Beta Cinema has revealed further sales on its Berlinale and Europe Film Market lineup, including “500 Miles,” “Führer and Seducer,” “Hammarskjöld,” “The Light” and “From Hilde, With Love.”
After a first deal on the upcoming Bill Nighy-roadmovie “500 Miles” with True Brit Ent. for U.K. was announced during the market, Beta Cinema has confirmed further territories have picked up the dramedy: Australia and New Zealand (Kismet), Middle East (Front Row), Italy (Maestro Distribution), Benelux (September Film), Greece (Feelgood) and former Yugoslavia (Discovery). Aardwolf Films picked up worldwide airline rights. BAFTA-winner Morgan Matthews will direct from a script by Malcolm Campbell, based on the novel “Charlie and Me” by Mark Lowery later in 2024. Roman Griffin Davis will star next to Nighy.
The market premiere for “Führer and Seducer” led to new deals with Condor Entertainment for France, Beta Film for Bulgaria and Tfg for Greece. Deals with Spain (A...
After a first deal on the upcoming Bill Nighy-roadmovie “500 Miles” with True Brit Ent. for U.K. was announced during the market, Beta Cinema has confirmed further territories have picked up the dramedy: Australia and New Zealand (Kismet), Middle East (Front Row), Italy (Maestro Distribution), Benelux (September Film), Greece (Feelgood) and former Yugoslavia (Discovery). Aardwolf Films picked up worldwide airline rights. BAFTA-winner Morgan Matthews will direct from a script by Malcolm Campbell, based on the novel “Charlie and Me” by Mark Lowery later in 2024. Roman Griffin Davis will star next to Nighy.
The market premiere for “Führer and Seducer” led to new deals with Condor Entertainment for France, Beta Film for Bulgaria and Tfg for Greece. Deals with Spain (A...
- 3/4/2024
- by Leo Barraclough
- Variety Film + TV
Picturehouse Entertiainment has picked up From Hilde, With Love, the new drama from German director Andreas Dresen (Stopped on Track) for the U.K. and Ireland, adding to a swath of European deals for the title, which premiered at the Berlin Film Festival last month.
Liv Lisa Fries (Babylon Berlin) stars in the 1940s-set drama as Hilde Coppi, a member of a left-wing anti-Nazi resistance cell. Beta, which is handling international sales for the movie, previously announced deals for From Hilde, With Love with Haut et Court in France, Teodora in Italy, Angel Film across Scandinavia, September Film for Benelux and Outsider for Portugal, among other deals. Palace Film will release From Hilde, With Love in Australia and New Zealand. Pandora Film Verleih is handling the German release and will bow the movie in German-speaking territories this October.
Beta also announced a series of deals for its upcoming Bill Nighy road movie 500 Miles,...
Liv Lisa Fries (Babylon Berlin) stars in the 1940s-set drama as Hilde Coppi, a member of a left-wing anti-Nazi resistance cell. Beta, which is handling international sales for the movie, previously announced deals for From Hilde, With Love with Haut et Court in France, Teodora in Italy, Angel Film across Scandinavia, September Film for Benelux and Outsider for Portugal, among other deals. Palace Film will release From Hilde, With Love in Australia and New Zealand. Pandora Film Verleih is handling the German release and will bow the movie in German-speaking territories this October.
Beta also announced a series of deals for its upcoming Bill Nighy road movie 500 Miles,...
- 3/4/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
International independent production company and financier Gold Rush Pictures has signed a deal with Germany’s X Filme Creative Pool to participate in financing and co-produce the next three projects written and directed and/or produced by Tom Tykwer, including features and TV series.
The partnership follows Gold Rush Pictures recent investment in Tykwer’s German contemporary drama “The Light,” the filmmaker’s return to the big screen after seven years and four seasons as writer and director of the hit series “Babylon Berlin.” It is the writer-director’s first feature film since his 2016 adaptation of “A Hologram for the King,” starring Tom Hanks.
Currently in production, “The Light” (“Das Licht”) centres on a troubled family who take on a mysterious woman as a housekeeper. When she successfully shakes up the lives of the family, she then confronts them with the dark fate of her own. The film stars Lars Eidinger,...
The partnership follows Gold Rush Pictures recent investment in Tykwer’s German contemporary drama “The Light,” the filmmaker’s return to the big screen after seven years and four seasons as writer and director of the hit series “Babylon Berlin.” It is the writer-director’s first feature film since his 2016 adaptation of “A Hologram for the King,” starring Tom Hanks.
Currently in production, “The Light” (“Das Licht”) centres on a troubled family who take on a mysterious woman as a housekeeper. When she successfully shakes up the lives of the family, she then confronts them with the dark fate of her own. The film stars Lars Eidinger,...
- 2/23/2024
- by Naman Ramachandran
- Variety Film + TV
Following up her Best Picture-nominated Past Lives, Celine Song has officially unveiled her next feature. Starring Dakota Johnson, Chris Evans, and Pedro Pascal, The Materialists is a romantic comedy that follows “a professional matchmaker who gets involved with a wealthy man but still harbors feelings for the broke actor-waiter she left behind,” Deadline reports. Once again backed by A24, producers Christine Vachon and Pam Koffler of Killer Films, and 2Am’s David Hinojosa, the project is aiming to start shooting this spring, so expect a 2025 release.
Also on the 2025 release calendar is likely Kogonada’s third feature following Columbus and After Yang. Reteaming with Colin Farrell with Margot Robbie also starring, A Big Bold Beautiful Journey is said to be an “imaginative tale of two strangers and the unbelievable journey that connects them,” Deadline reports. With production beginning this spring in California, it’ll be Robbie’s second project after Barbie,...
Also on the 2025 release calendar is likely Kogonada’s third feature following Columbus and After Yang. Reteaming with Colin Farrell with Margot Robbie also starring, A Big Bold Beautiful Journey is said to be an “imaginative tale of two strangers and the unbelievable journey that connects them,” Deadline reports. With production beginning this spring in California, it’ll be Robbie’s second project after Barbie,...
- 2/8/2024
- by Jordan Raup
- The Film Stage
Pluto Film has expanded its lineup ahead of this year’s EFM in Berlin with Generation 14plus screener “Huling Palabas.”
The Berlin-based sales company has also acquired the historical drama “Sima’s Song” by award-winning Afghan director Roya Sadat; Mehmet Akif Büyükatalay’s timely and suspenseful German social drama “Hysteria”; and Luxembourgish helmer Eric Lamhène’s “Breathing Underwater,” which explores violence against women.
Ryan Espinosa Machado’s Philippine coming-of-age drama “Huling Palabas,” described by Pluto Film CEO Daniela Cölle as “a charming LGBTQ debut,” follows a 16-year-old boy in 2001 who, while searching for his father in the most unlikely of places, becomes mystified by two movie-like characters who appear in his small town.
“Huling Palabas” is produced by the Philippines’ Tilt Studios, Terminal Six, Waf Studios and Studio Pulo.
“Sima’s Song”
“Sima’s Song” stars Mozhdah Jamalzadah and Niloufar Koukhani as Suraya and Sima, lifelong friends whose lives take...
The Berlin-based sales company has also acquired the historical drama “Sima’s Song” by award-winning Afghan director Roya Sadat; Mehmet Akif Büyükatalay’s timely and suspenseful German social drama “Hysteria”; and Luxembourgish helmer Eric Lamhène’s “Breathing Underwater,” which explores violence against women.
Ryan Espinosa Machado’s Philippine coming-of-age drama “Huling Palabas,” described by Pluto Film CEO Daniela Cölle as “a charming LGBTQ debut,” follows a 16-year-old boy in 2001 who, while searching for his father in the most unlikely of places, becomes mystified by two movie-like characters who appear in his small town.
“Huling Palabas” is produced by the Philippines’ Tilt Studios, Terminal Six, Waf Studios and Studio Pulo.
“Sima’s Song”
“Sima’s Song” stars Mozhdah Jamalzadah and Niloufar Koukhani as Suraya and Sima, lifelong friends whose lives take...
- 2/2/2024
- by Ed Meza
- Variety Film + TV
Beta Cinema will start selling The Light, Tom Tykwer’s return to the big screen after seven years, at the upcoming European Film Market and has released a first look image of the film.
Beta Cinema is handling sales for all territories except German-speaking territories, France and North America.
Set in present day in Berlin, The Light is billed as a portrait of a modern family between collapse and new beginnings.
It stars Lars Eidinger, who will next been seen be in Matthias Glasner’s Berlinale competiton entry Dying, actress/director Nicolette Krebitz from Aieou and Wild, alongside Elke Biesendorfer,...
Beta Cinema is handling sales for all territories except German-speaking territories, France and North America.
Set in present day in Berlin, The Light is billed as a portrait of a modern family between collapse and new beginnings.
