marriage, is 91% Certified Fresh on Rotten Tomatoes. Deadline review here.
It’s joined by a handful of other specialty titles with theatrical debuts ranging from 900 screens to one, following a week where specialty and independent film was showered with kind words at CinemaCon, the annual exhibitor conference. Focus chair Peter Kujawksi called the specialty audience passionate and the market a launching pad for exceptional talent and “unique and elevated stories.” No disagreement there. He also said the specialty business has “recovered better and faster’’ out of Covid than the overall box office. Indie...
This comedic mash-up of sisterly affection, parental disappointment and bold action, where martial artist-in-training Ria Khan tryies to save her older sister from an impending marriage, is 91% Certified Fresh on Rotten Tomatoes. Deadline review here.
It’s joined by a handful of other specialty titles with theatrical debuts ranging from 900 screens to one, following a week where specialty and independent film was showered with kind words at CinemaCon, the annual exhibitor conference. Focus chair Peter Kujawksi called the specialty audience passionate and the market a launching pad for exceptional talent and “unique and elevated stories.” No disagreement there. He also said the specialty business has “recovered better and faster’’ out of Covid than the overall box office. Indie...
- 4/28/2023
- by Jill Goldsmith
- Deadline Film + TV
When it came time to title his 2018 documentary about The Kronos Quartet, director Sam Green chose A Thousand Thoughts. Referring to an older Kronos composition, the title also spoke to the film’s approach, which was to use the music and biography of the Bay Area classical group to summon up a range of allusive meditations on ephemerality, culture, legacy and death. For his latest documentary, ostensibly about the much larger and more amorphous topic of “sound,” Green has gone in the numerically opposite direction. 32 Sounds, which opens today at New York’s Film Forum, announces itself as a sort […]
The post Binaural Recording, Room Tone, and Voices from the Past: Sam Green on His Documentary 32 Sounds first appeared on Filmmaker Magazine.
The post Binaural Recording, Room Tone, and Voices from the Past: Sam Green on His Documentary 32 Sounds first appeared on Filmmaker Magazine.
- 4/28/2023
- by Scott Macaulay
- Filmmaker Magazine - Blog
When it came time to title his 2018 documentary about The Kronos Quartet, director Sam Green chose A Thousand Thoughts. Referring to an older Kronos composition, the title also spoke to the film’s approach, which was to use the music and biography of the Bay Area classical group to summon up a range of allusive meditations on ephemerality, culture, legacy and death. For his latest documentary, ostensibly about the much larger and more amorphous topic of “sound,” Green has gone in the numerically opposite direction. 32 Sounds, which opens today at New York’s Film Forum, announces itself as a sort […]
The post Binaural Recording, Room Tone, and Voices from the Past: Sam Green on His Documentary 32 Sounds first appeared on Filmmaker Magazine.
The post Binaural Recording, Room Tone, and Voices from the Past: Sam Green on His Documentary 32 Sounds first appeared on Filmmaker Magazine.
- 4/28/2023
- by Scott Macaulay
- Filmmaker Magazine-Director Interviews
When talking about cinema, people often discuss the actors they like to watch, or directors whose output they admire. Sometimes they’ll go on to discuss the look of a film, or its score. it’s very rare, however, for anyone to talk about the sound design. Where would we be without sound? Partway through Sam Green’s documentary we take a brief trip back in time to the early days of cinema, even before it was accompanied by pianos or orchestras. It shows us what it was like watching early talkies when all the sound came from a central speaker, and explains how Alan Blumlein invented stereo sound in response. This is the immersive cinema we know today. The rest of this film invites us to think about how it’s put together and how sound, and the recording of sound, shape our lives more widely.
You will need a good sound system to.
You will need a good sound system to.
- 4/26/2023
- by Jennie Kermode
- eyeforfilm.co.uk
Shortly after the invention of the phonograph in 1877, a prominent newspaper of the time predicted that Thomas Edison’s machine was powerful enough to stop death itself. The human body was still ephemeral, but the human voice had effectively become immortal. It was now capable of being heard long after the person who produced it had decomposed into nothing more than bone and memory.
