The Beatles stocked up on snacks in the studio. According to Beatles audio engineer Geoff Emerick, the band members were very protective of their food. If anyone touched their snacks, they exploded with frustration. This trait didn’t stop them from taking other people’s food, though.
The Beatles thought all snacks but their own were fair game for consumption
According to Emerick, The Beatles didn’t want anyone eating their snacks. They didn’t see a problem with eating other people’s food, though.
“Food was always very proprietary among The Beatles,” Emerick wrote in his book Here, There and Everywhere: My Life Recording the Music of the Beatles. “Mal [Evans] would get everybody his own thing, and there was no sharing, no eating family style; no one was allowed to try anyone else’s food. That principle applied to us, too — we knew never to help ourselves to any...
The Beatles thought all snacks but their own were fair game for consumption
According to Emerick, The Beatles didn’t want anyone eating their snacks. They didn’t see a problem with eating other people’s food, though.
“Food was always very proprietary among The Beatles,” Emerick wrote in his book Here, There and Everywhere: My Life Recording the Music of the Beatles. “Mal [Evans] would get everybody his own thing, and there was no sharing, no eating family style; no one was allowed to try anyone else’s food. That principle applied to us, too — we knew never to help ourselves to any...
- 9/10/2023
- by Emma McKee
- Showbiz Cheat Sheet
The Beatles worked at a non-stop pace during their career. They cranked out albums between tours in their early days. Then they churned out lush, layered, and complex albums when they focused their efforts in the studio. Leaving the road impacted their music for the better. They rarely let any errors slip onto their records, but The Beatles left two mistakes on the Abbey Road song “Her Majesty.”
George Harrison, Paul McCartney, Ringo Starr, and John Lennon on a billboard promoting ‘Abbey Road’ | Robert Landau/Corbis via Getty Images The Beatles left 2 minor mistakes on ‘Her Majesty’ when they moved the song to the end of ‘Abbey Road’
Most Fab Four fans wouldn’t mention “Her Majesty” among Abbey Road’s best songs. Perhaps the only notable things about it are that it’s one of the first “hidden” tracks to appear on a rock album and that it’s The Beatles’ shortest song.
George Harrison, Paul McCartney, Ringo Starr, and John Lennon on a billboard promoting ‘Abbey Road’ | Robert Landau/Corbis via Getty Images The Beatles left 2 minor mistakes on ‘Her Majesty’ when they moved the song to the end of ‘Abbey Road’
Most Fab Four fans wouldn’t mention “Her Majesty” among Abbey Road’s best songs. Perhaps the only notable things about it are that it’s one of the first “hidden” tracks to appear on a rock album and that it’s The Beatles’ shortest song.
- 5/14/2023
- by Jason Rossi
- Showbiz Cheat Sheet
The sound editing teams behind Bohemian Rhapsody, Roma, A Quiet Place and Spider-Man: Into the Spider-Verse were the winners on the film side at tonight’s 66th annual Golden Reel Awards at the Bonaventure Hotel in Los Angeles. The Americans, Atlanta, The Marvelous Mrs. Maisel and Westworld led the TV series side.
They were among the recipients in 23 categories recognized by the Motion Picture Sound Editors (Mpse) for feature films, long-form and short-form television, animation, documentaries, games, special venue and other media.
Antoine Fuqua – whose credits include The Equalizer films, The Magnificent Seven, and Training Day – accepted the Mpse’s 2019 Filmmaker Award. Supervising Sound Editor Stephen H. Flick was awarded the Mpse Career Achievement honor.
The Golden Reels honor the year’s best work in the various areas of sound editing: Dialogue & Adr, Effects & Foley, and Music.
Here is the complete list of winners:
Filmmaker Award
Antoine Fuqua
Career Achievement Award
Stephen H.
They were among the recipients in 23 categories recognized by the Motion Picture Sound Editors (Mpse) for feature films, long-form and short-form television, animation, documentaries, games, special venue and other media.
Antoine Fuqua – whose credits include The Equalizer films, The Magnificent Seven, and Training Day – accepted the Mpse’s 2019 Filmmaker Award. Supervising Sound Editor Stephen H. Flick was awarded the Mpse Career Achievement honor.
The Golden Reels honor the year’s best work in the various areas of sound editing: Dialogue & Adr, Effects & Foley, and Music.
Here is the complete list of winners:
Filmmaker Award
Antoine Fuqua
Career Achievement Award
Stephen H.
- 2/18/2019
- by Anita Bennett
- Deadline Film + TV
“Bohemian Rhapsody” followed up love from Cinema Audio Society sound mixers with a pair of honors at the Motion Picture Sound Editors’ 66th annual Golden Reel Awards Sunday night. The musical biopic scored wins for dialogue and Adr as well as sound editing in a musical.
The film is nominated for sound editing at the Oscars along with “First Man” and two other films that received Golden Reel Awards: “A Quiet Place” and “Roma.”
“Spider-Man: Into the Spider-Verse” also received a pair of awards.
TV prizes went to FX’s “The Americans” and “Atlanta,” Amazon’s “The Marvelous Mrs. Maisel,” HBO’s “Westworld” and Netflix’s “Altered Carbon.”
There were a pair of ties: In feature documentary, “Free Solo” and “They Shall Not Grow Old” locked horns. For episodic short form music/musical work, “American Horror Story: Apocalypse” and “Vikings” ended up in a dead heat.
Director Antoine Fuqua received the Mpse’s filmmaker award,...