It stars Lars Eidinger, who will next been seen be in Matthias Glasner’s Berlinale competiton entry Dying, actress/director Nicolette Krebitz from Aieou and Wild, alongside Elke Biesendorfer,...
- 2/1/2024
- ScreenDaily
Tom Tykwer’s return to the big screen is getting closer. After seven years working in television, co-creating and co-directing, with Henk Handlogten and Achim von Borries, four seasons of acclaimed period drama Babylon Berlin, the German director of Run Lola Run, The International and Cloud Atlas will mark his movie comeback with the contemporary German-language drama The Light (Das Licht).
Tykwer’s production house X Filme Creative Pool, German distributor X Verleih and Beta Cinema, which have picked up international sales rights for the film, on Thursday unveiled the first look of The Light. The still, which almost resembles a Renaissance painting, features star Tala al Deen bathed in a radiant glow from a device on the table in front of her.
Al Deen plays Farrah, a mysterious Syrian woman who enters the lives of the Engels, a middle-class German family whose world is slowly unraveling. Nothing appears to...
Tykwer’s production house X Filme Creative Pool, German distributor X Verleih and Beta Cinema, which have picked up international sales rights for the film, on Thursday unveiled the first look of The Light. The still, which almost resembles a Renaissance painting, features star Tala al Deen bathed in a radiant glow from a device on the table in front of her.
Al Deen plays Farrah, a mysterious Syrian woman who enters the lives of the Engels, a middle-class German family whose world is slowly unraveling. Nothing appears to...
- 2/1/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Tom Tykwer is coming back to the movies.
The German director of Run Lola Run and Cloud Atlas has announced his return to filmmaking with the German drama Das Licht (The Light).
The feature, which has just wrapped principal photography, is described as a portrait of a family “between collapse and new beginnings” and deals with the major issues of our time “in a world that is reeling.”
Das Licht is Tykwer’s first feature film since 2016’s A Hologram for the King, starring Tom Hanks. He has spent the past seven years on TV, co-creating and co-directing, with Henk Handloegten and Achim von Borries, four seasons of the acclaimed and award-winning German historic series Babylon Berlin.
Das Licht stars Babylon Berlin alum Lars Eidinger and actor-director Nicolette Krebitz (Wild, My Zoe) as Tim and Milena Engels, a couple whose family, including nearly grown twins Frieda (Elke Biesendorfer) and Jon...
The German director of Run Lola Run and Cloud Atlas has announced his return to filmmaking with the German drama Das Licht (The Light).
The feature, which has just wrapped principal photography, is described as a portrait of a family “between collapse and new beginnings” and deals with the major issues of our time “in a world that is reeling.”
Das Licht is Tykwer’s first feature film since 2016’s A Hologram for the King, starring Tom Hanks. He has spent the past seven years on TV, co-creating and co-directing, with Henk Handloegten and Achim von Borries, four seasons of the acclaimed and award-winning German historic series Babylon Berlin.
Das Licht stars Babylon Berlin alum Lars Eidinger and actor-director Nicolette Krebitz (Wild, My Zoe) as Tim and Milena Engels, a couple whose family, including nearly grown twins Frieda (Elke Biesendorfer) and Jon...
- 12/14/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
"Your dreams shall soon be true, but your nightmares will be, too." Amazon's Prime Video has revealed an official trailer for an adaptation of the "Dream a Little Dream" books called Silver. The full title is Silver and the Book of Dreams, and it is a German production in English for Prime Video - streaming on the service as of today, on December 8th. "Five friends, five dreams, five nightmares." Liv moves to London with her mother Ann and little sister Mia. She meets the mysterious Henry, who belongs to a secret circle that possesses the ability of "lucid dreaming", but their dream fulfillment will come with a high price. She and her band of dream-wanderers conduct a ritual to make their biggest dream come true, but it will demand the gravest sacrifice. Of course this perfect "dream" life will fall apart. This stars Jana McKinnon as Liv, with Rhys Mannion,...
- 12/8/2023
- by Alex Billington
- firstshowing.net
’The Light’ is one of a slate of features to receive backing from German regional fund Film-und Medienstiftung Nrw.
The Light, Tom Tykwer’s first film for the cinema since his 2016 German-us comedy A Hologram For The King is one of 10 feature film projects allocated almost €6m in production support by the Düsseldorf-based regional fund Film-und Medienstiftung Nrw.
Tykwer’s original screenplay for The Light (Das Licht) centres on a troubled family who take on a Syrian immigrant as a housekeeper. When she successfully shakes up the lives of the family she then confronts them with the dark fate of her own.
The Light, Tom Tykwer’s first film for the cinema since his 2016 German-us comedy A Hologram For The King is one of 10 feature film projects allocated almost €6m in production support by the Düsseldorf-based regional fund Film-und Medienstiftung Nrw.
Tykwer’s original screenplay for The Light (Das Licht) centres on a troubled family who take on a Syrian immigrant as a housekeeper. When she successfully shakes up the lives of the family she then confronts them with the dark fate of her own.
- 6/21/2023
- by Martin Blaney
- ScreenDaily
Following The Film Stage’s collective top 50 films of 2022, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
Three years after the pandemic broke out, things––including moviegoing––are finally starting to feel normal again. It would have been an even more joyous occasion if only 2022 has yielded a stronger crop of films to offer those rushing back to theaters.
Of course many, many good films came out in the last twelve months; great ones too––entertaining, informative, artistic works that anyone would be doing themselves a favor by checking out. But films that make you go for the M(asterpiece) word, that you know right away would be top 10 material? Not that many by my count. Ruben Östlund’s Triangle of Sadness, for example, is super fun and features awards-worthy performances from Zlatko Buric and Dolly De Leon, although I’m not sure if...
Three years after the pandemic broke out, things––including moviegoing––are finally starting to feel normal again. It would have been an even more joyous occasion if only 2022 has yielded a stronger crop of films to offer those rushing back to theaters.
Of course many, many good films came out in the last twelve months; great ones too––entertaining, informative, artistic works that anyone would be doing themselves a favor by checking out. But films that make you go for the M(asterpiece) word, that you know right away would be top 10 material? Not that many by my count. Ruben Östlund’s Triangle of Sadness, for example, is super fun and features awards-worthy performances from Zlatko Buric and Dolly De Leon, although I’m not sure if...
- 1/2/2023
- by Zhuo-Ning Su
- The Film Stage
Exclusive: Amazon and German production and distribution force Constantin Film are teaming up on YA fantasy feature Silver (working title), based on the popular novel series of the same name by Kerstin Gier.
Silver will chart the story of 17-year-old Liv who moves to London with her mother Ann and little sister Mia. When Liv meets the mysterious Henry, everything changes. He belongs to a secret circle that possesses the ability of ‘lucid dreaming’. But little do they know that the fulfillment of their dreams comes with a high price.
The cast, largely made up of emerging and breakout actors and actresses, includes Jana McKinnon (We Children of Bahnhof Zoo) as Liv, Riva Krymalowski (When Hitler Stole Pink Rabbit) as Mia, Rhys Mannion (It Is In Us All) as Henry, Chaneil Kular (Sex Education) as Arthur, Efeosa Afolabi as Jasper, Théo Augier as Grayson, Josephine Blazier as Anabel, Samirah Breuer...
Silver will chart the story of 17-year-old Liv who moves to London with her mother Ann and little sister Mia. When Liv meets the mysterious Henry, everything changes. He belongs to a secret circle that possesses the ability of ‘lucid dreaming’. But little do they know that the fulfillment of their dreams comes with a high price.
The cast, largely made up of emerging and breakout actors and actresses, includes Jana McKinnon (We Children of Bahnhof Zoo) as Liv, Riva Krymalowski (When Hitler Stole Pink Rabbit) as Mia, Rhys Mannion (It Is In Us All) as Henry, Chaneil Kular (Sex Education) as Arthur, Efeosa Afolabi as Jasper, Théo Augier as Grayson, Josephine Blazier as Anabel, Samirah Breuer...
- 9/12/2022
- by Andreas Wiseman
- Deadline Film + TV
International competition titles include ‘Broker’ and ‘Decision To Leave’ from South Korea.
Jerusalem Film Festival (Jff) has revealed the line-up of international competition titles for its 39th edition, which includes several award-winners from this year’s Cannes.
Ten features will compete in the international competition of Jff, which is set to host its 39th edition from July 21-31.
These include Hirokazu Kore-eda’s Broker and Park Chan-wook’s Decision To Leave from South Korea, which respectively picked up best actor for Song Kang-ho and best director for Park. Also selected is Abi Abbasi’s Holy Spider, which saw Zar Amir-Ebrahimi pick up best actress,...
Jerusalem Film Festival (Jff) has revealed the line-up of international competition titles for its 39th edition, which includes several award-winners from this year’s Cannes.
Ten features will compete in the international competition of Jff, which is set to host its 39th edition from July 21-31.
