The Academy of Motion Picture Arts and Sciences and The Museum of Modern Art (MoMA) will present “Oscar’s Docs, 1955–2002: American Stories” from February 2 through February 14 at MoMA in New York City. This annual collaboration highlights Oscar®–winning and nominated short and feature-length documentary films that explore the history, culture and politics of the United States. All prints are from the Academy Film Archive’s collection. The filmmakers will be present at several screenings (visit MoMA.org for details).
The schedule is as follows:
Sat., Feb. 2, 2 p.m.
American Dream (1990)
Barbara Kopple. This stirring film depicts the effects of a mid-1980s strike by the workers of a Hormel meatpacking plant in Austin, Minnesota. 98 min.
Sat., Feb. 2, 8 p.m.
Maya Lin: A Strong Clear Vision (1994)
Freida Lee Mock. A profile of Maya Lin, the young artist who created the Vietnam Veterans Memorial in Washington and other politically motivated artistic creations.
The schedule is as follows:
Sat., Feb. 2, 2 p.m.
American Dream (1990)
Barbara Kopple. This stirring film depicts the effects of a mid-1980s strike by the workers of a Hormel meatpacking plant in Austin, Minnesota. 98 min.
Sat., Feb. 2, 8 p.m.
Maya Lin: A Strong Clear Vision (1994)
Freida Lee Mock. A profile of Maya Lin, the young artist who created the Vietnam Veterans Memorial in Washington and other politically motivated artistic creations.
- 1/29/2013
- by Michelle McCue
- WeAreMovieGeeks.com
The Academy of Motion Picture Arts and Sciences and The Museum of Modern Art (MoMA) will present “Oscar’s Docs, 1955–2002: American Stories” from February 2 through February 14 at MoMA in New York City. This annual collaboration highlights Oscar®–winning and nominated short and feature-length documentary films that explore the history, culture and politics of the United States. All prints are from the Academy Film Archive’s collection. The filmmakers will be present at several screenings (visit MoMA.org for details). The schedule is as follows: Sat., Feb. 2, 2 p.m. American Dream (1990) Barbara Kopple. This stirring film depicts the effects of a mid-1980s strike by the workers of a Hormel meatpacking plant in Austin, Minnesota. 98 min. Sat., Feb. 2, 8 p.m. Maya Lin: A Strong Clear Vision (1994) Freida Lee Mock. A profile of Maya Lin, the young artist who created the Vietnam Veterans Memorial in Washington and other politically motivated artistic creations.
- 1/29/2013
- by hnblog@hollywoodnews.com (Hollywood News Team)
- Hollywoodnews.com
Alan Rickman and Mos Def have been tapped to topline Something the Lord Made, an original movie for HBO about the true story of heart surgery pioneers Alfred Blalock and Vivien Thomas, a white surgeon and a black lab technician. Multiple Emmy winner Joseph Sargent has come on board to direct the film, which is still in development. Peter Silverman (Lifetime's We Were the Mulvaneys) penned the script for the project, which has been kicking around for 6 1/2 years. Former producing partners Robert W. Cort and David Madden are executive producing with Julian Krainin. The partnership between Blalock (Rickman) and Thomas (Mos Def) began in 1929 when the then-19-year-old Thomas' dreams to go to college and medical school were dashed when he lost his tuition savings in the October stock market crash and took a job as a lab technician at Vanderbilt University's medical school, working for Blalock, a resident surgeon.
- 11/4/2003
- The Hollywood Reporter - Movie News
The swept-wing, big-chromed '50s took on an ugly tarnish in the last years of the decade: Not only did the Soviet Union beat us into space with Sputnik, but also the country was duped and disillusioned by a rigged TV quiz show scandal in which Charles Van Doren, a handsome golden boy, won national adoration for his brainy, charismatic play on ''Twenty-One, '' a wildly popular quiz show. Van Doren's play, it turned out, was really a performance --
In this brilliant depiction of the early years of TV and the phenomenal powers it asserted in breaking down the walls of America's living rooms and homogenizing our culture, director Robert Redford has crafted a superb piece of cracked Americana. Buena Vista will win heartfelt plaudits from mature audiences and, come awards season, will certainly increase its viewership through anticipated nominations.
In this intelligent insight into the giddy years of mass consumerism and TV advertising, corporate sponsor Geritol, we see, did not appreciate any tired blood on the ratings of its quiz shows. Accordingly, NBC knew it was expected to deliver winning numbers and, by extension, quiz-show producers Dan Enright (David Paymer) and Albert Freedman (Hank Azaria) felt the pressure.
Audience research told them that the intellectual eggheads who typically won on the show were not endearing enough to sustain the numbers. What the producers sought was a white knight whose popularity would not plateau. They found their man in Charles Van Doren (Ralph Fiennes), an East Coast Brahmin with a dazzling smile and a winsome erudition. After perfunctory moral objections, Van Doren signed on for the deception and, indeed, his graceful charms flamed the ratings.
A cagey account of power gone awry and a juicy insight into the workings of mass manipulation, Paul Attanasio's screen adaptation is a resonant and articulate work, distilling the times and capturing the country's voracious naivete. It's a marvelously uncynical work, told with a piercing understanding of the way fair play can be rationalized away in the face of easy, no-harm personal gain.
Under Redford's nimble and perceptive hand, the performances are wonderfully textured, fleshed out with the wonder of human contradictions. In the lead role, Fiennes brings a terrific Gatsby-esque demeanor as the front man for the scheme, a fastidiously moral man who, nevertheless, succumbed to easy temptation. John Turturro as the show's tenacious competitor from Brooklyn, who ultimately takes a dive, wonderfully embodies the frustrations and paranoia of a man who knows that life's deck will always be stacked against him.
