‘Ryan’s Daughter’ actor Christopher Jones dead at 72: Quit acting following nervous breakdown after Sharon Tate murder, in later years turned down Quentin Tarantino movie offer Christopher Jones, who had a key role in David Lean’s 1970 romantic epic Ryan’s Daughter, died of complications from gallbladder cancer last Friday, January 31, 2014, at Los Alamitos Medical Center, approximately 35 km southwest of downtown Los Angeles. Christopher Jones (born William Franklin Jones on August 18, 1941, in Jackson, Tennessee) was 72. After growing up in a children’s home, joining the army at 16 and then going Awol, being handpicked by Tennessee Williams for a small role in the playwright’s The Night of the Iguana in 1961, and starring in the television series The Legend of Jesse James (1965-1966), Christopher Jones began getting film roles. His first was the title role in Allen H. Miner’s 1967 clash-of-generations drama Chubasco, in which Jones plays a misunderstood youth...
- 2/6/2014
- by Andre Soares
- Alt Film Guide
Above: 1970s re-release poster for Jour de Fête (Jacques Tati, France, 1949).
Michel Landi (born 1932) is an incredibly prolific French poster artist with more than 1,500 posters to his name, many of which, like his Bullitt, are very well known. Having worked from the late 50s—when he began by painting the billboards outside Paris movie theaters—through to the 00s, he has worked in many different mediums (he had a notable airbrush period in the 80s) and isn’t really known for one distinctive style. But I recently discovered a number of painted posters by Landi from the late 60s and early 70s that are all very much the work of one artist: all distinguished by wildly expressive brush strokes and a generous, almost fauvist, use of color. The first one I noticed was this exuberant re-release poster for Jacques Tati’s Jour de Fête which renders a carousel as a whirlwind of paint.
Michel Landi (born 1932) is an incredibly prolific French poster artist with more than 1,500 posters to his name, many of which, like his Bullitt, are very well known. Having worked from the late 50s—when he began by painting the billboards outside Paris movie theaters—through to the 00s, he has worked in many different mediums (he had a notable airbrush period in the 80s) and isn’t really known for one distinctive style. But I recently discovered a number of painted posters by Landi from the late 60s and early 70s that are all very much the work of one artist: all distinguished by wildly expressive brush strokes and a generous, almost fauvist, use of color. The first one I noticed was this exuberant re-release poster for Jacques Tati’s Jour de Fête which renders a carousel as a whirlwind of paint.
- 1/24/2014
- by Adrian Curry
- MUBI
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