When AI broke into the mainstream some 150 years later, tech websites almost immediately began reporting about new digital tools that allow people to upload audio recordings of their loved ones in order to keep talking with them after they’re gone.
That development is a bit too recent to be included in “A Thousand Thoughts” and “The Weather Underground” director Sam Green’s “32 Sounds,” but it provides a perfect coda to this soft and semi-interactive documentary about the ambient power of acoustic vibration; to a...
When AI broke into the mainstream some 150 years later, tech websites almost immediately began reporting about new digital tools that allow people to upload audio recordings of their loved ones in order to keep talking with them after they’re gone.
That development is a bit too recent to be included in “A Thousand Thoughts” and “The Weather Underground” director Sam Green’s “32 Sounds,” but it provides a perfect coda to this soft and semi-interactive documentary about the ambient power of acoustic vibration; to a...
- 4/26/2023
- by David Ehrlich
- Indiewire
32 Sounds
Every year there are more films about filmmaking, celebrating particular directors or stars or addressing the difficulty of bringing an original idea to life in an industry full of ruthless players – yet it’s vanishingly rare for any film to go behind the scenes and explore the craft of sound. This is where Sam Green’s new documentary, 32 Sounds, begins, but not where it ends. Providing context for the experience of cinematic sound takes it in all sorts of other interesting directions, and leads to musing on the fundamental nature of our relationship with sound as a sense, as well as the ways in which recording it has transformed our world.
Discussing the film with Sam, I note that I often feel that sound is an underappreciated area of the craft of filmmaking, with a huge amount to contribute.
“It is funny, because it's kind of a conundrum that film is.
Every year there are more films about filmmaking, celebrating particular directors or stars or addressing the difficulty of bringing an original idea to life in an industry full of ruthless players – yet it’s vanishingly rare for any film to go behind the scenes and explore the craft of sound. This is where Sam Green’s new documentary, 32 Sounds, begins, but not where it ends. Providing context for the experience of cinematic sound takes it in all sorts of other interesting directions, and leads to musing on the fundamental nature of our relationship with sound as a sense, as well as the ways in which recording it has transformed our world.
Discussing the film with Sam, I note that I often feel that sound is an underappreciated area of the craft of filmmaking, with a huge amount to contribute.
“It is funny, because it's kind of a conundrum that film is.
- 4/20/2023
- by Jennie Kermode
- eyeforfilm.co.uk
A filmmaker focused on the experience of watching, Academy Award-nominated director Sam Green’s projects are best experienced live, previously with A Thousand Thoughts featuring Kronos Quartet and The Love Song of R. Buckminster Fuller featuring Yo La Tengo. His latest work, 32 Sounds, premiered at Sundance last year, featuring original music by Jd Samson and sound design from Mark Mangini. Now set for a theatrical release starting April 28, the first trailer has landed.
During its festival run in front of a live audience, the performance featured individual headphones for each audience member and included live narration by Green and live original music by Samson. This new version is specifically designed for a completely immersive at-home or theatrical experience. The film examines the “elemental phenomenon of sound and its power to bend time, cross borders, and profoundly shape our perception of the world around us.”
“There’s a lot of different ways of listening,...
During its festival run in front of a live audience, the performance featured individual headphones for each audience member and included live narration by Green and live original music by Samson. This new version is specifically designed for a completely immersive at-home or theatrical experience. The film examines the “elemental phenomenon of sound and its power to bend time, cross borders, and profoundly shape our perception of the world around us.”
“There’s a lot of different ways of listening,...
- 3/9/2023
- by Leonard Pearce
- The Film Stage
"I think of sound as being a channel of connection." Abramorama has revealed a mesmerizing trailer for an immersive, unique documentary film titled 32 Sounds, made by doc filmmaker Sam Green. This originally premiered at the 2022 Sundance Film Festival last year playing in the experimental New Frontier category, and also played at AFI Fest, SXSW, and San Francisco Film Festivals. 32 Sounds investigates the mysterious nature of perception and the subtle yet radical politics that arise from sensation and being present in one's body. A cinematic documentary and a sensory film experience that explores the elemental phenomenon of sound and its power to bend time, cross borders, and profoundly shape our perception of the world around us. Featuring original compositions by Jd Samson, 32 Sounds is designed to be experienced with personal headphones for a truly unique binaural audio experience. This all "sounds" (ha ha) incredible! Have a listen. // Continue Reading ›...
