Tim Burton loves to make things spooky and morbid, but his favorite holiday might well be Christmas. Look at how many of his films take place during the Yuletide season: "Batman Returns," "Edward Scissorhands," etc. He also conceived of "The Nightmare Before Christmas," which is all about Halloween Town's top ghoul, Jack Skellington (Chris Sarandon), getting Christmas fever. While Burton handed off directing duties of the stop-motion picture to Henry Selick, it's easy to see his fingerprints and why he would empathize with Jack.
David A. Bossert's "Tim Burton's The Nightmare Before Christmas Visual Companion" was released this year for the film's 30th anniversary. The book features interviews with the film's crew, from Selick to Art Director Kelly Asbury, where they describe forming the film's distinct visual style — since there were multiple holiday-themed dimensions, they couldn't stick to just one aesthetic.
For Halloween Town, though, they took after Burton's...
David A. Bossert's "Tim Burton's The Nightmare Before Christmas Visual Companion" was released this year for the film's 30th anniversary. The book features interviews with the film's crew, from Selick to Art Director Kelly Asbury, where they describe forming the film's distinct visual style — since there were multiple holiday-themed dimensions, they couldn't stick to just one aesthetic.
For Halloween Town, though, they took after Burton's...
- 11/27/2023
- by Devin Meenan
- Slash Film
The Cabinet of Dr. Caligari is a 1920 German silent horror film that is widely regarded as a pioneering work of expressionist cinema. Directed by Robert Wiene and written by Hans Janowitz and Carl Mayer, the movie is notable for its innovative visual style, intricate plot, and the enduring influence it has had on the development of the horror genre. This article will delve into the history of the film, its unique visual aesthetic, and its lasting impact on the world of cinema.
The Cabinet of Dr. Caligari I. The Making of a Masterpiece
The film’s origins can be traced back to the experiences of its writers, Janowitz and Mayer, who were both deeply affected by the horrors of World War I. Inspired by their shared distrust of authority and their fascination with the subconscious mind, they crafted a story that aimed to depict the dark side of human nature...
The Cabinet of Dr. Caligari I. The Making of a Masterpiece
The film’s origins can be traced back to the experiences of its writers, Janowitz and Mayer, who were both deeply affected by the horrors of World War I. Inspired by their shared distrust of authority and their fascination with the subconscious mind, they crafted a story that aimed to depict the dark side of human nature...
- 5/1/2023
- by Martin Cid Magazine
- Martin Cid Magazine - Movies
(Welcome to The Daily Stream, an ongoing series in which the /Film team shares what they've been watching, why it's worth checking out, and where you can stream it.)
The Movie: "The Cabinet of Dr. Caligari"
Where You Can Stream It: Shudder/AMC+
The Pitch: A man recounts the story of how a sleepwalker controlled by a mad doctor carried out murders in his village in this creepy 1920 classic.
German silent films: they've stood the test of time. Written by Hans Janowitz and Carl Mayer and directed by Robert Weine, "The Cabinet of Dr. Caligari" predates "Nosferatu" by two years and is one of the earliest works of German Expressionist cinema. Film critic Roger Ebert, spotlighting it as one of his "Great Movie" picks in 2009, wrote, "A case can be made that 'Caligari' was the first true horror film."
Told mostly in flashback, this 77-minute story unfolds like a demented dream,...
The Movie: "The Cabinet of Dr. Caligari"
Where You Can Stream It: Shudder/AMC+
The Pitch: A man recounts the story of how a sleepwalker controlled by a mad doctor carried out murders in his village in this creepy 1920 classic.
German silent films: they've stood the test of time. Written by Hans Janowitz and Carl Mayer and directed by Robert Weine, "The Cabinet of Dr. Caligari" predates "Nosferatu" by two years and is one of the earliest works of German Expressionist cinema. Film critic Roger Ebert, spotlighting it as one of his "Great Movie" picks in 2009, wrote, "A case can be made that 'Caligari' was the first true horror film."
Told mostly in flashback, this 77-minute story unfolds like a demented dream,...
