The Untold Story Of A Lost Classic: What Ever Happened To Gram Parsons’ Sci-Fi Film ‘Saturation 70’?
In the late 1960s, Gram Parsons, fresh from leaving The Byrds and becoming close pals with the Rolling Stones, signed on to star in a sci-fi film, Saturation 70.
Directed by Anthony Foutz, who worked with the likes of Orson Welles and Richard Lyford and was the son of a very early Walt Disney exec, the film was shot across Joshua Tree and Los Angeles.
But Saturation 70, which also featured the work of Douglas Trumbull, the pioneering special effects wizard behind 2001: A Space Odyssey and Blade Runner, was never finished, and the footage subsequently vanished.
But a new book tells the wild story of a possible lost classic.
Chris Campion, who rediscovered the film while working on a book about The Mamas & The Papas, is putting together Saturation 70: A Vision Past of the Future Foretold, raising money via Kickstarter for the project with a view to publish next spring via Wolf+Salmon.
Directed by Anthony Foutz, who worked with the likes of Orson Welles and Richard Lyford and was the son of a very early Walt Disney exec, the film was shot across Joshua Tree and Los Angeles.
But Saturation 70, which also featured the work of Douglas Trumbull, the pioneering special effects wizard behind 2001: A Space Odyssey and Blade Runner, was never finished, and the footage subsequently vanished.
But a new book tells the wild story of a possible lost classic.
Chris Campion, who rediscovered the film while working on a book about The Mamas & The Papas, is putting together Saturation 70: A Vision Past of the Future Foretold, raising money via Kickstarter for the project with a view to publish next spring via Wolf+Salmon.
- 10/26/2023
- by Peter White
- Deadline Film + TV
Andrei Konchalovsky's Sin is showing on Mubi starting June 18, 2021 in the United States.Not once does Michelangelo pick up a brush—or a chisel—in Andrei Konchalovsky’s Sin. Like the Russian icon painter in Tarkovsky’s Andrei Rublev, which Konchalovsky co-wrote over five decades ago, the artist is never captured at work and is instead plunged into a war-stricken wasteland, a 16th century Italy that feels, looks, and probably smells like a pestilential nightmare straight out of Dante’s Inferno. There are wars, murders, plots, crooked aristocrats and ungrateful relatives; early on, Alberto Testone’s Michelangelo staggers into Florence’s Piazza della Signoria to see his monumental David preside over a swamp of corpses and severed heads. Time and again, the genius casts his eyes skyward, searching for someone who’ll only show up in the film’s closing shot. There’s a biblical quality to his helplessness, a...
- 6/21/2021
- MUBI
Shot in 1938, finished in 2019, Richard Lyford's As The Earth Turns is a standout piece of science fiction from the Silent Age. Lyford was just 20 years old when he made it, and although his confident work with the actors recalls his stage experience, much of what we see elsewhere is sheer invention. It may not look polished - indeed, producer/composer Edmund Hartman, who pieced it back together after it was found by one of Lyford's descendants - elected to refrain from restoring it further so that viewers could appraise the director's work in its raw form - but it is brilliant in what it manages to achieve with the simple tools of the time.
The late Thirties were a pivotal time in the development of cinema. Gone With The Wind was shot at the same time - not just a talkie, but in colour - and the two seem.
The late Thirties were a pivotal time in the development of cinema. Gone With The Wind was shot at the same time - not just a talkie, but in colour - and the two seem.
- 3/24/2021
- by Jennie Kermode
- eyeforfilm.co.uk
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