- 3/8/2023
- by Alex Billington
- firstshowing.net
“32 Sounds,” an immersive and experiential documentary, has sold North American rights to Abramorama following its premiere at Sundance Film Festival.
The movie, which explores the phenomenon of sound through 32 specific sonic experiences, will begin its nationwide theatrical rollout at New York City’s Film Forum on April 28.
To complete the unique auditory experience, several venues, including Film Forum, will offer audience members individual sets of headphones so they can watch “32 Sounds” the way the filmmaker intended.
“32 Sounds” had its world premiere at Sundance, where it played to positive reviews. Variety’s chief film critic Peter Debruge wrote that the movie is “bursting with humor, emotion and curiosity” and praised it as a “rare and rewarding sonic journey with the potential to enrich our lives.”
London-based sales agent and financier Architect are handling international sales and introduced 32 Sounds to distributors during last month’s EFM.
Directed and written by Sam Green...
The movie, which explores the phenomenon of sound through 32 specific sonic experiences, will begin its nationwide theatrical rollout at New York City’s Film Forum on April 28.
To complete the unique auditory experience, several venues, including Film Forum, will offer audience members individual sets of headphones so they can watch “32 Sounds” the way the filmmaker intended.
“32 Sounds” had its world premiere at Sundance, where it played to positive reviews. Variety’s chief film critic Peter Debruge wrote that the movie is “bursting with humor, emotion and curiosity” and praised it as a “rare and rewarding sonic journey with the potential to enrich our lives.”
London-based sales agent and financier Architect are handling international sales and introduced 32 Sounds to distributors during last month’s EFM.
Directed and written by Sam Green...
- 3/2/2023
- by Rebecca Rubin
- Variety Film + TV
Sundance has canceled plans for its New Frontier program at the 2023 festival, the boundary-pushing section that has showcased experimental new works for 15 years. During that time, New Frontier anticipated industry-wide interest in the metaverse and other emerging technologies while catalyzing the curation of creativity in VR and Ar at festivals around the world.
The 2023 festival also will not host its digital social space or the online venue known as The Spaceship, where badgeholders can interact as avatars and watch showcased works.
As the festival prepares to hold its first in-person edition in two years, New Frontier was never part of those in-person plans. Instead, the festival planned it as an exclusively virtual event and has been accepting submissions for months. In October, artists who submitted projects received a notice from New Frontier chief curator Shari Frilot informing them that they would be reimbursed for submission fees.
“We want to let...
The 2023 festival also will not host its digital social space or the online venue known as The Spaceship, where badgeholders can interact as avatars and watch showcased works.
As the festival prepares to hold its first in-person edition in two years, New Frontier was never part of those in-person plans. Instead, the festival planned it as an exclusively virtual event and has been accepting submissions for months. In October, artists who submitted projects received a notice from New Frontier chief curator Shari Frilot informing them that they would be reimbursed for submission fees.
“We want to let...
- 10/17/2022
- by Eric Kohn
- Indiewire
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
All My Friends Hate Me (Andrew Gaynord)
Pete (Tom Stourton) hasn’t seen his university mates in years. Ten years to be exact. It happens. Life happens. We reach adulthood, mature, and set goals for ourselves that the people who were closest to us during that formidable period simply cannot follow—their own ambitions lie upon different forks in the road. So resentment shouldn’t factor in. Nor should jealousy. Yet Pete can’t help wondering about both. A little voice in the back of his head wonders if a decade was too long to pretend things could pick up where they left off. Would their very posh upbringing think he abandoned them to work with refugees? Do they think he thinks...