These include Hirokazu Kore-eda’s Broker and Park Chan-wook’s Decision To Leave from South Korea, which respectively picked up best actor for Song Kang-ho and best director for Park. Also selected is Abi Abbasi’s Holy Spider, which saw Zar Amir-Ebrahimi pick up best actress,...
- 7/7/2022
- by Michael Rosser
- ScreenDaily
The biggest recipient is Valeska Grisebach’s fourth feature ‘The Dreamt Adventurer’ (working title).
Four projects, all by women filmmakers, have been supported by the German-French Funding Commission made up of representatives from Germany’s Ffa and France’s Cnc.
The largest single amount of production funding of € 360,000 went to Valeska Grisebach’s fourth feature film The Dreamt Adventurer (Der Geträumte Abenteuer). It will be the latest collaboration between Germany’s Komplizen Films and France’s Kazak Productions, co-producers of Filmfest München’s opening film Corsage, as well as Sebastian Schipper’s 2019 film Roads and actress-director Nicolette Krebitz’s Berlinale...
Four projects, all by women filmmakers, have been supported by the German-French Funding Commission made up of representatives from Germany’s Ffa and France’s Cnc.
The largest single amount of production funding of € 360,000 went to Valeska Grisebach’s fourth feature film The Dreamt Adventurer (Der Geträumte Abenteuer). It will be the latest collaboration between Germany’s Komplizen Films and France’s Kazak Productions, co-producers of Filmfest München’s opening film Corsage, as well as Sebastian Schipper’s 2019 film Roads and actress-director Nicolette Krebitz’s Berlinale...
- 6/30/2022
- by Martin Blaney
- ScreenDaily
The funds boosted inward investment on film and high-end TV series by a record €740m ($841m) in ’German spend’ last year.
Two of Germany’s leading production incentive programmes boosted inward investment on film and high-end TV series by a record €740m ($841m) in ’German spend’ last year.
The 2021 figure is up on the €715m generated in 2019, despite pandemic-related restrictions on production.
The German Federal Film Fund (Dfff) and German Motion Picture Fund (Gmpf) paid out a combined total of €147.4m in 2021, up €62.8m on 2020 and €11.9m more in the pre-pandemic year of 2019, generating an almost five-fold increase in the initial outlay.
Two of Germany’s leading production incentive programmes boosted inward investment on film and high-end TV series by a record €740m ($841m) in ’German spend’ last year.
The 2021 figure is up on the €715m generated in 2019, despite pandemic-related restrictions on production.
The German Federal Film Fund (Dfff) and German Motion Picture Fund (Gmpf) paid out a combined total of €147.4m in 2021, up €62.8m on 2020 and €11.9m more in the pre-pandemic year of 2019, generating an almost five-fold increase in the initial outlay.
- 2/18/2022
- by Martin Blaney
- ScreenDaily
The Consonants of Love: Krebitz Gets Caught in an Odd Romance
“It all begins with A,” so begins the omniscient third-person narration of Anna, an actress in her sixties played by the captivating Sophie Rois. It suggests an obvious pattern of themes to come in the ungainly titled Aeiou – A Quick Alphabet of Love (Aeiou — Das schnelle alphabet der liebe), the fourth feature from director Nicolette Krebitz, who seems to revel in characters forced to reinvent themselves through unexpected romantic connections. To her credit, Krebitz ends up delivering something completely unpredictable, though it’s a film clogged with choices which range from magical to agonizingly unpleasant.…...
“It all begins with A,” so begins the omniscient third-person narration of Anna, an actress in her sixties played by the captivating Sophie Rois. It suggests an obvious pattern of themes to come in the ungainly titled Aeiou – A Quick Alphabet of Love (Aeiou — Das schnelle alphabet der liebe), the fourth feature from director Nicolette Krebitz, who seems to revel in characters forced to reinvent themselves through unexpected romantic connections. To her credit, Krebitz ends up delivering something completely unpredictable, though it’s a film clogged with choices which range from magical to agonizingly unpleasant.…...
- 2/14/2022
- by Nicholas Bell
- IONCINEMA.com
The title is a bit misleading in German writer-director Nicolette Krebitz’s offbeat romantic comedy “Aeiou — A Quick Alphabet of Love.” Despite its promise of deeper meaning attached to all the vowels in the alphabet, it’s ‘A’ on which it fixates: Said aloud and elongated, we are told, the first letter vocalizes a spectrum of feeling ranging from primal need to sharp pain to orgasmic release. Sure enough, all are present in this unpredictable tale of mutual misfit attraction between a juvenile delinquent and the middle-aged actor whose role in his life shifts from mentor to mother to lover. It’s difficult, prickly material that “Aeiou” handles with a light touch, even as the narrative lurches recklessly across genres into flighty caper territory.
Marked by a gentle deadpan drollness that occasionally blossoms into fanciful romanticism, this an altogether less intense proposition than Krebitz’s last feature, the Sundance-selector 2016 psychodrama “Wild,...
Marked by a gentle deadpan drollness that occasionally blossoms into fanciful romanticism, this an altogether less intense proposition than Krebitz’s last feature, the Sundance-selector 2016 psychodrama “Wild,...
- 2/13/2022
- by Guy Lodge
- Variety Film + TV
It’s not your regular meet-cute. Anna Moth (Sophie Rois) an actress recognized by people in the street but apparently unable to get work — “everyone knows she’s mental,” says a fellow actor after she extracts herself from his grip during the recording of a clearly low-rent radio play — gets mugged in the street outside a smart bar by a young man. He takes her handbag while a spunky young woman who sees the whole incident chases after him and gets the bag back, minus the wallet. Anna, meanwhile, is recovering her composure inside the bar, diva-style.
“No more than a kid, really,” she says when describing the incident to Michel (Udo Kier), her landlord, benefactor, confidante and possibly number-one fan. What was he wearing? “A leather jacket. I could smell it.” Michel throws his head back, closes his eyes and sniffs theatrically. “The perfect combination,” he sighs. And there...
“No more than a kid, really,” she says when describing the incident to Michel (Udo Kier), her landlord, benefactor, confidante and possibly number-one fan. What was he wearing? “A leather jacket. I could smell it.” Michel throws his head back, closes his eyes and sniffs theatrically. “The perfect combination,” he sighs. And there...
- 2/13/2022
- by Stephanie Bunbury
- Deadline Film + TV
The Match Factory is selling Andreas Dresen’s feature.
Screen can reveal an exclusive first trailer for Rabiye Kurnaz vs. George W. Bush, Andreas Dresen’s comedy drama that is debuting in Competition at the Berlinale on Saturday.
The Match Factory is selling the film.
Rabiye Kurnaz vs. George W. Bush centres on an ordinary woman living in Bremen, Germany whose son is accused of terrorism and shipped off to Guantanamo. As she battles for his release, she sets off on a journey that takes her all the way to the Supreme Court in Washington D.C.
Cologne-based comedienne Meltem Kaptan stars as Rabiye,...
Screen can reveal an exclusive first trailer for Rabiye Kurnaz vs. George W. Bush, Andreas Dresen’s comedy drama that is debuting in Competition at the Berlinale on Saturday.
The Match Factory is selling the film.
Rabiye Kurnaz vs. George W. Bush centres on an ordinary woman living in Bremen, Germany whose son is accused of terrorism and shipped off to Guantanamo. As she battles for his release, she sets off on a journey that takes her all the way to the Supreme Court in Washington D.C.
Cologne-based comedienne Meltem Kaptan stars as Rabiye,...
- 2/11/2022
- by Ben Dalton
- ScreenDaily
The 72nd Berlin Film Festival got off to a promising if somewhat subdued start Feb. 10 amid strict restrictions due to the ongoing Covid-19 crisis, which put a major damper on this year’s festivities and kept crowds to a minimum.
While only some 800 guests attended the opening night ceremony at the Berlinale Palast — less than half of the normal capacity of the festival’s grand main venue — the event was nevertheless a hopeful sign for the local film industry and for cinema in general.
The festival was uncompromising in its mask policy for the red carpet, rendering most high-profile guests unrecognizable — although many whipped them off for the phalanx of photographers. But the Berlinale Palast’s famous disco ball spun nonetheless and aside from the Covid of it all, the scene felt very much like old times, both on the red carpet and inside, where a number of local guests...
While only some 800 guests attended the opening night ceremony at the Berlinale Palast — less than half of the normal capacity of the festival’s grand main venue — the event was nevertheless a hopeful sign for the local film industry and for cinema in general.
The festival was uncompromising in its mask policy for the red carpet, rendering most high-profile guests unrecognizable — although many whipped them off for the phalanx of photographers. But the Berlinale Palast’s famous disco ball spun nonetheless and aside from the Covid of it all, the scene felt very much like old times, both on the red carpet and inside, where a number of local guests...
- 2/10/2022
- by Ed Meza
- Variety Film + TV
The European Film Market’s traditional home of the Gropius Bau looks eerily empty as event fires up online edition.
