- (March 2002) She designed the costumes for "Fortune's Fool", a play by Ivan Turgenev, adapted by Mike Poulton (Stamford Center for the Arts, Truglia Theater, Stamford, Connecticut, USA).
- (April 2002) Designed the costumes for "Morning's at Seven", a play by Paul Osborn (Lyceum Theater, New York City, New York, USA).
- (May 2002) She designed the costumes for the "House/Garden", a play by Alan Ayckbourn (City Center Stage I & Stage II, New York City, New York, USA).
- (September 2002) She designed the costumes for "Nabucco", an opera by Giuseppe Verdi, libretto by Temistocle Solera, based on Cortesi's ballet scenario Nabucodonosor (Dorothy Chandler Pavilion, L.A. Music Center, Los Angeles, California, USA).
- (September 2002) She designed the costumes for "Burn This", a play by Lanford Wilson (Union Square Theater, New York City, New York, USA).
- (October 2002) Designed the costumes for "A Man of No Importance", a musical by Stephen Flaherty, Lynn Ahrens and Terrence McNally (Mitzi Newhouse Theater, New York City, New York, USA).
- (February 2003) Designed the costumes for "Oldest Living Confederate Widow Tells All", a play by Martin Tahse, adapted from the novel by Allan Gurganus (Old Globe Theater, San Diego, California, USA).
- (April 2005) Designed the costumes for "Moonlight and Magnolias", a play by Ron Hutchinson (Manhattan Theatre Club, New York City, New York, USA).
- (April 2005) He designed the costumes for "On Golden Pond", a play by Ernest Thompson (Cort Theatre, New York City, New York, USA).
- (May 2005) Designed the costumes for "A Picasso", a play by Jeffrey Hatcher (Manhattan Theatre Club, New York City, New York, USA).
- (August 2005) Designed the costumes for "Lennon", a musical by John Lennon and Don Scardino (Broadhurst Theatre, New York City, New York, USA).
- (2004, December - 2005, February) Designed the costumes for John L. Haber's play, "Lone Star Love", at the John Houseman Theatre, New York, New York.
- (December 2007) Designed the costumes for "Trumpery", a play by Peter Parnell (Atlantic Theater Company, New York City, New York, USA).
- (2003) She was the costume designer for Amy Freed's play, "The Beard of Avon", at the Goodman Theatre in Chicago, Illinois with Mark Harelik in the cast. The crew included Michael Yeargan (scenic designer). Michael Bodeen and Rob Milburn composed the original incidental music.
- (2004) She was the costume designer for the play, "The Moliere Comedies", at the Chicago Shakespeare Theater in Chicago, Illinois with Brian Bedford in the cast.
- (July 14 to September 18, 1994) She was costume designer for Wendy Wasserstein's play, "The Sisters Rosensweig," in presented by the Center Theatre Group/Ahmanson at the James A. Doolittle (University of California) Theatre in Los Angeles, California with Mariette Hartley, Caroline Aaron and Charles Cioffi in the cast. Daniel Sullivan was director. Pat Collins was lighting designer
- (September 11 to October 27, 1996) She was costume designer for Ruth and Augustus Goetz's play, "The Heiress," in the 30th Anniversary Season at the Ahmanson Theatre in Los Angeles, California with Cherry Jones, Donald Moffat, Frances Sternhagen and Michael Cumpsty in the cast. Gerald Gutierrez was director. John Lee Beatty was scenic designer. Beverly Emmons was lighting designer.
- (May 3 to June 18, 2000) She was costume designer for the musical, "The Scarlet Pimpernel," at the Ahmanson Theatre in Los Angeles, California with Douglas Sills in the cast. Nan Knighton wrote the book and lyrics. Frank Wildhorn was composer. Robert Longbottom was director and choreographer.
- (July 19 to September 3, 2000) She was costume designer for the musical, "James Joyce's 'The Dead'," at the Ahmanson Theatre in Los Angeles, California. Richard Nelson wrote the book. Shaun Davey was composer. Richard Nelson and Shaun Davey were lyricists. Richard Nelson was director.
- (May 12 to June 30, 1996) She was costume designer for John Patrick Shanley's play, "Psychopathia Sexualis," at the Mark Taper Forum Theatre in Los Angeles, California with John Aylward and Park Overall in the cast. Daniel Sullivan was director. Andrew Wood Boughton was scenic designer. Steven M. Klein was sound designer. Pat Collins was lighting designer.
- (1986) She was costume designer for Eugene O'Neill's play, "The Iceman Cometh," in Mark Taper Forum production at the James A. Doolittle Theatre at the University of California in Los Angeles, California with John Pankow, Donald Moffat and Jason Robards in the cast. Ben Edwards was scenic designer. Thomas R. Skelton was lighting designer. Jose Quintero was director.
- (1981-1982 season) She was costume designer for Simon Gray's play, "Molly," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Stephen Hollis was director. Andrew Jackness was set designer. Ronald Wallace was lighting designer.
- (1982-1983 season) She was costume designer for Colbron and Bartsch's adaptation of Ferenc Molnar's play, "The Guardsman," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Harris Yulin was director. John Conklin was set designer. Jamie Gallagher was lighting designer.
- (1982-1983 season) She was costume designer for Michael Cristofer's play, "Lady and the Clarinet," at the Long Wharf Theatre (Stage II) in New Haven, Connecticut before transferred to New York City. Gordon Davidson was director. Michael H. Yeargan was set designer. Paul Gallo was lighting designer. Stanley Silverman was composer.
