Back in November, Fathom Events and Toho International teamed up to bring the 2002 Godzilla franchise entry Godzilla Against Mechagodzilla to U.S. theatres for the first time… and now they’re set to do the same thing for the 2003 Godzilla movie Godzilla: Tokyo S.O.S.! The film will be reaching 600 theatres across the United States on March 22nd.
Tickets are now available on FathomEvents.com, so check and see if Godzilla: Tokyo S.O.S. is going to be playing at a theatre near you. For this screening, the film will be presented with English subtitles. The one-day event will also include a special showing of Godzilla vs. Gigan Rex, a short that debuted at the 2022 Japan Godzilla Festival as a sequel to the short G vs. G (2019) – never before seen on the big screen!
Directed by Masaaki Tezuka, who wrote the screenplay with Masahiro Yokotani, Godzilla: Tokyo S.O.S. has the following synopsis:...
Tickets are now available on FathomEvents.com, so check and see if Godzilla: Tokyo S.O.S. is going to be playing at a theatre near you. For this screening, the film will be presented with English subtitles. The one-day event will also include a special showing of Godzilla vs. Gigan Rex, a short that debuted at the 2022 Japan Godzilla Festival as a sequel to the short G vs. G (2019) – never before seen on the big screen!
Directed by Masaaki Tezuka, who wrote the screenplay with Masahiro Yokotani, Godzilla: Tokyo S.O.S. has the following synopsis:...
- 3/8/2023
- by Cody Hamman
- JoBlo.com
Following a devastating typhoon, reporter Sakai (Akira Takarada) hears that a local entrepreneur Kumayama (Yoshibumi Tajima) has bought a gigantic egg that washed ashore for his company. Along with his partner Torahatta (Kenji Sahara), they plan to exhibit the egg for profit but are visited by two tinny twin women, the Cosmos, (Emi and Yumi Ito) who reveal the egg belongs to Mothra. Seeking shelter with Sakai and friends Prof. Miura (Hiroshi Koizumi) and Junko(Yuriko Hoshi), the group promises the egg’s return to The Cosmos and their island home. Godzilla appears, drawn by the egg, and Mothra arrives to drive him off until it’s struck a fatal blow. While the military deals with Godzilla’s advances, the women and their friends prey for the egg to hatch and the larval caterpillars swim off to deal with Godzilla once and for all.
“Mothra vs. Godzilla...
“Mothra vs. Godzilla...
- 2/12/2023
- by Don Anelli
- AsianMoviePulse
Ten years after the success of “Godzilla”, it became more than evident that the popularity of the kaiju was nowhere near the end and had arguably only just begun. With the commercial acclaim of both “Mothra” and the ambitious “King Kong vs. Godzilla”, producer Toho would continue the franchise with now one more entry per year, staring with “Mothra vs. Godzilla”, which saw the giant reptile with the star of Ishiro Honda’s movie just a few years prior. While the feature also shows the technical advances when it came to shooting these kinds of movies, it also stayed true to the themes which Honda and co-author Takeo Murata had introduced in the first movie of the franchise, namely the battle of man vs. nature and the danger of nuclear technology, with the director’s skepticism seemingly have grown over the past decade if the story is any indicator.
Buy...
Buy...
- 8/29/2022
- by Rouven Linnarz
- AsianMoviePulse
Last year we reviewed Mondo's super cool Godzilla 89 statue, based on the big guy's appearance from the 1989 Heisei era film "Godzilla vs. Biollante." Now we've gotten our hands on the next big item in Mondo's Kaiju line: the Mothra: Tokyo Sos premium scale statue, based on the winged one's appearance in the 2003 film "Godzilla: Tokyo S.O.S.," the fifth in the Millennium series.
The third and final G-film from director Masaaki Tezuka saw an angry Godzilla going up against not only Mothra but also two of her larva as well as Mechagodzilla, still battle damaged from 2002's "Godzilla Against Mechagodzilla." It also saw the return of series vet Hiroshi Koizumi as Dr. Shin'ichi Chûjô, the...
The post Mondo's Mothra: Tokyo Sos Statue Takes Flight [Exclusive] appeared first on /Film.
The third and final G-film from director Masaaki Tezuka saw an angry Godzilla going up against not only Mothra but also two of her larva as well as Mechagodzilla, still battle damaged from 2002's "Godzilla Against Mechagodzilla." It also saw the return of series vet Hiroshi Koizumi as Dr. Shin'ichi Chûjô, the...
The post Mondo's Mothra: Tokyo Sos Statue Takes Flight [Exclusive] appeared first on /Film.
- 7/15/2022
- by Max Evry
- Slash Film
After the huge commercial success of its predecessor, it was only a matter of months for production company Toho to come up with a follow-up to Ishiro Honda’s original “Godzilla”. However, with Honda working on several other features at the time, directing duties were handed over to Motoyoshi Oda, who had worked with Honda on other features as his assistant and who also had experience working with movies relying on special effects, as his 1954 science-fiction venture “The Invisible Avenger” had proven. With the second feature possibly signaling the beginning of a franchise, Oda and his team went on to develop the story, but also the special effects in order to show Godzilla more often on screen, as well as have him fight against another monster, something which would become even more important in the years to come, as the infamous kaiju would be challenged by several other creatures like him.