The Berlinale’s online European Film Market officially fired up its platform for business on Thursday (February 10) although many sellers have been locked in Zoom meetings since last week.
From February 10-17, the market hosts virtual screenings for more than 750 market and festival titles as well as an online conference programme bannered “Shaping Change”, revolving around the core themes of “future”, “diversity and inclusion” and “sustainable development”.
A handful of sales companies, mainly those with films in Official Selection, will...
The Berlinale’s online European Film Market officially fired up its platform for business on Thursday (February 10) although many sellers have been locked in Zoom meetings since last week.
From February 10-17, the market hosts virtual screenings for more than 750 market and festival titles as well as an online conference programme bannered “Shaping Change”, revolving around the core themes of “future”, “diversity and inclusion” and “sustainable development”.
A handful of sales companies, mainly those with films in Official Selection, will...
- 2/10/2022
- by Melanie Goodfellow
- ScreenDaily
Komplizen Film, the German studio behind Princess Diana biopic “Spencer,” have joined The Creatives, an alliance of independent production companies.
The alliance was formed to increase the companies’ “collective power in the face of the changing landscape.”
Film and TV production outfit Komplizen, which was founded in 1999 by Janine Jackowski and Maren Ade, joins eleven other companies from across the world including Razor and Haut Et Court, the latter of which initiated the collective.
The companies work closely together in a number of ways, from sharing information, combining talent and networks and negotiating with common rules to co-production and partnerships. The Creatives also have a three-year development and funding partnership with Fremantle.
Komplizen, whose managing director is Jonas Dornbach, has worked with directors including Miguel Gomes, Nadav Lapid and Valeska Grisebach. Three years ago it expanded into limited series with “Skylines” for Netflix, which was produced by David Keitsch.
Alongside “Spencer,...
The alliance was formed to increase the companies’ “collective power in the face of the changing landscape.”
Film and TV production outfit Komplizen, which was founded in 1999 by Janine Jackowski and Maren Ade, joins eleven other companies from across the world including Razor and Haut Et Court, the latter of which initiated the collective.
The companies work closely together in a number of ways, from sharing information, combining talent and networks and negotiating with common rules to co-production and partnerships. The Creatives also have a three-year development and funding partnership with Fremantle.
Komplizen, whose managing director is Jonas Dornbach, has worked with directors including Miguel Gomes, Nadav Lapid and Valeska Grisebach. Three years ago it expanded into limited series with “Skylines” for Netflix, which was produced by David Keitsch.
Alongside “Spencer,...
- 2/9/2022
- by K.J. Yossman
- Variety Film + TV
Komplizen Film, the German indie run by Janine Jackowski, Maren Ade and Jonas Dornbach, has joined The Creatives, an alliance of independent production companies that has a three-year partnership for developing and funding series with Fremantle.
Komplizen’s credits to date include Ade’s three films as a director, including Toni Erdmann, and titles from Radu Jude, Miguel Gomes, Nadav Lapid and Valeska Grisebach. Recently it produced Pablo Larrain’s Spencer and Nicolette Krebitz’ A E I O U. Its first series was Skylines for Netflix.
The company becomes the second German outfit in The Creatives, alongside Razor Film. The collective was initiated by Carole Scotta of Paris-based Haut Et Court. Also members are: Good Chaos (UK), Haut Et Court (France), Lemming Film (Netherlands), Maipo Film (Norway), Masha (USA), Spiro (Israel), Unité (France) and Versus Production (Belgium).
As part of the group, those involved work closely together in co-production and strategic partnerships,...
Komplizen’s credits to date include Ade’s three films as a director, including Toni Erdmann, and titles from Radu Jude, Miguel Gomes, Nadav Lapid and Valeska Grisebach. Recently it produced Pablo Larrain’s Spencer and Nicolette Krebitz’ A E I O U. Its first series was Skylines for Netflix.
The company becomes the second German outfit in The Creatives, alongside Razor Film. The collective was initiated by Carole Scotta of Paris-based Haut Et Court. Also members are: Good Chaos (UK), Haut Et Court (France), Lemming Film (Netherlands), Maipo Film (Norway), Masha (USA), Spiro (Israel), Unité (France) and Versus Production (Belgium).
As part of the group, those involved work closely together in co-production and strategic partnerships,...
- 2/9/2022
- by Tom Grater
- Deadline Film + TV
Germarny’s Komplizen is a key player on the international arthouse scene.
Germany’s Komplizen Film has become the 10th member of The Creatives alliance of independent production companies, that works together to co-produce, form strategic partnerships and share information and talent and buyer networks.
All the companies work across film and TV and the alliance has sealed a three-year partnership for developing and funding select series with Fremantle.
Komplizen, comprised of Janine Jackowski, Maren Ade and Jonas Dornbach, is one of the key players on the international arthouse film scene, working with directors including Radu Jude, Miguel Gomes, Nadav Lapid,...
Germany’s Komplizen Film has become the 10th member of The Creatives alliance of independent production companies, that works together to co-produce, form strategic partnerships and share information and talent and buyer networks.
All the companies work across film and TV and the alliance has sealed a three-year partnership for developing and funding select series with Fremantle.
Komplizen, comprised of Janine Jackowski, Maren Ade and Jonas Dornbach, is one of the key players on the international arthouse film scene, working with directors including Radu Jude, Miguel Gomes, Nadav Lapid,...
- 2/9/2022
- by Martin Blaney
- ScreenDaily
The complete lineup for the 2022 Berlin International Film Festival, taking place February 10-20, 2022, has been unveiled and it’s a major collection of some of our most-anticipated films of the year. As teased yesterday, Claire Denis’ Fire (which now has the title Avec amour et acharnement (aka Both Sides of the Blade)) will premiere in competition, alongside Hong Sangsoo’s The Novelist’s Film, Carla Simón’s Summer 1993 follow-up Alcarràs, Ulrich Seidl’s Rimini, Rithy Panh’s Everything Will Be Ok, and more.
Elsewhere in the festival is Bertrand Bonello’s Coma, Dario Argento’s Dark Glasses, Andrew Dominik’s Nick Cave & Warren Ellis doc This Much I Know To Be True, Peter Strickland’s Flux Gourmet, Gastón Solnicki’s A Little Love Package, Quentin Dupieux’s Incredible But True, plus new shorts by Lucrecia Martel, Hlynur Pálmason, and more. Also recently announced was the Panorama section, which will open...
Elsewhere in the festival is Bertrand Bonello’s Coma, Dario Argento’s Dark Glasses, Andrew Dominik’s Nick Cave & Warren Ellis doc This Much I Know To Be True, Peter Strickland’s Flux Gourmet, Gastón Solnicki’s A Little Love Package, Quentin Dupieux’s Incredible But True, plus new shorts by Lucrecia Martel, Hlynur Pálmason, and more. Also recently announced was the Panorama section, which will open...
- 1/19/2022
- by Jordan Raup
- The Film Stage
International sales company The Match Factory has revealed its Berlin Film Festival lineup, including two titles in Competition: “A E I O U – A Quick Alphabet of Love” by Nicolette Krebitz and “Rabiye Kurnaz vs. George W. Bush” by Andreas Dresen.
The Match Factory, which was acquired by Mubi last week, has three films in the shortlist for the International Feature Film Oscar: “Great Freedom,” “Drive My Car” and “Prayers for the Stolen.”
After the irreverent “Wild,” which premiered at Sundance in 2016, Krebitz is back with a new take on love in “A E I O U – A Quick Alphabet of Love.”
The film follows an actress who is mugged in front of a trendy bar in West Berlin. Barging into her, a young man takes her handbag and runs off into the night. A short while later, they meet again. She is Anna (Sophie Rois) and he is Adrian...
The Match Factory, which was acquired by Mubi last week, has three films in the shortlist for the International Feature Film Oscar: “Great Freedom,” “Drive My Car” and “Prayers for the Stolen.”
After the irreverent “Wild,” which premiered at Sundance in 2016, Krebitz is back with a new take on love in “A E I O U – A Quick Alphabet of Love.”
The film follows an actress who is mugged in front of a trendy bar in West Berlin. Barging into her, a young man takes her handbag and runs off into the night. A short while later, they meet again. She is Anna (Sophie Rois) and he is Adrian...
- 1/19/2022
- by Leo Barraclough
- Variety Film + TV
The 72nd Berlin International Film Festival (February 10-20) revealed its Competition line-up on Wednesday, scroll down for the full list.
As previously announced, the International Competition opens this year with François Ozon’s Peter Von Kant. Joining the Ozon pic today were 17 further features, including new films from Hong Sang-soo, Claire Denis, Ulrich Seidl, and Rithy Panh.
This marks Denis’ first time in Berlin’s Competition, having been a regular at Cannes over the years, while her last film High Life debuted at Toronto. The director’s new movie Both Sides of the Blade (previously known as Fire) stars Juliette Binoche and Vincent Lindon.