- 9/27/2022
- by Joshua Meyer
- Slash Film
Mubi's double bill Renoir, Beginnings and Endings is showing September 15 - October 15, 2020 in the United States.Above: NanaJean Renoir, one of the greatest French filmmakers, if not the greatest, was a passionate raconteur. Not only did he write his expansionist memoir, My Life and My Films (1974), and rendered some of his life in prose in his late novels, but, according to his biographer, Pascal Merigeau, he also had a prodigious talent for molding fact into myth.Renoir’s dramatic story begins with his second feature, Nana (1927). Renoir adapted the tale about a striving actress from Émile Zola’s novel, to launch the career of his wife, Catherine Hessling. Hessling dreamed of Hollywood, as eventually did Renoir. Some ten years later, he moved to Los Angeles, where he lived till his death, in 1979. The film’s Nana plays hussies but dreams of a tragic role. When a theater director humiliates her,...
- 9/11/2020
- MUBI
A collection of 55 still photos from the 1919-1920 production of “The Cabinet of Dr. Caligari” are now up for auction, courtesy of Sotheby’s. Robert Wiene’s silent horror film is widely considered the defining work of German Expressionist cinema and went on to inspire the look of such film classics as F. W. Murnau’s “Nosferatu” and Fritz Lang’s “Metropolis.” Bids for the collection can be made through Friday, April 3 at 12pm Et. Sotheby’s estimates the photographs will sell between the $20,000 and $30,000 mark. The starting bid is $13,000.
The catalogue note reads: “This remarkable group of 55 photographs documents many of the psychologically and visually twisted scenes from the 1920 silent film ‘The Cabinet of Dr. Caligari,’ generally recognized as the first true horror film. Robert Wiene directed this tale of an insane, diabolical hypnotist who manipulates a somnambulist to execute a series of murders. Considered the first German Expressionist film,...
The catalogue note reads: “This remarkable group of 55 photographs documents many of the psychologically and visually twisted scenes from the 1920 silent film ‘The Cabinet of Dr. Caligari,’ generally recognized as the first true horror film. Robert Wiene directed this tale of an insane, diabolical hypnotist who manipulates a somnambulist to execute a series of murders. Considered the first German Expressionist film,...
- 3/31/2020
- by Zack Sharf
- Indiewire
Jim Knipfel Feb 26, 2019
The Cabinet of Dr. Caligari is almost a hundred years old, yet still casts a long shadow over all the genres it invented.
At its heart, is The Cabinet of Dr. Caligari an anti-authoritarian call for rebellion, an object lesson in conformity, or an allegory about how we are all mere pawns lost in a culture gone completely mad? That’s up to you to decide. What’s interesting is that nearly a century after it was first released, the film’s backstory remains such a swirl of misinformation, conflicting memories, urban legends, shaky recordkeeping, and contradictory ego trips. It’s impossible to pin down any solid truth.
How the script originated, how the production went, who decided to tack on the framing story at the last minute, what the framing story means, who decided to go with the Expressionist design, and what sort of critical and...
The Cabinet of Dr. Caligari is almost a hundred years old, yet still casts a long shadow over all the genres it invented.
At its heart, is The Cabinet of Dr. Caligari an anti-authoritarian call for rebellion, an object lesson in conformity, or an allegory about how we are all mere pawns lost in a culture gone completely mad? That’s up to you to decide. What’s interesting is that nearly a century after it was first released, the film’s backstory remains such a swirl of misinformation, conflicting memories, urban legends, shaky recordkeeping, and contradictory ego trips. It’s impossible to pin down any solid truth.
How the script originated, how the production went, who decided to tack on the framing story at the last minute, what the framing story means, who decided to go with the Expressionist design, and what sort of critical and...
- 2/24/2017
- Den of Geek
Special Mention: Un chien andalou
Directed by Luis Buñuel
Written by Salvador Dalí and Luis Buñuel
France, 1929
Genre: Experimental Short
The dream – or nightmare – has been a staple of horror cinema for decades. In 1929, Luis Bunuel joined forces with Salvador Dali to create Un chien andalou, an experimental and unforgettable 17-minute surrealist masterpiece. Buñuel famously said that he and Dalí wrote the film by telling one another their dreams. The film went on to influence the horror genre immensely. After all, even as manipulative as the “dream” device is, it’s still a proven way to jolt an audience. Just ask Wes Craven, who understood this bit of cinematic psychology when he dreamt of the central force behind A Nightmare on Elm Street, a film intended to be an exploration of surreal horror. David Lynch is contemporary cinema’s most devoted student of Un chien andalou – the severed ear at...