All My Friends Hate Me (Andrew Gaynord)
Pete (Tom Stourton) hasn’t seen his university mates in years. Ten years to be exact. It happens. Life happens. We reach adulthood, mature, and set goals for ourselves that the people who were closest to us during that formidable period simply cannot follow—their own ambitions lie upon different forks in the road. So resentment shouldn’t factor in. Nor should jealousy. Yet Pete can’t help wondering about both. A little voice in the back of his head wonders if a decade was too long to pretend things could pick up where they left off. Would their very posh upbringing think he abandoned them to work with refugees? Do they think he thinks...
- 7/29/2022
- by Jordan Raup
- The Film Stage
Sffilm Festival, San Francisco’s premier celebration of film, has unveiled its 65th lineup for this year’s return to in-person festivities. The 2022 program features more than 130 from 56 countries, with 56 percent helmed by female or non-binary filmmakers and 52 percent directed by Bipoc filmmakers. The 2022 Festival will run April 21–May 1, with tickets on sale now at sffilm.org. Screenings will take place at venues across the Bay Area, including the storied Castro Theatre and Uc Berkeley’s Bampfa.
While the festival features a variety of world and North American premieres, it will also serve as a Bay Area launchpad for a number of festival favorites, like Sundance darling “Cha Cha Real Smooth” (which Apple TV+ will roll out later this year), John Boyega–starrer “892,” NatGeo volcanologist documentary “Fire of Love,” Terence Davies’ “Benediction,” Claire Denis’ “Both Sides of the Blade,” Venice Golden Lion winner “Happening,” Sundance Best Director winner...
While the festival features a variety of world and North American premieres, it will also serve as a Bay Area launchpad for a number of festival favorites, like Sundance darling “Cha Cha Real Smooth” (which Apple TV+ will roll out later this year), John Boyega–starrer “892,” NatGeo volcanologist documentary “Fire of Love,” Terence Davies’ “Benediction,” Claire Denis’ “Both Sides of the Blade,” Venice Golden Lion winner “Happening,” Sundance Best Director winner...
- 3/30/2022
- by Ryan Lattanzio
- Indiewire
Humans have five senses, whereas cinema is limited to just two, sight and sound. We often hear how movies are a visual medium, but what about the other, invisible half? Filmmaker Sam Green (“The Weather Underground”) wants to get audiences thinking with their ears as much as their eyes, constructing an immersive, audio-driven essay film that focuses our attention on sound: how it works, what it can do and the way that specific noises can either unlock memories or spark entirely new ones.
Full to bursting with humor, emotion and curiosity, “32 Sounds” is a uniquely mind-expanding plunge into a dimension of the human experience so many of us take for granted, a rare and rewarding sonic journey with the potential to enrich our lives. “Enrich our lives?!” I can practically hear you asking. If that sounds like too grandiose a goal, consider this: Unless you’re a musician, an audio engineer or an otolaryngologist,...
Full to bursting with humor, emotion and curiosity, “32 Sounds” is a uniquely mind-expanding plunge into a dimension of the human experience so many of us take for granted, a rare and rewarding sonic journey with the potential to enrich our lives. “Enrich our lives?!” I can practically hear you asking. If that sounds like too grandiose a goal, consider this: Unless you’re a musician, an audio engineer or an otolaryngologist,...
- 3/11/2022
- by Peter Debruge
- Variety Film + TV
While this year’s Sundance Film Festival didn’t see a jaw-dropping sale on par with last year’s bank-busting “Coda” buy, sales were brisk both before and during the event, with crowdpleasers like “Cha Cha Real Smooth,” “Fire of Love,” and “Good Luck to You, Leo Grande” finding homes at the festival, and other winners like “Fresh,” “Speak No Evil,” and “Master” arriving at Sundance with distribution already in hand.
And yet many of the best films of the fest are still looking for homes, and thus comes our annual plea: buy these films! We really love them and we think your audience will, too! The year ahead is certainly going to be an unpredictable one for distribution companies as the future of exhibition remains an open, ever-changing question. But the quality of these movies is not up for debate, nor is their potential to resonate with audiences well beyond Sundance.
And yet many of the best films of the fest are still looking for homes, and thus comes our annual plea: buy these films! We really love them and we think your audience will, too! The year ahead is certainly going to be an unpredictable one for distribution companies as the future of exhibition remains an open, ever-changing question. But the quality of these movies is not up for debate, nor is their potential to resonate with audiences well beyond Sundance.