South Korean filmmaker Hong Sang-soo picked up the Silver Bear for Best Director in 2020 for movie The Woman Who Ran. His latest pic is The Novelist’s Film, which Berlin Artistic Director today said celebrates chance encounters.
The Competition program is 17 world premieres plus one international premiere,...
As previously announced, the International Competition opens this year with François Ozon’s Peter Von Kant. Joining the Ozon pic today were 17 further features, including new films from Hong Sang-soo, Claire Denis, Ulrich Seidl, and Rithy Panh.
This marks Denis’ first time in Berlin’s Competition, having been a regular at Cannes over the years, while her last film High Life debuted at Toronto. The director’s new movie Both Sides of the Blade (previously known as Fire) stars Juliette Binoche and Vincent Lindon.
South Korean filmmaker Hong Sang-soo picked up the Silver Bear for Best Director in 2020 for movie The Woman Who Ran. His latest pic is The Novelist’s Film, which Berlin Artistic Director today said celebrates chance encounters.
The Competition program is 17 world premieres plus one international premiere,...
- 1/19/2022
- by Tom Grater
- Deadline Film + TV
Films by auteurs Claire Denis, Hong Sangsoo and Rithy Panh are part of the lineup in competition at the 72nd Berlin Film Festival.
Berlin’s 2022 selection spans 18 movies, seven directed by women, which will compete for the Golden and Silver Bears. The films originate from 15 countries, with 17 serving as world premieres. Two of the films are first features, both from women.
Artistic director Carlo Chatrian discussed the thematic throughline of “human and emotional bonds” across the selection, with the family unit serving as a key focal point in a number of movies. More than half are set in the present time, and two are within the pandemic era.
The festival hosts 12 returning filmmakers, eight of whom are in competition and five of whom already hold a Bear from Berlin.
The festival will go ahead as an in-person event, albeit with seating capacity in movie theaters reduced to 50% and without any parties or receptions.
Berlin’s 2022 selection spans 18 movies, seven directed by women, which will compete for the Golden and Silver Bears. The films originate from 15 countries, with 17 serving as world premieres. Two of the films are first features, both from women.
Artistic director Carlo Chatrian discussed the thematic throughline of “human and emotional bonds” across the selection, with the family unit serving as a key focal point in a number of movies. More than half are set in the present time, and two are within the pandemic era.
The festival hosts 12 returning filmmakers, eight of whom are in competition and five of whom already hold a Bear from Berlin.
The festival will go ahead as an in-person event, albeit with seating capacity in movie theaters reduced to 50% and without any parties or receptions.
- 1/19/2022
- by Naman Ramachandran
- Variety Film + TV
Projects to receive funding include Joachim Hedén’s Breaking Surface and Margarethe von Trotta’s Bachmann & Frisch.
New projects by Komplizen Film, augenschein Filmproduktion, X Filme and Gaumont are among 16 films and TV series awarded a total of more than €9.6m ($11.5m) in production funding by North Rhine-Westphalia’s regional film fund Film- und Medienstiftung Nrw in its first funding session of 2021.
The largest single award to a feature, €1m ($1.19m), went to augenschein Filmproduktion’s English-language survival drama The Dive, based on Swedish writer-director Joachim Hedén’s Breaking Surface, which will be directed by Maximilian Erlenwein in Sardinia and Germany later this year.
New projects by Komplizen Film, augenschein Filmproduktion, X Filme and Gaumont are among 16 films and TV series awarded a total of more than €9.6m ($11.5m) in production funding by North Rhine-Westphalia’s regional film fund Film- und Medienstiftung Nrw in its first funding session of 2021.
The largest single award to a feature, €1m ($1.19m), went to augenschein Filmproduktion’s English-language survival drama The Dive, based on Swedish writer-director Joachim Hedén’s Breaking Surface, which will be directed by Maximilian Erlenwein in Sardinia and Germany later this year.
- 2/4/2021
- by Martin Blaney
- ScreenDaily
Lilith Stangenberg began her acting career at P14 youth theater of the Volksbühne Berlin. Without training as an actor, she was then hired at the Basel Theater and the Hanover Theater and from 2009 to 2012 was in the ensemble of the Zurich Schauspielhaus. At the same time, she also worked for film and television. As a film actress, Stangenberg was best known for the multi-award-winning leading role in Nicolette Krebitz ‘s feature film Wild , in which she played a young woman who had a relationship with a wolf. In October 2018, she starred in the television film “Tatort: Blut”, the leading role in an episode of a woman suffering from a light allergy, who believes she is a vampire. In “Orphea“, the adaptation of the myth of Orpheus with reverse gender roles by Alexander Kluge and Khavn, she embodies the title role. The film celebrated its world premiere at the Berlinale 2020.
On the occasion of the #TheKhavnProject,...
On the occasion of the #TheKhavnProject,...
- 5/21/2020
- by Panos Kotzathanasis
- AsianMoviePulse
American playwright and filmmaker Kenneth Lonergan, French actor and “The Artist” star Bérénice Bejo, and Palestinian director Annemarie Jacir will serve on the International Jury of the Berlin Film Festival.
The other jury members are German producer Bettina Brokemper, Italian actor Luca Marinelli, and programmer, film critic and director Kleber Mendonça Filho from Brazil. As previously reported actor Jeremy Irons will head the jury.
Lonergan wrote and directed “Manchester by the Sea,” for which he won the Oscar for original screenplay. He earned Oscar nominations for co-writing “Gangs of New York” and “You Can Count on Me” in the same category.
Bejo was Oscar nominated for “The Artist” and won best actress at Cannes for “The Past.”
Jacir’s debut feature “Salt of This Sea” was in the official program of the Cannes Film Festival. Her second feature film, “When I Saw You,” premiered in the Berlinale’s Forum section,...
The other jury members are German producer Bettina Brokemper, Italian actor Luca Marinelli, and programmer, film critic and director Kleber Mendonça Filho from Brazil. As previously reported actor Jeremy Irons will head the jury.
Lonergan wrote and directed “Manchester by the Sea,” for which he won the Oscar for original screenplay. He earned Oscar nominations for co-writing “Gangs of New York” and “You Can Count on Me” in the same category.
Bejo was Oscar nominated for “The Artist” and won best actress at Cannes for “The Past.”
Jacir’s debut feature “Salt of This Sea” was in the official program of the Cannes Film Festival. Her second feature film, “When I Saw You,” premiered in the Berlinale’s Forum section,...
- 2/4/2020
- by Leo Barraclough
- Variety Film + TV
Filmmakers Dominik Graf, Emily Atef, Sol Bondy among many who signed petition calling for executive to resign.
Frankfurt-based regional film fund HessenFilm has fired CEO Hans Joachim Mendig over a controversial meeting pictured in an Instagram post in which the businessman is seen sitting down with far-right politician Jörg Meuthen.
The fund’s supervisory board voted unanimously at an extraordinary meeting on Tuesday (24) to terminate Mendig’s employment with immediate effect.
The decision came after growing calls from the German film community for Mendig to step down after a local Frankfurt newspaper reported on the Instagram post dated July 24 by Meuthen,...
Frankfurt-based regional film fund HessenFilm has fired CEO Hans Joachim Mendig over a controversial meeting pictured in an Instagram post in which the businessman is seen sitting down with far-right politician Jörg Meuthen.
The fund’s supervisory board voted unanimously at an extraordinary meeting on Tuesday (24) to terminate Mendig’s employment with immediate effect.
The decision came after growing calls from the German film community for Mendig to step down after a local Frankfurt newspaper reported on the Instagram post dated July 24 by Meuthen,...
- 9/24/2019
- by Martin Blaney
- ScreenDaily
Current Berlin director Dieter Kosslick will step down next year.
Torsten Neumann, co-founder and director of the Oldenburg International Film Festival since 1994, has become the latest name to be connected with the ongoing quest for a successor to Berlinale director Dieter Kosslick from May 2019.
Neumann, who is currently planning the 25th anniversary edition of his festival for this September, has hosted such international guests as Nicolas Cage, Mira Sorvino, Jim McBride, Matthew Modine, Alexandre Rockwell and Lou Diamond Phillips as well as leading lights from the local German industry – from Nicolette Krebitz through Jürgen Vogel and Oskar Roehler to Corinna Harfouch...
Torsten Neumann, co-founder and director of the Oldenburg International Film Festival since 1994, has become the latest name to be connected with the ongoing quest for a successor to Berlinale director Dieter Kosslick from May 2019.
Neumann, who is currently planning the 25th anniversary edition of his festival for this September, has hosted such international guests as Nicolas Cage, Mira Sorvino, Jim McBride, Matthew Modine, Alexandre Rockwell and Lou Diamond Phillips as well as leading lights from the local German industry – from Nicolette Krebitz through Jürgen Vogel and Oskar Roehler to Corinna Harfouch...