Directed by Luis Buñuel
Written by Salvador Dalí and Luis Buñuel
France, 1929
Genre: Experimental Short
The dream – or nightmare – has been a staple of horror cinema for decades. In 1929, Luis Bunuel joined forces with Salvador Dali to create Un chien andalou, an experimental and unforgettable 17-minute surrealist masterpiece. Buñuel famously said that he and Dalí wrote the film by telling one another their dreams. The film went on to influence the horror genre immensely. After all, even as manipulative as the “dream” device is, it’s still a proven way to jolt an audience. Just ask Wes Craven, who understood this bit of cinematic psychology when he dreamt of the central force behind A Nightmare on Elm Street, a film intended to be an exploration of surreal horror. David Lynch is contemporary cinema’s most devoted student of Un chien andalou – the severed ear at...
- 10/28/2015
- by Ricky Fernandes
- SoundOnSight
Kino Classics refurbishes Robert Weine’s 1920 landmark title The Cabinet of Dr. Caligari, the film that marked the birth of German Expressionism as well as the flagship of the horror film genre. Tempered by bookends meant to diminish interpretations of parallelism between insanity and authority, its stark, jagged angles and ingenious uses of shadows predates the dark beauty of film noir, featuring fantastic set designs that still rival the ability of contemporary film. Eerie, carnivalesque, and as arresting as ever, it’s a title worthy of this remastered revisit.
The story of Caligari, developed by Carl Mayer (responsible for Murnau’s Sunrise and The Last Laugh) and Hans Janowitz, is incredibly simple. Basically, the eponymous doctor happens to have control of a sleepwalker that does nefarious deeds for his master, namely murdering inhabitants of the small hamlet late at night. There is a slight twist to the proceedings, though it...
The story of Caligari, developed by Carl Mayer (responsible for Murnau’s Sunrise and The Last Laugh) and Hans Janowitz, is incredibly simple. Basically, the eponymous doctor happens to have control of a sleepwalker that does nefarious deeds for his master, namely murdering inhabitants of the small hamlet late at night. There is a slight twist to the proceedings, though it...
- 11/25/2014
- by Nicholas Bell
- IONCINEMA.com
The Cabinet of Dr. Caligari
Directed by Robert Wiene
Written by Carl Mayer and Hans Janowitz
Germany, 1920
In the period of Germany’s Weimar Republic, a unique and volatile pre- and post-war era within a window of less than 20 years, the German people were experiencing a torrent of new ideological, social, and political shifts. What was once traditional and normal was giving way to the modern and unusual. What was typically viewed as quintessentially German was now being inundated by outside influences, by strange and foreign people and their imported cultural baggage. Whether or not these elements were as directly and obviously portrayed in movies as some like Siegfreid Kracauer and Lotte Eisner would argue (quite convincingly in many ways), there can be little doubt that film was influenced to one degree or another by this state of the German populous. The times were surely changing, and in no film...
Directed by Robert Wiene
Written by Carl Mayer and Hans Janowitz
Germany, 1920
In the period of Germany’s Weimar Republic, a unique and volatile pre- and post-war era within a window of less than 20 years, the German people were experiencing a torrent of new ideological, social, and political shifts. What was once traditional and normal was giving way to the modern and unusual. What was typically viewed as quintessentially German was now being inundated by outside influences, by strange and foreign people and their imported cultural baggage. Whether or not these elements were as directly and obviously portrayed in movies as some like Siegfreid Kracauer and Lotte Eisner would argue (quite convincingly in many ways), there can be little doubt that film was influenced to one degree or another by this state of the German populous. The times were surely changing, and in no film...