- 1/31/2022
- by Kate Erbland and Eric Kohn
- Indiewire
The Sundance Film Festival released the lineup for the 16th-anniversary edition of New Frontier, the fest’s track for showcasing multimedia, VR and emerging tech creative projects. The 2022 program includes 15 premieres from creators around the world.
The New Frontier program will be “a fully biodigital showcase,” according to Sundance. It will be globally accessible online via Sundance’s The Spaceship virtual venue from Jan. 20-28, 2022, with in-person extensions and live performances at The Craft, a new artist-centered venue in Park City. Ticketed New Frontier performances also will be presented in Park City’s Egyptian Theatre and simultaneously on The Spaceship.
See Also: Sundance 2022 Feature Lineup: Films From Lena Dunham, Amy Poehler and Netflix’s Kanye West Doc
Kicking off the festival on Jan. 20 will be a special hybrid digital/in-person presentation of Sam Green’s “32 Sounds” (pictured above), an immersive documentary film about the powerful effects of sound, featuring live music and narration.
The New Frontier program will be “a fully biodigital showcase,” according to Sundance. It will be globally accessible online via Sundance’s The Spaceship virtual venue from Jan. 20-28, 2022, with in-person extensions and live performances at The Craft, a new artist-centered venue in Park City. Ticketed New Frontier performances also will be presented in Park City’s Egyptian Theatre and simultaneously on The Spaceship.
See Also: Sundance 2022 Feature Lineup: Films From Lena Dunham, Amy Poehler and Netflix’s Kanye West Doc
Kicking off the festival on Jan. 20 will be a special hybrid digital/in-person presentation of Sam Green’s “32 Sounds” (pictured above), an immersive documentary film about the powerful effects of sound, featuring live music and narration.
- 12/9/2021
- by Todd Spangler
- Variety Film + TV
The Sundance Institute has announced today the showcase of new independent work selected across the Feature Film, Indie Episodic, and New Frontier categories for the 2022 Sundance Film Festival. The Festival will take place both in-person in Park City, Salt Lake City and the Sundance Mountain Resort in Utah and through enhanced online ventures, plus the return of the fest’s Satellite Screens venues.
The festival gets started in Park City with eleven opening night movies, including Jesse Eisenberg’s directing debut, relationship comedy “When You Finish Saving the World,” Brazilian filmmaker Gabriel Martins’ “Marte Um” (“Mars One”), and “The Princess,” a documentary profile of Diana Spencer. Notably, documentaries suffuse all the sections, beyond the usual U.S. Documentary and World Cinema competition lineups. Like last year, the Premiere section is packed with non-fiction, including a movie from Ramin Bahrani, “2nd Chance,” about the inventor of the bulletproof vest; even the Midnight selection has one,...
The festival gets started in Park City with eleven opening night movies, including Jesse Eisenberg’s directing debut, relationship comedy “When You Finish Saving the World,” Brazilian filmmaker Gabriel Martins’ “Marte Um” (“Mars One”), and “The Princess,” a documentary profile of Diana Spencer. Notably, documentaries suffuse all the sections, beyond the usual U.S. Documentary and World Cinema competition lineups. Like last year, the Premiere section is packed with non-fiction, including a movie from Ramin Bahrani, “2nd Chance,” about the inventor of the bulletproof vest; even the Midnight selection has one,...
- 12/9/2021
- by Kate Erbland and Anne Thompson
- Indiewire
More than half of 82-strong feature roster directed by filmmakers who identify as women.
The hybrid 2022 Sundance Film Festival has announced a roster of 82 features that include world premieres for Sophie Hyde’s comedy drama Good Luck To You, Leo Grande, Michel Hazanavicius’s zombie comedy Final Cut, and Lena Dunham’s drama Sharp Stick as well as new work from John Boyega, Noomi Rapace and Julianne Moore.
Features, New Frontiers selections and shorts (the latter will be announced on Friday) will screen from January 20-30 2022 in person in the Utah hubs of Park City and Salt Lake City as...