- 5/2/2018
- by Martin Blaney
- ScreenDaily
Christian Petzold's The State I Am In (2000) and Christoph Hochhäusler's The City Below (2010) will be showing in September and October, 2017 on Mubi in most countries around the world.Christian Petzold (left) and Christoph Hochhäusler (right) on the set of Dreileben. Photo by Felix von Böhm.We meet in Christian Petzold’s office in Berlin-Kreuzberg. A giant wall of whispering books, almost like a Borgesian brain of fiction, encircles the table at which Christoph Hochhäusler, myself and the owner take place to discuss their films. The idea of the interview was to get Petzold’s take on Hochhäusler’s The City Below (2010) and Hochhäusler’s take on Petzold’s The State I Am In (2000). In the end, both filmmakers ended up talking about a lot more, as cinema for them has always been something that shines most brightly when remembering it, discussing it and loving it. The fictions proposed...
- 9/20/2017
- MUBI
Christian Petzold's The State I Am In (2000) and Christoph Hochhäusler's The City Below (2010) will be showing in September and October, 2017 on Mubi in most countries around the world.How can we hang on to a dreamHow can it, will it be the way it seems—Tim Hardin, “How Can We Hang On to a Dream”“When you live in no man’s land, you get stuck with your memories.”—Clara, The State I Am In1. Lovers go on the run while a teenager falls in love. Christian Petzold’s first theatrical feature, The State I Am In (2000), tells two stories simultaneously: that of Hans (Richy Müller) and Clara (Barbara Auer), fugitives pursued by German authorities, and that of their long-suffering daughter Jeanne (Julia Hummer)—who is downcast from the film’s opening scene, in which she meets a German boy named Heinrich (Bilge Bingül) at the beach.Though...
- 9/14/2017
- MUBI
Maren Ade named best director as female filmmakers flourish.
Toni Erdmann continued its triumphant run at the German Film Awards on Friday night, taking home six coveted Lola statuettes in an evening dominated by strong women filmmakers.
Maren Ade’s tragicomedy received the Golden Lola for Best Feature Film as well as double honours for Ade (pictured at left) herself as director and screenwriter, plus statuettes for her lead actors Sandra Hueller (pictured at right) and Peter Simonischek, and a Lola for the film’s editor Heike Parplies.
Handled internationally by The Match Factory, Toni Erdmann began winning the hearts of critics and audiences around the globe following its premiere in Cannes’ Official Competition last year.
It picked up five European Film Awards in Poland’s Wroclaw last December – in the same categories as the Lolas except for editing – as well as Golden Globe and Oscar nominations.
Hours before Friday night’s ceremony in Berlin, the film’s...
Toni Erdmann continued its triumphant run at the German Film Awards on Friday night, taking home six coveted Lola statuettes in an evening dominated by strong women filmmakers.
Maren Ade’s tragicomedy received the Golden Lola for Best Feature Film as well as double honours for Ade (pictured at left) herself as director and screenwriter, plus statuettes for her lead actors Sandra Hueller (pictured at right) and Peter Simonischek, and a Lola for the film’s editor Heike Parplies.
Handled internationally by The Match Factory, Toni Erdmann began winning the hearts of critics and audiences around the globe following its premiere in Cannes’ Official Competition last year.
It picked up five European Film Awards in Poland’s Wroclaw last December – in the same categories as the Lolas except for editing – as well as Golden Globe and Oscar nominations.
Hours before Friday night’s ceremony in Berlin, the film’s...
- 4/28/2017
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
German government reveals bold plan to increase film funding to €150m from 2018; Toni Erdmann scores six German Film Awards nominations.
The German government has approved a major increase in film funding in a bold bid to grow the local and international film business in Germany.
Chancellor Angela Merkel’s cabinet has authorized a €50m boost to approximately $150m in film funding for 2018.
Culture secretary Monika Grütters confirmed on Thursday morning during the announcement of the nominations for this year’s German Film Awards (Lolas) that the budget from 2018 would comprise of €25m for culturally-oriented funding, €50m for the existing German Federal Film Fund (Dfff) cash rebate incentive programme, and €75m for the Dfff II scheme.
The latter is targeted at attracting and retaining major national and international productions in Germany as well as providing support for production service producers such as studios and VFX companies operating out of Germany.
This latest move to put Germany on a more...
The German government has approved a major increase in film funding in a bold bid to grow the local and international film business in Germany.
Chancellor Angela Merkel’s cabinet has authorized a €50m boost to approximately $150m in film funding for 2018.
Culture secretary Monika Grütters confirmed on Thursday morning during the announcement of the nominations for this year’s German Film Awards (Lolas) that the budget from 2018 would comprise of €25m for culturally-oriented funding, €50m for the existing German Federal Film Fund (Dfff) cash rebate incentive programme, and €75m for the Dfff II scheme.
The latter is targeted at attracting and retaining major national and international productions in Germany as well as providing support for production service producers such as studios and VFX companies operating out of Germany.
This latest move to put Germany on a more...
- 3/16/2017
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
German government reveals bold plan to increase film funding to €150m from 2018; Toni Ermann scores six German Film Awards nominations.
The German government has approved a major increase in film funding in a bold bid to grow the local and international film business in Germany.
Chancellor Angela Merkel’s cabinet has authorized a €50m boost to approximately $150m in film funding for 2018.
Culture secretary Monika Grütters confirmed on Thursday morning during the announcement of the nominations for this year’s German Film Awards (Lolas) that the budget from 2018 would comprise of €25m for culturally-oriented funding, €50m for the existing German Federal Film Fund (Dfff) cash rebate incentive programme, and €75m for the Dfff II scheme.
The latter is targeted at attracting and retaining major national and international productions in Germany as well as providing support for production service producers such as studios and VFX companies operating out of Germany.
This latest move to put Germany on a more...
The German government has approved a major increase in film funding in a bold bid to grow the local and international film business in Germany.
Chancellor Angela Merkel’s cabinet has authorized a €50m boost to approximately $150m in film funding for 2018.
Culture secretary Monika Grütters confirmed on Thursday morning during the announcement of the nominations for this year’s German Film Awards (Lolas) that the budget from 2018 would comprise of €25m for culturally-oriented funding, €50m for the existing German Federal Film Fund (Dfff) cash rebate incentive programme, and €75m for the Dfff II scheme.
The latter is targeted at attracting and retaining major national and international productions in Germany as well as providing support for production service producers such as studios and VFX companies operating out of Germany.
This latest move to put Germany on a more...
- 3/16/2017
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
German government reveals bold plan to increase film funding to €150m from 2018; Toni Ermann scores six German Film Awards nominations.
The German government has approved a major increase in film funding in a bold bid to grow the local and international film business in Germany.
Chancellor Angela Merkel’s cabinet has authorized a €50m boost to approximately $150m in film funding for 2018.
Culture secretary Monika Grütters confirmed on Thursday morning during the announcement of the nominations for this year’s German Film Awards (Lolas) that the budget from 2018 would comprise of €25m for culturally-oriented funding, €50m for the existing German Federal Film Fund (Dfff) cash rebate incentive programme, and €75m for the so-called Dfff II scheme.
The latter is targeted at attracting and retaining major national and international productions in Germany as well as providing support for production service producers such as studios and VFX companies operating out of Germany.
This latest...
The German government has approved a major increase in film funding in a bold bid to grow the local and international film business in Germany.
Chancellor Angela Merkel’s cabinet has authorized a €50m boost to approximately $150m in film funding for 2018.
Culture secretary Monika Grütters confirmed on Thursday morning during the announcement of the nominations for this year’s German Film Awards (Lolas) that the budget from 2018 would comprise of €25m for culturally-oriented funding, €50m for the existing German Federal Film Fund (Dfff) cash rebate incentive programme, and €75m for the so-called Dfff II scheme.
The latter is targeted at attracting and retaining major national and international productions in Germany as well as providing support for production service producers such as studios and VFX companies operating out of Germany.
This latest...
- 3/16/2017
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
★★★☆☆ At its primeval heart, Nicolette Krebitz's Wild is the story of a lonely girl, Ania (Lilith Stangenberg), and a wolf whom she happens upon while making her daily walk to a dead-end job. A cautious, frightened distance initially held between beauty and beast will be slowly eroded by a magnetic, inexorable fascination, obsession even, which sees established boundaries between human and animal broken - in some instances literally. Beginning with the sombre greys and muted colours of a wintry urban setting, reflecting the monotonous drudgery of Ania's unfulfilled existence, Wild will beat darker and burn more vividly as a bestial union.
- 10/8/2016
- by CineVue UK
- CineVue
Award Winning Director Wolfgang Becker (“Good Bye Lenin!”) will open the festival at the American Cinematheque’s Egyptian Theatre with “Me and Kaminski” bringing outstanding German cinema and its stars to Los Angeles from October 20 to 23rd.