- (1984-1985 season) She was costume designer for Per Olav Enquist's play, "Rainsnakes," in an American premiere at the Long Wharf Theatre (Stage II) in New Haven, Connecticut. Harry G. Carlson was translator. Jose Quintero was director. John Lee Beatty was set designer. Judy Rasmuson was lighting designer.
- (1989-1990 season) She was costume designer for John Mortimer's translation of Georges Feydeau's play, "A Flea in Her Ear," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. John Tillinger was director. John Lee Beatty was set designer. Marc B. Weiss was lighting designer.
- (1990-1991 season) She was costume designer for Harold Pinter's play, "Betrayal," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. John Tillinger was director. John Lee Beatty was set designer. Richard Nelson was lighting designer.
- (1991-1992 season) She was costume designer for the musical, "Adventures in the Skin Trade," in a world premiere at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Dylan Thomas wrote the book. John Tillinger and James Hammerstein were adapters. James Hammerstein was lyricist. Tom Fay was composer. John Tillinger was also director. John Lee Beatty was set designer. Tharon Musser was lighting designer. Danny Herman was choreographer.
- (1992-1993 season) She was costume designer for Eduardo Machado's play, "Once Removed," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. John Tillinger was director. John Lee Beatty was set designer. Pat Collins was lighting designer. Donna Riley was sound designer.
- (1993-1994 season) She was costume designer for Donald Margulies' play, "Sight Unseen," at the Long Wharf Theatre in New Haven, Connecticut. John Tillinger was director. James Youmans was set designer. Donald Holder was lighting designer.
- (2001-2002 season) She was costume designer for Kenneth Lonergan's play, "The Waverly Gallery," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. John Tillinger was director. James Noone was set designer. David F. Segal was lighting designer. Jason Robert Brown was composer.
- (April 5 to 30, 2006) She was costume designer for Ben Hecht and Charles MacArthur's play, "The Front Page," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Gordon Edelstein was director. Michael Yeargan was set designer. Stephen Strawbridge was lighting designer. David Stephen Baker was sound designer.
- (May 9 to June 3, 2007) She was costume designer for Anton Chekhov's play, "Uncle Vanya," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Gordon Edelstein was adapter and director. Michael Yeargan was scenic designer. Christopher Akerlind was lighting designer. Daniel Baker was sound designer.
- (November 28 to December 23, 2012) She was costume designer for Jeffrey Hatcher's new adaptation of Frank Marcus' play, "The Killing of Sister George," at the Long Wharf Theatre on the Claire Tow Stage in the C. Newton Schenck III Theatre in New Haven, Connecticut with Kathleen Turner in the cast. Jeffrey Hatcher was adapter. Kathleen Turner was also director. Allen Moyer was set designer. John Lasiter was lighting designer. John Gromada was sound designer and composer. Paul Huntley was wig designer. Deborah Hecht was dialect coach, Bryce McDonald was stage manager. Amy Patricia Stern was assistant stage manager. Pat McCorkle was casting director.
- (June 13, 1968) She was costume designer for William Shakespeare's play, "Twelfth Night," at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota with Nancy Reardon, Charles Keating and Paul Ballantyne in the cast. Robert Lanchester was director. Ben Edwards was set designer Jean Rosenthal was lighting designer. Conrad Susa was composer.
- (1980 to 1981 season) She was costume designer for Friedrich Von Schiller's play, "Mary Stuart," at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota with Barbara Bryne and Michael Goodwin in the cast. Joseph Mellish was translator. Garland Wright was director. Jack Barkla was set designer. Craig Miller was lighting designer. Steven M. Rydberg was composer.
- (1988 to 1989 season) She was costume designer for David Hare and Howard Brenton's play, "Pravda," at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota. Robert Falls was director. John Amone was set designer. James F. Ingalls was lighting designer. Rob Milburn was composer.
- (2000 to 2001 season) She was costume designer for Edward Albee's play, "Who's Afraid of Virginia Woolf?," at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota with Patrick Stewart (George); Mercedes Ruehl (Martha) and Bill McCallum (Nick) in the cast. David Esbjornson was director. Christine Jones was set designer. Marcus Dilliard was lighting designer.
- (2001 to 2002 season) She was costume designer for William Shakespeare's play, "Antony and Cleopatra," at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota with Laila Robins (Cleopatra) and Robert Cuccioli (Antony) in the cast. Mark Lamos was director. Ming Cho Lee was set designer. Stephen Strawbridge was lighting designer. Hiram Titus was composer.
- (March 28 to September 3, 1995) She was costume designer for Neil Simon's play, "London Suite," in an Seattle Repertory Theater production at the Union Square Theater in New York City, New York with Jeffrey Jones (Brian, Mark); Paxton Whitehead (Billy, Sidney, Dr. McMerlin); Kate Burton (Lauren, Grace, Annie); Carole Shelley (Mrs. Semple, Diana, Mrs. Sitgood) and Brooks Ashmanskas (Bellman) in the cast. Daniel Sullivan was director. John Lee Beatty was scenic designer. Ken Billington was lighting designer. Tom Clark was sound designer. Paul Huntley was wig and hair designer. Jay Binder was casting director. Ginger Montel was associate producer. John Vivian was production stage manager. Steven M. Levy was company manager. Bill Evans and associates was press representatives. Emanuel Azenberg and Leonard Soloway were presenters. The play ran for 169 performances.
- (January 11, 1985) She was costume designer for Milan Kundera's play, "Jacques and His Master," in the American premiere and American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Michael Henry Heim was English translator. Susan Sontag was director. Douglas Stein was set designer. Jennifer Tipton was lighting designer. Elizabeth Swados was original music composer. Robert Brustein was artistic director.
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