“My need to work on monologues originates from my love of literature. I usually pick novels that have little or no dialogue, so that I perceive the book as a very long monologue. Since I make films where plot twists are rare, if not entirely absent, monologues help me to have something masquerade as a plot twist that is just not there,” says Paolo Sorrentino during a special event on the art of the monologue organized by the Torino Film Festival and held at the Teatro Astra on Friday. The talk was moderated by filmmaker David Grieco and festival director Steve Della Casa.
Reading the notes written by Andrea De Rosa (who could not take part in the event), Della Casa listed three types of monologues present throughout Sorrentino’s filmography. The first is the inner monologue, during which the character speaks alone, often with their voice over, while the...
Reading the notes written by Andrea De Rosa (who could not take part in the event), Della Casa listed three types of monologues present throughout Sorrentino’s filmography. The first is the inner monologue, during which the character speaks alone, often with their voice over, while the...
- 12/3/2022
- by Davide Abbatescianni
- Variety Film + TV
The Torino Film Festival, under the direction of Steve Della Casa, launched its 40th edition at the sumptuous Teatro Regio not with a film screening, but with an evening devoted to music, reports Variety.
To evoke the links between cinema and music, a talk was organised around the theme of the Beatles versus the Rolling Stones, and the bands’ love of cinema, which led them to work with Jean-Luc Godard and Martin Scorsese, among others.
The guest of honour, Malcolm McDowell, who is celebrating the 50th anniversary of the release of ‘A Clockwork Orange’, spoke about how Mick Jagger wanted to star in the film, and the time when Paul McCartney almost composed the score to another one of McDowell’s films, ‘The Raging Moon’, added Variety.
Following the conclusion of the official part of the evening, which included speeches by the president of Italy’s National Museum of Cinema,...
To evoke the links between cinema and music, a talk was organised around the theme of the Beatles versus the Rolling Stones, and the bands’ love of cinema, which led them to work with Jean-Luc Godard and Martin Scorsese, among others.
The guest of honour, Malcolm McDowell, who is celebrating the 50th anniversary of the release of ‘A Clockwork Orange’, spoke about how Mick Jagger wanted to star in the film, and the time when Paul McCartney almost composed the score to another one of McDowell’s films, ‘The Raging Moon’, added Variety.
Following the conclusion of the official part of the evening, which included speeches by the president of Italy’s National Museum of Cinema,...
- 11/27/2022
- by Glamsham Bureau
- GlamSham
The Torino Film Festival, under the direction of Steve Della Casa, launched its 40th edition on Friday evening at the sumptuous Teatro Regio not with a film screening, but with an evening devoted to music. To evoke the links between cinema and music, a talk took place around the theme of the Beatles versus the Rolling Stones, and the bands’ love of cinema, which led them to work with Jean-Luc Godard and Martin Scorsese, among others.
Guest of honor Malcolm McDowell, who is celebrating the 50th anniversary of “A Clockwork Orange’s” release, spoke about how Mick Jagger wanted to star in the film, and the time that Paul McCartney almost composed the score to another one of McDowell’s films, “The Raging Moon.”
Following the conclusion of the official part of the evening, which included speeches by the president of Italy’s National Museum of Cinema, Enzo Ghigo, and the mayor of Turin,...
Guest of honor Malcolm McDowell, who is celebrating the 50th anniversary of “A Clockwork Orange’s” release, spoke about how Mick Jagger wanted to star in the film, and the time that Paul McCartney almost composed the score to another one of McDowell’s films, “The Raging Moon.”
Following the conclusion of the official part of the evening, which included speeches by the president of Italy’s National Museum of Cinema, Enzo Ghigo, and the mayor of Turin,...
- 11/26/2022
- by Trinidad Barleycorn
- Variety Film + TV
Nearly 40 years after his death, Pier Paolo Pasolini is still speaking to us. While novelist Adam Thirlwell reviews a new bilingual edition of his poetry, a fresh translation of the screenplay for Pasolini's never-realized film St. Paul has been published by Verso. A panel discussion of Pasolini's politics and religious ideas will take place in London on July 10. Meantime, David Grieco's La Macchinazione and Abel Ferrara's Pasolini will both focus on the murder of the Italian filmmaker in 1975. » - David Hudson...
- 7/4/2014
- Keyframe
Nearly 40 years after his death, Pier Paolo Pasolini is still speaking to us. While novelist Adam Thirlwell reviews a new bilingual edition of his poetry, a fresh translation of the screenplay for Pasolini's never-realized film St. Paul has been published by Verso. A panel discussion of Pasolini's politics and religious ideas will take place in London on July 10. Meantime, David Grieco's La Macchinazione and Abel Ferrara's Pasolini will both focus on the murder of the Italian filmmaker in 1975. » - David Hudson...
- 7/4/2014
- Fandor: Keyframe
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