- 11/22/2014
- by Jeremy Carr
- SoundOnSight
Top 100 horror movies of all time: Chicago Film Critics' choices (photo: Sigourney Weaver and Alien creature show us that life is less horrific if you don't hold grudges) See previous post: A look at the Chicago Film Critics Association's Scariest Movies Ever Made. Below is the list of the Chicago Film Critics's Top 100 Horror Movies of All Time, including their directors and key cast members. Note: this list was first published in October 2006. (See also: Fay Wray, Lee Patrick, and Mary Philbin among the "Top Ten Scream Queens.") 1. Psycho (1960) Alfred Hitchcock; with Anthony Perkins, Janet Leigh, Vera Miles, John Gavin, Martin Balsam. 2. The Exorcist (1973) William Friedkin; with Ellen Burstyn, Linda Blair, Jason Miller, Max von Sydow (and the voice of Mercedes McCambridge). 3. Halloween (1978) John Carpenter; with Jamie Lee Curtis, Donald Pleasence, Tony Moran. 4. Alien (1979) Ridley Scott; with Sigourney Weaver, Tom Skerritt, John Hurt. 5. Night of the Living Dead (1968) George A. Romero; with Marilyn Eastman,...
- 10/31/2014
- by Andre Soares
- Alt Film Guide
With so many films released on the run up to Halloween it’s been hard to keep up with reviews, so we’re going to play catch-up with another review round-up looking at some recent releases in brief. This time round we have reviews of Das Cabinet Des Dr. Caligari, Saints & Soldiers: The Void, The Island of Doctor Moreau, and The Pigman Murders.
Das Cabinet Des Dr. Caligari
Stars: Werner Krauss, Conrad Veidt, Friedrich Feher, Lil Dagover, Hans Heinrich von Twardowski, Rudolf Lettinger | Directed by Robert Weine
Synopsis: At a local carnival in a small German town, hypnotist Dr. Caligari presents the somnambulist Cesare, who can purportedly predict the future of curious fairgoers. But at night, the doctor wakes Cesare from his sleep to enact his evil bidding…
My thoughts: Along with Last Year in Marienbad and The 400 Blows, Das Cabinet Des Dr. Caligari was one of those “important” films that I,...
Das Cabinet Des Dr. Caligari
Stars: Werner Krauss, Conrad Veidt, Friedrich Feher, Lil Dagover, Hans Heinrich von Twardowski, Rudolf Lettinger | Directed by Robert Weine
Synopsis: At a local carnival in a small German town, hypnotist Dr. Caligari presents the somnambulist Cesare, who can purportedly predict the future of curious fairgoers. But at night, the doctor wakes Cesare from his sleep to enact his evil bidding…
My thoughts: Along with Last Year in Marienbad and The 400 Blows, Das Cabinet Des Dr. Caligari was one of those “important” films that I,...
- 10/18/2014
- by Phil Wheat
- Nerdly
Moviefone's Top DVD of the Week
"Captain America: The Winter Soldier"
What's It About? Steve Rogers, a.k.a. Captain America (Chris Evans) is still getting used to life in the 21st century, but before he gets too comfortable he's enlisted by S.H.I.E.L.D. to help stop another big bad. Captain American partners with Black Widow (Scarlett Johansson) for a lot of action and awesomeness in their mission to stop the Winter Soldier. Anthony Mackie co-stars as Falcon.
Why We're In: The "Avengers" series just keeps getting better and better. Plus, "Winter Soldier" gives us even more of Black Widow's bad-assery, proving once again that it's high time we get a stand-alone for this fantastic character.
Moviefone's Top Blu-ray of the Week
"The Great Race"
What's It About? Blake Edwards directs Jack Lemmon, Tony Curtis, and Natalie Wood in this slapstick comedy about a globe-trotting car race.
"Captain America: The Winter Soldier"
What's It About? Steve Rogers, a.k.a. Captain America (Chris Evans) is still getting used to life in the 21st century, but before he gets too comfortable he's enlisted by S.H.I.E.L.D. to help stop another big bad. Captain American partners with Black Widow (Scarlett Johansson) for a lot of action and awesomeness in their mission to stop the Winter Soldier. Anthony Mackie co-stars as Falcon.
Why We're In: The "Avengers" series just keeps getting better and better. Plus, "Winter Soldier" gives us even more of Black Widow's bad-assery, proving once again that it's high time we get a stand-alone for this fantastic character.
Moviefone's Top Blu-ray of the Week
"The Great Race"
What's It About? Blake Edwards directs Jack Lemmon, Tony Curtis, and Natalie Wood in this slapstick comedy about a globe-trotting car race.