Full Program Line Up Announced with a selection of the best new German, Austrian and Swiss Cinema
Celebrating its 10th year, German Currents features an expanded program including screenings of ten La premieres, conversations with prolific German directors, writers and actors, as well as the return of the free family matinee film screening for local schools.
“Me and Kaminski” starring Daniel Brühl and directed by Wolfgang Becker
2016 has been a successful year for German language cinema, not only in Europe, but across the globe. Beginning on Thursday, October 20th 2016 German Currents will open this year’s 4 day festival with the red carpet event Los Angeles premiere of Wolfgang Becker’s (“Goodbye Lenin”) five-time...
Full Program Line Up Announced with a selection of the best new German, Austrian and Swiss Cinema
Celebrating its 10th year, German Currents features an expanded program including screenings of ten La premieres, conversations with prolific German directors, writers and actors, as well as the return of the free family matinee film screening for local schools.
“Me and Kaminski” starring Daniel Brühl and directed by Wolfgang Becker
2016 has been a successful year for German language cinema, not only in Europe, but across the globe. Beginning on Thursday, October 20th 2016 German Currents will open this year’s 4 day festival with the red carpet event Los Angeles premiere of Wolfgang Becker’s (“Goodbye Lenin”) five-time...
- 10/4/2016
- by Sydney Levine
- Sydney's Buzz
Quick takes from the 60th London Film Festival, with public screenings from October 5th-16th, 2016.
Down Under
Set against a backdrop of real-life race riots that occurred in the Sydney suburbs in 2005, this Australian black comedy may take place a decade ago, but it couldn’t feel more of-the-moment with its withering takedown of bigotry as, obviously, ignorant and insular, and — perhaps less obviously — as a brand of tribalism that it can be difficult for even those who are not ignorant and insular to extricate themselves from. Two bands of idiots, one white-supremacist and one Middle Eastern immigrants, head out of an evening to make trouble and “defend” and “protect” their own: they will, inevitably, run into one another, with bitter, ironic results. (If only bigotry always backfired on bigots in reality the way it does here.) Reminiscent of the brilliant 2010 British film Four Lions, about four moron wannabe jihadis in Sheffield,...
Down Under
Set against a backdrop of real-life race riots that occurred in the Sydney suburbs in 2005, this Australian black comedy may take place a decade ago, but it couldn’t feel more of-the-moment with its withering takedown of bigotry as, obviously, ignorant and insular, and — perhaps less obviously — as a brand of tribalism that it can be difficult for even those who are not ignorant and insular to extricate themselves from. Two bands of idiots, one white-supremacist and one Middle Eastern immigrants, head out of an evening to make trouble and “defend” and “protect” their own: they will, inevitably, run into one another, with bitter, ironic results. (If only bigotry always backfired on bigots in reality the way it does here.) Reminiscent of the brilliant 2010 British film Four Lions, about four moron wannabe jihadis in Sheffield,...
- 9/22/2016
- by MaryAnn Johanson
- www.flickfilosopher.com
Line-up includes Edinburgh victor Suntan, The Death Of Louis Xiv and César winner Fatima.
Franco-German broadcaster Arte and Paris-based digital film platform Festival Scope have launched the first edition of a new pan-European, online film festival called Artekino.
Arte has been developing the festival for more than a year-and-a-half, working closely with key partner Festival Scope — which has a long history of overseeing online distribution for festivals and cross-border audiences — as well as international sales agents in the region.
“Arte wanted to promote European cinema in a new way beyond what we already do through our channels and co-productions, putting the emphasis on independent, auteur cinema to spotlight new trends, new talents and even emerging territories,” Olivier Père, managing director of Arte France Cinéma, explained to Screen. “It’s the first festival of its kind focused only on European cinema.”
He added the initiative was also in keeping with Arte’s ambition to expand its digital activities...
Franco-German broadcaster Arte and Paris-based digital film platform Festival Scope have launched the first edition of a new pan-European, online film festival called Artekino.
Arte has been developing the festival for more than a year-and-a-half, working closely with key partner Festival Scope — which has a long history of overseeing online distribution for festivals and cross-border audiences — as well as international sales agents in the region.
“Arte wanted to promote European cinema in a new way beyond what we already do through our channels and co-productions, putting the emphasis on independent, auteur cinema to spotlight new trends, new talents and even emerging territories,” Olivier Père, managing director of Arte France Cinéma, explained to Screen. “It’s the first festival of its kind focused only on European cinema.”
He added the initiative was also in keeping with Arte’s ambition to expand its digital activities...
- 9/12/2016
- ScreenDaily
The festival will also honour Mad Max: Fury Road producer Iain Smith.
Legendary Italian actress Sophia Loren and Mad Max: Fury Road producer Iain Smith will be guests of honour at the 15th edition of the Transilvania International Film Festival (Tiff, May 27 – June 5).
The festival kicks off this evening with the world premiere of Romanian director Nae Caranfil’s comedy 6.9. On The Richter Scale.
The festival’s closing gala on June 4 will see Loren [pictured in 2014 short Human Voice] – who is visiting Romania for the first time - receive a Lifetime Achievement Award, while Smith – who came to Romania to produce Anthony Minghella’s Cold Mountain in 2003 - will be presented with the Transilvania Trophy for Special Contribution to World Cinema on the same evening in Cluj’s National Theatre.
Competition
This year’s 12-strong Competition includes nine first features such as Bogdan Mirică’s Balkan anti-Western Dogs, Iranian director Ali Abbasi’s horror film Shelley, and [link=nm...
Legendary Italian actress Sophia Loren and Mad Max: Fury Road producer Iain Smith will be guests of honour at the 15th edition of the Transilvania International Film Festival (Tiff, May 27 – June 5).
The festival kicks off this evening with the world premiere of Romanian director Nae Caranfil’s comedy 6.9. On The Richter Scale.
The festival’s closing gala on June 4 will see Loren [pictured in 2014 short Human Voice] – who is visiting Romania for the first time - receive a Lifetime Achievement Award, while Smith – who came to Romania to produce Anthony Minghella’s Cold Mountain in 2003 - will be presented with the Transilvania Trophy for Special Contribution to World Cinema on the same evening in Cluj’s National Theatre.
Competition
This year’s 12-strong Competition includes nine first features such as Bogdan Mirică’s Balkan anti-Western Dogs, Iranian director Ali Abbasi’s horror film Shelley, and [link=nm...
- 5/27/2016
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
It’s love at first sight for Ania and a young handsome stranger lurking in the woods. Animal magnetism finds a new meaning in Wild, an intriguing, passionate drama between a woman and a wolf that falters only in that it doesn’t go quite far enough with its bestialistic premise.
For Ania (Lilith Stangenberg, utterly committed), life is drab, living in a monstrous high-rise apartment in an unnamed German city and working for a faceless city firm where the most interesting part of the day is making coffee for her misogynist boss Boris (Georg Fridrich).
But she’s awoken from her slumber when she stumbles upon a set of eyes in a park one evening, the figure of a full-grown wolf. It’s an interest that engulfs her entire world, starting with her placing bits of uncooked steak in the forest before she plots a trap to capture her unrequited lover.
For Ania (Lilith Stangenberg, utterly committed), life is drab, living in a monstrous high-rise apartment in an unnamed German city and working for a faceless city firm where the most interesting part of the day is making coffee for her misogynist boss Boris (Georg Fridrich).
But she’s awoken from her slumber when she stumbles upon a set of eyes in a park one evening, the figure of a full-grown wolf. It’s an interest that engulfs her entire world, starting with her placing bits of uncooked steak in the forest before she plots a trap to capture her unrequited lover.
- 2/8/2016
- by Ed Frankl
- The Film Stage
The Rotterdam International Film Festival had many, many world premieres this year, and some almost-world premieres as well, like German director Nicolette Krebitz' new film Wild, which had its first-ever screening mere days earlier at Sundance. Which made it a big unknown candidate when I acquired my ticket, as nobody I knew had seen it yet. Thankfully my gamble paid off, as Wild is a well-made and marvelously acted psychological drama. In Wild we follow Ania, a young woman working at an It firm. She is intelligent and attractive, but doesn't quite fit in with the loud and hip crowd at her work, and tends to keep to herself. Then, one day when she walks past a city park on her way to work, she...
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- 2/8/2016
- Screen Anarchy
Easily the best film I saw at Sundance this year. Written and directed by Nicolette Krebitz, "Wild" is a German feature (German language) about a woman descending into madness.
I was completely mesmerized beginning to end as the female lead character drives herself into a strange dangerous world from which she can never escape. Set in a non descript German town today the young woman character is driven down by her mundane existence, job and life. A fateful encounter in a park changes her life and puts her onto a dangerous path. She never looks back even as we are horrified watching her path to the edge.
I also want to say that the female nature of this film - director, writer and actress - gives a powerful feeling to this bizarre and fascinating story. I could not take my eyes off the screen.
Bravo!!
