Severin’s October offerings include this investigation of Euro-weirdness curated with academic purpose and clarity by Kier-La Janisse, evoking the name of her book from 2012. The thesis is the representation of women in filmic horror — except that in these strange experiences, hysteria transforms into a liberating form of empowerment: Identikit, I Like Bats, Footsteps and The Other Side of the Underneath. Elizabeth Tayor and Florinda Bolkan are the top stars in the collection, two of which bear the cinematography of Vittorio Storaro. The final film is a totally different, experimental experience. Ms. Janisse’s introductions connect the dots for these filmworks that envigorate and disturb.
House of Psychotic Women
Blu-ray
Severin Films
1972 – 1986 / Color / 1:85 + 1:66 + 1:85 + 1:33 / 102 + 81 + 96 + 111 min. / Street Date October 25, 2022 / Available from Severin Films / 104.95
Starring: Elizabeth Taylor; Katarzyna Walter; Florinda Bolkan; Sheila Allen, Ann Lynn, Penny Slinger, Jane Arden .
Directed by Giuseppe Patroni Griffi; Grzegorz Warchol; Luigi Bazzoni; Jane...
House of Psychotic Women
Blu-ray
Severin Films
1972 – 1986 / Color / 1:85 + 1:66 + 1:85 + 1:33 / 102 + 81 + 96 + 111 min. / Street Date October 25, 2022 / Available from Severin Films / 104.95
Starring: Elizabeth Taylor; Katarzyna Walter; Florinda Bolkan; Sheila Allen, Ann Lynn, Penny Slinger, Jane Arden .
Directed by Giuseppe Patroni Griffi; Grzegorz Warchol; Luigi Bazzoni; Jane...
- 10/11/2022
- by Glenn Erickson
- Trailers from Hell
It’s a perfect movie for a dark time: Carlo Levi’s famed novel about a political undesirable became a major Italian miniseries by the great Francesco Rosi, starring the now-legendary Gian Maria Volontè. In Mussolini’s most popular years of make-Italy-great-again Fascism, a dissident is given an indefinite ‘time out,’ an exile to a small town in a corner of the country so remote and primitive that not even Christianity could fully change it. He expects nothing but receives revelations about his country, his life and one’s place in society. It’s meditative, it’s illuminating, it’s like a book one can’t put down. It’s also uncut, as opposed to the theatrical version that made a splash here in 1980, as simply Eboli.
Christ Stopped at Eboli
Blu-ray
The Criterion Collection 1043
1979 / Color / 1:33 flat / 220 150, 120 min. / Cristo si è fermato a Eboli / available through The Criterion Collection...
Christ Stopped at Eboli
Blu-ray
The Criterion Collection 1043
1979 / Color / 1:33 flat / 220 150, 120 min. / Cristo si è fermato a Eboli / available through The Criterion Collection...
- 9/22/2020
- by Glenn Erickson
- Trailers from Hell
(Francesco Rosi, 1963; Eureka!, PG)
In the 1960s, serious Italian cinema led by Fellini, Antonioni and Visconti moved decisively from neorealism into a new phase of more formal and personal movies with a wider social focus. Alongside them was Francesco Rosi, a former lawyer and one-time assistant to Visconti and Antonioni, who made an immediate impression with his film Salvatore Giuliano. A sort of Marxist Citizen Kane, it used the career of the eponymous bandit to anatomise Sicilian society and the role of the Mafia. It was the beginning of a series of political dramas about crime, corruption and exploitation in Italy that occupied Rosi for the next decade. The next one, Le mani sulla città (Hands over the City), took him back to his native Naples and a collaboration with an old friend, Raffaele La Capria.
Most films in this series (Salvatore Giuliano, The Mattei Affair, Lucky Luciano, Christ Stopped...
In the 1960s, serious Italian cinema led by Fellini, Antonioni and Visconti moved decisively from neorealism into a new phase of more formal and personal movies with a wider social focus. Alongside them was Francesco Rosi, a former lawyer and one-time assistant to Visconti and Antonioni, who made an immediate impression with his film Salvatore Giuliano. A sort of Marxist Citizen Kane, it used the career of the eponymous bandit to anatomise Sicilian society and the role of the Mafia. It was the beginning of a series of political dramas about crime, corruption and exploitation in Italy that occupied Rosi for the next decade. The next one, Le mani sulla città (Hands over the City), took him back to his native Naples and a collaboration with an old friend, Raffaele La Capria.
Most films in this series (Salvatore Giuliano, The Mattei Affair, Lucky Luciano, Christ Stopped...
- 4/12/2014
- by Philip French
- The Guardian - Film News
Rome (AP) — Italy celebrated Monday after "The Great Beauty" ended the country's 15-year hiatus and won the Oscar for best foreign-language film. But even the film's muse lamented the fallen Rome it portrays and critics including the Vatican said it was just a cheap Fellini knockoff. Paolo Sorrentino's homage to Fellini's "La Dolce Vita" and Rome's seductive decadence has divided Italians, with many critics uncomfortable with its indirect reflection of Italy's political and economic stagnation. But after Sorrentino cemented Italy's place as the country with the most foreign-language Oscars, everyone from the president on down hailed the film as a win for a country struggling through its own existential malaise. "At this time we have to be thinking about other things, and we're doing so," Premier Matteo Renzi tweeted. "But everyone is part of this Italian moment of pride for Sorrentino and 'The Great Beauty.'" The film...
- 3/3/2014
- by Nicole Winfield (AP)
- Hitfix
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