As Van Doren's professorial father, Paul Scofield's craggy eloquence and firm moral tenor bring out the full moral tragedy of his son's fall from grace.
A couple of cameos are particularly solid, although the players should not quit their day jobs: Barry Levinson oozes an edgy garrulousness as talk showmeister Dave Garroway, while Martin Scorsese is downright iron-fortified as a Geritol executive.
Technical contributions are superior, in particular production designer Jon Hutman's Age of Eisenhower look, and cinematographer Michael Ballhaus' golden tone, appropriately flecked with slants of darkness. Also, the story's pearly bite is nicely belted out in its opening moments with ''Mack the Knife.''
QUIZ SHOW
Buena Vista
Hollywood Pictures Presents a Wildwood Enterprises/Baltimore Pictures Production a Robert Redford Film
Exec producers Fred Zollo, Richard Dreyfuss, Judith James
Producers Robert Redford, Michael Jacobs, Julian Krainin, Michael Nozik
Director Robert Redford
Screenwriter Paul Attanasio
Based on the book ''Remembering America: A Voice From the Sixties'' by Richard N. Goodwin
Co-producers Gail Mutrux, Jeff McCracken, Richard N. Goodwin
Director of photography Michael Ballhaus
Production designer Jon Hutman
Editor Stu Linder
Costume designer Kathy O'Rear
Music Mark Isham
Casting Bonnie Timmerman
Sound mixer Tod A. Maitland
Color/stereo
Cast:
Herbie Stempel John Turturro
Dick Goodwin Rob Morrow
Charles Van Doren Ralph Fiennes
Mark Van Doren Paul Scofield
Dan Enright David Paymer
Albert Freedman Hank Azaria
Jack Barry Christopher McDonald
Toby Stempel Johann Carlo
Dorothy Van Doren Elizabeth Wilson
Running time -- 122 minutes
MPAA Rating: PG-13
(c) The Hollywood Reporter...
In this brilliant depiction of the early years of TV and the phenomenal powers it asserted in breaking down the walls of America's living rooms and homogenizing our culture, director Robert Redford has crafted a superb piece of cracked Americana. Buena Vista will win heartfelt plaudits from mature audiences and, come awards season, will certainly increase its viewership through anticipated nominations.
In this intelligent insight into the giddy years of mass consumerism and TV advertising, corporate sponsor Geritol, we see, did not appreciate any tired blood on the ratings of its quiz shows. Accordingly, NBC knew it was expected to deliver winning numbers and, by extension, quiz-show producers Dan Enright (David Paymer) and Albert Freedman (Hank Azaria) felt the pressure.
Audience research told them that the intellectual eggheads who typically won on the show were not endearing enough to sustain the numbers. What the producers sought was a white knight whose popularity would not plateau. They found their man in Charles Van Doren (Ralph Fiennes), an East Coast Brahmin with a dazzling smile and a winsome erudition. After perfunctory moral objections, Van Doren signed on for the deception and, indeed, his graceful charms flamed the ratings.
A cagey account of power gone awry and a juicy insight into the workings of mass manipulation, Paul Attanasio's screen adaptation is a resonant and articulate work, distilling the times and capturing the country's voracious naivete. It's a marvelously uncynical work, told with a piercing understanding of the way fair play can be rationalized away in the face of easy, no-harm personal gain.
Under Redford's nimble and perceptive hand, the performances are wonderfully textured, fleshed out with the wonder of human contradictions. In the lead role, Fiennes brings a terrific Gatsby-esque demeanor as the front man for the scheme, a fastidiously moral man who, nevertheless, succumbed to easy temptation. John Turturro as the show's tenacious competitor from Brooklyn, who ultimately takes a dive, wonderfully embodies the frustrations and paranoia of a man who knows that life's deck will always be stacked against him.
As Van Doren's professorial father, Paul Scofield's craggy eloquence and firm moral tenor bring out the full moral tragedy of his son's fall from grace.
A couple of cameos are particularly solid, although the players should not quit their day jobs: Barry Levinson oozes an edgy garrulousness as talk showmeister Dave Garroway, while Martin Scorsese is downright iron-fortified as a Geritol executive.
Technical contributions are superior, in particular production designer Jon Hutman's Age of Eisenhower look, and cinematographer Michael Ballhaus' golden tone, appropriately flecked with slants of darkness. Also, the story's pearly bite is nicely belted out in its opening moments with ''Mack the Knife.''
QUIZ SHOW
Buena Vista
Hollywood Pictures Presents a Wildwood Enterprises/Baltimore Pictures Production a Robert Redford Film
Exec producers Fred Zollo, Richard Dreyfuss, Judith James
Producers Robert Redford, Michael Jacobs, Julian Krainin, Michael Nozik
Director Robert Redford
Screenwriter Paul Attanasio
Based on the book ''Remembering America: A Voice From the Sixties'' by Richard N. Goodwin
Co-producers Gail Mutrux, Jeff McCracken, Richard N. Goodwin
Director of photography Michael Ballhaus
Production designer Jon Hutman
Editor Stu Linder
Costume designer Kathy O'Rear
Music Mark Isham
Casting Bonnie Timmerman
Sound mixer Tod A. Maitland
Color/stereo
Cast:
Herbie Stempel John Turturro
Dick Goodwin Rob Morrow
Charles Van Doren Ralph Fiennes
Mark Van Doren Paul Scofield
Dan Enright David Paymer
Albert Freedman Hank Azaria
Jack Barry Christopher McDonald
Toby Stempel Johann Carlo
Dorothy Van Doren Elizabeth Wilson
Running time -- 122 minutes
MPAA Rating: PG-13
(c) The Hollywood Reporter...
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