The hybrid 2022 Sundance Film Festival has announced a roster of 82 features that include world premieres for Sophie Hyde’s comedy drama Good Luck To You, Leo Grande, Michel Hazanavicius’s zombie comedy Final Cut, and Lena Dunham’s drama Sharp Stick as well as new work from John Boyega, Noomi Rapace and Julianne Moore.
Features, New Frontiers selections and shorts (the latter will be announced on Friday) will screen from January 20-30 2022 in person in the Utah hubs of Park City and Salt Lake City as...
- 12/9/2021
- by Jeremy Kay
- ScreenDaily
With over 50 credits to his name, including Life Animated, A Walk into the Sea and the Emmy-nominated Boy’s State, composer T. Griffin brings sure melodies, inventive arrangements and a clever blending (and treatment of) of acoustic instruments with electronics to his film scoring work. Both an omnivorous listener and a performing musician — he’s a former member of Vic Chestnutt’s band and has performed for live film/media events by artists such as Sam Green — Griffin is invigoratingly thoughtful about the role of music in film, and his scores benefit from that inquisitive process. They buzz with musical ideas while […]
The post “My Ideal is for the Music to Seem Accidental, Like It Just Happened to Be There and Be Perfect”: T. Griffin on Scoring Jill Magid’s The Proposal first appeared on Filmmaker Magazine.
The post “My Ideal is for the Music to Seem Accidental, Like It Just Happened to Be There and Be Perfect”: T. Griffin on Scoring Jill Magid’s The Proposal first appeared on Filmmaker Magazine.
- 7/14/2021
- by Scott Macaulay
- Filmmaker Magazine-Director Interviews
With over 50 credits to his name, including Life Animated, A Walk into the Sea and the Emmy-nominated Boy’s State, composer T. Griffin brings sure melodies, inventive arrangements and a clever blending (and treatment of) of acoustic instruments with electronics to his film scoring work. Both an omnivorous listener and a performing musician — he’s a former member of Vic Chestnutt’s band and has performed for live film/media events by artists such as Sam Green — Griffin is invigoratingly thoughtful about the role of music in film, and his scores benefit from that inquisitive process. They buzz with musical ideas while […]
The post “My Ideal is for the Music to Seem Accidental, Like It Just Happened to Be There and Be Perfect”: T. Griffin on Scoring Jill Magid’s The Proposal first appeared on Filmmaker Magazine.
The post “My Ideal is for the Music to Seem Accidental, Like It Just Happened to Be There and Be Perfect”: T. Griffin on Scoring Jill Magid’s The Proposal first appeared on Filmmaker Magazine.
- 7/14/2021
- by Scott Macaulay
- Filmmaker Magazine - Blog
Line-up also includes the new project from two-time Oscar nominee Lucy Walker.
Danish documentary festival Cph:dox has revealed the 35 projects set to be presented at Cph:forum, its financing and co-production event that will take place online-only from April 26-30.
Scroll down for full list of titles
The selection includes new projects from two-time Oscar nominee Lucy Walker (Waste Land), Sundance winners Mads Brügger (Cold Case Hammarskjöld) and Eugene Jarecki (The House I Live In), Berlin Crystal Bear winner Geneviève Dulude-De Celle (A Colony) and Venice Horizons winner Lech Kowalski (East Of Paradise).
Further notable filmmakers include Radu Ciorniciuc, whose Acasa,...
Danish documentary festival Cph:dox has revealed the 35 projects set to be presented at Cph:forum, its financing and co-production event that will take place online-only from April 26-30.
Scroll down for full list of titles
The selection includes new projects from two-time Oscar nominee Lucy Walker (Waste Land), Sundance winners Mads Brügger (Cold Case Hammarskjöld) and Eugene Jarecki (The House I Live In), Berlin Crystal Bear winner Geneviève Dulude-De Celle (A Colony) and Venice Horizons winner Lech Kowalski (East Of Paradise).
Further notable filmmakers include Radu Ciorniciuc, whose Acasa,...
- 3/3/2021
- by Michael Rosser
- ScreenDaily
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