- 9/9/2014
- by Jenni Miller
- Moviefone
Think silent films reached a high point with The Artist? The pre-sound era produced some of the most beautiful, arresting films ever made. From City Lights to Metropolis, Guardian and Observer critics pick the 10 best
• Top 10 teen movies
• Top 10 superhero movies
• Top 10 westerns
• Top 10 documentaries
• Top 10 movie adaptations
• Top 10 animated movies
• More Guardian and Observer critics' top 10s
10. City Lights
City Lights was arguably the biggest risk of Charlie Chaplin's career: The Jazz Singer, released at the end of 1927, had seen sound take cinema by storm, but Chaplin resisted the change-up, preferring to continue in the silent tradition. In retrospect, this isn't so much the precious behaviour of a purist but the smart reaction of an experienced comedian; Chaplin's films rarely used intertitles anyway, and though it is technically "silent", City Lights is very mindful of it own self-composed score and keenly judged sound effects.
At its heart,...
• Top 10 teen movies
• Top 10 superhero movies
• Top 10 westerns
• Top 10 documentaries
• Top 10 movie adaptations
• Top 10 animated movies
• More Guardian and Observer critics' top 10s
10. City Lights
City Lights was arguably the biggest risk of Charlie Chaplin's career: The Jazz Singer, released at the end of 1927, had seen sound take cinema by storm, but Chaplin resisted the change-up, preferring to continue in the silent tradition. In retrospect, this isn't so much the precious behaviour of a purist but the smart reaction of an experienced comedian; Chaplin's films rarely used intertitles anyway, and though it is technically "silent", City Lights is very mindful of it own self-composed score and keenly judged sound effects.
At its heart,...
- 11/22/2013
- The Guardian - Film News
In Robert Wiene’s 1920 dreamlike horror classic, veteran German actor Werner Krauss plays the mysterious Dr. Caligari, the apparent force behind a creepy somnambulist named Cesare and played by Conrad Veidt, who abducts beautiful Lil Dagover. The finale in The Cabinet of Dr. Caligari has inspired tons of movies and television shows, from Fritz Lang's 1944 film noir The Woman in the Window to the last episode of the TV series St. Elsewhere. In addition, the film shares some key elements in common (suppposedly as a result of a mere coincidence) with Martin Scorsese and Leonardo DiCaprio's 2011 thriller Shutter Island. The 1920 crime melodrama Outside the Law is not in any way related to Rachid Bouchareb's 2010 political drama. Instead, the Tod Browning-directed movie is a well-made entry in the gangster genre (long before the explosion a decade later). Browning, best known for his early '30s efforts Dracula and Freaks,...
- 4/1/2013
- by Andre Soares
- Alt Film Guide
The first in a series of articles in which I select my favourite horror movie from each of the last ten decades, providing some context and history and a look at (some) of the other great horrors of each. It is in no way meant to be a comprehensive history. Some articles are expanded upon from a list I wrote last year.
Few filmmakers in the first two decades of movie-making seemed explicitly interested in frightening the audience, though perhaps the audience soon let the filmmakers know what it craved. There is the famous story of the first screening of The Arrival of a Train at La Ciotat Station (1896), directed by the Lumière brothers, with reports of fleeing, terrified audience members as a train approached the screen. That this never actually happened is almost irrelevant; there is a reason some apocryphal tales persist.
One of the most often adapted horror texts of all time,...
Few filmmakers in the first two decades of movie-making seemed explicitly interested in frightening the audience, though perhaps the audience soon let the filmmakers know what it craved. There is the famous story of the first screening of The Arrival of a Train at La Ciotat Station (1896), directed by the Lumière brothers, with reports of fleeing, terrified audience members as a train approached the screen. That this never actually happened is almost irrelevant; there is a reason some apocryphal tales persist.
One of the most often adapted horror texts of all time,...
- 10/15/2011
- by Adam Whyte
- Obsessed with Film
Werner Krauss, Conrad Veidt, Lil Dagover, The Cabinet of Dr. Caligari Conrad Veidt on TCM: The Hands Of Orlac, Casablanca, Nazi Agent Schedule (Et) and synopses from the TCM website: 6:00 Am Above Suspicion (1943) A honeymooning couple are asked to spy on the Nazis in pre-war Europe. Dir: Richard Thorpe. Cast: Joan Crawford, Fred MacMurray, Conrad Veidt. Bw-91 mins. 7:45 Am Contraband (1940) While held up in a British port, a Danish sea captain tussles with German spies. Dir: Michael Powell. Cast: Conrad Veidt, Valerie Hobson, Hay Petrie. Bw-87 mins. 9:30 Am All Through The Night (1942) A criminal gang turns patriotic to track down a Nazi spy ring. Dir: Vincent Sherman. Cast: Humphrey Bogart, Conrad Veidt, Kaaren Verne. Bw-107 mins. 11:30 Am Jew Suss (1934) A Jewish businessman using his wealth to benefit his people discovers he's not Jewish. Dir: Lothar Mendes. Cast: Conrad Veidt, Frank Vosper, Cedric Hardwicke. Bw-104 mins. 1:...
