Diana Serra Cary, the child silent film star known by the nickname Baby Peggy, died on Monday in Gustine, Calif. She was 101.
Born on October 29, 1918 as Peggy Jean Montgomery, Cary began her career in the film industry at the early age of 19 months. During a visit with her mother and a friend to Century Film Studio in Hollywood, director Fred Fishbach became impressed with Peggy’s well-mannered behavior that led to her co-starring in short films. She soon began starring in her own series of films, becoming a major Hollywood celebrity and appearing in more than 100 shorts. She starred in a short film as Little Red Riding Hood in 1922 and in Hansel and Gretel in 1923. She starred in five feature-length films including “Captain January” in 1924 that was later remade as a musical starring Shirley Temple.
Her father, Jack Montgomery, was a cowboy who worked as a stuntman and an extra in cowboy films.
Born on October 29, 1918 as Peggy Jean Montgomery, Cary began her career in the film industry at the early age of 19 months. During a visit with her mother and a friend to Century Film Studio in Hollywood, director Fred Fishbach became impressed with Peggy’s well-mannered behavior that led to her co-starring in short films. She soon began starring in her own series of films, becoming a major Hollywood celebrity and appearing in more than 100 shorts. She starred in a short film as Little Red Riding Hood in 1922 and in Hansel and Gretel in 1923. She starred in five feature-length films including “Captain January” in 1924 that was later remade as a musical starring Shirley Temple.
Her father, Jack Montgomery, was a cowboy who worked as a stuntman and an extra in cowboy films.
- 2/25/2020
- by Klaritza Rico
- Variety Film + TV
By John M. Whalen
If you’ve ever read one of Edgar Rice Burroughs’ Tarzan novels, you know that there has always been a big difference between Tarzan as he is in the movies versus Tarzan in the books. For some reason Hollywood has never really been able to get the character exactly right. As much fun as the Johnny Weissmuller and Lex Barker Tarzan movies are, for example, they really didn’t get close to Burroughs’ concept of the ape man. The real Tarzan didn’t speak Pidgin English for one thing. He actually spoke fluent English and French. He was as at home in an English Tea Room as the son of a British Lord, as he was in the prehistoric land of Pal-ul-don. While the movies showed Tarzan as protector of the animals, and friends with cute chimpanzees, in the books Burroughs present a world where death usually came on four feet,...
If you’ve ever read one of Edgar Rice Burroughs’ Tarzan novels, you know that there has always been a big difference between Tarzan as he is in the movies versus Tarzan in the books. For some reason Hollywood has never really been able to get the character exactly right. As much fun as the Johnny Weissmuller and Lex Barker Tarzan movies are, for example, they really didn’t get close to Burroughs’ concept of the ape man. The real Tarzan didn’t speak Pidgin English for one thing. He actually spoke fluent English and French. He was as at home in an English Tea Room as the son of a British Lord, as he was in the prehistoric land of Pal-ul-don. While the movies showed Tarzan as protector of the animals, and friends with cute chimpanzees, in the books Burroughs present a world where death usually came on four feet,...
- 2/11/2019
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
As we approach the release of The Legend of Tarzan (2016) we're ogling past screen incarnations of the Lord of the Apes...
After Buster Crabbe filled a loincloth beautifully and Johnny Weissmuller & Maureen O'Sullivan gave us the deservedly definitive Golden Age Tarzan and Jane, the franchise had to recast or close shop. O'Sullivan left first and by the late 40s Weissmuller was feeling too old for the role and also called it quits. The producer Sol Lesser wasn't about to let the profitable franchise go, though, and led a search for a replacement. The winner was Lex Barker, a then little known blue blood actor from New York who had been disowned by his family for choosing an acting career (!) and he took up the loincloth in 1949 for Tarzan's Magic Fountain.
I opted to watch Barker's third go at the character in Tarzan's Peril (sometimes called Tarzan and the Jungle Queen...
After Buster Crabbe filled a loincloth beautifully and Johnny Weissmuller & Maureen O'Sullivan gave us the deservedly definitive Golden Age Tarzan and Jane, the franchise had to recast or close shop. O'Sullivan left first and by the late 40s Weissmuller was feeling too old for the role and also called it quits. The producer Sol Lesser wasn't about to let the profitable franchise go, though, and led a search for a replacement. The winner was Lex Barker, a then little known blue blood actor from New York who had been disowned by his family for choosing an acting career (!) and he took up the loincloth in 1949 for Tarzan's Magic Fountain.
I opted to watch Barker's third go at the character in Tarzan's Peril (sometimes called Tarzan and the Jungle Queen...
- 5/30/2016
- by NATHANIEL R
- FilmExperience
As the Academy celebrates 85 years of great films at the Oscars on February 24th, Turner Classic Movies (TCM) is set to take movie fans on the ultimate studio tour with the 2013 edition of 31 Days Of Oscar®. Under the theme Oscar by Studio, the network will present a slate of more than 350 movies grouped according to the studios that produced or released them. And as always, every film presented during 31 Days Of Oscar is an Academy Award® nominee or winner, making this annual event one of the most anticipated on any movie lover’s calendar.
As part of the network’s month-long celebration, the Academy of Motion Picture Arts and Sciences has graciously provided the original Academy Awards® radio broadcasts from 1930-1952. Specially chosen clips from the radio archives will be featured throughout TCM’s 31 Days Of Oscar website.
Hollywood was built upon the studio system, which saw nearly ever aspect...
As part of the network’s month-long celebration, the Academy of Motion Picture Arts and Sciences has graciously provided the original Academy Awards® radio broadcasts from 1930-1952. Specially chosen clips from the radio archives will be featured throughout TCM’s 31 Days Of Oscar website.
Hollywood was built upon the studio system, which saw nearly ever aspect...
- 12/17/2012
- by Michelle McCue
- WeAreMovieGeeks.com
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