- (June 2002) Designed sets for "The Little Foxes" play by Lillian Hellman (Lansburgh Theater, Washington, District of Columbia, USA).
- (August 2002) Designed set for "Outward Bound" play by Sutton Vane (Westport Country Playhouse, Westport, Connecticut, USA).
- (1980-1981 season) He was set designer for Hugh Leonard's play, "A Life," at the Long Wharf Theatre in New Haven, Connecticut. Bill Ludel was director. Bill Walker was costume designer. Ronald Wallace was lighting designer.
- (1980-1981 season) He was set designer for Elizabeth Diggs' play, "Close Ties," at the Long Wharf Theatre (Stage II) in New Haven, Connecticut. Arvin Brown was director. Bill Walker was costume designer. Ronald Wallace was lighting designer.
- (1981-1982 season) He was set designer for Arthur Miller's play, "A View from the Bridge," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut before transferred to Broadway in New York City with Tony Lo Bianca in the cast. Arvin Brown was director. Bill Walker was costume designer. Ronald Wallace was lighting designer.
- (1981-1982 season) He was set designer for John Hopkins' play, "The Story of Yours," in an American premiere at the Long Wharf Theatre (Stage II) in New Haven, Connecticut. John Tillinger was director. Bill Walker was costume designer. Geoffrey T. Cunningham was lighting designer.
- (1981-1982 season) He was set designer for Tom Griffin's play, "The Carmone Brothers Italian Food Products Corporation's Annual Pasta Pageant," in a world premiere at the Long Wharf Theatre (Stage II) in New Haven, Connecticut. William Ludel was director. Linda Fisher was costume designer. Ronald Wallace was lighting designer.
- (1982-1983 season) He was set designer for Arthur Miller's play, "2 By A.M. (Elegy for a Lady & Some Kind of Love Story)," in a world premiere at the Long Wharf Theatre (Stage II) in New Haven, Connecticut. Bill Walker was costume designer. Ronald Wallace was lighting designer. Stanley Silverman was composer. Arthur Miller was also director.
- (1983-1984 season) He was set designer for Brendan Behan's play, "The Hostage," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Joseph Maher was director. Bill Walker was costume designer. Ronald Wallace was lighting designer. Deborah Lapidus was conductor.
- (1984-1985 season) He was set designer for Tennessee Williams' play, "Cat on a Hot Tin Roof," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Edward Gilbert was director. Bill Walker was costume designer. Judy Rasmuson was lighting designer.
- (1986-1986 season) He was set designer for Phil Young's play, "Crystal Clear," in an American premiere at the Long Wharf Theatre (Stage II) in New Haven, Connecticut. Linda Fisher was costume designer. Ronald Wallace was lighting designer. Phil Young was also director.
- (1985-1986 season) He was unit set designer for the workshops at the Long Wharf Theatre in New Haven, Connecticut.
- (1985-1986 season) He was unit set designer for David Wiltse's play, "A Grand Romance," in a workshop at the Long Wharf Theatre in New Haven, Connecticut. Josephine R. Abady was director.
- (1985-1986 season) He was unit set designer for Joshua Goldstein's play, "Martin Night," in a workshop at the Long Wharf Theatre in New Haven, Connecticut. Steven Robman was director.
- (1985-1986 season) He was unit set designer for Tom Dulack's play, "Bright Wings," in a workshop at the Long Wharf Theatre in New Haven, Connecticut. Dan Bonnell was director.
- (1985-1986 season) He was unit set designer for Loren Paul Caplin's play, "Sunday's Child," in a workshop at the Long Wharf Theatre in New Haven, Connecticut. Amy Saltz was director.
- (October 10, 1986) He was set designer for Arthur Miller's play, "All My Sons," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Arvin Brown was director. Bill Walker was costume designer. Ronald Wallace was lighting designer.
- (1986-1987 season) He was unit set designer for the workshops at the Long Wharf Theatre in New Haven, Connecticut.
- (1986-1987 season) He was unit set designer for Paul Vincent's play, "Duse Died in Pittsburgh," in a workshop at the Long Wharf Theatre in New Haven, Connecticut. Josephine R. Abady was director.
- (1986-1987 season) He was unit set designer for Loren-Paul Caplin's play, "Men in the Kitchen," in a workshop at the Long Wharf Theatre in New Haven, Connecticut. Kenneth Frankel was director.
- (1986-1987 season) He was unit set designer for Robert Lord's play, "The Travelling Squirrel," in a workshop at the Long Wharf Theatre in New Haven, Connecticut. John Tillinger was director.
- (1986-1987 season) He was unit set designer for Eduardo Machado and Geraldine Sherman's play, "The Travelling Squirrel," in a workshop at the Long Wharf Theatre in New Haven, Connecticut. Margaret Van Sant was director.
- (1987-1988 season) He was set designer for Romulus Linney's play, "Laughing Stock (Goodbye Howard F.M. Tennessee)," at the Long Wharf Theatre (Stage II) in New Haven, Connecticut. David Esbjornson was director. Dunya Ramicova was costume designer. Ronald Wallace was lighting designer.