The film is nominated for sound editing at the Oscars along with “First Man” and two other films that received Golden Reel Awards: “A Quiet Place” and “Roma.”
“Spider-Man: Into the Spider-Verse” also received a pair of awards.
TV prizes went to FX’s “The Americans” and “Atlanta,” Amazon’s “The Marvelous Mrs. Maisel,” HBO’s “Westworld” and Netflix’s “Altered Carbon.”
There were a pair of ties: In feature documentary, “Free Solo” and “They Shall Not Grow Old” locked horns. For episodic short form music/musical work, “American Horror Story: Apocalypse” and “Vikings” ended up in a dead heat.
Director Antoine Fuqua received the Mpse’s filmmaker award,...
- 2/18/2019
- by Kristopher Tapley
- Variety Film + TV
Hollywood’s sound pros nominated Birdman and Dawn of the Planet of the Apes for three awards apiece as the Motion Picture Sound Editors unveiled nods for its 62nd Mpse Golden Reel Awards, honoring the best feature film, television, animation and computer entertainment work of the year.
“2014 was a fantastic year for sound,” said Mpse president Frank Morrone. “The advent of new distribution channels, streaming services and gaming platforms is creating additional opportunities for sound artists to practice their craft beyond the traditional venues of film and television. This year’s nominations reflect that change, spanning an amazing diversity of mediums and genres, all executed at the highest level of creativity. We are truly inspired and impressed by the work of our colleagues.”
This year’s Golden Reels will additionally honor Noah director Darren Aronofsky with the Mpse’s annual Filmmaker Award. Oscar winner Skip Lievsay, known for his work...
“2014 was a fantastic year for sound,” said Mpse president Frank Morrone. “The advent of new distribution channels, streaming services and gaming platforms is creating additional opportunities for sound artists to practice their craft beyond the traditional venues of film and television. This year’s nominations reflect that change, spanning an amazing diversity of mediums and genres, all executed at the highest level of creativity. We are truly inspired and impressed by the work of our colleagues.”
This year’s Golden Reels will additionally honor Noah director Darren Aronofsky with the Mpse’s annual Filmmaker Award. Oscar winner Skip Lievsay, known for his work...
- 1/14/2015
- by Jen Yamato
- Deadline
Remember Me will release on PS3, Xbox 360 and PC on June 4th. Composer Olivier Deriviere known for his work on Alone in the Dark and Of Orcs and Men has conduced an interactive musical score for Remember Me that will bring the game's futuristic story to life.
From the Press Release
Classically trained multimedia composer Olivier Deriviere (Alone In The Dark, Of Orcs And Men), whose distinctive soundtracks have been recognized by Billboard and The New York Times, has crafted a unique, electronically manipulated live symphonic score for the upcoming action adventure video game Remember Me developed by Dontnod Entertainment and published by Capcom. Deriviere's dynamic emotional score is intricately woven throughout Remember Me's innovative 'memory remix' gameplay experience and immersive futurist story set in Neo-Paris where personal memories are digitized, bought, sold and traded. Remember Me will launch on PlayStation 3, Xbox 360 and PC in North America on June...
From the Press Release
Classically trained multimedia composer Olivier Deriviere (Alone In The Dark, Of Orcs And Men), whose distinctive soundtracks have been recognized by Billboard and The New York Times, has crafted a unique, electronically manipulated live symphonic score for the upcoming action adventure video game Remember Me developed by Dontnod Entertainment and published by Capcom. Deriviere's dynamic emotional score is intricately woven throughout Remember Me's innovative 'memory remix' gameplay experience and immersive futurist story set in Neo-Paris where personal memories are digitized, bought, sold and traded. Remember Me will launch on PlayStation 3, Xbox 360 and PC in North America on June...
- 4/23/2013
- by Amanda Dyar
- DreadCentral.com
By Joseph Leray
For a game coming out in May, Capcom are keeping details on Dontnod Entertainment’s “Remember Me” close to the chest. I’ve been following the game pretty closely, and a nine-minute gameplay video and a short trailer earlier this year notwithstanding, the hype train is getting off to a slow start.
Nevertheless, Capcom posted a developer diary today featuring Olivier Deriviere and John Kurlander, the game’s composers. A behind-the-scenes look at “Remember Me”’s orchestral score may not sound like much, but Deriviere is a good host and pulls a lot of interesting design elements into his discussion. He’s talking about music, sure, but fans will also learn about the combat design, visual style, and story of “Remember Me.”
Plus, he’s got a great French accent, guaranteed to give everyone the vapors.
Early on, Deriviere mentions that he wanted to make the score soft and subtle,...
For a game coming out in May, Capcom are keeping details on Dontnod Entertainment’s “Remember Me” close to the chest. I’ve been following the game pretty closely, and a nine-minute gameplay video and a short trailer earlier this year notwithstanding, the hype train is getting off to a slow start.
Nevertheless, Capcom posted a developer diary today featuring Olivier Deriviere and John Kurlander, the game’s composers. A behind-the-scenes look at “Remember Me”’s orchestral score may not sound like much, but Deriviere is a good host and pulls a lot of interesting design elements into his discussion. He’s talking about music, sure, but fans will also learn about the combat design, visual style, and story of “Remember Me.”
Plus, he’s got a great French accent, guaranteed to give everyone the vapors.
Early on, Deriviere mentions that he wanted to make the score soft and subtle,...
- 2/1/2013
- by MTV Video Games
- MTV Multiplayer
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.