Chicago – In between the second and third installments of his infamous “Apu Trilogy,” Bengali master of cinema Satyajit Ray made two films that were striking departures from his signature portrait of poverty-stricken youth. The first was 1958’s failed comedy “The Philosopher’s Stone” (sorry, Potterheads, no relation) and the second was 1959’s masterpiece, “The Music Room.”
This landmark classic is brought to electrifying life by Criterion’s magnificent digital restoration. The renewed picture quality allows Ray’s elegant visual poetry to be savored like never before. Without changing locations or resorting to heavy-handed symbolism, Ray is able to explore the decline of feudalism by depicting the life of a once-wealthy aristocrat whose bloodline is literally washed away by the ever-encroaching waters of the Ganges.
Blu-Ray Rating: 5.0/5.0
Unlike Indian filmmakers of the day, Ray sought to integrate action and music into his narrative rather than feature them as separate entities.
This landmark classic is brought to electrifying life by Criterion’s magnificent digital restoration. The renewed picture quality allows Ray’s elegant visual poetry to be savored like never before. Without changing locations or resorting to heavy-handed symbolism, Ray is able to explore the decline of feudalism by depicting the life of a once-wealthy aristocrat whose bloodline is literally washed away by the ever-encroaching waters of the Ganges.
Blu-Ray Rating: 5.0/5.0
Unlike Indian filmmakers of the day, Ray sought to integrate action and music into his narrative rather than feature them as separate entities.
- 7/27/2011
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
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