- (1987-1988 season) He was unit set designer for workshops at the Long Wharf Theatre in New Haven, Connecticut.
- (1987-1988 season) He was unit set designer for Dennis McIntyre's play, "National Anthems," in a workshop at the Long Wharf Theatre in New Haven, Connecticut. Arvin Brown was director.
- (1987-1988 season) He was unit set designer for Judy Gebauer's play, "Reclaimed," in a workshop at the Long Wharf Theatre in New Haven, Connecticut. Amy Saltz was director.
- (1987-1988 season) He was unit set designer for Mark Lee's play, "Rebel Armies Deep Into Chad," in a workshop at the Long Wharf Theatre in New Haven, Connecticut. John Tillinger was director.
- (1987-1988 season) He was unit set designer for Simon Moore and Jane Prowse's play, "Up On The Roof," in a workshop at the Long Wharf Theatre in New Haven, Connecticut. Simon Moore and Jane Prowse were also directors.
- (1988-1989 season) He was set designer for George S. Kaufman and Edna Ferber's play, "Dinner at Eight," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Arvin Brown was director. David Murin was costume designer. Ronald Wallace was lighting designer.
- (1988-1989 season) He was set designer for J.B. Priestley's play, "When We Are Married," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Kenneth Frankel was director. Jess Goldstein was costume designer. David F. Segal was lighting designer.
- (1988-1989 season) He was unit set designer for workshops at the Long Wharf Theatre in New Haven, Connecticut.
- (1988 - 1989) He was unit set designer for Mark St. Germain's play, "Forgiving Typhoid Mary," in a workshop at the Long Wharf Theatre in New Haven, Connecticut. Michael Bloom was director.
- (1988 - 1989) He was unit set design for Corinne Jacker's play, "Songs from Distant Lands," in a workshop at the Long Wharf Theatre in New Haven, Connecticut. Tina J. Ball was director.
- (1988-1989 season) He was unit set designer for Bruce Graham's play, "Minor Demons," in a workshop at the Long Wharf Theatre in New Haven, Connecticut. Richard Harden was director.
- (1988-1989 season) He was unit set designer for David Wiltse's play, "A Dance Lesson," in a workshop at the Long Wharf Theatre in New Haven, Connecticut. Gordon Edelstein was director.
- (1989-1990 season) He was set designer for Eugene O'Neill's play, "Anna Christie," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Gordon Edelstein was director. Jess Goldstein was costume designer. Arden Fingerhut was lighting designer.
- (1989-1990 season) He was unit set designer for the workshops at the Long Wharf Theatre in New Haven, Connecticut.
- (1989-1990 season) He was unit set designer for Dennis MacIntyre's play, "Established Price," in a workshop at the Long Wharf Theatre in New Haven, Connecticut. Arvin Brown was director.
- (1989-1990 season) He was unit set designer for Wendy Hammond's play, "The Ghostman," in a workshop at the Long Wharf Theatre in New Haven, Connecticut. John Tillinger was director.
- (1989-1990 season) He was unit set designer for Allan Havis's play, "A Daring Bride," in a workshop at the Long Wharf Theatre in New Haven, Connecticut. Bill Foeller was director.
- (1989-1990 season) He was unit set designer for Jon Robin Baitz's play, "The Substance of Fire," in a workshop at the Long Wharf Theatre in New Haven, Connecticut. David Warren was director.
- (1990-1991 season) He was set designer for Joyce Carol Oates' play, "How Do You Like Your Meat?," in a world premiere at the Long Wharf Theatre (Stage II) in New Haven, Connecticut. Gordon Edelstein was director. David Murin was costume designer. Arden Fingerhut was lighting designer. John Gromada was music composer.
- (1990-1991 season) He was unit set designer for the workshops at the Long Wharf Theatre in New Haven, Connecticut.
- (1990-1991 season) He was unit set designer for David Wiltse's play, "Temporary Help," in a workshop at the Long Wharf Theatre in New Haven, Connecticut. Gordon Edelstein was director.
- (1990-1991 season) He was unit set designer for Reno''s play, "Out There Without a Prayer," in a workshop at the Long Wharf Theatre in New Haven, Connecticut. Gordon Edelstein was director.
- (1990-1991 season) He was unit set designer for David Bottrell and Jessie Jones' play, "Dearly Departed," in a workshop at the Long Wharf Theatre in New Haven, Connecticut. Gloria Muzio was director.
- (1991-1992 season) He was set designer for Christopher Hampton's play, "The Philanthropist," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Gordon Edelstein was director. Candice Donnelly was costume designer. Peter Kaczorowski was lighting designer.
- (1991-1992 season) He was unit set designer for the workshop at the Long Wharf Theatre in New Haven, Connecticut.
- (1991-1992 season) He was unit set designer for Keith Reddin's play, "The Innocents' Crusade," in a workshop at the Long Wharf Theatre in New Haven, Connecticut. Joe Mantello was director.
- (1991-1992 season) He was unit set designer for Russell Davis' play, "Appointment with A High Wire Lady," in a workshop at the Long Wharf Theatre in New Haven, Connecticut. Michael Mantell was director. Jane Ira Bloom was composer. H
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