- 7/7/2022
- by Rouven Linnarz
- AsianMoviePulse
During the late 1950s and early 1960s, Toho Studios were attempting to experiment to replicate the formula established in the original “Gojira” for original monster movies. Experiments ranged from “Rodan” and “The Mysterians” to “Varan the Unbelievable” and several others to varying degrees of success, finally prompting the implementation of one of the most beloved giant monsters in the studios’ canon with their all-time classic “Mothra”.
Mothra is screening at Japan Society, Friday, July 8, 2022 at 7:00 Pm
After rescuing several stranded mariners, Dr. Harada (Ken Uehara) informs reporter Fukuda (Frankie Sakai) and his photographer Michi (Kyoko Kagawa) about the survivors’ ability to return from a highly radioactive area in the South Pacific, without injury. As they claim the result is from the natives on a remote island that was long thought to have been deserted, he hooks up with Dr. Chujo (Hiroshi Koizumi) about the possibility of the story and...
Mothra is screening at Japan Society, Friday, July 8, 2022 at 7:00 Pm
After rescuing several stranded mariners, Dr. Harada (Ken Uehara) informs reporter Fukuda (Frankie Sakai) and his photographer Michi (Kyoko Kagawa) about the survivors’ ability to return from a highly radioactive area in the South Pacific, without injury. As they claim the result is from the natives on a remote island that was long thought to have been deserted, he hooks up with Dr. Chujo (Hiroshi Koizumi) about the possibility of the story and...
- 6/30/2022
- by Don Anelli
- AsianMoviePulse
Toho’s fabulous, kid-safe Kaiju spectacle about the super-moth from Infant Island might be a stealth Cold War fairy tale. Kids respond to the fanciful Shobijin fairy princesses, while adults (watching the Japanese version) might catch the authors’ message about national belligerence and the abuse of Third Worlders. Greedy ‘Rolisican’ opportunists pay the price of an ancient curse. For its expression of Nature’s justice, vigilante-style, Ishiro Honda’s music-filled show stands right up there with Gorgo — and the giant Moth is also the only Japanese Kaiju monster identified as female.
Mothra
Steelbook Edition
Blu-ray
Mill Creek Entertainment
1961 / Color / 2:35 widescreen / 88, 101 min. / Mosura / Street Date July 9, 2019 / 24.98
Starring: Frankie Sakai, Hiroshi Koizumi, Kyoko Kagawa, Ken Uehara, Emi Ito, Yumi Ito, Jerry Ito, Takashi Shimura, Tetsu Nakamura, Akihiro Tayama.
Cinematography: Hajime Koizumi
Director of Special Effects: Eiji Tsuburaya
Original Music: Yuji Koseki
Written by Yoshie Hotta, Shinichiro Nakamura, Shinichi Sekizawa from a...
Mothra
Steelbook Edition
Blu-ray
Mill Creek Entertainment
1961 / Color / 2:35 widescreen / 88, 101 min. / Mosura / Street Date July 9, 2019 / 24.98
Starring: Frankie Sakai, Hiroshi Koizumi, Kyoko Kagawa, Ken Uehara, Emi Ito, Yumi Ito, Jerry Ito, Takashi Shimura, Tetsu Nakamura, Akihiro Tayama.
Cinematography: Hajime Koizumi
Director of Special Effects: Eiji Tsuburaya
Original Music: Yuji Koseki
Written by Yoshie Hotta, Shinichiro Nakamura, Shinichi Sekizawa from a...
- 7/13/2019
- by Glenn Erickson
- Trailers from Hell
**Massive spoilers for every Godzilla movie, with the exception of the 2014 reboot, and Mothra follow**
August 6th and 9th, 1945 forever changed the course of history. When the first nuclear bombs were dropped in Hiroshima and Nagasaki, Japan, World War II ended, but a new fear was born that dominated the thoughts of all men, women, and children for decades to come. The Cold War, atomic bomb testing, a cartoon turtle telling children to “duck and cover”, and this new technology that had the actual potential to literally end the world changed the perception of what was scary. Art reflects life, so cinema began to capitalize on these fears. Gone were the days of creepy castles, cobwebs, bats, vampires, werewolves, and the other iconic images that ruled genre cinema in film’s earliest decades. Science fiction was larger than ever and giant ants, giant octopi, terror from beyond the stars, and...
August 6th and 9th, 1945 forever changed the course of history. When the first nuclear bombs were dropped in Hiroshima and Nagasaki, Japan, World War II ended, but a new fear was born that dominated the thoughts of all men, women, and children for decades to come. The Cold War, atomic bomb testing, a cartoon turtle telling children to “duck and cover”, and this new technology that had the actual potential to literally end the world changed the perception of what was scary. Art reflects life, so cinema began to capitalize on these fears. Gone were the days of creepy castles, cobwebs, bats, vampires, werewolves, and the other iconic images that ruled genre cinema in film’s earliest decades. Science fiction was larger than ever and giant ants, giant octopi, terror from beyond the stars, and...
- 11/4/2014
- by Max Molinaro
- SoundOnSight
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