From the catalog:
A strange encounter with a wild wolf at the edge of Ania’s cold, mundane town sets off a deep-seated passion within her, shattering the drudgery of her dull days. Determined to hunt the untamed creature, she finds herself pulled to the natural world as a fearless lust for the wolf grows, eliciting a desire for her own sexuality and a disregard for social graces, repulsing yet attracting everyone around her. As the balance between the natural world and modern civilization begins to tip, so too do Ania's inhibitions, forcing her to question the glaring hypocrisies closing in on her.
Nicolette Krebitz's bold, anarchistic love story is a fairy tale for the ages. Along with Krebitz's sharp vision, Lilith Stangenberg's daring performance with her co-star, a wolf, takes us into the mind of a woman led by the deepest and wildest forces to break free of a world controlled by commodity, female dependence on male sexuality, and the mundane minutia of modern life. Visually poetic and sexually charged, Wild is a cinematic accomplishment of revolutionary fantasy.
"Wild" Director: Nicolette Krebitz Screenwriter: Nicolette Krebitz Cast: Georg Friedrich, Lilith Stangenberg Germany / 97 Min
Director / Writer bio -
Nicolette Krebitz was born and raised in Berlin. After graduating from a three-year acting program at Fritz-Kirchhoff-Schule in 1992, she initially worked in German film and television productions. Nicolette has worked as a director since 2000, and she also writes her own screenplays.
I was completely mesmerized beginning to end as the female lead character drives herself into a strange dangerous world from which she can never escape. Set in a non descript German town today the young woman character is driven down by her mundane existence, job and life. A fateful encounter in a park changes her life and puts her onto a dangerous path. She never looks back even as we are horrified watching her path to the edge.
I also want to say that the female nature of this film - director, writer and actress - gives a powerful feeling to this bizarre and fascinating story. I could not take my eyes off the screen.
Bravo!!
From the catalog:
A strange encounter with a wild wolf at the edge of Ania’s cold, mundane town sets off a deep-seated passion within her, shattering the drudgery of her dull days. Determined to hunt the untamed creature, she finds herself pulled to the natural world as a fearless lust for the wolf grows, eliciting a desire for her own sexuality and a disregard for social graces, repulsing yet attracting everyone around her. As the balance between the natural world and modern civilization begins to tip, so too do Ania's inhibitions, forcing her to question the glaring hypocrisies closing in on her.
Nicolette Krebitz's bold, anarchistic love story is a fairy tale for the ages. Along with Krebitz's sharp vision, Lilith Stangenberg's daring performance with her co-star, a wolf, takes us into the mind of a woman led by the deepest and wildest forces to break free of a world controlled by commodity, female dependence on male sexuality, and the mundane minutia of modern life. Visually poetic and sexually charged, Wild is a cinematic accomplishment of revolutionary fantasy.
"Wild" Director: Nicolette Krebitz Screenwriter: Nicolette Krebitz Cast: Georg Friedrich, Lilith Stangenberg Germany / 97 Min
Director / Writer bio -
Nicolette Krebitz was born and raised in Berlin. After graduating from a three-year acting program at Fritz-Kirchhoff-Schule in 1992, she initially worked in German film and television productions. Nicolette has worked as a director since 2000, and she also writes her own screenplays.
- 2/5/2016
- by Peter Belsito
- Sydney's Buzz
Germany is well represented at the 2016 Sundance Film Festival with films by both debutants and returning filmmakers. Scattered around the festival's program, German films are among the most daring productions and co-productions that will premier this week in Park City to eager audiences.
Here is a list of German films at Sundance this year:
German Productions
World Cinema Dramatic Competition
"Wild"
by Nicolette Krebitz
Producer: Heimatfilm
World sales: The Match Factory
Press contact: Required Viewing, Steven Raphael
Us Dramatic Competition
"Morris from America"
by Chad Hartigan (De/Us)
German producers: Lichtblick Media & Indi Film
World sales: Visit Films
Press contact: Brigade Marketing, Adam Kersch
World Cinema Dramatic Competition
"Halal Love (And Sex)"
by Assad Fouladkar (De/Lb)
German producer: Razor Film
World sales: Films Distribution
Press contacts: Required Viewing, Steven Raphael & Denise Sinelov
World Cinema Documentary Competition
"Sonita"
by Rokhsareh Ghaem Maghami (De/Ir/Ch)
German producer: Tag/Traum
World sales: Cat & Docs
Press contact: Entertainment Communications, David C. Magdael
German Co-productions
World Cinema Documentary Competition
"The Light of the Enlightened"
by Pieter-Jan de Pue (Be/Nl/Ie/De)
"The Settlers"
by Shimon Dotan (Fr/CA/Il/De)
Documentary Premieres
"Eat That Question- Frank Zappra in His Own Word"
by Thorsten Schütte (Fr/De)
Spotlight
"Cemetery of Splendour"
by Apichatpong Weerasethakul (Th/Gb/De/Fr/My)
"Land of Mine"
by Martin Zandvliet (Dk/De)...
Here is a list of German films at Sundance this year:
German Productions
World Cinema Dramatic Competition
"Wild"
by Nicolette Krebitz
Producer: Heimatfilm
World sales: The Match Factory
Press contact: Required Viewing, Steven Raphael
Us Dramatic Competition
"Morris from America"
by Chad Hartigan (De/Us)
German producers: Lichtblick Media & Indi Film
World sales: Visit Films
Press contact: Brigade Marketing, Adam Kersch
World Cinema Dramatic Competition
"Halal Love (And Sex)"
by Assad Fouladkar (De/Lb)
German producer: Razor Film
World sales: Films Distribution
Press contacts: Required Viewing, Steven Raphael & Denise Sinelov
World Cinema Documentary Competition
"Sonita"
by Rokhsareh Ghaem Maghami (De/Ir/Ch)
German producer: Tag/Traum
World sales: Cat & Docs
Press contact: Entertainment Communications, David C. Magdael
German Co-productions
World Cinema Documentary Competition
"The Light of the Enlightened"
by Pieter-Jan de Pue (Be/Nl/Ie/De)
"The Settlers"
by Shimon Dotan (Fr/CA/Il/De)
Documentary Premieres
"Eat That Question- Frank Zappra in His Own Word"
by Thorsten Schütte (Fr/De)
Spotlight
"Cemetery of Splendour"
by Apichatpong Weerasethakul (Th/Gb/De/Fr/My)
"Land of Mine"
by Martin Zandvliet (Dk/De)...
- 1/22/2016
- by Sydney Levine
- Sydney's Buzz
Read More: The Complete 2016 Sundance Film Festival Lineup The 2016 Sundance Film Festival will commence in just two days, and Indiewire has gotten an exclusive look at "Wolf." Directed by Nicolette Krebitz, the German indie will be playing as part of the World Drama competition. Check out the trailer above. "Wolf" tells the story of a young girl whose mundane life is turned upside down after a fateful encounter with a wild wolf at the edge of town. She soon becomes obsessed with the animal, which results in her own sexual reawakening. As she begins to unleash the animal inside of her, the line between nature and modern civilization begins to blur as well, and she finds herself a social pariah, repulsing yet attracting everyone around her. The film will be having its world premiere at the Sundance, which will take place January 21-31. Read More: 2016 Sundance Film Festival Announces Conversations With Christopher Nolan,...
- 1/19/2016
- by Mike Lown
- Indiewire
Promotional campaigns for six European films are being boosted with Films Sales Support (Fss) from European Film Promotion (Efp) at this year’s Sundance Film Festival (Jan 21-31).
A total of $27,000 (€25,000) towards sales companies’ campaigns has been earmarked by Efp in total to facilitate sales of European films to North America and to strengthen networking with buyers at the festival. Fss is backed by the Creative Europe - Media Programme of the European Union.
French sales company Films Distribution premieres Agnus Dei by Anne Fontaine, who will attend Sundance to present her film that is set in Poland 1945.
German sales company Films Boutique has two films at the festival: documentary Land Of The Enlightened by Pieter-Jan De Pue and Mirjana Karanovic’s feature A Good Wife.
The Match Factory focusses on Wild, a feature by Nicolette Krebitz, and on Felix van Groeningen’s new film Belgica (Belgium).
All of the films are screening in Competition as well...
A total of $27,000 (€25,000) towards sales companies’ campaigns has been earmarked by Efp in total to facilitate sales of European films to North America and to strengthen networking with buyers at the festival. Fss is backed by the Creative Europe - Media Programme of the European Union.
French sales company Films Distribution premieres Agnus Dei by Anne Fontaine, who will attend Sundance to present her film that is set in Poland 1945.
German sales company Films Boutique has two films at the festival: documentary Land Of The Enlightened by Pieter-Jan De Pue and Mirjana Karanovic’s feature A Good Wife.
The Match Factory focusses on Wild, a feature by Nicolette Krebitz, and on Felix van Groeningen’s new film Belgica (Belgium).
All of the films are screening in Competition as well...
- 1/19/2016
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
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