Venice Film Festival title “Music for Black Pigeons,” directed by Danish filmmakers Jørgen Leth, best known for “The Five Obstructions,” and “The Lost Leonardo” helmer Andreas Koefoed, has debuted its trailer with Variety.
The documentary, which premieres on Tuesday in Venice’s Out of Competition section, explores the lives and processes of some of the world’s most renowned and prolific jazz musicians, including Jakob Bro, Bill Frisell, Lee Konitz, Paul Motian and Midori Takada.
Leth, who has directed more than 40 films including landmark works such as “A Sunday in Hell” (1977) and the surrealist short “The Perfect Human” (1968), returns to Venice after his feature documentary “The Five Obstructions,” which he co-directed with Lars von Trier, screened on the Lido in 2003.
The footage in “Music for Black Pigeons” was shot over the course of 14 years, throughout North America, Europe and Japan. From the hours of recordings, Leth and Koefoed discovered intimate,...
The documentary, which premieres on Tuesday in Venice’s Out of Competition section, explores the lives and processes of some of the world’s most renowned and prolific jazz musicians, including Jakob Bro, Bill Frisell, Lee Konitz, Paul Motian and Midori Takada.
Leth, who has directed more than 40 films including landmark works such as “A Sunday in Hell” (1977) and the surrealist short “The Perfect Human” (1968), returns to Venice after his feature documentary “The Five Obstructions,” which he co-directed with Lars von Trier, screened on the Lido in 2003.
The footage in “Music for Black Pigeons” was shot over the course of 14 years, throughout North America, Europe and Japan. From the hours of recordings, Leth and Koefoed discovered intimate,...
- 9/3/2022
- by Leo Barraclough
- Variety Film + TV
When we talk about rock, we talk about bands: Zeppelin, the Who, the Stones. But when we talk about jazz, we tend to talk about individuals: Miles, Monk, Coltrane. On some level, that makes sense: If the song is the primary mode of rock expression, the solo is generally the way you make your mark in jazz. Whether you’re considering Coleman Hawkins, Louis Armstrong, Freddie Hubbard, or the colossal, now-retired Sonny Rollins, it was when they stepped out front and said their piece that they truly embodied their legendary status.
- 3/7/2020
- by Hank Shteamer
- Rollingstone.com
Ben Monder has spent more than two decades carving out an extremely personal aesthetic niche. The guitarist has played with tons of jazz luminaries, including Paul Motian and Maria Schneider, but recent albums under his own name — like 2005’s Oceana and 2013’s Hydra — feature sprawling, immersive, micro-detailed long-form compositions that seem to land somewhere between technical metal and ethereal art song.
It’s fitting that a player this unusual forged an alliance with David Bowie, a rock star who never allowed genre to fence him in. Monder joined an illustrious...
It’s fitting that a player this unusual forged an alliance with David Bowie, a rock star who never allowed genre to fence him in. Monder joined an illustrious...
- 3/18/2019
- by Hank Shteamer
- Rollingstone.com
“Rare Beauty,” a standout track from Joe Lovano’s new album Trio Tapestry, starts with a deep, resonant tom-tom rumble from drummer Carmen Castaldi. Lovano’s tenor saxophone and Marilyn Crispell’s piano enter with a snaking, up-and-down line, which Castaldi accompanies and answers. The way the instruments swirl together, intuitively tracing out the chant-like theme without settling into a steady rhythm, instantly recalls a sound pioneered by the late drummer-composer Paul Motian.
From the early Eighties on, Joe Lovano’s saxophone presence, magisterial yet poignant, was a key part of that sound.
From the early Eighties on, Joe Lovano’s saxophone presence, magisterial yet poignant, was a key part of that sound.
- 1/27/2019
- by Hank Shteamer
- Rollingstone.com
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