- 8/24/2011
- by Andre Soares
- Alt Film Guide
Conrad Veidt is Turner Classic Movies' "Summer Under the Stars" performer of the day. An international star since the 1920s, Veidt worked in Germany, the United Kingdom, and Hollywood — twice. [Conrad Veidt Movie Schedule.] In the late '20s, Veidt was the star of unusual Hollywood fare such as Paul Leni's The Man Who Laughs (1928), in the title role as a man with a grin-like scar where his mouth should be, and Paul Fejos' The Last Performance (1929), as a magician in love with pretty Mary Philbin — a Universal star who also happened to be Veidt's leading lady in The Man Who Laughs. With the arrival of talking pictures, Veidt returned to Germany, but with the ascent of the Nazis he fled first to England and later to the United States. In the Hollywood of the early '40s, Veidt became everybody's favorite Nazi in movies such as Nazi Agent, Escape, and Casablanca.
- 8/24/2011
- by Andre Soares
- Alt Film Guide
(As Stu Cummins has thrown his life away and got himself married this weekend [just kidding pal!] – Owf’s Ben Szwediuk has stepped in to give us this week’s Top Ten Tuesdays).
“What is Goth?” is a question regularly and- not necessarily without genuine curiosity- asked by the bewilderingly banal, or the culturally ignorant, of that subculture that embraces the world of shadow, and shuns the brazen vulgarity of the light. Those strange creatures that are moved by the macabre and decadent, with a shared propensity for certain literature, music, clothing –and, of course, cinema- their identity marked most visibly to the masses by their adornments of eye-liner, black nail varnish and clothing that is- with rare exception- black. These people labelled crudely and broad-stroke by the word “Goth” will be accustomed to greeting such enquiries with an instinctively despairing sigh; a sigh that acknowledges both the nebulous and often vague philosophical nature of the answer,...
“What is Goth?” is a question regularly and- not necessarily without genuine curiosity- asked by the bewilderingly banal, or the culturally ignorant, of that subculture that embraces the world of shadow, and shuns the brazen vulgarity of the light. Those strange creatures that are moved by the macabre and decadent, with a shared propensity for certain literature, music, clothing –and, of course, cinema- their identity marked most visibly to the masses by their adornments of eye-liner, black nail varnish and clothing that is- with rare exception- black. These people labelled crudely and broad-stroke by the word “Goth” will be accustomed to greeting such enquiries with an instinctively despairing sigh; a sigh that acknowledges both the nebulous and often vague philosophical nature of the answer,...
- 4/26/2011
- by Ben Szwediuk
- Obsessed with Film
We trust the movies. We have to. Most of them only work if we look up at the images changing 24-times-a-second in front of us and believe that they reflect some sort of objective reality where a man can fly his house to South America or alien robots can transform into cars. Even when a movie is told entirely from a character's perspective, we assume that the intimacy cinema provides to hear a person's thoughts or see things the way they do affords us some safety from deception. We are wrong. People lie; the movies can too.
Some movies take that trust and exploit it, or prey on it, or play with it. In "(500) Days of Summer," a man named Tom (Joseph Gordon-Levitt) falls in love with a woman named Summer (Zooey Deschanel). The film begins with Tom's friends sitting him down and asking him to explain what happened in his relationship with Summer,...
Some movies take that trust and exploit it, or prey on it, or play with it. In "(500) Days of Summer," a man named Tom (Joseph Gordon-Levitt) falls in love with a woman named Summer (Zooey Deschanel). The film begins with Tom's friends sitting him down and asking him to explain what happened in his relationship with Summer,...
- 7/16/2009
- by Matt Singer
- ifc.com
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